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Joz Norris' latest show, 'You Wait. Time Passes', is a thought-provoking exploration of artistic character and the choices that define a creative life. In this maverick confection of a show, Norris takes on the role of an unhinged, self-absorbed guru figure, imparting life lessons with a healthy dose of silliness.The show delves into Norris's career as a comedian, actor, and magician, as well as his bid to become Google's number one Joz. Through snippets of his career and interactions with his erratic AI girlfriend, Norris presents a picture of himself as a complex, multifaceted artist.At its core, the show poses big questions about the futility of the niche creative's life and whether weird artists are truly weird or just trying to express themselves in a different way. While some moments feel a bit strenuous or for-its-own-sake, the show's extreme dottiness is backed up by good jokes, twisty philosophy, and a highly energetic performance.Ultimately, 'You Wait. Time Passes' constitutes a curiously rousing defence of experimental art-making in a conformist, capitalist world. The show is a must-see for fans of comedy and experimental art, and it will be touring after its run at the Lowry in Salford.

Music lovers and Beatles fans are in for a treat tonight as McCartney: The Hunt for the Lost Bass airs on BBC Two at 8:45pm. This documentary delves into the mysterious disappearance of Paul McCartney's iconic Höfner bass guitar, which he purchased in 1961 during the formative years of the Beatles. The instrument, which became synonymous with McCartney's music, vanished around the time of the Beatles' split and has been on a journey of its own ever since. The documentary features contributions from 'bass detectives' and McCartney himself, offering a fresh perspective on a well-known story. In other TV news, Proper Ladies on BBC Three at 7:45pm showcases new talent with a comedy short film initiative, beginning with Sabrina Ali's play Dugsi Dayz, a coming-of-age story about four Muslim girls. Celebrity Sabotage on ITV1 at 8pm features civilians competing in a military endurance series, while celebrities and a guest saboteur try to disrupt the proceedings from a nearby bunker. Film enthusiasts can look forward to Outcome on Apple TV, a comedy starring Keanu Reeves as Reef Hawk, a celebrated actor and secret recovering heroin addict. The movie follows his apology tour to find the culprit behind a compromising video. Sporting events include Premier League football matches, the Grand National Festival, Women's Six Nations Rugby Union, and a boxing match between Tyson Fury and Arslanbek Makhmudov.

The play Good Golly Miss Molly! is a joyous tribute to community spirit, set in the 1970s in Tunstall, where residents resisted a council plan to demolish their houses. The show, written by Bob Eaton, uses rock'n'roll standards to tell the story of a community coming together.Eaton's show has taken a hold of the audience, with its insinuatingly woven narrative of social history, pop, and politics. The story revolves around the residents of Hawes Street, who fought against the council's slum clearance programme and successfully argued for home improvements instead.The director cleverly uses music as the glue that binds the community together, telling the story through a band reuniting for a nostalgic knees-up in a social club. The play's protagonist, Molly, played by Shirley Darroch, evolves from a belligerent schoolgirl to a lead singer, NUM staffer, and residents' association chair, finding self-fulfilment along the way.The company's performance is tremendous, with doo-wopping, harmonising, and swapping instruments, making the angst and yearning of the songs a perfect expression of the working-class struggle.While the conflict could be more fully explored, the play gives a joyful sense of the music pulling the audience into the action, providing an exuberant lift to the company's 40th anniversary season.The play is showing at the New Vic theatre, Newcastle-under-Lyme, until 2 May.

Stefano Gabbana left his post as chair of Dolce & Gabbana effective 1 January 2026, describing the move as part of a "natural evolution" of the company’s organisational structure and governance.The luxury house stressed that the resignation will not affect Gabbana’s creative responsibilities within the group.According to Bloomberg, Alfonso Dolce – Domenico’s brother and the group’s chief executive – assumed the chairmanship in January, taking over the role from the co‑founder.Sources indicate that Gabbana is exploring options for his 40 % equity stake as the brand continues negotiations with its bank lenders. In parallel, former Gucci chief Stefano Cantino has been appointed to a senior management position as part of the reshuffle.A D&G spokesperson added that the company “has no statement to make at this time” regarding its debt position, as talks with banks remain ongoing.The Italian label, founded in 1985, is grappling with a slowdown in the high‑end fashion market, a trend intensified by uncertainty surrounding the war in Iran – a region that represents a crucial market for luxury brands.In March, Dolce & Gabbana hired Rothschild & Co as its financial adviser to prepare for creditor discussions. At that point the group carried €450 million (£391 million) of bank debt, incurred after a 2025 refinancing aimed at supporting a new growth strategy while preserving independence. Lenders had temporarily waived certain borrowing terms.Ownership of the company remains split: each designer holds a 40 % stake through a holding vehicle, while the remaining shares are owned by Alfonso Dolce and their sister Dorotea.Founded by Stefano Gabbana and Domenico Dolce, the brand quickly became synonymous with a “molto sexy” Italian aesthetic, gaining global visibility after Madonna commissioned costumes for her 1993 Girlie tour. By 2009, Dolce & Gabbana reported a turnover of €1 billion.Despite its commercial success, the house has faced a series of controversies over the past 15 years, ranging from accusations of racism and homophobia to backlash over culturally insensitive advertising, which have at times threatened its market position.

Canadian singer Justin Bieber is poised to make a significant return to the live stage at this year's Coachella music festival, despite recent health challenges. The sold-out event, taking place in California's Coachella Valley, is expected to draw around 125,000 music enthusiasts daily.Bieber's performance marks a major milestone in his career, following his 2022 tour cancellation due to Ramsay Hunt syndrome, which left him with 'full paralysis' on one side of his face. At the time, Bieber mentioned that his body was signaling him to slow down.Although he has expressed that touring again seems 'super daunting,' he has been preparing for his Coachella performance, promising fans a 'hell of a show.' The festival will feature seven stages with a diverse lineup, including headliners Sabrina Carpenter and Karol G, who will make history as Coachella's first Latina headliner.Carpenter has teased her headlining set as her 'most ambitious' show to date, while Karol G recently discussed challenges related to her platform and potential repercussions on her visa. The festival's schedule also includes surprise additions and notable absences, such as Jack White and the absence of punk duo Lambrini Girls due to health issues.Adding to the excitement, this year's event may see rainy weather, a stark contrast to last year's near-record temperatures. The shift in weather conditions could impact the festival experience for attendees.

Tori Amos has taken to the stage, delivering a dramatic deep dive into her vast and sprawling back catalogue. Her 18th studio album, In Times of Dragons, and first tour in three years have generated significant excitement among fans. The allegorical tales that make up her forthcoming record – a metaphorical story about the fight for democracy over tyranny – are evident in her live performances.The concert featured a range of tracks from Amos's extensive discography, including the delicate deep cut Ruby Through the Looking-Glass and the atmospheric, slow-burn jazzy grooves of Little Amsterdam. The love in the room for Amos is palpable, with her songs, voice, and masterful piano playing bringing out an almost devotional following.Amos's musicianship was on full display, accompanied by a drummer, bass player, and three backing singers, whom she refers to as 'angels.' While their presence occasionally detracted from the raw intimacy expected from Amos, it mostly elevated the performance to new levels. Tracks such as Pandora's Aquarium and Witness were lifted to stirring new heights by the vocal back and forth.The setlist may not have been hit-stuffed, but Crucify was a beautiful closer, delivered in a way that felt both tight and loose, detailed yet expansive, tender and rousing. The encore of early career favourite Cornflake Girl had the whole venue on its feet and in dizzy awe. As Amos navigates the brutal state of the world, she has an audience that will gladly follow her deep into the heart of any dragon's den.

A harrowing video captured by a 13-year-old girl has surfaced, showcasing the terrifying moment Israel bombed Beirut. The footage, obtained from aljazeera, provides a glimpse into the devastating impact of the airstrike on civilians in the Lebanese capital.The video, which has garnered significant attention, depicts the chaotic scene immediately following the bombing. The girl's documentation of the event serves as a poignant reminder of the human cost of conflict.The incident has sparked widespread concern and condemnation, with many calling for an investigation into the circumstances surrounding the airstrike. The Israeli military has not publicly commented on the incident.

It's been 20 years since the passing of Muriel Spark, a celebrated Scottish novelist, short story writer, poet, and essayist. With a career spanning over two decades, Spark left an indelible mark on literature with her 22 novels, which are characterized by their uncanny, astute, and witty storytelling. James Bailey, author of the biography Like a Cat Loves a Bird: The Nine Lives of Muriel Spark, provides a guide to Spark's oeuvre, highlighting her unique narrative style. A typical Spark novel begins by introducing an enclosed community, such as nuns, schoolgirls, or desert island castaways, filled with gossip, deceptions, and conflicts. This setup is then disrupted by a dramatic event, like a murder or scandal, allowing Spark to explore the consequences. For readers new to Spark's work, Memento Mori (1959) is a great starting point. This darkly comic novel follows a cast of bickering pensioners who receive anonymous phone calls with the ominous message: 'Remember you must die.' The novel raises questions about mortality, fear, and the human condition. Spark's debut novel, The Comforters (1957), is a remarkable example of her innovative storytelling. The protagonist, Caroline Rose, believes she can hear the clanking typewriter keys of an entity she calls the Typing Ghost, which dictates the events of her life. This novel showcases Spark's ability to blend diabolism, diamond-smuggling, and supernatural elements. One of Spark's most famous novels, The Prime of Miss Jean Brodie, is known for its quotable lines, such as 'Give me a girl at an impressionable age and she is mine for life.' This novel explores themes of favouritism, fascism, and the seductive power of belonging. Spark considered The Driver's Seat (1970) her finest achievement, describing it as her creepiest work. This novel follows Lise, a protagonist whose holiday romance takes a dark and unexpected turn. Spark's works often explored the contrast between public personas and private lives. Her 1968 novel, The Public Image, is a prime example, delving into the world of a film star struggling to maintain her reputation amidst paparazzi and self-absorbed relationships. Spark's short stories, collected in her Complete Short Stories, offer a glimpse into her versatility as a writer. These tales often feature unquiet spirits and explore themes of mortality, guilt, and redemption.

The UK government's spending on foreign aid has hit its lowest level in nearly two decades, with provisional data showing 0.43% of national income allocated to official development assistance (ODA) in 2025, down from 0.5% in 2024 and matching the level in 2008. The total ODA spend in 2025 was just over £13bn, an annual decrease of £1bn, or 7.4%. This decline has raised alarms among humanitarian experts, who warn that the cuts are having severe consequences, particularly for marginalized communities across Africa. Gideon Rabinowitz, director of policy and advocacy at Bond, emphasized that life-saving humanitarian programs, including education provision in Syria and healthcare programs across Africa, have already been forced to close. He warned that with even deeper cuts expected, the worst consequences are yet to be realized. The Organisation for Economic Cooperation and Development (OECD) noted that a projected 9% to 17% drop of ODA among its members in 2025 would hit the poorest countries hardest. The UK's reduction in aid spending has been criticized by campaigners and aid organizers, who argue it will cause widespread damage and weaken the UK's influence overseas. In response, the Foreign, Commonwealth and Development Office stated that national security is the government's first duty and that the decision to reduce ODA spending to 0.3% of GNI by 2027 was necessary to fund an increase in defense spending. However, they emphasized that the UK remains committed to safeguarding standards and protecting women and girls.