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The Modernist Comedian's Journey How has it come to this? That's what new show Tilting at Windmills finds John Kearns asking, and – after a fashion – it's what TS Eliot asked in The Waste Land, the modernist poem Kearns deploys here as an unlikely motif. After the breakup of a 12-year relationship with the mother of his son, we find the 39-year-old angrier than usual, and unmoored: flat-hunting pessimistically while living back home with mum and dad, roaming the streets of London having fled a disappointing walking tour based on Eliot's verse. High Culture Meets Everyday Life Sound clips of the poem, read by Alec Guinness, punctuate the show. They infuse it (as Van Gogh's Starry Night did with its predecessor, The Varnishing Days) equally with awe, at life's ineffable mysteries, and bathos – at the contrast between high literary culture and the humdrum realities of our host's life. Here he is shopping in Aldi with his mum; there he is naked and not very wet under a dripping shower. A remark about washing machines by a newspaper columnist induces a bout of class anxiety; an awkward teenage meeting is recalled with then-PM Tony Blair, who came to see Kearns' school play. Existential Questions and Personal Struggles Under Jon Brittain's direction, this all comes at us in Eliot-alike fragments, as Kearns bounces between existential conjecture (an encounter with ventriloquist Nina Conti has him wondering "am I my own puppet?!") and sadness at the wreckage of his domestic dreams. We're not let deeply into all that: no oversharer he. But if his real feelings are woven obliquely into this tapestry of a Streatham clown adrift, they remain palpable, not least in the surprising ferocity this usually low-key act brings to his dialogues with dimwit estate agent Connor, say, or with two poetry scholars in a pub over an illicit packet of prawn cocktail crisps. A Poignant Reflection on Modern Life Maybe its sharp edges, that sense of real hurt beneath the (very funny) gags about Kearns' limited commercial reach, forestall hilarity. But there's no resisting the care, the craft and the many beautifully turned phrases of a comic who "feels like he's being CC'ed into his own life". At its best, this show about The Waste Land itself aspires to wonderstruck, workaday poetry. Show Information Artist: John Kearns Show: Tilting at Windmills Director: Jon Brittain Touring to 6 November

The LeadIn a photographic self-portrait taken not long after she was diagnosed with squamous cell bladder cancer in 2020, Tracey Emin's iPhone shrouds her right breast as our line of vision descends from her catheter to her urostomy bag to her disposable knickers. Her body is fragile here in this hospital mirror, yet her gaze is anything but. It looks us dead in the eye as if to say: I matter, this matters – a sureness that challenges the notion of subjugation in times of ill-health.The Art of Bodily AutonomyEven now, six years after her life-saving surgery, Emin refuses to conform to what may, or may not, make us feel comfortable when it comes to her post-operative body. As well as losing her bladder, Emin also lost her uterus, ovaries, lymph nodes, part of her colon, her urethra and part of her vagina. And yet she has found a striking autonomy in documenting the changes in her body. "This is mine, I own it," she affirmed in an interview not long after her surgery.The Personal Becomes PoliticalWould I have taken these photographs if it wasn't for Emin? Probably not. In the weeks that led up to my own life-saving surgery, I became increasingly fixated on the ways in which her no-holds-barred Polaroids, like the squares of her autobiographical blankets, were urging us to look at her in ways that perhaps we'd rather not. Twenty-seven years after her sculptural work My Bed catapulted her to tabloid fame in the late 1990s, Emin is still challenging us to acknowledge the things we tend to pull away from. Only these days her bleeding nudes are centred squarely on the presence of non-visible disability and what Harry Weller, creative director of Emin's studio, calls "her wild scramble for existence".Challenging the "Confessional" Label"Back in the 90s, people used to say it was confessional art," Emin recently mused to Maria Balshaw, director of the Tate. Only it wasn't. "I wasn't confessing anything at all to anybody," she corrected her past critics – and maybe even her present fans. I thought of Emin's vital reframe only a few weeks ago when I visited her landmark show at Tate Modern and contemplated her 2023 painting, I watched Myself die and come alive. In it, her red-swabbed body is splayed out on a table, she is watched over by the black cloak of death, and her mother's ashes are resting in a casket behind her bloody hair. Like most of Emin's artworks, this painting isn't asking for a certain kind of gaze from us – it exists for itself alone, and that's what makes it so corporeally present.The Legacy of Frida KahloCall it visceral, call it personal. But, like Emin, I too struggle with the word "confessional" in relation to women's expression of their experiences. The implication being that there is something guilt-inducing and therefore even shameful about a woman drawing attention to herself both in her life and art. As if by doing so, she needs to beg pardon for it. Only Emin has never subscribed to this falsehood. Come to think of it, neither did Frida Kahlo over the course of her all-too-short life (Kahlo died when she was only 47) – another autobiographical artist whose retrospective is set to appear at Tate Modern next month.Transforming Trauma into TranscendenceWith an anatomical eye on her wounds, Kahlo would redraw what she called her "body's landscape" on her own terms, making her disabilities into something transcendental, a devotional act that helped her transform the mundanity of her physical limitations into something extraordinary. As Kahlo's biographer Hayden Herrera remarked in 1983, Kahlo's art has a particular intensity and strength "that can hold the viewer in an uncomfortably tight grip". We can see this for ourselves in her 1944 artwork, The Broken Column: a valiant self-portrait of chronic pain that evokes the Saint Sebastian paintings of the Christian faith.

The Rise of AI-Generated Hate OperationsScroll through any Facebook feed in Britain and, between the baby announcements and petty neighbourhood beefs, you're likely to come across an account with a union jack profile picture and a vague, generic name like Britain Today. These accounts – and there are hundreds, possibly thousands of them – present themselves as the work of British patriots. In one typical, AI-generated video, a middle-aged man claims his local cafe "has stopped serving pork, bacon and sausages just to avoid offending people". Another post from the same account includes a sepia-tinted set of images of Victorian London, mourning a time when the city "was English, first-world and beautiful". Alongside this type of reactionary nostalgia, it's not unusual to see memes that call Islam a "cancer", decry Muslims praying in public as an "invasion of the west" or promote the "great replacement theory".The Financial Incentives Behind AI Hate ContentFor the past seven months, I have been investigating who is really behind pages like these. The answer, it turns out, is often young, entrepreneurial men from south Asia. They tend to have zero interest in UK politics, but the content they create often boosts far-right talking points in Britain and contributes to the increasingly hostile atmosphere for immigrants and British Muslims. They're part of a booming cottage industry producing commercial AI slop.The financial incentives for creating this kind of content are huge, particularly for creators in the global south. At the Bureau of Investigative Journalism, we looked in detail at two very successful "sloperations" targeting British audiences from Pakistan and Sri Lanka. They make money from the online ads that Meta places next to high-performing content. Meta shares a proportion of the ad revenue with the creators and also makes direct payments to creators to reward posts that receive a lot of engagement.Once you hone your algorithmic rage bait, there's very good money to be made from slop. The Pakistani creator, a devout Muslim who we are not naming for his own safety, told us he makes $1,500 (£1,119) a month from one of his pages alone; Geeth Sooriyapura, the Sri Lankan creator, claimed to have made $300,000 over the course of his Facebook career. We weren't able to verify these figures, but both men were certainly making many times the average income in their countries.The Economic Impact of AI-Generated PropagandaTheir success represents the seductive promise of "passive income" culture, a pervasive modern gospel that says you should quit your job and make easy money online. The proponents of this philosophy also often sell courses as an additional revenue stream: Sooriyapura claimed that 2,500 people, mainly other Sri Lankans, have graduated from his content academy.Rightwing propaganda and Islamophobia are, of course, not new. But two key structural factors have made it particularly pervasive on social media.The Technological and Policy EnablersFirst, the wide availability of generative AI tools. These are used at every stage of the content creation process: to brainstorm ideas, to write captions and, most importantly, to create compelling images and videos. This is particularly helpful if, like the Pakistani creator, you do not speak English well. In one video we reviewed from Sooriyapura's Facebook course, he told his students that AI-generated videos can help political content go viral up to 10 times faster.Second is Meta's retreat from content moderation. Over the past couple of years, the major social platforms have made mass redundancies on the trust and safety teams that monitored and took down harmful content. This was partly motivated by pressure from the Trump administration, which believed that platforms had engaged in heavy-handed censorship of content during the Biden presidency.Social media companies justify the moderation job cuts by pointing to their use of AI to find harmful content more efficiently. But our reporting shows there is masses of deeply offensive content on there which anyone could find in a few minutes, if they bothered to look.The Future of Online Hate Speech and Platform AccountabilityAfter we spoke to the Pakistani creator, he said it was a "good thing" we had informed him about the nature of his posts and he deleted many of them. Sooriyapura told us that he did not encourage his students to "spread violence" and that he just educates "people on Facebook monetisation and audience-targeting".The Pakistani creator didn't cover his tracks particularly well. It took me a couple of hours and a little help from Osint Industries, a platform that collates information on social media accounts, to definitively confirm that the person who ran the Islamophobic slop account also had personal accounts in his own name sharing verses from the Qur'an. These are actions that Meta easily could have taken itself. But why would it spend good money implementing its own policies when there is so little political or regulatory pressure to do so?When we contacted Meta in both these cases, it took down many of their pages and sent a one-line statement: "We have clear community standards that prohibit hate speech, harassment, harmful misinformation and inauthentic behaviour and we have removed these accounts for violating our policies." I've been a tech journalist long enough to have been through this process with Meta and other social platforms many times before. The Sri Lanka network is, depressingly, back up and running, having faced minimal consequences after a bit of downtime.Meta can, and should, be doing more to take these kinds of accounts down. But as long as its core product is an algorithmic feed that financially rewards content that provokes extreme emotions, others will always appear in its place.

The Lead: A Disturbing Body-Swap Horror Arthur Harari's film "The Unknown" is a doomy, murky and intriguing supernatural noir mystery that explores themes of identity and self through a bizarre body-swap narrative. Adapted from a graphic novel he wrote with his brother Lucas, the film presents a deeply unsettling experience that blends horror with existential questions about our relationship with our own bodies. The Event Details: A Complex Supernatural Narrative The film follows David Zimmerman, a photographer in his late 30s who documents the changes in his hometown over the past century. After a New Year's Eve party where he encounters a woman named Eve (played by Léa Seydoux) whom he photographed months earlier, they have sex in a squalid basement. David wakes up the next day to find he is now in Eve's body. The narrative becomes increasingly complex as it reveals that a supernatural entity is transferring consciousness between bodies through sexual encounters, creating a chain of identity swaps that challenges the very concept of self. The Impact Analysis: Identity Crisis in Horror "The Unknown" stands out in the horror genre for its philosophical approach to identity rather than relying on traditional scares. The film draws comparisons to classics like "Blow-Up," "The Man Who Haunted Himself," and "It Follows," but distinguishes itself through its exploration of gender identity and the profound unknowability of our own bodies. The film's dark, toxic atmosphere and characters' expressions of misery and fear create an immersive experience that questions the stability of identity itself. The Prediction: A Divisive but Memorable Cannes Entry As a Cannes Film Festival entry, "The Unknown" is likely to generate significant discussion among critics and audiences alike. While the film's premise is compelling, the review suggests it may be flawed by its narrative conclusion. Despite this, its unique approach to body horror and existential themes ensures it will be remembered as one of the more distinctive entries in this year's festival. The film's exploration of identity transfer may resonate particularly in an era when questions about gender and self are increasingly prominent in cultural discourse.

The Rescue Deal in JeopardyA rescue deal for Thames Water is under threat due to uncertainty surrounding the UK's prime minister position, government insiders have revealed. Ministers are currently negotiating a takeover deal for the stricken water company with a consortium of creditors led by American investment firm Elliott Management, though the expected conclusion this month has been thrown into doubt.Political Uncertainty Clouds Water Company FutureThe uncertainty stems from questions about Keir Starmer's position as prime minister, with his most likely successor, Greater Manchester mayor Andy Burnham, having expressed interest in bringing utility companies under public control. Burnham's supporters have specifically mentioned Thames Water as a potential first target if he enters Downing Street, creating significant hesitation among current government officials about proceeding with the private sector rescue deal.Mounting Financial PressuresThames Water has been attempting to stave off financial collapse for more than two years, burdened by a £17.6bn debt accumulated in the decades following its privatization. The company's previous attempt to sell itself fell through last year when preferred bidder KKR pulled out at the last minute. Creditors, who provided £3bn in emergency funding last year, have demanded a write-off of tens of millions in fines for sewage dumping and reduced environmental investment requirements until 2030.Industry-Wide ImplicationsThe situation with Thames Water reflects broader tensions in the UK's water industry between private ownership and public control. Government sources have previously argued that taking Thames Water public would cost £100bn to compensate private sector creditors, though experts dispute this figure, suggesting ministers may have legal grounds to avoid compensation given the company's financial state and creditors' historical profits. The potential collapse of the deal could trigger special administration—a form of temporary nationalization—forcing the government to either sell the company or bring it under public control.Political Shifts and Future ScenariosRegardless of whether Burnham becomes prime minister, Defra sources believe a weakened Starmer or any other Labour leader would find it difficult to allow the current private sector deal to proceed. Many of Burnham's supporters, including the thinktank Compass, have actively campaigned for public ownership of the entire water industry, arguing that maintaining private ownership with existing debt levels is 'shortsighted and dangerous.' The coming months will likely determine whether Thames Water becomes a test case for the future of UK utility ownership.

Executive Summary: U.S. Strike Paused, Lebanese Death Toll SoarsPresident Donald Trump confirmed that a scheduled attack on Iran has been postponed at the urging of Qatar, Saudi Arabia and the United Arab Emirates. At the same time, Israel’s military actions in Lebanon have resulted in an estimated 3,000 fatalities since March, intensifying regional pressure.The Postponed Iran Strike: Gulf Mediation Shapes U.S. DecisionTrump cited “serious negotiations” underway after Gulf states requested a delay.Iranian President Masoud Pezeshkian emphasized dialogue without surrender, stressing national dignity.Casualty Count: Israel’s Lebanon Campaign Reaches 3,000 DeathsSince March, Israeli operations have killed approximately 3,000 Lebanese civilians and combatants.The figure underscores the humanitarian toll and fuels anti‑Israeli sentiment across the region.Regional Ripple Effects: Shifting Alliances and Diplomatic LeverageGulf states leveraging their influence to prevent a wider U.S.–Iran confrontation.Israel faces growing criticism and potential isolation as civilian casualties mount.Iran positions itself as a negotiating partner, balancing defiance with diplomatic outreach.Looking Ahead: Scenarios for De‑Escalation or Further ConflictIf negotiations succeed, the U.S. may retain a calibrated deterrent posture without direct military action.Failure could revive plans for a strike, risking broader regional war.Continued Israeli operations in Lebanon risk expanding the conflict into a multi‑front crisis.

Kalshi, a US‑based prediction‑market platform, will provide $2 million over two years to the National Council on Problem Gambling (NCPG). The funding is earmarked for a “Financial Trader Health and Safety Initiative” aimed at education, prevention and support for retail participants, as the sector faces mounting regulatory pressure to be treated like traditional gambling.Kalshi’s $2 Million Commitment to the National Council on Problem GamblingThe partnership makes Kalshi the first “Financial Services & Trading” member of NCPG’s new Platinum‑level subcategory. As a Platinum member, Kalshi joins casino operators such as MGM Resorts International and betting firms like DraftKings and FanDuel in a coalition focused on consumer protection.Investment amount: $2 million over two yearsPurpose: “Strategic initiative focused on trader health and safety”Kalshi’s role: Platinum‑level member of NCPG’s Financial Services & Trading subcategoryFinancial Scale: $2 Million Over Two Years and $1 Billion Super Bowl Trading VolumeWhile the donation itself is modest relative to market activity, it highlights the financial heft of prediction markets. In the same year, more than $1 billion was traded on Kalshi during Super Bowl Sunday, underscoring the platform’s rapid growth.Super Bowl Sunday 2026 trading volume: > $1 billionDonation timeline: 2026‑2028Regulatory Ripple: How the Donation Shapes the Gambling‑vs‑Financial‑Exchange DebatePrediction‑market operators argue they are commodity‑based exchanges governed by federal law, not state gambling statutes. State officials, however, increasingly view these platforms as “gambling by another name,” prompting lawsuits and legislative proposals. By aligning with NCPG, Kalshi seeks to demonstrate a proactive stance on consumer protection, potentially softening regulatory attacks.Key argument from Kalshi: operates like a derivatives market, not a casinoOpposing view: several states argue prediction markets fall under gambling regulationsIndustry peers: Polymarket faces similar legal scrutinyLooking Ahead: Potential Shifts in US Prediction‑Market RegulationAnalysts expect the Kalshi‑NCPG partnership to serve as a template for other fintech firms. If the initiative successfully reduces risky trading behaviors, regulators may be more inclined to treat prediction markets as financial products, limiting the scope of state‑level gambling bans. Conversely, failure to demonstrate measurable safety outcomes could accelerate stricter state legislation.Short‑term outlook: increased dialogue between fintech firms and consumer‑protection NGOsMid‑term scenario: possible federal clarification distinguishing commodity trading from gamblingLong‑term risk: state‑level bans could fragment market access across the US

Cuban President Miguel Diaz‑Canel used a Monday social‑media post to reiterate that Cuba does not seek confrontation but will defend itself if the United States follows through on escalating military threats. President Diaz‑Canel’s Warning to the United States Diaz‑Canel emphasized that Cuba has “absolute legitimate right” to self‑defence, warning that U.S. aggression would result in a “bloodbath” with “incalculable consequences” for regional peace. He framed the U.S. stance as an “international crime” and highlighted the island’s historic non‑aggressive posture. Numbers Behind the Tension: Drones, Sanctions, and the Long‑standing Embargo 300+ drones – an Axios‑cited report claims Cuba has amassed more than three hundred unmanned aerial systems capable of striking U.S. forces or Florida. Sanctions – the Trump administration announced new penalties targeting Cuba’s directorate of intelligence. Embargo since the 1960s – the U.S. trade embargo has been in place for over six decades, limiting Cuba’s access to goods and finance. Energy blockade – recent U.S. measures have tightened fuel supplies, contributing to nationwide blackouts and public protests. Regional and Domestic Repercussions of the Escalating Rhetoric The president’s remarks come amid growing public fatigue in Cuba, with citizens expressing both defiance and exhaustion. Reuters‑cited Cuban resident Sandra Roseaux said the nation is “strong” and ready to fight if forced. The combination of diplomatic pressure, economic strain, and the drone narrative raises the risk of miscalculation that could destabilise the Caribbean region. What Comes Next? Scenarios for Cuba‑US Relations Analysts see three likely pathways: Diplomatic de‑escalation – back‑channel talks could lead to a limited easing of sanctions in exchange for verifiable security guarantees. Continued pressure – the U.S. may maintain or intensify sanctions, hoping to force political change in Havana. Military flashpoint – if either side misinterprets actions (e.g., drone deployments), a limited clash could erupt, drawing in regional actors. For now, Cuba’s assertion of a “legitimate right” to self‑defence sets the tone for a fraught diplomatic season, with the island’s economic hardships and U.S. strategic calculations shaping the next moves.

The Lead Belarus and Russia have launched joint training exercises on nuclear weapons combat, the Belarusian Ministry of Defence announced on Monday. The exercise is a planned event and not directed at any specific third party, according to a statement quoted by the Interfax news agency. Joint Nuclear Drills The purpose of the exercise is to test readiness and carry out combat missions from unprepared areas throughout the country, the statement added. The drills come as Ukraine and its NATO allies have expressed concerns over a potential Russian attack from Belarus. Ukraine's Concerns and Response Ukraine has repeatedly accused Moscow of planning to launch a new attack from Belarus, either on its territory or one of its NATO allies, such as neighbouring Baltic states. The Ukrainian Ministry of Foreign Affairs condemned the move, saying it legitimizes the proliferation of nuclear weapons worldwide and sets a dangerous precedent for other authoritarian regimes. Ukraine has urged its Western allies to tighten sanctions against Moscow and Minsk. Kyiv has warned Belarus against allowing itself to be drawn into Russia's war. Russian and Belarusian Relations Russian tactical nuclear weapons were stationed in Belarus after long-time ruler President Alexander Lukashenko requested their deployment. Belarus and its weak economy are heavily dependent on Moscow. Lukashenko has previously expressed hope that the warheads will provide greater security during the perceived threat from NATO. The Impact Analysis The joint exercises have been met with concern from Ukraine and its NATO allies, who fear that Russia may be planning to launch a new attack from Belarus. The move has also been seen as an attempt to inflame tensions in the region. The Prediction The situation is likely to remain tense in the region, with Ukraine and its NATO allies closely monitoring the situation. The international community may need to take further action to prevent a potential escalation of the conflict.