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Tinie Tempah and Skye Newman used their Ivor Novello Awards platform to flag a growing class divide in British music, urging the industry to protect small venues and create pathways for artists from disadvantaged backgrounds.Tinie Tempah and Skye Newman Warn of a Growing Class Divide in UK MusicSpeaking on the red carpet, Tempah said the lack of diverse scenes across the country makes the industry “not representative.” Newman, who grew up on council estates in south‑east London, described the structural barriers that make it harder for working‑class artists to break through.The Economic Toll of Venue Closures on Emerging TalentSmall venues act as “training grounds” where artists can log the 10,000‑hour practice myth, testing material in front of live audiences.Loss of these spaces reduces “soft power” – the cultural influence the UK wields globally through music.Without dedicated programmes, talent from under‑served areas remains undiscovered, limiting future revenue streams for the industry.Why Excluding Working‑Class Artists Threatens the UK's Musical InnovationThe duo highlighted that many breakthrough genres – grime, UK garage, drill – originated in grassroots scenes. If those ecosystems shrink, the UK risks missing the next wave that could dominate charts worldwide.What the Future Holds for Inclusive Music PolicyTempah has joined the Save Our Scene campaign, calling for government and industry support to protect venues and fund talent‑search programmes. Newman urges “more programmes to find talent in places where they’re struggling,” suggesting a coordinated effort between charities, local councils, and record labels could reverse the trend.

The Play's Concept Imagine if One Day was set in Long Eaton. Now, take its sweeping, time-spanning love story, but make it platonic, and about two theatre-obsessed best mates. That’s the foundation for Jane Upton’s luminous, heart-exploding play, which catches Jess and Billy in a series of snapshots across their friendship. The Story Unfolds Beginning in the early 90s, during their school days, and then moving through their 20s, 30s and into their mid-40s, the play threads together teenage crushes, career decisions, breakups, marriages, births and children. Jess (Katie Redford) is an oversharer while Billy (Benedict Salter) has secrets. Their early years together pass through play rehearsals, parties, personal revelations and betrayals, but even in their lowest moments, the two are always pulled back to each other’s side. The Evolution of Friendship As their lives move in different directions, with Billy heading to London for drama school and later building a career as a high-flying agent, and Jess staying at home in a “suburban bubble” before eventually tiptoeing her way back into the creative scene as a playwright, they turn their noses up at the other’s choices. Still, in times of turmoil, they can’t help but pick up the phone or race across the country just to be there for their old friend. Their dialogue accurately captures people who know each other’s lives inside out. The Production Directed by Hannah Stone, the production shows friendship as something defining. Redford and Salter make their characters people we want to stay with across the decades. In fact, time here slips through our fingers. One moment they’re 15 in 1995, and Jess is getting advice from More! magazine; the next it is 2022, and a 42-year-old Billy is considering surrogacy for his next child. Abby Clarke’s design evokes nostalgia, with the back wall composed of white, Polaroid-inspired squares that shift from photographic outlines to mirrors. The Verdict With so much life to fit into 95 minutes, there are inevitable gaps in Billy and Jess’s stories. We could learn more about the structure of their families and the other relationships in their lives. But really, this is a play about the complicated, beautiful bond between two people. It leaves you desperate for more days with them. Where to Watch At Nottingham Playhouse until 12 June

Weeks of Grief in Minab Following the School BombingIn the days following the explosion at a Minab school, families, teachers, and local leaders have described an atmosphere of lingering trauma. The incident, reported by Al Jazeera, has left the community grappling with loss and uncertainty.What Is Known About the AttackAuthorities have confirmed that an explosive device detonated inside the school premises, causing structural damage and injuries. While official casualty numbers have not been fully disclosed, eyewitnesses reported a chaotic scene with emergency responders rushing to assist victims.Absence of Concrete Data Hinders Immediate AssessmentNo verified figures on fatalities or injuries have been released by the Iranian government.Local hospitals have reported an influx of patients, but exact counts remain unconfirmed.International agencies are awaiting official statements to provide humanitarian assistance.Broader Implications for Regional Security and Community ResilienceThe bombing underscores ongoing security challenges in southern Iran and raises questions about the protection of civilian infrastructure, especially educational facilities. Community leaders are calling for increased safety measures and mental‑health support for affected students and staff.Looking Ahead: Recovery and Prevention StrategiesStakeholders anticipate a multi‑phase response: immediate medical care, psychological counseling, and a review of security protocols at schools nationwide. The incident may also prompt broader discussions on counter‑terrorism policies and the allocation of resources for disaster preparedness in the region.

The LeadHS2, the UK's flagship high-speed rail project, has officially become the most expensive infrastructure endeavor in British history, with costs soaring to £102.7bn and trains potentially not running until 2039. Transport Secretary Heidi Alexander has labeled the original design a "massively over-specced folly" and the cost increases "obscene," yet continues to defend the project despite its clear failures.The Escalating Costs of HS2The project's financial trajectory has been nothing short of disastrous. What began as a more modest proposal has now ballooned to over £100bn, with trains potentially delayed until 2039—decades after initial promises. To put this in perspective, the cost has escalated so dramatically that it dwarfs even other famously extravagant projects like Trump's White House renovations or Dubai's Burj Khalifa. Despite nine different transport secretaries overseeing the project since its inception, the budget has consistently spiraled out of control, with no end in sight.Political Failures and MismanagementSuccessive UK governments have failed to take responsibility for this unfolding disaster. The project originated as a "vanity project" of the David Cameron coalition, with fundamentally flawed design choices including the wrong route, wrong speed, and improper termini. Prime Ministers from Cameron to Johnson to Sunak have all lacked the political courage to cancel the project, with Sunak merely scrapping the Manchester leg, making what remains even worse value for money. Civil servants and advisors have been overwhelmed by the 30,000-strong HS2 bureaucracy, while oversight bodies like the National Audit Office have failed to provide adequate scrutiny.The Case for CancellationThe strongest argument for HS2 is its cancellation. With no track laid and only two viaducts completed out of 52, the project is still in its early stages. The £44bn already spent should be treated as "sunk costs," and the focus should shift to more beneficial investments. Contrary to claims that cancellation would be prohibitively expensive, there's no logical scenario where the £60bn still planned for HS2 would provide better value than reallocating those funds elsewhere. Cancellation would also free up valuable urban development sites around London Euston and Birmingham's Curzon Street, which currently resemble construction disaster zones.Alternative Investments for Britain's FutureThe funds currently committed to HS2—potentially over £100bn—could transform Britain's infrastructure landscape. Instead of focusing on marginal time savings for journeys between London and Birmingham, the government could invest in re-signaling, electrification, and urban transit systems. Britain currently has only nine tram networks or metros, compared to France's 30 and Germany's 60. The annual £7bn HS2 budget could build new hospitals, schools, care centers, youth clubs, and courtrooms across the nation—investments that would address far more pressing needs than marginally faster rail travel for a small segment of the population.

The LeadLast week came the news that Gen Z are big fans of going to the cinema. Now here's a Gen Z romcom from Working Title, the company behind Bridget Jones's Diary and Notting Hill. Directed by Alicia MacDonald from a script by Rachel Hirons, Finding Emily shares DNA with Richard Curtis's comedies – the same warm heart and charm, plus levels of cheesiness that some may find cringe. In the end, I found it impossible to hate, though one or two performances felt a bit lacking in comic flair.The Campus Romance UnfoldsIt's set in Manchester, where indie singer-songwriter Owen (Spike Fearn) meets undergraduate Emily (Sadie Soverall) at the student union. They click, but when Emily taps her number into his phone, she misses out a digit. Is it a drunken error, or has she wrong-numbered him? Owen is convinced it's a mistake and sticks up posters around campus to find her. After a tipoff, he waits outside a lecture hall for psychology student Emily (Angourie Rice). She's American, and not his Emily, but she offers to help, suggesting Owen emails every Emily enrolled at the university – all 318 of them. Owen accidentally sends the email to all rather than BCCing, creating an email group of Emilies who are divided in their reactions. Is he some kind of creepy virgin "incel"? Or a diehard romantic? Owen becomes a meme: "email guy".Social Media SatireSome of the funniest scenes are the reactions on social media after Owen appears on a college YouTube channel with a guitar playing a song he wrote for Emily. "It's like Ed Sheeran on Crimewatch," someone writes. Another coins the hashtag #ratboysummer. This is a very gentle, light-touch send-up of campus culture wars and social media pile-ons. In fact, psychology student Emily has an ulterior motive for helping Owen: she wants to use him as a case study for her thesis that being in love is temporary insanity. "He is just data," she says, protesting too much.Supporting Characters and PerformancesBut, like in Curtis's films, the supporting characters are the most fun. Prasanna Puwanarajah is very funny as Emily's professor, a celebrity psychologist with a rampant ego. Distractingly, Owen is the spitting image of the young Liam Gallagher and at certain angles, Rice's Emily is a dead ringer for Taylor Swift. In a couple of scenes of them together, the effect is plain weird.Release TimelineFinding Emily is out on 21 May in Australia, on 22 May in the UK and on 28 August in the US. The film's release strategy appears to be targeting international markets sequentially, with the UK release following closely after Australia but before the US market.

The Lead: International Outrage Over Ben-Gvir's Video Israel's far-right National Security Minister Itamar Ben-Gvir has posted a video of himself taunting foreign activists abducted from a Gaza-bound aid flotilla at a makeshift holding pen in Israel's city of Ashdod. The activists, abducted by Israeli forces in international waters, are seen cable-tied and kneeling while Israel's national anthem blares in the video, which was released on Wednesday. Several countries, including Italy and France, have summoned Israeli ambassadors to explain the stunt. As well as a global backlash, the video has even been met with sharp rebukes from Israeli Prime Minister Benjamin Netanyahu and staunch ally, United States ambassador to Israel, Mike Huckabee. Who is Ben-Gvir: The Far-Right Minister at the Center of Controversy The 50-year-old lawyer and politician has led the far-right Jewish Power (Otzma Yehudit) party in Israel since 2019. He was sworn into the cabinet after the 2022 elections and was later appointed as national security minister and given control of Israel's Border Police division in the occupied West Bank. A settler in Kiryat Arba, one of the most radical settlements on Palestinian land in the occupied West Bank – all of which are illegal under international law – Ben-Gvir has convictions for incitement to racism, destroying property, possessing a "terror" organisation's propaganda material and supporting a "terror" organisation – Meir Kahane's outlawed Kach group, whose founder advocated for expelling non-Jews from Israel and which Ben-Gvir joined when he was 16. He frequently carries out anti-Palestinian acts, including regularly storming the Al-Aqsa Mosque compound in occupied East Jerusalem's Old City, Islam's third holiest site, alongside Israeli settlers and under the protection of Israeli forces. The Flotilla Activists: International Aid Efforts to Gaza This refers primarily to the Gaza aid flotillas – groups of boats carrying activists from different countries which have set out across the Mediterranean in an attempt to deliver aid and raise awareness at various times since October 2023, when Israel launched its brutal assault on the Gaza Strip, which has killed more than 72,000 Palestinians, mostly civilians. The modern flotilla movement emerged in 2006 during Israel's war on Lebanon and expanded after Israel imposed its blockade on Gaza in 2007. Since then, hundreds of vessels organised by international solidarity groups have attempted to reach the territory, carrying humanitarian aid and activists. In 2008, two boats from the Free Gaza Movement became the first to successfully reach Gaza by sea despite the blockade. But since 2010, Israeli forces have intercepted nearly every flotilla in international waters. On Tuesday, at least 430 activists from more than 46 countries were abducted during Israeli interceptions of the latest flotilla. The Video: Ben-Gvir's Taunting of Detained Activists In the video released on Wednesday, a woman approaches the minister and says in English, "Free Palestine!" before masked security officers put their hands on her head as they snap it down and push her away. "Good job," Ben-Gvir says to the officers, before stating, "Welcome to Israel. We are the landowners here; that is how it should be." Activists are then seen on their knees with their heads on the ground and arms tied behind their backs in "stress positions" as the figures of armed Israeli security officers look down on them from atop shipping containers. Ben-Gvir, waving an Israeli flag and heavily protected by security personnel, can be seen weaving in between the activists, appearing to relish the moment as he taunts them. International Response: Global Condemnation of Israel's Actions Several countries, including Italy, France, the Netherlands and Canada, have summoned Israeli ambassadors to their capitals to express their "indignation" over Israel's treatment of the abducted Gaza flotilla activists and to demand the release of their citizens. French Foreign Minister Jean-Noel Barrot also denounced Ben-Gvir's actions as "unacceptable", calling for the release of French citizens "as soon as possible". Canadian Foreign Minister Anita Anand called the incident "deeply troubling". United Kingdom Foreign Secretary Yvette Cooper said the video showed "totally disgraceful scenes". "The images of Israeli Minister Ben Gvir are unacceptable. It is unacceptable that these protesters, including many Italian citizens, are subjected to this treatment that violates their human dignity," Italian Prime Minister Giorgia Meloni said in a statement on X. Previous Treatment of Activists: A Pattern of Controversy In May 2010, when Israeli commandos stormed the Turkish ship Mavi Marmara, 10 activists were killed and dozens were wounded. Allegations of mistreatment by activists who have been brought to Israel after naval interceptions have been common, and organisers say they fear sanctions and accusations of Hamas links are being used to justify further crackdowns. The concerns come amid previous allegations by activists of abuse, including sexual abuse, during past interceptions by Israeli officials. Organisers have also accused Israeli naval forces of firing "rubber bullets" at activists during the latest interception, which occurred in international waters. Many activists who have previously been detained have been eager to point out that the focus should be on Palestinian prisoners in Israeli jails who are subjected to torture and do not have the option to be deported. In 2025, high-profile activist Greta Thunberg, who was on board a previous flotilla, told Swedish newspaper Aftonbladet that activists had been beaten, kicked and threatened with being gassed in cages. Palestinian Prisoners: The Broader Context of Detention Nearly 10,000 Palestinians are currently being held in Israeli prisons in Israel and in the occupied territory, according to the prisoners' rights group Addameer. Some 3,532 of them are administrative detainees – people held without charge or trial – while 342 are children. Israel is the only country in the world that tries children in military courts, often denying them their basic rights. Palestinians detained in Israeli prisons suffer near-constant dehumanising treatment by guards and soldiers. Under a new law passed this year and spearheaded by Ben-Gvir, military courts are now able to impose the death penalty on Palestinians convicted of killing Israelis in acts of "terror". This law will not impose the same penalty on Jewish Israelis convicted of killing Palestinians, which reinforces the legal inequalities that grant privileges to Jewish citizens while targeting Palestinians.

Alexander Zeldin’s latest work, ‘Care’, opens at the Young Vic and immediately immerses the audience in a locked‑down dementia ward where the invisible lives of the elderly surface with stark clarity. Through characters such as Joan (played by Linda Bassett) and the compassionate carer Hazel (Llewella Gideon), the play interrogates autonomy, love, and institutional neglect.Zeldin’s ‘Care’ Puts Dementia Front‑and‑Centre on the Young Vic StageThe opening scene captures Joan’s disorientation, while her daughter Lynn (Rosie Cavaliero) and grieving sons struggle to bridge the widening emotional gap. Supporting residents—Agnes, Paula, and the Beckett‑like John—populate the ward with fragmented memories that oscillate between humor and profound sorrow. Set designer Rosanna Vize creates a dank, institutional atmosphere that underscores the play’s thematic weight.Critical Reception and Audience ResponseCritics praise the “gruelling, intense and true” performances, especially Bassett’s portrayal of a woman clinging to fleeting autonomy.Audience reactions range from uneasy laughter at confused dialogue to palpable silence during the hug between Joan and John, highlighting the play’s emotional volatility.The production runs until 11 July, indicating strong box‑office demand for a socially charged drama.Why ‘Care’ Challenges Societal Views on Elder CareBeyond personal stories, the play subtly exposes systemic issues: chronic understaffing, the slow passage of days, and the emotional toll on both residents and carers. By juxtaposing moments of accidental humour with stark loneliness, Zeldin forces a reassessment of how society values its oldest members and the responsibility of care institutions.Future Outlook: Dementia Stories on the British Stage‘Care’ may signal a shift toward more honest, medically informed narratives about ageing in theatre, encouraging playwrights to tackle dementia without sentimentality. As audiences respond to its raw honesty, producers are likely to commission further works that blend artistic expression with social advocacy, potentially influencing policy discussions around elder care.

The Final Curtain: Colbert’s Farewell and the Countdown of Iconic SegmentsThe week of 21 May 2026 marks the end of two eras in network television: the original Late Show format created by David Letterman in 1993 and Stephen Colbert’s 11‑year stewardship. To commemorate the departure, the Guardian compiled the ten standout moments that defined Colbert’s tenure, ranging from political takedowns to whimsical pop‑culture tributes. 2016 – The Hungry for Power Games Recap: A satirical deep‑dive into both the Republican and Democratic conventions, complete with a purple wig and a pet ferret. 2017 – Goodbye to Bill O’Reilly: Colbert resurrected his on‑air alter‑ego to lampoon the former Fox News pundit. 2019 – Alex Jones in Court: A gag that turned Jones’s courtroom testimony into a comedic sketch. 2017 – Sending a Message to Trump: A razor‑sharp monologue that sparked #FireColbert trends. 2019 – Liv Tyler’s LOTR Fantasy: The actress handed Colbert an Elven sword for a reenactment of an iconic scene. 2019 – Conan Takes Over: A role‑swap that gave viewers a glimpse of a parallel late‑night universe. 2020 – Grief Talk with Joe Biden: A heartfelt Skype interview during the pandemic’s peak. 2022 – Faith & Comedy with Dua Lipa: A spiritually‑tinged conversation that broke the typical pop‑star interview mold. 2026 – Strike Force Five Reunion: Colbert joined fellow hosts to support writers during the 2023 WGA strike. 2026 – Letterman & Colbert Destroy CBS Property: A chaotic finale stunt with former host David Letterman. The Numbers Behind the Late Show’s DominanceDespite the announced cancellation, the show maintained the highest ratings among late‑night talk shows for nine consecutive years. Executives framed the decision as a purely financial move, yet the timing coincided with an $8 billion merger between Paramount (CBS’s parent) and Skydance, fueling speculation of political motivations linked to the Trump era. Why Colbert’s Exit Reshapes Late‑Night CultureColbert’s blend of political satire and genuine human moments cultivated a distinct brand that resonated with both partisan and non‑partisan audiences. His willingness to tackle controversial figures—Trump, O’Reilly, Alex Jones—while also embracing pop‑culture fandom (Lord of the Rings, Dua Lipa) broadened the genre’s appeal. The show’s collaborative spirit, exemplified by the Strike Force Five podcast, set a precedent for solidarity among competing hosts. Looking Ahead: The Future Landscape of Late‑Night TelevisionWith the Late Show ending, CBS faces a strategic crossroads: replace the flagship with a new format or double‑down on streaming‑first content. Competitors may seize the ratings vacuum, while Colbert’s legacy suggests that future hosts will need to balance sharp political commentary with authentic, human‑interest storytelling to retain audience loyalty.

The Gritty Evolution of British Skateboarding A new photographic collection from The Guardian documents the raw and authentic evolution of UK skateboarding during the 1980s and 1990s. Unlike the polished American skate scene that dominated media at the time, British skate culture developed its own distinct identity characterized by rougher conditions, DIY ethics, and a unique social commentary through the lens of camera lenses. Documenting the Underground Movement The photography collection showcases how British skateboarders adapted to their urban environment, transforming mundane architectural elements into creative skate spots. With fewer dedicated skate parks compared to the US, UK skaters developed innovative techniques to navigate stairs, handrails, and other urban obstacles, creating a style that was both technically impressive and contextually unique to British surroundings. A Visual Contrast with American Skate Culture While American skateboarding of the era often presented a more commercialized and aspirational image, the UK scene captured in these photographs reveals a more authentic, working-class aesthetic. The images depict skaters in everyday locations, often in less-than-ideal conditions, highlighting the movement's roots in counter-culture and rebellion rather than corporate sponsorship. The Social Fabric of Skate Communities Beyond the technical aspects of skateboarding, the photographs reveal the tight-knit communities that formed around the sport in British towns and cities. These images capture not just the act of skateboarding itself, but the social dynamics, fashion, and music that surrounded the scene, providing a comprehensive cultural snapshot of a generation finding its identity through alternative sports. Legacy and Influence on Modern Skateboarding The influence of this gritty UK skate aesthetic can still be seen in contemporary skate culture, particularly in the emphasis on street skating and creative use of urban environments. As skateboarding continues to evolve, these historical photographs serve as an important reminder of the sport's authentic roots and the unique cultural contributions of the UK scene during its formative decades.