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The Humanitarian Crisis in the Strait of HormuzStranded at an Iranian port for nearly 10 weeks, Indian seafarer Anish has unintentionally become a firsthand witness to the Iran war. Anish arrived in the Shatt al-Arab waterway on a cargo ship days before United States President Donald Trump launched "Operation Epic Fury" on February 28. He has been stuck on the vessel ever since, facing dangerous conditions and uncertainty about when he can return home.Civilian Crews Caught in Military Crossfire"We've faced the whole situation here, the war, the missiles," Anish, who was granted a pseudonym after agreeing to speak on condition of anonymity, told Al Jazeera. "Our minds are terribly distracted." Some of his fellow Indian seafarers have been able to return home by crossing Iran's 44km land border with Armenia, but many others have remained because they are still waiting to get paid. "Some are stuck because of their Indian agents; they are not getting their salaries," Anish said, referring to the middlemen who recruit seafarers, manage payrolls and take care of other employee matters on behalf of shipping firms.The Scale of the Maritime StandstillAnish's predicament is one faced by an estimated 20,000 seafarers stranded since Iran in effect shut the Strait of Hormuz in retaliation for the United States and Israel's attacks on the country. Before the war, the strait functioned as one of the world's most critical shipping routes, carrying about one-fifth of global oil and gas supplies, and one-third of the seaborne fertiliser trade. Despite the announcement of a tenuous ceasefire between Washington and Tehran on April 7, maritime traffic has remained at a standstill amid recurrent attacks in and around the waterway.Economic and Human Toll of the ConflictThe United Nations International Maritime Organization estimates that at least 10 seafarers have been killed since the start of the war. Iran's merchant marine union reported that at least 44 Iranian seafarers, including dockworkers and fishermen, had been killed as of April 1. While seafarers on board vessels operated by major international shipping lines have been receiving hazard pay and other assistance, some seafarers working with smaller operations are struggling to get paid or have their basic needs met, according to labor groups.Global Supply Chain DisruptionThe strait's closure has created significant disruptions to global supply chains. Lloyd's List reported that at least four commercial ships were fired upon in recent days, while a container ship operated by French company CMA CGM reported coming under attack while crossing the waterway. The longer the war drags on, the higher the risk that ship operators will abandon their vessels without settling all outstanding pay, according to seafarers' advocates.Psychological Impact on SeafarersSteven Jones, the founder of the "Seafarer Happiness Index," said seafarers' self-reported wellbeing score has fallen about 5 percent during the war. Seafarers have described seeing Iranian drones and missiles flying at low altitude. "One told us: 'What scares me the most is the thought of an intercepted drone or missile falling on us,'" Jones said. Other seafarers have reported dwindling food supplies and preparing escape plans.The Legal and Logistical ChallengesCrew rotation has become a major pressure point for ships. Under the 2006 Maritime Labour Convention – an international treaty ratified by 111 countries, including China, India, Japan, Australia, and the United Kingdom – the maximum time a seafarer can be required to serve on board is 12 months. While seafarers have a legal right to leave their vessel beyond this period, unstable conditions have made repatriation a complicated and expensive prospect.Mine Warfare in Critical WaterwaysFor the stranded seafarers, there is also the question of finding a safe route out of the strait, where Iran has reportedly laid sea mines. US officials told The New York Times last month that Tehran had laid the mines haphazardly and was unable to locate all of them. "There has been a lot of speculation about more precise numbers, but the fact is that we don't know; uncertainty is central to mine warfare, and creating uncertainty about risk is part of the point of conducting it," Scott Savitz, a senior engineer at the US-based Rand Corporation who has studied naval mine warfare, told Al Jazeera.Uncertain Path Forward for SeafarersEven if the strait were to reopen tomorrow, trade flows would take some time to return to normal due to damaged regional infrastructure, maxed-out storage facilities across the Gulf and a backlog of exports, according to shipping and logistics experts. The IMO announced in late April that it was working on an evacuation plan that prioritizes ships based on humanitarian need, but that "all parties" involved in the conflict would need to refrain from attacks for such an operation to proceed.Personal Stories of Stranded WorkersAnish, the Indian seafarer, said he has not been paid by his Dubai-based agent for nine months. He is supposed to receive a payment in US dollars later this month, but he is worried that his company may withhold the sum. "My contract finish date is the 20th of May," Anish said. "Maybe the company will provide my salary after that," he said. "I don't know."Future Outlook for Global Maritime Trade"It's a very dangerous moment," the ITF's Cotton said. "We're all saying the same – don't transit unless you know it's safe – but I don't think anyone really knows what's safe any more." Savitz said that it would be possible to establish an exit corridor in a few days, but clearing the strait of mines could take weeks or even months. "Iran has stated that it has laid mines in and around the Strait of Hormuz, but it's possible that they have laid them in other areas," Savitz said.

The High Cost of Motherhood in the USFor millions of women in the United States, being a mother comes with an extraordinary price tag that extends far beyond emotional rewards. The nation faces a stark reality where the cost of healthcare, delivery, and raising a child is significantly higher than in most other wealthy countries. This financial burden is compounded by a healthcare system that often leaves families in debt, even for those with insurance coverage.Navigating the Patchwork of Birth CostsThe financial burden begins at the moment of conception and delivery, where costs vary wildly depending on insurance coverage and provider networks. In-network providers offer negotiated rates, while out-of-network providers can lead to financial ruin through unexpected charges.Alaska – $29,152 (vaginal birth), $39,532 (C-section)New York – $21,810 (vaginal birth), $26,264 (C-section)New Jersey – $21,757 (vaginal birth), $26,896 (C-section)Connecticut – $20,658 (vaginal birth), $25,636 (C-section)California – $20,390 (vaginal birth), $25,169 (C-section)Even insured mothers face bills running into thousands of dollars for routine deliveries. The national median in-network charge for a vaginal delivery is $15,178, rising to $19,292 for caesarean sections. Conversely, out-of-network charges are significantly higher, with a median of $31,117 for vaginal births and $44,432 for C-sections.Mortality Rates and Childcare BurdensThe economic strain is mirrored by a public health crisis. The US has one of the highest maternal mortality rates among high-income nations at 18.6 deaths per 100,000 live births, compared with fewer than three in countries like Norway and Italy. This disparity is most acute for Black women, who are about three times more likely to die from childbirth complications. In 2023, the maternal mortality rate was 50.3 per 100,000 for Black women compared to 14.5 for white women.Beyond birth, the cost of childcare remains a crushing economic factor. In 2023, couples in the US spent about 40 percent of their disposable household income on childcare, the highest share among selected developed economies. This is nearly double the rate in Ireland and far above countries like Germany and Italy, where costs are often near zero due to state subsidies.Systemic Disparities in Maternal HealthThe lack of federally guaranteed paid maternity leave exacerbates the financial crisis. While many European nations offer months or years of paid leave, American workers often rely on unpaid leave or personal savings. This forces many mothers back to work just weeks after giving birth, unable to bond with their newborns or recover fully.The impact is visible in the personal stories of mothers like Maria Haris, who faced out-of-pocket costs of $3,000 for a natural birth and nearly $600 per tablet for pain medication. For families relying on Medicaid, the financial safety net is often insufficient, leaving long-term debt from postnatal care like the Neonatal Intensive Care Unit (NICU).The Future of Maternal PolicyAs the economic and health disparities persist, there is a growing movement to reform the system. The high costs of out-of-network care and the disparity in maternal mortality rates highlight the urgent need for federal intervention. Future policy shifts will likely focus on standardizing insurance pricing, expanding paid leave mandates, and addressing the systemic racism embedded in the healthcare system to prevent further loss of life and financial stability for American mothers.

The Rise of Gen Z Investors in a Volatile LandscapeAcross the globe, members of the 1997‑2012 cohort are jumping into stocks, bonds, AI startups and crypto far sooner than their parents did. The trend reflects a mix of personal ambition, heightened economic anxiety and unprecedented digital access to markets.Early Market Entry and Diversified StrategiesAmbrico Ranginui first encountered cryptocurrencies at age 12 and was investing by 16, using birthday money and allowance. After a painful crypto loss, he pivoted to a role at Flatmate Ventures, allocating capital to lithium, robotics and artificial intelligence. Similar stories echo across the generation: many start with high‑risk assets like crypto, then gravitate toward more stable vehicles such as exchange‑traded funds (ETFs) and retirement accounts.Numbers Behind the Boom: Participation Rates and ETF Adoption30% of Gen Z have begun investing before entering the workforce, versus 15% of Millennials and 9% of Gen X (World Economic Forum report).Unemployment for ages 22‑27 is now nearly 8%, up from about 6% seven years ago and well above the U.S. average of 4.3%.About 75% of Gen Zers hold ETFs in retirement accounts, compared with 60% of Baby Boomers (Nasdaq study).41% say they would trust an AI system to manage their portfolio, and many already use tools like ChatGPT for quick analysis.Why This Shift Matters: Economic Uncertainty and Eroding Safety NetsRising inflation, cuts to social‑welfare programs and the decline of employer‑sponsored retirement plans leave younger workers with “less financial stability and smaller social safety nets,” according to Natalya Guseva of the World Economic Forum. At the same time, fintech apps such as New Zealand’s Sharesies provide low‑cost education and instant access, making market entry almost frictionless.While the majority adopt a “slow and steady” approach—opening Roth IRAs, automating contributions and favoring diversified index funds—a smaller cohort embraces speculative bets. In South Korea, Minwoo Lim trades commodities and reports a €1,000 profit from crude‑oil positions, yet warns that only about 4% of day traders earn a living and roughly 10% are profitable.Looking Ahead: AI‑Driven Portfolios and Long‑Term OutlookAI is becoming a de‑facto advisor for many Gen Z investors. Kelly Noel Mbunui Kameni from Kenya photographs her portfolio and asks ChatGPT for diversification suggestions, using the output to make rapid decisions. As AI tools improve, trust in machine‑managed portfolios is likely to rise, potentially amplifying the shift toward low‑cost, passive strategies.Analysts such as Andy Reed (Vanguard) predict that the cost‑savvy, early‑investing habits of Gen Z will “pay off in the long run,” especially if the generation continues to favor ETFs and broad‑market indices over high‑risk speculation. The convergence of economic pressure, technology, and a cultural move toward self‑reliance suggests that Gen Z will reshape asset allocation patterns for decades to come.

The Lead: Why Union Documentaries Matter NowFrom meat‑packers in Minnesota to Amazon warehouses on Staten Island, documentary filmmakers have spent 50 years chronicling the highs and lows of American labor. The latest restorations and releases show that these films are more than cinema‑verité; they are barometers of union strength and cultural attitudes toward collective action.From “Harlan County, USA” to “Union”: A 50‑Year Documentary Timeline1976 – Harlan County, USA (Barbara Kopple) captures a 1973 coal‑miners strike and sets the visual template for labor cinema.1990 – American Dream revisits the 1985‑86 Hormel strike, framing it as an “alternative State of the Union” for organized labor.2000 – American Standoff follows the Teamsters’ battle with Overnite Transportation, illustrating the turn‑of‑century logistics wars.2024 – Union documents the historic Amazon Labor Union drive on Staten Island, highlighting modern anti‑union consulting tactics.2026 – Who Moves America surveys UPS drivers ahead of a potential strike, juxtaposing the 1997 UPS walkout with today’s gig‑economy reality.Membership Numbers and Strike Frequency: The Data Behind the StoriesFrom 1980‑84, U.S. union membership fell by 2.7 million (≈10 %).The Hormel strike (1985‑86) saw 1,500 workers replaced, a turning point for corporate union‑busting.UPS’s 1997 strike involved 185,000 workers; the 2023 negotiations involve a workforce that is 30 % part‑time or contract.Amazon’s 2024 union drive marked the first successful unionization of a major U.S. fulfillment center since 2004.Corporate Narrative Evolution: From Armed Guard to PowerPoint PersuasionEarly films show miners confronting armed security, while later documentaries reveal a shift to polished C‑suite messaging. In Who Moves America, UPS CEO Carol Tomé likens negotiations to “arguing with her husband about a puppy,” a stark contrast to the gun‑toting enforcers in Harlan County, USA. By the 2020s, anti‑union consultants wield slide decks and “culture‑change” workshops, turning the battlefield from picket lines to conference rooms.Future Outlook: New Voices, New Platforms, and the Next Chapter for Labor FilmsStreaming services and independent crowdfunding are giving voice to immigrant and undocumented workers whose stories were previously marginalised. As gig‑economy contracts proliferate, documentary makers are poised to capture a new wave of “micro‑strikes” and digital organising. The genre’s dual role—as an archival record and a practical manual—suggests it will remain a vital tool for both activists and audiences seeking to understand the evolving landscape of American labor.

The Passing of a Comic Book LegendGerry Conway, a renowned comic book writer who helped create characters and stories for Marvel and DC, including the Punisher character in the Spider-Man comics, has died. He was 73. In a Monday statement announcing his death, Marvel described Conway as a legendary comic book writer with a prolific career. He died of pancreatic cancer on Sunday in Thousand Oaks, California, his wife, Laura Conway, told the Associated Press."From Spider-Man to the Avengers, Iron Man to Captain Marvel, Gerry Conway has deftly written almost every character in the Marvel Universe," Marvel Comics editor-in-chief CB Cebulski said. "Gerry Conway's legacy has made an undeniable and indelible impact on the Super Hero stories we know and love. He will be dearly missed."A Career Defined by Iconic CreationsConway was born in Brooklyn on 10 September 1952. A lifelong fan of comic books, he started writing comic book stories as a teenager, and by the age of 19 he landed work on The Amazing Spider-Man – which Marvel's statement described as "the job that would change his life – and the comic book industry at large – forever."Conway's writing featured "pivotal moments" that redefined the series, Marvel said, such as the death of Gwen Stacy, Peter Parker's girlfriend. He also co-created the Punisher, a vigilante antihero known for the skull logo on his chest. The skull imagery has been used by law enforcement in recent years, sparking controversy at times. Nearly a decade ago, Conway objected to police departments putting Punisher decals on their vehicles, saying in a social media post that the character was "a complex morally compromised anti-hero, not to be emulated by cops.""While many know his Marvel accomplishments … Gerry's contributions to DC were equally impactful and significant: shaping Batman, Superman, the Justice League of America, and co-creating Firestorm, Jason Todd and Power Girl and so many more," Jim Lee, chief creative officer and president of DC Comics, said in an Instagram post. "Thank you, Gerry, for the worlds imagined and the heroes created."The Art of Comic StorytellingConway had a way of imbuing characters with nuance and emotional depth, Marvel said in its statement. "Gerry Conway brought real stakes to his writing, able to weave together sensational super heroics with the human and relatable, and in doing so created some of the most memorable stories and characters of all time," Marvel Studios president Kevin Feige said.Beyond the Spider-Man comics, Conway wrote for several other major Marvel titles, including Fantastic Four, Thor and The Incredible Hulk. In a 1981 interview with the Comics Journal, Conway noted how comic books can appeal to both younger and older audiences."I'm writing for the youthful part of myself, the primitive part of myself," he told the magazine. "If an adult likes the books it's because of a nostalgic feeling for that primitive, easy conceptualization of heroic purpose."A Lasting LegacyConway is survived by his wife and two daughters from previous marriages. "Being separated from a soulmate is a unique kind of pain. But I'm grateful we found each other and for the time we had together, which changed both our lives," his wife said.He and his fans loved meeting each other, his wife Laura Conway said. At his last public comic book signing in February, "he was tired and in a lot of pain as the cancer was spreading, but he stayed an extra two hours to make sure every fan in line could get their book signed and have a moment to talk with him about comics," she said. "That's the kind of person he was."

Prince’s death in 2016 ignited an unexpected odyssey for an Australian arts administrator. Grieving on a subway platform, she soon found herself in Minneapolis, founding The People’s Museum for Prince and rebuilding her artistic life across two continents.The Catalyst: Prince’s Death and an Unexpected JourneyThe shock of the news hit while she was waiting in a subway station. Within days she was wearing a purple sequined gown, attending nightly screenings of Purple Rain, and feeling a magnetic pull toward Prince’s hometown. A spontaneous flight to Minneapolis led to an encounter with strangers leaving flowers and letters at Paisley Park, confirming that the grief was shared community‑wide.From Grief to Grassroots: Building The People’s Museum for PrinceBack in New York she could not settle. She quit her job, paused a PhD, and redirected her research toward Prince’s cultural legacy. The result was a volunteer‑run museum that archives personal testimonies, artwork, and memorabilia, illustrating how a single artist can inspire a collective memory project.Timeline of Key Milestones2016 – Prince dies; author experiences intense grief.Late 2016 – First trip to Minneapolis; visits Paisley Park.2017 – Leaves New York job and PhD program.2018 – Launches The People’s Museum for Prince.2020‑2021 – Produces short documentary “Dearly Beloved”.2026 – Article published, museum still active, film in development.Impact on Personal Identity and Community CultureThe move reshaped her self‑perception from administrator to creator. By curating community stories, she helped cement Minneapolis as a living memorial space, reinforcing the idea that popular culture can generate lasting civic bonds.Looking Ahead: Expansion, Film Projects, and Ongoing Trans‑Continental LifeThe museum plans to digitise its archive, inviting global contributors. The forthcoming feature‑length documentary will broaden the narrative, while the author intends to split her time between Australia and Minneapolis, continuing to nurture the artistic dialogue sparked by Prince’s legacy.

In a war‑torn Ukrainian city, a concrete deer shaped like folded paper has become a beacon of hope, now en route to the 2026 Venice Biennale. The piece, created by Zhanna Kadyrova, has travelled from the frontlines of Pokrovsk through Paris, Warsaw, Prague, Vienna and Brussels, gathering stories of survival and a new mythology along the way. A Concrete Deer Becomes a Symbol of Hope The sculpture was first installed in 2018 on a plinth that once held a Soviet Su‑7 bomber in Pokrovsk, Donetsk region. Intended as a simple, touchable landmark for locals, it later turned into a poignant reminder of peace when the city fell under Russian fire. From Eastern Ukraine to UNESCO: The Deer’s Epic Overland Journey In August 2024, as combat approached, curator Leonid Marushchak coordinated the risky evacuation of the deer, using angle grinders, a hammer drill and a crane to free it from its concrete base. The sculpture was then loaded onto a flat‑bed truck and began a circuitous tour of European capitals, stopping at UNESCO’s Paris headquarters before heading to Venice. Timeline and Logistics: Numbers Behind the Relocation 30 August 2024 – Deer lifted from its plinth in Pokrovsk. September 2024 – March 2025 – Transported through Warsaw, Prague, Vienna and Brussels. April 2025 – Displayed in UNESCO gardens, alongside Alexander Calder’s Spirale. May 2025 – Arrived in Venice, docked in the lagoon for the Biennale. Distance covered: roughly 2,500 km across five countries. Why the Deer Resonates: Cultural and Political Impact The deer now embodies a “new mythology” for displaced Ukrainians. Visitors—refugees, locals and tourists—touch the sculpture and make wishes, turning a public art piece into a living memorial of a city that may soon be reduced to rubble. Its presence at UNESCO underscores the intersection of cultural heritage protection and wartime loss, while the Biennale’s decision to host both Ukraine and a reinstated Russian pavilion adds a fraught political layer. What Lies Ahead: The Deer’s Role at the 2026 Venice Biennale Featured in the Ukrainian pavilion titled Security Guarantees, the deer will serve as a visual metaphor for the displacement of millions of Ukrainians. Curators hope the work will shift the conversation from a binary “anti‑Russian” narrative to a broader reflection on survival, cultural continuity, and the power of art to travel beyond borders. As the Biennale progresses, the deer’s journey may inspire similar cultural rescue projects across conflict zones.

New Renters’ Rights Act Takes Effect Across EnglandOn 30 April 2026 the Renters’ Rights Act came into force, introducing tighter controls on section 21 no‑fault evictions. The legislation was designed to protect tenants from sudden displacement and to give them more time to find alternative housing.Surge in Section 21 Eviction Notices Ahead of the BanSolicitors report an unprecedented influx of requests to serve last‑minute section 21 notices before the new rules apply. Citizens Advice confirms that thousands of renters have sought assistance in the past month, indicating a wave of panic among tenants.Eviction notices filed in the week before the Act: estimated >5,000Citizens Advice calls received: >3,000Geographic hotspots: major cities such as London, Manchester, BirminghamScale of the Eviction Wave and Legal ResponseLegal firms are overwhelmed, with many reporting back‑to‑back consultations. The rapid rise in demand highlights both the urgency of the issue and the limited capacity of advisory services.Implications for Tenants, Landlords, and Policy MakersThe sudden spike threatens to strain the rental market, potentially driving up homelessness rates and increasing pressure on local authorities. For landlords, the new law may force a shift toward longer‑term tenancy agreements or alternative dispute mechanisms.What the Future Holds for No‑Fault Evictions in EnglandExperts predict that once the initial rush subsides, the number of section 21 notices will decline as landlords adapt to the new legal framework. Ongoing monitoring by the government and advocacy groups will be crucial to assess the Act’s effectiveness and to address any unintended consequences.

The Hollywood Pop Star Paradox For anyone with even the slightest interest in Hollywood, it is not entirely surprising that Anne Hathaway recently appeared on Popcast, the New York Times critics' podcast that has become a premier destination for music promotion. After all, the actor – whose last appearance in a musical bagged her an Academy Award – is a major part of one of the best recent movies to show pop stardom on screen. The Challenge of Creating Fictional Pop Icons The Idea of You successfully conveyed the idea that Hayes Campbell (Nicholas Galitzine) was the breakout star of a crushable 2010s boyband with a feral fanbase called August Moon. And by "successfully conveyed", I mean the film remixed a string of One Direction-esque iconography – the jaunty rock-lite choruses, fizzy cheerfulness and class clown antics – into actual music videos and convincingly banal bops. The bar is low; many, many films have created bespoke pop stars and/or music for alternate cultural histories, but vanishingly few transcend pastiche. When High Ambition Meets Disappointment I found myself missing the catchy yet entirely forgettable output of August Moon while watching the much more highbrow-aiming Mother Mary, which similarly tries very hard to conjure the magic of a generational pop icon by remixing the recognizable. Diva signatures abound – Mother Mary struts like Taylor Swift, stuns in goddess repose a la Beyoncé and bears the ornate hand tattoos of Ariana Grande. She shares with Lady Gaga an imperial remove, haute styling and maternal forbearance (as well as some biography – Lowery seems more than a little inspired by Gaga's mid-career falling out with Laurieann Gibson, the creative director behind her first two albums.) The Elusive Quality of Authentic Stardom It's certainly not for lack of trying, nor caring. By all accounts, the pop elements of Mother Mary, meant to color a character whose relationship to fandom serves as an overarching metaphor, were made with great reverence for an artform often easily dismissed as, well, easy. On the Popcast, Hathaway waxes poetic about studying pop music like an academic, and Mother Mary certainly appears erudite – speaking nonsense, sure, but well-versed in the precise choreography, deific grace and outsized persona of an archetypical pop star. But the effect is not, as FKA twigs put it in the same interview, "total feeling" despite imperfect approximation. The Real Thing vs. Fictional Creation It helps to bank on the real thing. Though Bradley Cooper's A Star Is Born was ultimately about a fading male rock star, it is Lady Gaga's meta-transformation, from high camp into stripped-down singer-songwriter with glinting ambition, that powered the anthemic Shallow into a crossover hit. The imagination of an alternate, artistically compromised Brat Summer in Charli xcx's satirical mockumentary The Moment was ultimately listless, but the film at least had some of her volatile star power to burn. That prospect of verisimilitude to the real, established thing propels our evergreen fascination with the much more successful genre of musical biopics, from Michael to Rocketman, Bohemian Rhapsody to Springsteen: Deliver Me from Nowhere. When Pop Stardom Works as Backdrop A handful of recent movies have fared better when using pop stardom as a backdrop to the action, rather than thematic engine. The horror films Trap and Smile 2, released in 2024, both staked arena shows for youth-skewing female stars as the focal point for genre conventions, built out with music videos, Drew Barrymore crossover appearances celeb cameos and original music befitting a mid-tier musician. The recessive output of Skye Riley (Naomi Scott) or Lady Raven (Saleka Shyamalan, daughter of director M Night) works, in that it appears as generic to some (say, Josh Hartnett's girl dad / serial killer) as it is indispensable to young fans. The Most Compelling Pop Star Portrayals Each of these carve some vague path through the vast morass of modern celebrity; far fewer have the nerve to actually commit to a corner. Alex Russell's criminally underseen Lurker, released last year, strategically deploys atmospheric, entrancing music, with just enough snippets of video, to pad a portrait of toxic adjacency, in which an obsessive fan wheedles his way into a singer's entourage that got too comfortable laundering trust and envy. But it's Vox Lux, Brady Corbet's 2018 precursor to The Brutalist, that remains the most divisive and compelling pop star movie in recent memory for its pitch-black view of pop music as fundamentally empty, stardom a Faustian bargain. The Future of Pop Stardom on Screen Vox Lux, at least, expressed some irreducible confidence nowhere to be found in Mother Mary's diva-off. For all its posturing, and for Hathaway and Michaela Coel's sincere commitment to chewing scenery, the film is surprisingly weightless – untethered from the real humiliations, the grueling labor, the compromised artistry that makes pop stardom such a potent subject in the first place. Hollywood may continue to try its hand at creating pop stars, but until it understands that the magic cannot simply be manufactured, these portrayals will remain echoes rather than icons.