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Prominent Kashmiri separatist Aasiya Andrabi has been handed down three life sentences by an Indian court, a move that has been widely condemned by activists and legal experts. Andrabi, the founder of the banned all-women's organisation Dukhtaran-e-Millat (DeM), was sentenced on March 24 by a special National Investigative Agency (NIA) court in New Delhi.Andrabi, 64, and her two associates, Sofi Fehmeeda and Nahida Nasreen, were arrested by the NIA in 2018 under the Unlawful Activities Prevention Act (UAPA), a draconian anti-terror law. The UAPA was introduced in 2008 and amended in 2019 to allow authorities to declare individuals as 'terrorists'. Andrabi was accused of waging war against the Indian government, raising funds for terrorist acts, and being a member of a terrorist group.However, the court found no evidence related to these charges, yet convicted her on less serious allegations such as provoking hostility between communities and undermining national integration. The court noted that while Andrabi's actions did not directly cause violence, they could evoke sentiments that may lead to violence.Legal experts say Andrabi's conviction is mainly based on offensive speech-making, raising questions about India's tolerance of dissenting voices. 'Ideology is not punishable by law; only actions are,' a Kashmir-based legal researcher said. 'But the UAPA's scope has been widened significantly through several amendments.'Andrabi's son described the conviction as 'effectively a death sentence' given her age and time already spent in jail. Her husband, a former rebel leader, has also been imprisoned since 1992. Critics argue that the conviction fits a broader pattern in which all forms of political resistance are disciplined in Kashmir.

Major League Baseball has handed down seven-game suspensions to Los Angeles Angels designated hitter Jorge Soler and Atlanta Braves pitcher Reynaldo López after a heated brawl during a game between the two teams. The suspensions, announced by MLB's senior vice-president for on-field operations, Michael Hill, also come with undisclosed fines. Both players are appealing their suspensions, which were set to begin on Wednesday but are currently on hold.The incident occurred on Tuesday night when Soler homered off López in the first inning, and later was hit by a 96mph fastball from López. The situation escalated when López threw a high-and-inside wild pitch, prompting Soler to charge the mound. The two players began throwing punches, leading to a brawl that involved players and coaches from both teams.Atlanta Braves manager Walt Weiss described the situation as a 'big man' on a 'warpath,' saying he had to intervene to prevent Soler from hurting someone. Soler and López were teammates during the second half of the 2024 season with the Braves.The Braves went on to win the game 7-2, with Soler's two-run shot in the first inning contributing to the victory. Soler has impressive stats against López, going 14 for 23 with five homers and three doubles.Both players expressed regret over the incident, with López stating there was 'never any intent to hit him' and Soler criticizing López for missing 'way too high and close to my head.'

At a Pentagon briefing, Defense Secretary Pete Hegseth asserted that Iran’s request for a temporary cease‑fire was a direct result of the United States’ intensive air campaign, which he described as having reduced Iran’s weapons factories to rubble and rendered its military ineffective for years to come. Hegseth, standing beside Joint Chiefs Chairman Dan Caine, said the final wave of strikes before President Donald Trump announced a two‑week pause had completely destroyed Iran’s defense industrial base. While Iran can still fire from existing stockpiles, it can no longer replace lost munitions, according to the secretary. President Trump posted on Truth Social that he had agreed to suspend hostilities less than two hours before his self‑imposed deadline to “decimate the entirety of Iranian civilization.” The decision followed a last‑minute diplomatic push by Pakistan’s Prime Minister Shehbaz Sharif and army chief Gen Asim Munir. Iran’s foreign minister Abbas Araghchi confirmed Tehran’s acceptance of the pause, and the country’s supreme national security council announced it would send a delegation to Islamabad for formal talks starting Friday. Both sides claimed victory: Iran’s security council said it had achieved “nearly all the objectives of the war,” while the United States highlighted the crippling of Iran’s military capabilities. The cease‑fire ends a conflict that began on 28 February, when the U.S. and Israel launched nearly 900 strikes in a 12‑hour window against Iranian military infrastructure, missile sites, and leadership. The opening day saw the death of Supreme Leader Ali Khamenei, with his son Mojtaba Khamenei named successor on 8 March. Hegseth warned that the United States had prepared additional strikes on Iran’s power plants, bridges and energy infrastructure—targets he said Iran could not defend or rebuild for decades—if Tehran had refused the pause. According to Joint Chiefs Chairman Caine, 13 U.S. service members were killed during the fighting. Total casualties across the region exceed 5,000, including over 1,600 Iranian civilians and at least 1,497 deaths in Lebanon. By the sixth day of the war, U.S. military spending had reached roughly $12.7 billion, with a pending supplemental request of $200 billion before Congress. The future of a lasting settlement remains uncertain. Trump later announced that Iran would hand over its enriched uranium and cease all enrichment activities, while Iran’s supreme national security council released a 10‑point counter‑proposal that explicitly demands the right to continue enrichment. Disagreements also persist over the cease‑fire’s scope. Israel maintains that the pause does not apply to Lebanon, where ground and air campaigns are at their most intense since Israel’s northern invasion. Both Pakistan and Iran, however, have stated that Lebanon is included in the cease‑fire. Subsequent reports indicated Iranian missile and drone attacks on Kuwait and the United Arab Emirates, as well as strikes on Iran’s oil infrastructure on Lavan Island. Iran’s supreme national security council warned that its forces remain on high alert, stating, “our hands are on the trigger, and any mistake by the enemy will be met with full force.” When asked about the long‑term U.S. presence in the region, Hegseth replied unequivocally: “We’re not going anywhere.”

Chelsea have indicated they are open to re‑appointing Enzo Fernández as captain this season, even though the Argentine midfielder served a two‑match ban after suggesting he would prefer to live in Madrid and praising former Real Madrid stars Luka Modrić and Toni Kroos. The £106.7 million midfielder was suspended by head coach Liam Rosenior for the FA Cup victory over Port Vale and the subsequent Premier League clash with Manchester City, after Rosenior deemed his remarks a breach of club discipline. While external observers often label Fernández as Chelsea’s de‑facto vice‑captain, the club’s internal hierarchy treats him as one of several co‑captains within a broader leadership group. He has not been formally granted seniority over teammates such as Moisés Caicedo, who is expected to wear the armband against City while Reece James recovers from a hamstring injury. Club insiders stress that Fernández’s “alpha” personality naturally positions him to step into the captain’s role when James is unavailable, but no official decision on the vice‑captaincy has been required so far. Beyond the disciplinary issue, the midfielder’s future remains uncertain. Real Madrid have placed him on a shortlist as they look to overhaul their midfield, yet they are unlikely to meet Chelsea’s asking price of around £100 million. Fernández’s contract runs until 2032, and his agent Javier Pastore warned that the player will explore options if a new deal is not secured after the World Cup. Pastore also criticised the two‑game ban as unfair, while Chelsea maintain the punishment was necessary to curb public dissent and protect club unity. The owners and sporting directors have made it clear that private feedback is acceptable, but public criticism will not be tolerated. With Chelsea currently sixth in the Premier League and still reeling from a Champions League exit at the hands of Paris Saint‑Germain, the club faces a crucial period. They must balance a push for Champions League qualification, upcoming FA Cup semi‑finals against Leeds, and the ongoing contract and transfer saga surrounding one of their most influential players.

A24 marketed Kristoffer Borgli’s second English‑language film as a darkly comic romance, pairing Zendaya and Robert Pattinson as a seemingly picture‑perfect couple on the brink of marriage. The studio’s teaser, a faux wedding announcement in the Boston Globe, amplified the buzz that began with the trailer’s release and even earlier Reddit speculation. The narrative follows Charlie (Pattinson) and Emma (Zendaya) through a series of sun‑lit flashbacks that culminate in a tense pre‑wedding dinner. During a “worst‑thing‑you’ve‑done” game, Emma confesses that, as a depressed teenager in Louisiana, she once planned a mass shooting and even practiced with her father’s rifle, though she never pulled the trigger. This revelation serves as the film’s central twist and propels the story into a moral quandary about forgiveness and trust. Critics note that the film’s premise is deliberately provocative. Borgli, known for his satirical take on cancel culture in Dream Scenario, uses Emma’s confession to interrogate America’s obsession with gun violence. By placing the “thought crime” in the hands of a Black woman—contrasting with statistics that over 95% of mass shooters are male and more than half are white—the director forces a reversal of the usual gendered narrative surrounding firearms. The twist has provoked strong reactions from survivors and advocacy groups. Tom Mauser, who lost his son in the 1999 Columbine shooting, called the plot “awful” in a TMZ interview, while 2019 school‑shooting survivor Mia Tretta told USA Today that such a storyline “shouldn’t be joked about.” Parkland survivor Jackie Corin offered a more measured view, urging the film’s stars to use their platforms responsibly and questioning whether the project rises to the ethical standards their influence demands. Beyond the controversy, the film boasts technical strengths. Arseni Khachaturan’s cinematography creates a lush visual palette, and the editing maintains a brisk pace as the wedding day approaches. The climactic ceremony—described by many reviewers as the film’s “pièce de résistance”—forces Charlie and Emma to confront the fallout of Emma’s secret amid a chaotic, alcohol‑fueled toast that lays bare the fragility of their relationship. In the final scene, the couple reconvenes at a diner, echoing the opening “can we start over?” motif. The ambiguous resolution suggests that exposing one’s darkest thoughts may either deepen intimacy or foreshadow further turmoil. Overall, ‘The Drama’ is both a compelling watch and a flashpoint for debate about how cinema engages with the United States’ endemic gun‑culture. Whether the film succeeds as a thought‑experiment or merely courts outrage remains a divisive question that will likely fuel discussions well beyond its theatrical run.

President Donald Trump opened the traditional Easter Egg Roll on the White House South Lawn alongside a child dressed in a giant bunny costume, before turning the event into a platform for a stark Iran warning to a room of reporters. Hours later, the president entered a packed briefing room flanked by Defence Secretary Pete Hegseth. The press conference highlighted the recent rescue of a U.S. airman whose jet was downed by Iran, a mission Trump praised as "genius" and likened to a Hollywood production. Amid the celebration, Trump shifted focus to a $1.5 trillion Pentagon budget request he had submitted the previous week, emphasizing military spending while domestic programs face cuts. In a chilling turn, the president warned that the United States could "take out the entire country in one night" by targeting Iran’s bridges and power plants, a threat he framed as a potential path to freedom for the Iranian people. He claimed, without evidence, that Iranians would accept such suffering to topple their regime. When a reporter cited the Geneva Conventions, Trump dismissed the concern, questioning the journalist’s affiliation and mocking the New York Times for its declining circulation. Trump also hinted at personal profit, stating, "I'm a businessman first" when asked about seizing Iranian oil, and invoked a quasi‑religious narrative, saying, "God was watching us" during the Easter festivities. Defence Secretary Hegseth, known for his ties to Christian nationalism, likened the rescue to a resurrection, describing the timeline from the aircraft’s downing on Good Friday to its recovery on Easter Sunday as a "pilot reborn". Critics on social media and within Congress have labeled Trump’s rhetoric as "insane" and "dangerous," urging the cabinet to consider the 25th Amendment to assess his fitness for office. The president brushed off mental‑health concerns, suggesting that if his condition were an issue, "you’ll need more people like me." Recent weeks have seen Trump make contradictory statements: first denying the strategic importance of the Strait of Hormuz, then threatening escalation; first boasting of air superiority after a U.S. fighter was shot down, then claiming the war is already won. These erratic pronouncements have heightened worries that the nation’s nuclear launch authority may be in the hands of a leader whose public behavior resembles the "Mad Hatter" of Lewis Carroll’s classic.

Renowned artist and stage designer Es Devlin is pioneering a unique approach to addressing AI ethics through her latest project, which combines ceramics and collaboration. At the AI and Earth conference organized by Devlin, a diverse group of artists, AI researchers, spiritual leaders, academics, and tech experts gathered at Oxford Kilns to discuss AI and create pottery.The conference, held in preparation for the opening ceremony of the Schwarzman Centre for the Humanities at Oxford University, aimed to foster dialogue and understanding among individuals with varying perspectives on AI. Devlin's approach emphasizes the importance of human connection and hands-on engagement in the digital age.Participants, including Alan Turing and Isaac Asimov, discussed the implications of AI on society, while Ethan Mollick introduced his concept of centaurs or cyborgs, describing how humans use AI for specific tasks or close collaboration. The event also featured a performance by the University Chamber Choir and a choral piece by Nico Muhly, inspired by the works of 17th-century theologian and poet Thomas Traherne.Devlin's installation, 360 Vessels, will be showcased at the Schwarzman Centre's opening festival, featuring 360 pots created by participants and the public. The project serves as a platform for exploring the intersection of technology, art, and human values.As Devlin noted, 'I am aware that my art and my words and my every choice, my presence, is being used to train the algorithms that concentrate wealth among a small number of individuals, and, in spite of this – however confusing, however painful – I would like to try to stitch my digital shadow back on to my feet and dance with it myself, and invite others to dance with it too.'

James, the Manchester‑originated nine‑piece, have turned a five‑decade career into a living testament to longevity, headlining arenas while celebrating the surprise success of their 2024 album Yummy, which finally secured a UK No.1 spot 42 years after the band first formed.The group continues to defy conventional touring formulas. Frontman Tim Booth describes their shows as “crazy, idiosyncratic,” with nightly set‑list revisions and unreleased songs that often lack finished lyrics. One such piece, the eight‑minute “Nantucket,” features a wordless chorus, an electro‑violin groove and verses that proclaim a mission to inspire, embodying the band’s experimental spirit.Rather than relying solely on a greatest‑hits marathon, the two‑hour, 21‑song performance weaves in moody interludes, deep‑cut selections, and influences ranging from Brian Eno’s ambient textures to the pulsating beats of Italian house. Lyrical barbs aimed at billionaires and organized religion sit alongside anthemic warmth, creating a communal atmosphere. The opening number “Come Home” subtly nods to Booth’s Leeds roots, while trumpeter Andy Diagram sports a “No more war” T‑shirt, and Booth often reaches out to audience members, reinforcing the show’s inclusive vibe.Driving the rhythm is veteran drummer David Baynton‑Power, complemented by recent additions Chloe Alper and Debbie Knox‑Hewson, who inject fresh sonic layers. Booth, now 66, remains the band’s charismatic talisman, occasionally appearing on a balcony for “Born of Frustration” and the soaring “Say Something,” moments that feel almost ritualistic. Arena‑sized sing‑alongs erupt during “Getting Away With It (All Messed Up)” and the classic “Sit Down,” and when Booth finally dives off the stage, he is hoisted aloft by a sea of hands, underscoring the band’s unique connection with fans.The concert at P&J Live in Aberdeen on 7 April exemplified why James remains a special, brilliant force in live music, continuing a tour that proves their relevance and humanity endure across generations.

The new Reform UK promotion, dubbed “Nigel cut my bills,” asks voters to surrender personal details – name, phone, email and voting history – for a chance that Nigel Farage will foot their energy bills for a year. The concept reads like a scripted MrBeast video: a charismatic host appears on a suburban street, hands out cash, and celebrates each winner with upbeat music and on‑screen tallies. While the party frames the scheme as a bold, voter‑engaging move, privacy advocates have already flagged potential breaches of data‑protection law. More troubling, however, is what the stunt signifies: the “MrBeastification” of British politics, where flashy giveaways replace substantive policy debate. Reform UK’s website touts a suite of promised savings if it wins the next election: scrapping VAT on energy bills (a £85 reduction), eliminating Labour’s green levy (£100), and removing the carbon tax (£15). The messaging is clear – Farage is portrayed as a man who puts money directly into voters’ pockets. Yet the underlying issue of soaring energy costs is oversimplified. Bills are high not because of the mentioned taxes, but because the UK’s electricity price is tied to volatile gas market prices. Farage’s advocacy for renewed North Sea drilling would lock the country into this volatility, offering short‑term relief at the expense of long‑term energy security. Earlier, Reform UK floated a controversial policy targeting non‑domiciled residents: a one‑off charge of £250,000 for a ten‑year renewable residence permit, with proceeds earmarked for low‑paid workers. Critics argue the fee merely shifts the burden onto wealthy foreigners while providing negligible benefit to ordinary voters. In the world of viral giveaways, the spectacle often masks deeper shortcomings. As the article notes, after MrBeast hands cash to a homeless man, he probes the man’s backstory, revealing systemic issues that a single payment cannot solve. Similarly, Reform’s grand gestures risk being tokenistic, offering temporary excitement without addressing the structural challenges of the UK’s energy market. Ultimately, the “Nigel cut my bills” competition may capture attention, but it also underscores a shift toward sensationalist political communication that prioritises instant gratification over meaningful policy solutions.