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The Genesis of a Masterpiece This week we mark two extraordinary centenaries. Sir David Attenborough's, of course, but only four days after the birth of the bona fide national treasure, Dmitri Shostakovich's First Symphony also first saw the light of day – premiered in Leningrad on 12 May 1926. The 19-year-old's composition was played by the Leningrad Philharmonic, conducted by Nicolai Malko. The Revolutionary Sound The symphony's four-movement structure is just about the only conventional feature it has. The teenage Shostakovich had imbibed all the lessons he could about what orchestral music should sound like and how it should behave, and was bold enough to subvert all those ideas and send them up. There is no forelock-tugging to earlier generations of Russian symphonists and orchestral pioneers; instead, Shostakovich's First resounds with a self-confidence that's both optimistic and deliciously sardonic. A Circus of Sound From the distorted trumpet call that opens the work – a fanfare that thumbs its nose at your expectations of how a symphony should start; not an affirmative flourish, but a snakingly dissonant question mark – Shostakovich sets out on a first movement that's like a circus: a cavalcade of characters who take the stage and exit, more often than not pursued by a cartoon bear, clown or bassoon. The momentum that Shostakovich generates from the way he juxtaposes ideas – cutting from one to the other as if the symphony were a reel of film – continues deliriously in the second movement. Here, a piano part is added to the orchestral texture, and that's where one of the secrets of this music's compositional energy is revealed. As a teenager, Shostakovich played the piano for Soviet silent cinema screenings, and in the symphony's piano solos, he turns his work into a knockabout farce that Buster Keaton would be proud of. A Masterpiece of Unbridled Creativity The movement builds to a climax that is both terrifying – a sudden fanfare that consumes the whole orchestra – and bathetic, in the form of the solo piano's chords, as if the pianist couldn't keep up with the music's pace. There is no hint anywhere in this piece of the bombast and poster-paint ideology of Shostakovich's later symphonies, but there is real feeling here, hinted at in that climax of the scherzo, as the cartoon suddenly shudders into real life. The slow movement that comes next is one of the most unironically passionate that Shostakovich ever wrote, as a solo oboe and solo cello inspire the whole orchestra to a melodic outpouring that feels more Shakespearean drama than circus hijinks. A Legacy of Creative Freedom The final movement somehow brings all of these worlds together, and the symphony ends in a torrent of irresistible energy, a culmination of pure sentiment as well as sheer excitement. This is, surely, the most creatively confident First Symphony by any teenager in musical history (and there is plenty of competition, from Mendelssohn to Knussen, from Rihm to Schubert). It announces a world of possibility in which musical conventions are gleefully turned upside down in a frenzy of modernist creativity that's both funny and profound. It's the sound of a unique symphonic avant garde that might have heralded an era of unfettered creative freedom for Shostakovich and generations of composers. A What-If of History Instead, these are the sounds of what might have been, for Shostakovich and for Russia. In Shostakovich's later symphonies, especially from the mid-1930s onwards, you hear the chilling of that freedom and the daily terror of living in Stalin's Soviet Union. The confidence and joy in his own brilliance that you hear in every page of the First Symphony is a miracle that Shostakovich never quite repeated and which is still strikingly new, a century on.

The Rejected Media Credential The plan to fly to Las Vegas to cover what the Enhanced Games claims is the “next frontier of human performance” ended with a short email sent at 7.02pm on Friday. “After careful consideration, we are unable to approve your media credential request for this year’s event,” it said. “Due to the high volume of applications and limited media capacity, we could not accommodate all requests … thank you again for your interest and understanding.” The Concerns About the Enhanced Games Admittedly, the rejection didn’t come entirely out of the blue. Unlike most sports organisations, the Enhanced Games had a pre-screening process which led to a nice PR man calling me a few days beforehand. His opening gambit? To point out the Guardian’s negativity towards the event. The Questions I'd Ask Why, he then asked, weren’t we criticising others in the longevity space? Er, because they aren’t running an event dubbed the Steroid Olympics? What about the basics? Are the tracks legal, the timing devices reputable, the officials pulled off the streets? You claim that the athletes are leaving “the old system behind for a new era of honesty and science”. But do you really believe that steroids, human growth hormone and EPO are safe? Can athletes sue the Enhanced Games? Many of you have stressed the benefits of taking banned drugs. But have you experienced any side-effects? What is your response to former athletes who say you are a dangerous influence on kids? The Future of the Enhanced Games Personally, I believe such talk is nonsense. But I don’t dismiss the Enhanced Games out of hand. I spoke to one person in the health-tech space, who has dealt with its founders, and he pointed out they are smart people and billionaires who tend to get what they want.

The Director's Supernatural EncountersMulti-Oscar-winning director Guillermo del Toro has revealed his lifelong fascination with the supernatural, from childhood ghost sightings to a UFO encounter at age 14. The filmmaker, currently in the UK to receive a BFI fellowship, shared his belief that these experiences 'cause a crack' in our perception, allowing 'the mystery of the universe' to rush toward us.From Family Hauntings to Hammer HorrorDel Toro's supernatural journey began at age 11 when he first sensed a spectral presence at his family home in Guadalajara, Mexico – which he believes was his late uncle keeping a promise. This experience inspired Santi, the sighing ghost-boy in his 2001 film The Devil's Backbone. The director has since encountered numerous paranormal phenomena, including surround-sound ghostly disturbances in a New Zealand hotel while scouting locations for The Hobbit.'There are certain magical lands for me,' del Toro explains, 'and the land of ghosts is England.' He is currently looking to purchase a haunted house in the UK to house his extensive collection of silicone figures and memorabilia.The Influence of British CinemaThe BFI fellowship holds special significance for del Toro, who cites British cinema as a major influence on his work. He particularly reveres the 'reveries of Powell and Pressburger or Ken Russell' and the entire Hammer horror legacy, including Terence Fisher's Frankenstein films which partly informed his own 2025 adaptation of Mary Shelley's novel.'The 1974 Hammer film Frankenstein and the Monster from Hell had the worst makeup but the most delicate Creature,' del Toro notes. 'As the movie progressed, the Creature became more of an innocent and the Baron more of a pure villain.' This approach shaped his interpretation featuring Jacob Elordi as the Creature.A Legacy of Monsters and Misunderstood BeingsDel Toro has always portrayed monsters as complex beings capable of tenderness alongside violence, reflecting his belief that 'precisely like us.' This philosophy has resonated with fellow artists, including Taylor Swift, who has cited his films as inspiration. After becoming a fan of The Shape of Water, Swift explored his back catalogue during the pandemic, declaring herself 'dazzled' by The Devil's Backbone and Pan's Labyrinth.The influence is mutual, with Swift later invoking Del Toro-esque imagery in her hit single Anti-hero, picturing herself as 'a monster on the hill … slowly lurching toward your favourite city.' This artistic connection demonstrates how del Toro's vision has permeated popular culture beyond cinema.The Future of Fantastic CinemaAs a BFI fellow – joining the ranks of Martin Scorsese, David Lean, Akira Kurosawa, and Orson Welles – del Toro continues to champion the potential of horror and fantasy genres. His teenage years saw him running a film society in Guadalajara, sourcing controversial works like Powell's 1960 serial-killer classic Peeping Tom from the BFI itself.With his upcoming projects and continued exploration of the supernatural, del Toro remains committed to expanding our understanding of the unknown, both on screen and in his personal life. As he puts it, these experiences 'dislocate your sense of self,' revealing the mysteries that exist just beyond our everyday reality.

The Paradox of a Banned BestsellerWhile DH Lawrence intended *Lady Chatterley's Lover* to be a serious exploration of the 'sacred nature of sex,' the novel's legacy has become inextricably linked to farce and cultural upheaval. Guy Cuthbertson’s new book, 'Lady C,' argues that the text created laughter not just through its explicit content, but through the absurdity of the reaction it provoked—from customs seizures to endless parodies. The novel’s journey from a literary taboo to a ubiquitous cultural touchstone offers a unique lens into the shifting moral landscape of the 20th century.The 1960 Trial and the VerdictThe legal battle over the book, Regina v Penguin Books in 1960, stands as a watershed moment in publishing history. The prosecution's attempt to ban the novel relied on a provocative question from Mervyn Griffith-Jones: 'Is it a book that you would even wish your wife or your servants to read?' The defense, bolstered by an impressive roster of witnesses including EM Forster and Rebecca West, successfully challenged the obscenity laws.The Jury's Role: Members of the jury spent a week reading the book at the Old Bailey before reaching a verdict that defied the judge's inclination.The Verdict: The acquittal was a landmark victory for literary freedom.From Courtroom to Commerce: The Cultural FootprintThe data surrounding the novel's release and aftermath reveals a staggering commercial and cultural penetration. The paperback edition did not just sell; it exploded.Sales Figures: The book sold approximately 2 million copies in its first run.Cultural Ubiquity: The title permeated every aspect of British life, from steam railway carriages to 'Lady Chatterley's Loofah' and 'Lady Chatterley's Pullover.'Celebrity Endorsement: The novel became a badge of cultural cool, endorsed by figures like David Bowie (who wore red trousers as recommended by the character Mellors) and Philip Larkin.Shifting the Moral Compass: From Sex to SensitivityThe impact of *Lady Chatterley's Lover* extends beyond the legal realm; it fundamentally altered the criteria for social acceptability. Cuthbertson notes that the offense has shifted over time. Where once the four-letter words and sexual candor caused outrage, modern readers are more likely to be offended by the novel's homophobic and antisemitic undertones. This shift highlights how the definition of 'obscenity' is fluid, moving from physical acts to social attitudes.Lady C as a Mirror of Social EvolutionLooking forward, Guy Cuthbertson’s work serves as a vital historical document. By framing the novel through the lens of social history rather than heavy moralizing, the book ensures that the legacy of the 1960s trial is preserved not as a relic of censorship, but as a testament to the resilience of free expression. The enduring presence of the book in modern media—from 'Mad Men' to film adaptations—suggests that its role as a cultural provocateur is far from over.

Breaking Down the Complex Language of AI Artificial intelligence is changing the world, and simultaneously inventing a whole new language to describe how it’s doing it. Spend five minutes reading about AI and you’ll run into LLMs, RAG, RLHF, and a dozen other terms that can make even very smart people in the tech world feel insecure. This glossary is our attempt to fix that. We update it regularly as the field evolves, so consider it a living document, much like the AI systems it describes. Artificial General Intelligence (AGI) Artificial general intelligence, or AGI, is a nebulous term. But it generally refers to AI that’s more capable than the average human at many, if not most, tasks. OpenAI CEO Sam Altman once described AGI as the “equivalent of a median human that you could hire as a co-worker.” Meanwhile, OpenAI’s charter defines AGI as “highly autonomous systems that outperform humans at most economically valuable work.” Google DeepMind’s understanding differs slightly from these two definitions; the lab views AGI as “AI that’s at least as capable as humans at most cognitive tasks.” Confused? Not to worry — so are experts at the forefront of AI research. AI Agent An AI agent refers to a tool that uses AI technologies to perform a series of tasks on your behalf — beyond what a more basic AI chatbot could do — such as filing expenses, booking tickets or a table at a restaurant, or even writing and maintaining code. However, as we’ve explained before, there are lots of moving pieces in this emergent space, so “AI agent” might mean different things to different people. Infrastructure is also still being built out to deliver on its envisaged capabilities. But the basic concept implies an autonomous system that may draw on multiple AI systems to carry out multistep tasks. API Endpoints Think of API endpoints as “buttons” on the back of a piece of software that other programs can press to make it do things. Developers use these interfaces to build integrations — for example, allowing one application to pull data from another, or enabling an AI agent to control third-party services directly without a human manually operating each interface. Most smart home devices and connected platforms have these hidden buttons available, even if ordinary users never see or interact with them. As AI agents grow more capable, they are increasingly able to find and use these endpoints on their own, opening up powerful — and sometimes unexpected — possibilities for automation. Chain-of-Thought Reasoning Given a simple question, a human brain can answer without even thinking too much about it — things like “which animal is taller, a giraffe or a cat?” But in many cases, you often need a pen and paper to come up with the right answer because there are intermediary steps. For instance, if a farmer has chickens and cows, and together they have 40 heads and 120 legs, you might need to write down a simple equation to come up with the answer (20 chickens and 20 cows). Coding Agent This is a more specific concept that an “AI agent,” which means a program that can take actions on its own, step by step, to complete a goal. A coding agent is a specialized version applied to software development. Rather than simply suggesting code for a human to review and paste in, a coding agent can write, test, and debug code autonomously, handling the kind of iterative, trial-and-error work that typically consumes a developer’s day. Compute Although somewhat of a multivalent term, compute generally refers to the vital computational power that allows AI models to operate. This type of processing fuels the AI industry, giving it the ability to train and deploy its powerful models. The term is often a shorthand for the kinds of hardware that provides the computational power — things like GPUs, CPUs, TPUs, and other forms of infrastructure that form the bedrock of the modern AI industry. Deep Learning A subset of self-improving machine learning in which AI algorithms are designed with a multi-layered, artificial neural network (ANN) structure. This allows them to make more complex correlations compared to simpler machine learning-based systems, such as linear models or decision trees.

The Final Hours: 50% Off Second Pass to TechCrunch Disrupt 2026 Time is running out to take advantage of the 50% off offer for a second pass to TechCrunch Disrupt 2026. Today, May 8th, is the last day to register and secure your spot at the premier tech conference in San Francisco. Unlock the Full Potential of Disrupt 2026 Attending Disrupt with a partner, co-founder, or colleague can significantly enhance your experience. You'll gain more insights, compare notes in real-time, and make informed decisions. The 50% off offer for a second pass is a unique opportunity to bring someone along and maximize your time at the conference. What You'll Gain at Disrupt 2026 Access to over 250 sessions, covering real-world playbooks and industry trends Opportunities to connect with key players, investors, and innovators Enhanced networking capabilities with a second pass The Cost of Waiting Missing this offer means more than just paying a higher price. It means attending the conference with a limited perspective, choosing between sessions, and processing information without the benefit of real-time discussion and feedback. Act Now and Save Don't miss your chance to save up to $410 on your pass and get 50% off a second pass. Register now and secure your spot at Disrupt 2026. The offer ends tonight at 11:59 p.m. PT.

The Deadline Approaches: Startup Battlefield 200 Applications Close May 27 Startup Battlefield 200 applications are open, but only for three more weeks. Apply by May 27 for your shot at VC access, global visibility, TechCrunch coverage, $100,000 equity-free, and more opportunities for major scaling impact. Who Should Apply: Pre-Series A Founders and Ambitious Startups Pre-Series A founders — and anyone who knows a startup worth backing — this is your reminder: The deadline is approaching fast, and the strongest contenders are already entering the arena. If your startup has been nominated, don’t wait. Complete your application now before the window closes. Know a startup that deserves to step into the spotlight? Nominate them now to give them time to complete the application by the deadline. The Opportunity: A Platform for Growth and Visibility This is not just another pitch competition. Startup Battlefield 200 puts you on the main stage at TechCrunch Disrupt 2026 in front of 10,000+ attendees, top-tier investors, media, and the global TechCrunch audience. You are competing live, getting direct VC feedback, and proving your company belongs among the next breakout startups. What We’re Looking For: Innovative and Ambitious Startups We’re looking for ambitious early-stage startups building innovative, potentially category-defining products. Applications are open globally across every industry. Most selected companies are pre-Series A, though select Series A startups may qualify case by case. A functional MVP and clear product demo are required. Most importantly, we’re looking for founders building with vision, execution, and real market impact. A Proven Track Record: Launchpad for Successful Startups This is the same launchpad where companies like Dropbox, Discord, Fitbit, Trello, and Mint gained early momentum. Thousands apply every year. Only 200 are selected. Just 20 finalists pitch live on the Disrupt Stage. One startup takes the crown. The Benefits: High ROI Opportunity for Early-Stage Founders Selected startups receive one of the highest ROI opportunities available to early-stage founders. It’s free to apply, and the potential return — from investor exposure to media coverage and customer growth — can create real scaling impact. The Final Push: Don’t Miss the Deadline Applications close May 27. The founders who break through are not waiting until the final hour — they are already making their move. If you are building something category-defining, or know a founder who is, now is the time to step forward. Nominate your startup — or one that deserves the spotlight — and complete your application before the deadline runs out.

The Limited Time Offer Only two days are left to secure a spot at TechCrunch Disrupt 2026 with a 50% discount on a second pass. This offer is available for all types of passes, including Founder, Investor, Attendee, Non-profit, and Expo+. The Benefits of Attending Disrupt 2026 Attendees will have access to high-impact programming, unparalleled networking opportunities, and real-time insights from industry leaders. The event features a range of sessions, including the Startup Battlefield 200, where founders pitch live in front of seasoned VC judges and a global audience. The Importance of Bringing a Second Person Bringing a co-founder, operator, or partner can accelerate clarity and decision-making. Attendees can compare interpretations in real-time, challenge assumptions, and make better decisions while the context is still fresh. Pass Options Founder Pass: Access investor meetings, Deal Flow Café, curated networking, and programming on scaling, fundraising, and growth. Investor Pass: Connect directly with founders, access curated deal flow, and participate in investor-focused sessions and networking. Attendee Pass: Full access to stages, breakouts, roundtables, and networking to understand what's working across the ecosystem. Non-profit Pass: Explore how emerging tech applies to mission-driven organizations and connect with builders and partners. Expo+ Pass: Focused access to the Expo Hall, breakouts, and networking. Don't Miss Out The offer ends on May 8 at 11:59 p.m. PT. Register now to secure your spot and bring someone with you at 50% off.

The Lead: Dating's New Social FrontierFor many young people, the dating game has become a thankless task of endless swiping and ghosting, with little hope of finding meaningful connections. As dating apps fall out of favor and a relationship recession looms, singles across England and Wales are discovering a refreshing alternative: talking up their pals to strangers at 'Date My Mate' events.The Event Details: Friend-Powered Matchmaking Takes Center Stage'Date My Mate' events involve pitching a friend to a room of singles, and they're gaining momentum across England and Wales. The night unfolds like a reality TV dating show, where participants are welcomed with a free drink token and a sticker branding them as either a 'date' or 'mate.' The 'mates' have a loosely enforced three-minute time slot to hype their single friend using a presentation projected on a screen.'We've hit a cultural nerve,' said Emily Churchill, who hosts the event in London. 'Single people are sick of swiping, they want real human connection.' What started as a one-off for Valentine's Day earlier this year—selling out in less than 48 hours—has become a recurring series where tickets now sell out within five minutes.The Data Analysis: Declining App Usage and Rising AlternativeThe shift away from dating apps is backed by data. According to a report published by Ofcom in 2024, the number of people using the top 10 most popular dating apps had declined by 16% since the previous year. Research reveals that rather than aiding the search for love, dating apps are designed to be addictive, creating an illusion of choice that ultimately leads to frustration.'It's the saturation of the market,' said Bruna Dalla-Vecchia, 26, who attended a recent event. 'There's far too many people, there's the illusion of choice. They get you to go and pay your premium memberships and you don't really make any meaningful connections.'The Impact Analysis: Changing the Dating LandscapeThese events represent a significant shift in how young people approach dating, moving away from the digital realm to more authentic human connections. The format offers a fun alternative to traditional singles mixers, with participants noting that the structured approach reduces the pressure of approaching strangers.'The dating event structure of going to speed dating is just so intense,' said Sophie Lord, who hosts an LGBTQIA+ Date My Mate event in Cardiff. 'It's really fun to go to regardless of whether you meet someone, instead of feeling like you're in an interview with people.'Although the aim is to combat app fatigue, the presentations often resemble online profiles, listing attributes including height, profession, 'red flags' and 'green flags.' Some presentations even include humorous elements, like embarrassing tweets from 2018 or video testimonials from family members.The Prediction: The Future of Social DatingAs these events continue to grow in popularity, we may see a broader trend toward more socially-driven dating experiences that combine the convenience of curated information with the authenticity of in-person interaction. The gender disparity in participation—mirroring online dating where men are represented more than women—presents an interesting challenge that organizers are addressing through targeted outreach and reserved tickets.For shy individuals like Dalla-Vecchia, these events offer a comfortable middle ground: 'You never know if they're taken or not. This is a good way of being a bit playful about it and taking the stress out of it.' As the dating landscape continues to evolve, the success of 'Date My Mate' suggests that the future of connection may lie not in algorithms, but in the people who know us best.