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As the conflict drags on, Iranians are attempting to maintain a semblance of ordinary life in the face of constant explosions and airstrikes. The days following Nowruz, the Persian New Year, are usually a time of renewal and celebration, but this year, the atmosphere is tense."More and more, people are starting to normalise this war", said Farhad, a photography editor in Tehran. "It's difficult, but we're adapting and trying to return to our daily lives as much as possible. There's no alternative. We're tired. We just want peace."Despite the challenges, some Iranians are finding ways to cope. Aylar, a 39-year-old human rights worker, paid for an expensive VPN to circumvent the internet blackout imposed by Iranian authorities so she could stay in touch with relatives abroad. She also made time for a coffee date with friends, highlighting the complexity of life during conflict.The humanitarian toll is significant, with Iran's official death toll frozen at around 1,500, but the real figure may be more than 3,000, according to the Iranian Human Rights Activists News Agency. Many more have been injured, and the psychological impact is profound.As the situation continues to unfold, uncertainty and division within Iranian society are palpable. While most Iranians oppose the war, some have welcomed it as a potential catalyst for change. The future remains uncertain, with concerns that the conflict could become a recurring reality.

A landmark jury verdict has found Meta and YouTube liable for deliberately designing addictive products that harmed a young user, KGM. The jury ruled that the tech companies were both negligent and failed to provide adequate warnings about the potential dangers of their products.The plaintiff, KGM, testified that she became addicted to YouTube at age six and Instagram at nine, which she claimed had deleterious effects on her wellbeing. By age 10, she said she had become depressed and was engaging in self-harm as a result. Her social media use allegedly caused her to have strained relationships with her family and in school.The jury awarded KGM $6m in damages, with Meta to pay 70% and YouTube the remainder. This lawsuit, over social media's alleged harm to young people, was the first of its kind to go to trial.KGM's lawyers argued that the companies' features, such as infinite scrolling and video autoplay, were designed to keep people on the apps and made the products addictive. The plaintiffs' arguments mirrored those brought against big tobacco in the 1990s, focusing on the addictive qualities of social media and the companies' public denial despite knowledge of their products' harms.Meta and YouTube have consistently denied wrongdoing and plan to appeal the verdict. A YouTube spokesperson said the video service was a responsibly built streaming platform, not a social media site. Meta said KGM's mental health issues were brought on by a difficult home life and social media use was not to blame.This trial is the first in a consolidated group of cases brought in California against Meta, TikTok, YouTube, and Snap on behalf of more than 1,600 plaintiffs. The next bellwether case is scheduled to go to trial in July.

Martin Dohrn, a veteran wildlife photographer, has created a joyous film that explores the fascinating world of bees in his urban Bristol garden. The documentary, 'My Garden of a Thousand Bees', features over 60 species of bees and showcases their unique characteristics and behaviors.Dohrn's enthusiasm for bees is palpable as he shares his experiences with the audience. He notes that bees live in a 'completely different dimension' and that his approach to filmmaking is 'time-stretching', resulting in breathtaking detail and a soundtrack that immerses the viewer in the world of bees.The film features a range of bee species, including the wool carder bee, the ashy mining bee, and the red-tailed mason bee. Each species is showcased in its natural habitat, highlighting their unique characteristics and behaviors. Dohrn's interactions with the bees are both fascinating and heartwarming, particularly his bond with a leafcutter bee named Nicky.The film's themes of companionship and appreciation for nature are woven throughout the narrative, making it a delightful and educational watch. Dohrn's passion for bees is infectious, and the film encourages viewers to appreciate the importance of these vital pollinators.The documentary also touches on the decline of bee populations worldwide, with Dohrn noting that 'all over the world, bees are declining'. However, the film's focus is on the beauty and wonder of bees, rather than the doom and gloom of their decline.The film's message is clear: let's appreciate and protect these incredible creatures. As Dohrn says, 'It's changed my view of bees. It's changed my view of the world.''My Garden of a Thousand Bees' is available to watch on BBC Four and iPlayer.

Mark Simmons, a rising star in the comedy world, has made a name for himself with his quick wit and clever one-liners. In a recent interview, Simmons opened up about his journey as a comedian, his inspirations, and his latest tour, Jest to Impress.Simmons' love affair with comedy began when he was starting out. He devoured DVDs and videos of standups, drawn to those who dared to be different. Stewart Lee, Rhod Gilbert, Lee Mack, and Noel Fielding were among his early inspirations. Simmons' own style is characterized by his ability to craft clever one-liners and gags, earning him the title of Dave's Joke of the Fringe winner in 2024.When it comes to writing new material, Simmons has a keen eye for wordplay. He recalls a conversation with a friend that sparked a joke, showcasing his ability to find humor in everyday life. Simmons' process involves collecting notes and ideas, which he then crafts into jokes.Simmons has had his fair share of memorable gigs, including a standout performance at Glastonbury festival and a recent show at Nottingham Playhouse, where he performed to a sold-out crowd of 700 people. His show, Jest to Impress, is a celebration of silliness and wordplay, offering audiences a chance to forget their worries and have a laugh.Simmons also hosts a podcast where he discusses jokes that haven't quite landed. He shares an example of a joke that works on paper but not in front of an audience, highlighting the challenges of comedy. While awards like Dave's Joke of the Fringe are fun, Simmons acknowledges that they can be reductive, but he's proud to be the undefeated champion.Jest to Impress is currently on tour in the UK and Ireland until November 28. Fans of Simmons can catch him live, enjoying his unique brand of comedy that promises to leave audiences laughing and entertained.

Israel's parliament has moved closer to implementing a contentious death penalty for Palestinians convicted of terrorism, with the Knesset's national security committee approving the measure on Tuesday. The bill, initiated by the far-right Otzma Yehudit party, now heads to its final vote.Critics, including human rights groups and UN experts, have strongly opposed the bill, citing concerns it violates international law and discriminates against Palestinians. The proposed law would allow for executions to be carried out within 90 days of sentencing, with hanging as the specified method.The bill also proposes that those sentenced to death be held in a separate facility with restricted visitation rights. Executions would be carried out without the option for clemency, a provision that has drawn sharp criticism from opponents.International condemnation has been swift, with UN experts urging Israel to withdraw the bill, stating it would violate the right to life and constitute cruel, inhuman, or degrading punishment. The European Union's diplomatic service has also condemned the bill, emphasizing that the death penalty is a violation of the right to life.In Israel, the bill has been backed by National Security Minister Itamar Ben-Gvir, who has worn a noose-shaped lapel pin in support of the measure. However, notable opposition has come from within Israel, including from centre-left lawmaker Gilad Kariv, who has raised concerns about the bill's moral and legal implications.

A newly expanded policy from the Trump administration could require travelers from five World Cup-qualified African countries to post a bond of up to $15,000 in order to enter the United States for the tournament.Visa bonds function as security deposits: a one-time payment that is meant to be refunded after a traveler exits the US under the terms of their visa. The amounts typically range between $5,000 and $15,000, and are required for passport holders from certain countries to enter the US legally under B-1 or B-2 visas, which are necessary for business travelers or tourists.The US State Department has mandated these bonds since launching a pilot program in late 2025, targeting many of the same countries affected by the Trump travel ban along with others – predominantly nations from Africa, the Middle East, Latin America and parts of Asia. Last week, the state department announced an expansion of the program, with visitors from 50 countries now required to submit the deposits if requested by US consular officials.Among those 50 countries, five have qualified for the World Cup, all from Africa: Algeria, Cape Verde, Côte d'Ivoire, Senegal and Tunisia. Though refundable, the cost of the bonds alone is sufficient to make travel to the US prohibitively expensive for most fans from these nations, where average annual income levels are approximately $5,000 per year or less. Tunisia is scheduled to play one group-stage game in the US with the other two in Mexico. Senegal and Côte d'Ivoire will play twice in the US and once in Canada. Algeria and Cape Verde will compete in all three of their group-stage matches in Mexico.Even if affordable for some supporters, the multi-thousand dollar requirement adds another significant complication for fans from these countries, including exorbitant ticket prices for the games themselves, hotel rates far above average, plus additional visa processing delays and potential safety concerns created by the presence of federal immigration officers from ICE and other agencies in US cities.It remains unclear which entities, if any, will be exempt from the visa bonds. While Trump's travel bans contain exemptions for athletes and officials participating in major sporting events like the World Cup, the visa bonds program contains no such provision.The 2026 World Cup is scheduled to commence on June 11, with the final taking place on July 19 at MetLife Stadium in East Rutherford, New Jersey.

Photographer Peter van Agtmael captured a striking image during his first trip to Iraq 20 years ago, which has become a defining moment in his career. The photograph shows a dejected soldier sitting in a domestic living room, highlighting the incongruity of war in everyday life.Van Agtmael, who was 25 at the time, had been embedded with the US military for six weeks. He wanted to move beyond traditional war photography, which often focuses on violence and horror, and explore the human side of conflict. This image, he says, crystallized his understanding of the US military's role in the Middle East and the absurdity of war.The photograph shows a soldier in a mundane setting, which could be anywhere in the world. Van Agtmael notes that this juxtaposition of war and domesticity reveals the complexity of human nature and the proximity of war to everyday life. He believes that war is part of the human soul and that it's essential to acknowledge this reality.Van Agtmael's experience in Iraq was formative, and he reflects on the failures of the war in Iraq and Afghanistan. He questions the effectiveness of externally created regime change and the long-term impact of military interventions.As a war photographer, van Agtmael has grappled with the moral complexities of his work. He believes that thoughtful documentation of human violence can have a moral impact, but also acknowledges the challenges of being a witness to extreme violence.Now a father, van Agtmael has shifted his focus away from war photography. He reflects on the changing nature of his work and the importance of finding new purpose in life.

Billy Idol: A Postpunk Icon's Life and Times are celebrated in a new documentary, Billy Idol Should Be Dead, directed by Swedish filmmaker Jonas Åkerlund. The film offers a nostalgic look back at Idol's career, from his early days in punk and new wave to his rise to fame in the US.With a mix of humor and sympathy, the documentary examines Idol's outrageous excesses, including his struggles with drug abuse and near-fatal accidents. Idol's life was marked by a series of close calls, including a near-fatal overdose in 1984 and a second episode in the late 80s where he collapsed in a Bangkok hotel lift, much to the horror of Mel Gibson and his family.The film also explores Idol's impact on music and pop culture, comparing him to Elvis Presley and Eddie Cochran. Idol's distinctive snarl-sneer and charismatic stage presence made him a big name, particularly on MTV, which was eager for content and drawn to his self-destructive bad-boy image.At 70, Idol looks back on his life with a cheerfully gravelly voice, recalling his experiences with a mix of humor and reflection. The documentary is a nostalgic tribute to a music legend and a celebration of his enduring legacy.Billy Idol Should Be Dead is set to air on Sky Arts on March 26.

A garden log pile is a surprisingly vibrant ecosystem, teeming with life. The pile, composed of various tree species like apple, walnut, and oak, attracts a diverse range of insects and fungi. The diversity of logs supports a greater variety of life, with different species inhabiting different parts of the pile.The log pile is home to frogs, wrens, and other animals, and even supports the growth of fungi like jelly ear. The arrangement of the wood also plays a crucial role in attracting different species, with buried wood attracting stag beetles and wood at height attracting wasp beetles.The author of the article, Kate Bradbury, carefully dismantles the log pile to make room for a hedgehog box, uncovering a variety of creatures like beetles, springtails, and centipedes in the process. The log pile is then rebuilt, with softer logs on the soil and drier ones around the box, creating a new home for a female hedgehog and other animals.