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Kane Parsons' Historic Achievement Kane Parsons has become the youngest film-maker to open a film at number one at the North American box office for his directing debut Backrooms. The Success of Backrooms Parsons, 20, is seven years younger than the previous record holder, Josh Trank, who was 27 when his debut Chronicle recorded a $22m opening in 2011. Backrooms stunned industry observers by taking $81m in its first weekend in North America – which was also a record for its studio, A24. The Film's Background Backrooms, described by the Guardian’s chief critic Peter Bradshaw as “an icily brilliant and genuinely disturbing conceptual horror film” is based on Parsons’ YouTube series of the same name, inspired by the “creepypasta” of the same name, referring to a fictional space of infinite, interconnected spaces. Addressing Controversy Parsons’ age has led to claims online that he did not in fact direct the film, with actor Mark Duplass responding: ““Hmmm, with all due respect I don’t remember seeing you on set. When I was there, Kane was 100% in control. More so than many directors 3x his age.” Parsons himself also commented on the rumours, saying: “This is actually all true. They don’t tell you this, but 96% of all movies released in North America and Europe are actually directed by the same person. They call him ‘The Older Gentleman’. He has had all of Hollywood in a chokehold for decades now.” Comparison with Other Low-Budget Horror Films Backrooms' box office success follows that of another low-budget horror film, Obsession, directed by Curry Barker. Barker, at 26, is six years older; his film was released on 15 May with a $17.1m opening weekend in North America, and has now recorded $104.7m after four weeks.

The Retaliatory Strike Iran's Islamic Revolutionary Guard Corps (IRGC) says it launched a retaliatory strike on a base used by US forces that it claims was used for an attack on an Iranian communications tower. The IRGC Aerospace Force fighters targeted the airbase where the aggression originated, and the predicted targets were destroyed. The Escalation The attacks come after the United States said it carried out strikes on Iran this weekend in response to 'aggressive Iranian actions that included the shootdown of a US MQ-1 drone that was operating over international waters.' US fighter aircraft swiftly responded by eliminating Iranian air defenses, a ground control station, and two one-way attack drones that posed clear threats to ships transiting regional waters. The Fragile Ceasefire The attacks, the latest in several exchanges of fire in recent days, come as indirect negotiations between the US and Iran to formalize a fragile ceasefire that took effect in April continue. There have been mixed signals about whether the two sides are close to an agreement to extend the fragile truce. The Potential Memorandum of Understanding The two sides have reportedly been reviewing a potential memorandum of understanding (MoU) that would extend the ceasefire for a further 60 days and begin negotiations to end the war permanently. The MoU will state that shipping through the Strait of Hormuz is to be 'unrestricted,' meaning there will be no tolls, no 'harassment,' and that Iran will have 30 days to remove all sea mines. Iran's Response Iran's Foreign Ministry spokesperson Esmaeil ‌Baghaei said on Monday that any delay ⁠in ⁠the diplomatic process to end the war can ⁠be explained by a lack of trust, ⁠Washington's contradictory positions and Israel's attacks on Lebanon. Negotiations have started amid severe suspicion and mistrust, and the exchange of messages is taking place in ⁠this atmosphere. Trump's Statement US President Donald Trump said in a statement on his Truth Social platform late on Sunday, Tehran 'really wants to make a deal' and that whatever deal is reached will 'be a good one' for the US 'and those that are with us.' He lashed out at domestic critics for 'negatively 'chirping'' about his handling of the war but made no mention of the US strikes on Iran.

The Lead: US Intervention Amid Escalating Conflict Washington has put forward a proposal to de-escalate hostilities in Lebanon, a United States official has told Al Jazeera, adding that Secretary of State Marco Rubio has held separate talks with Lebanese President Joseph Aoun and Israeli Prime Minister Benjamin Netanyahu. The statement comes as Israel's military has taken over the medieval Beaufort Castle just north of the Litani River in southern Lebanon, conducting its deepest push into the country in decades. The US De-escalation Proposal: Conditions for Ceasefire The US official told Al Jazeera on Sunday that under the proposed "roadmap", Hezbollah would halt all attacks on Israel in exchange for Israel refraining from further escalation in the Lebanese capital, Beirut. The US proposal aims to create a conducive environment for a gradual de-escalation and a complete, comprehensive cessation of all hostilities, the official added. Human Cost of Escalation: Casualties and Displacement More than one million people have been forcibly displaced across Lebanon since the fighting between Hezbollah and Israel escalated on March 2. According to the latest figures from the Lebanese Ministry of Public Health, more than 3,412 people have been killed and 10,269 wounded in Israeli attacks since March 2. Israeli forces killed at least 12 people and wounded 35 in more than 36 attacks across southern Lebanon on Sunday alone, according to an Al Jazeera tally. International Response: Global Condemnation Countries across the world have slammed Israel's escalation of its offensive on Lebanon. French President Emmanuel Macron said "nothing justifies" it. United Kingdom Foreign Secretary Yvette Cooper called on Israel to halt its military activity in Lebanon, saying its escalation had "eroded space for diplomacy". Qatar condemned Israel's continuing attacks on Lebanon and the expansion of its ground offensive in the south, describing the campaign as a serious escalation and violation of international law. Path Forward: Mixed Signals and Continued Tensions Israeli Prime Minister Benjamin Netanyahu, who promised to push deeper into Lebanon and called Sunday's operation a "dramatic shift" in the campaign against Hezbollah, ordered the military on Monday to attack targets in Beirut's southern suburbs, known as Dahiyeh, a stronghold of the Lebanese group. The US official placed responsibility for the current round of fighting squarely on Hezbollah and accused it of following Iran's directives without regard for Lebanese interests. "The quickest way to protect civilians and reduce escalation is for Hezbollah to cease fire immediately," the official said, adding that Washington does not expect Israel to tolerate continued attacks on its civilians.

Summer Arrival Brings Noctilucent Clouds to the Night SkyAs the northern‑hemisphere summer settles in, a rare high‑altitude spectacle lights up the western twilight: noctilucent clouds, or “night‑shining” clouds, glow with an electric‑blue hue just after sunset.High‑Altitude Glows at the Edge of SpaceThese formations sit at roughly 80 km above the surface—virtually the edge of space—making them the highest known clouds in Earth’s atmosphere. They become visible about half an hour after sunset, when the lower atmosphere is in shadow but the thin upper layer still reflects sunlight.Numbers Behind the PhenomenonTypical altitude: 80 kmFirst documented sighting: 1885Key historical event coinciding with appearance: 1885 Krakatoa eruptionSouthern‑hemisphere season start: around OctoberResearchers note that no recorded observations exist before 1885, despite the clouds’ striking visibility, prompting theories that they may be linked to industrial aerosols emerging in the late 19th century.Why Noctilucent Clouds Matter for Climate ScienceThe clouds serve as a natural laboratory for studying upper‑atmospheric processes. Possible drivers include:Industrial pollutants providing nucleation sites for ice crystals.Volcanic eruptions (e.g., Krakatoa) injecting particles into the mesosphere.Climate‑induced increases in water vapour reaching higher altitudes.Because their brightness and frequency respond to subtle changes in mesospheric temperature and composition, noctilucent clouds are increasingly viewed as a proxy for monitoring climate‑related shifts.Future Outlook: Monitoring Upper‑Atmosphere ChangesScientists plan to combine satellite lidar measurements with ground‑based observations to track seasonal trends and assess whether cloud frequency intensifies under a warming climate. Continued study will help determine if noctilucent clouds can act as an early‑warning indicator for broader atmospheric transformations.

The Global Bauxite Rush and Guinea's ContradictionIn the small village of Bembou Silaty, northwestern Guinea, 38-year-old Mamadou Aliou embodies the central contradiction of Guinea's bauxite boom. Working in the environmental health and safety department for a mining company while simultaneously advocating for his community's rights, Aliou represents the complex relationship between global resource demands and local realities."Before these companies arrived, we cultivated our land, and it sustained us," Aliou told Al Jazeera. "We could cover our daily needs, especially food. But now, when a piece of land is registered and belongs to a mining company, you have nothing there any more."The Strategic Value of Guinea's Bauxite ReservesGuinea holds the world's largest reserves of bauxite, the ore that becomes alumina and ultimately aluminum—a metal essential for car and aircraft frames, windows, wind turbines, and solar panels. Over the past three decades, the country has multiplied its bauxite production tenfold, with more than a dozen ongoing projects currently operating.As the global energy transition demands ever more aluminum, Guinea has found itself in a strategically crucial position. Approximately 75 percent of the bauxite exported by the country over the past decade has ended up in China, which produces 60 percent of the world's aluminum. Companies from Russia, the United States, and the United Arab Emirates have also established significant operations in the country to secure this valuable resource.Economic Disparities and Compensation ChallengesIn the traditional bauxite heartlands of Kindia and Boke, the main roads are notably well-maintained, and steady jobs in technical roles or transport logistics have created economic opportunities for some Guineans. In Bembou Silaty, however, the situation remains starkly different—a quiet village without electricity, where farming methods remain untouched by mechanization.People working in technical roles at the mine can earn up to about $300 a month, a significant sum in Guinea. For other locals who make a living from farming, most don't have a regular wage and rely on the yield from their crops. Across Guinea, an estimated half of the population depends on agriculture for their livelihood.Locals in Bembou Silaty say every hectare claimed by mining is a hectare lost to farming, in a country that spent more than $500m importing rice in 2024. "They give you compensation for your land, but it's not enough, and in the end, it's mismanaged," Aliou said. "Within a month or two, someone who received 50 or 100 million Guinean francs ($5,700-11,400) has nothing left. No land, no money. They have to start over, from below zero."Environmental Degradation and Water ContaminationThe environmental impact of bauxite mining in communities like Bembou Silaty has been profound. Not all homes in the village of about 5,000 have indoor toilets and plumbing. While a new water point serves nearly all residents, the water contains iron contamination.In neighboring villages, the situation is even more dire. "Since the mining companies came, we've had this problem with the water. The children get sick, and the parents too," said Mariama Kindi Diallo, a farmer. "The doctors tell us not to drink the rain or river water. There are no roads, no school, no phone signal. What are we supposed to do? We are asking for help to have a dignified life."Environmental concerns extend beyond water contamination. Surgical holes drilled into the ground mark where mining companies have tested for bauxite—a reminder to farmers that the impact on the land is felt even before extraction begins. In a recent report, Djami Diallo, the Guinean minister of the environment and sustainable development, stated that each year, certain companies had their impact studies and evaluation reports rejected for failing to comply with environmental standards.The Government's Push for Value AdditionTo address these challenges and increase the benefits for Guinea, the government of Mamady Doumbouya, which came to power in a 2021 coup, is attempting to reorganize the mining sector. It is pressing investors to process bauxite within Guinea, ensuring a portion of the value stays in the country.Processing bauxite into aluminum can multiply its price by 37 times. Instability in Iran amid the US and Israel's war has contributed to rising aluminum prices, which surpassed $3,600 per tonne in April. Doumbouya is set to lead the country for the next seven years, after winning the December 2025 elections with nearly 87 percent of the vote.Achieving this transformation, however, requires a huge increase in electricity generation—power that is non-existent in villages like Bembou Silaty and unreliable even in the capital, Conakry. Guinea is working with neighboring Senegal on a solution: Using Senegalese gas to generate enough electricity to process its bauxite on African soil.The Global Trail of Bauxite and MigrationThe story of Guinea's bauxite extends far beyond its borders. More than 3,000km away, in Parets del Valles, Spain, the journey's end plays out. For Spain, Europe's largest consumer of Guinean bauxite, more than 90 percent of its imports come from Guinea.The aluminium produced there feeds the automotive industry and serves both industrial and domestic purposes. In Spain, there is light, hot water, paved roads—all the base elements of a decent life that remain elusive in many parts of Guinea.Increasingly, more boats are leaving directly from Guinea, towards the Canary Islands and on to mainland Europe. According to Frontex, the European Union border security agency, more Guineans arrived in the Canary Islands, Spain, in 2023 (2,324) than in the previous 13 years combined. In 2024 and 2025 combined, another 6,000 Guineans arrived.Many left, following the bauxite trail, hoping to find something more in the places where their resources are both enjoyed and exploited. "If you compare the bauxite we export with what we get in return, the difference is enormous," Aliou reflects. "We gain almost nothing. Just enough to survive."

Lead: A Literary Voice Finds Moral Guidance in the Vatican’s AI EncyclicalIn a recent Guardian column, Francine Prose expresses gratitude to Pope Leo XIV for his extensive encyclical, Magnifica Humanitas: On Safeguarding the Human Person in the Time of Artificial Intelligence. She argues that the Pope’s moral framing offers a useful counter‑point to the prevailing techno‑optimism that dominates discussions about AI’s creative potential. Pope Leo XIV Issues a Groundbreaking AI EncyclicalThe Vatican’s new letter, spanning more than 40,000 words, tackles both the promises and perils of rapidly evolving artificial intelligence. It opens with a biblical analogy—choosing between a modern Tower of Babel or a city where “God and humanity dwell together”—and proceeds to trace the Church’s historical stance on labor, authority, and scientific progress. Key Data Points from the EncyclicalLength: > 40,000 words (approximately the size of a short novel)Chapter 3 titled “Technology and Dominance: The Grandeur of Humanity in Light of the Promises of AI”Explicit warnings about AI used solely to maximize profit, manipulate privacy, and exacerbate economic inequality Impact Analysis: Moral Framing Meets AI GovernanceThe encyclical’s central claim—that AI lacks experience, embodiment, and moral conscience—reinforces a growing call for human‑centered AI policy. By positioning AI as a tool that can amplify existing power imbalances, the Pope adds a religious‑ethical voice to debates traditionally dominated by technologists, legislators, and industry leaders. This could influence future regulatory approaches, especially in regions where the Catholic Church holds cultural sway. Future Outlook: How Religious Ethics May Shape AI DevelopmentProse notes that while the document may not halt AI‑driven profit motives, it provides a framework for civil society to demand accountability. If embraced by policymakers, the encyclical could inspire legislation that protects privacy, safeguards employment, and ensures AI serves the common good rather than a privileged few. Conversely, pushback from Silicon Valley suggests a contested path ahead, with tech leaders questioning the Vatican’s technical expertise. Conclusion: A Call for Human‑Centred InnovationUltimately, Prose argues that the Pope’s vision—rooted in compassion, justice, and the intrinsic value of human relationships—offers a “beneficent” compass for navigating AI’s ethical terrain. Whether the Church’s moral authority will translate into concrete policy remains uncertain, but the encyclical undeniably enriches the global conversation about technology’s role in society.

French artist Camille Henrot presents her latest exhibition “Don’t” at the Perimeter in London, shifting from her previous large‑scale, concept‑driven installations to a pared‑back, intimate investigation of everyday digital overload. The Minimalist Turn: “Don’t” Strips Henrot’s Grand Narratives The show is divided into two bodies of work. The painted series layers screenshots, collaged paper and brushstrokes into frantic digital abstractions, while the accompanying drawings depict mythic beasts and overtly erotic figures. By inserting personal artifacts—a photo of her husband, an X‑ray of her wrist, even a bill for IVF‑related oocyte storage—Henrot turns the exhibition into a visual diary rather than a theoretical treatise. Absence of Big Numbers: What the Lack of Commercial Data Reveals Opening date: 2026‑05‑31 (press review) Venue run: until 25 July 2026 No disclosed ticket‑price or attendance figures, underscoring the exhibition’s focus on personal experience over market metrics. Redefining Post‑Internet Intimacy in Contemporary Art Henrot’s shift mirrors a broader trend in post‑internet practice: moving from hyper‑complex installations toward works that foreground the artist’s private life and digital fatigue. The chaotic blend of analogue and digital elements questions what is “real” in a screen‑saturated world, while the erotic drawings expose the raw, often ignored, physicality behind online personas. Future Directions: Anticipating Henrot’s Next Personal Exploration Given the intimate tone of “Don’t,” future projects may delve deeper into domestic technology, perhaps exploring AI‑mediated relationships or the emotional economics of data storage. Critics will watch to see whether Henrot continues to trade grand gestures for the mundane, reshaping how contemporary art narrates the digital age.

A Subtle, Anti-Musical Triumph in the Scottish Highlands Guardian's latest review praises Once for its stripped-down, 'anti-musical' approach that favors intimacy over spectacle, delivering a slick romance that sidesteps traditional showstoppers. John Tiffany's Minimalist Revival at Pitlochry Festival Theatre Directed by John Tiffany and designed by Bob Crowley, the production returns to its original creative team, featuring actor-musicians who 'muck in without fanfare'. The set of scuffed mirrors and wooden paneling creates a bar-room ambience, while choreography by Steven Hoggett leans on physical-theatre angularity. Box-Office Snapshot and Scheduling Venue: Pitlochry Festival Theatre Run: until 27 June 2026 Original Broadway debut: 2012 West End transfer: 2013 Why 'Once' Challenges Conventional Musical Expectations Music by Glen Hansard and Markéta Irglová is arranged by Martin Lowe, emphasizing rhythmic complexity over bombast. The narrative centers on a Dublin busker (Dylan Wood) and a Czech visitor (Lydia White), offering a low-stakes, emotionally true ending. Absence of typical 'high-kicking' numbers positions the show as an 'autumnal' opening for a summer season. Outlook: Minimalist Musicals Gaining Ground in Regional Theatres With its economical production values and focus on authentic storytelling, Once may inspire other regional venues to program similar 'anti-musicals', expanding the genre beyond Broadway-style extravagance.

At Amazon’s AI on the Lot conference in Culver City, Gareth Edwards declared generative AI a revolutionary creative partner, likening it to a "second‑unit director who is a billionaire on acid" and suggesting it could outdo traditional CGI.Edwards Positions AI as the Next‑Gen Camera at AI on the LotSpeaking to an audience of filmmakers, Edwards said the technology is "so clearly a tool that might be up there with the camera" and is most valuable during the "preparatory stages" for iterating story ideas. He emphasized that AI helps discover a film’s direction before production begins, then hands the reins back to human creators.Cost‑Cutting Potential Highlighted by Paul SchraderPaul Schrader reinforced the economic upside, questioning why studios pay extras $180 a day when AI can generate realistic background performers. He argued the real commercial breakthrough will come when AI can portray a protagonist without needing a human analogue, potentially reshaping revenue models.AI’s Disruptive Ripple Through Film ProductionAI is framed as a creative "second‑unit director" capable of rapid iteration.Critics note early AI‑generated images, such as in Steven Soderbergh’s John Lennon: The Last Interview, have been received as "blandly generic and very mediocre".Industry voices see AI as a tool that could replace traditional extras and visual effects pipelines.Uncertain Trajectory: What’s Next for AI‑Driven CinemaEdwards cautioned that predicting AI’s evolution over the next five years is impossible, warning that anyone claiming certainty is "just a liar". The consensus suggests a near‑term surge in experimentation, followed by broader adoption as the technology matures.