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Lead: A Bold Fusion of Realism and HorrorClaire Fuller returns with Hunger and Thirst, a novel that fuses the gritty texture of social realism with the unsettling atmosphere of gothic horror. Set in 1987, the story follows Ursula, a young woman haunted by the deaths of her mother and a later, more sinister companion, while the narrative oscillates between documentary‑style observation and nightmarish spectacle.Fuller Blends Social Realism with Gothic Horror in 'Hunger and Thirst'The novel opens with Ursula’s traumatic childhood—spending two days trapped in a Moroccan bathroom by her mother’s corpse after a dengue fever death. By sixteen, she drifts through seven children’s homes before landing a postroom job at Winchester School of Art, where she meets the volatile Sue and her boyfriend Vince. Their obsession with horror films like The Shining and The Stepford Wives steers the plot toward a derelict house, the Underwood, where a seance and a reenactment of a past murder blur the line between art and atrocity. Fuller’s prose captures the “porousness” of identity, as characters literally and figuratively inhabit each other’s bodies.Publication Details and PricingPublisher: Fig TreeRelease price: £18.99Publication year: 2026Previous award: Fuller’s 2021 Costa‑winning Unsettled GroundSocial Critique of Thatcher‑Era Care System Through HorrorThe novel uses its horror framework to expose the under‑resourced British care system of the 1980s, a period when Thatcher’s government prioritized nuclear families over community support. Ursula’s movement between children’s homes and a “halfway house” populated by addicts and ex‑prisoners illustrates the systemic neglect that left many youths adrift. By juxtaposing this social critique with visceral horror, Fuller argues that the genre can convey truths about societal failure more starkly than conventional realism.Potential Legacy and Reader ReceptionFuller’s “outrageous aesthetic gamble” may set a new benchmark for literary horror that does not sacrifice social urgency. If readers and critics embrace the novel’s dual narrative—documentary‑style observation paired with gothic terror—it could inspire a wave of fiction that treats horror as a vehicle for political commentary. The book’s blend of “intense feeling” and “intimate portrayal” positions it as a contender for future literary awards and a touchstone for authors exploring the intersection of genre and social critique.

Tonight’s Must‑Watch TV HighlightsThe Guardian’s latest TV guide showcases a mix of drama, comedy and culinary spectacle across Britain’s major broadcasters. From a stylish Cold‑War thriller on Sky Atlantic to the nation’s biggest curry restaurant on Channel 4, the line‑up promises both intrigue and comfort food for viewers.‘Ponies’: A Cold‑War Thriller Starring Emilia ClarkeEmilia Clarke headlines ‘Ponies’, a star‑filled, stylish and surprisingly fun Cold‑War drama airing at 9 pm on Sky Atlantic. Clarke plays Bea, a highly educated Russian‑speaking secretary who teams up with street‑smart Twila (Haley Lu Richardson). Together they investigate the mysterious deaths of their husbands in Moscow, operating as “persons of no interest”. The cast also includes Adrian Lester and Harriet Walter.Scheduling Slots and Audience Reach Estimates9 pm – Sky Atlantic: ‘Ponies’ (Cold‑War thriller)8 pm – Channel 4: “World’s Biggest Curry Restaurant” – a behind‑the‑scenes look at the Royal Nawaab in Stockport.9 pm – BBC Two: “Hidden Treasures of the National Trust” – cultural‑heritage documentary narrated by Toby Jones.10 pm – BBC Three: “Smoggie Queens” – comedy sketch series.10:05 pm – Sky Atlantic: “Hacks” – penultimate episode of the AI‑satire comedy.11:40 pm – BBC One: “St Denis Medical” – double‑bill US mockumentary.While exact viewership figures are not yet released, prime‑time slots on Sky Atlantic and Channel 4 typically attract 1–2 million live viewers, with additional streaming audiences on platform‑specific apps.Why Cold‑War Drama Is Resurfacing on UK TVThe renewed interest in Cold‑War narratives aligns with a broader cultural fascination for geopolitical tension and espionage, spurred by recent successful series such as *The Americans* and *Killing Eve*. By pairing a high‑profile star like Clarke with a genre that blends thriller, period intrigue and dark humor, broadcasters aim to capture both legacy audiences and younger viewers seeking fresh takes on historic settings.What This Means for Next Season’s Programming ChoicesGiven the strategic placement of *Ponies* alongside eclectic factual and comedy offerings, networks appear to be betting on a diversified schedule that balances prestige drama with accessible reality‑TV formats. If *Ponies* secures strong live and on‑demand numbers, we can expect more star‑driven, genre‑hybrid projects to fill prime‑time slots in the coming months, potentially nudging streaming services to compete with similar high‑budget, historically‑rooted series.

A candid kitchen conversation with Sir Derek Jacobi The Guardian’s interview captures a warm, unguarded moment as Jacobi and his husband, director Richard Clifford, share coffee and stories in their London home. Jacobi, 80, jokes about his looks, admits he never felt “movie‑star material,” and confides that he would love to reach his centenary. Career milestones and personal anecdotes 1970s breakthrough as the stammering Emperor in I, Claudius. Acclaimed stage work including Cyrano de Bergerac (Royal Shakespeare Company, 1980s) and Macbeth at the Barbican (1993). Recent TV roles in Vicious and Last Tango in Halifax. Early life in Leytonstone; rheumatic fever at nine sparked a shift from working‑class roots to a posh accent and ambition. No financial figures – cultural impact takes centre stage The piece contains no monetary data; its value lies in documenting the lived experience of a veteran actor whose voice and presence have shaped British drama for five decades. What Jacobi’s reflections mean for British theatre and aging performers Jacobi’s honesty about age, health (including his AIDS diagnosis) and self‑image highlights the often‑unspoken pressures on older actors. His partnership with Clifford, who directs and designs their home, underscores the importance of supportive creative collaborations in sustaining long‑term artistic careers. Looking ahead: the goal of hitting 100 Jacobi ends on a hopeful note, expressing a desire to “hit 100” and continue contributing to the arts. His story suggests that longevity in performance is as much about personal resilience and community as it is about talent.

The Deadly Attacks in Honduras Two incidents of gun violence have shaken Honduras, killing at least 16 people in the Central American country. On Thursday, gunfire was first reported on a remote palm farm in Rigores, part of the municipality of Trujillo in the country’s north. The Attack on the Palm Farm A spokesperson for Honduras’s National Police, Edgardo Barahona, said that as many as 10 workers were shot dead at the site, though the number is expected to rise. Barahona explained that some distraught family members had come to collect their loved ones’ bodies before investigators could secure the crime scene. Local media indicated that armed suspects fired indiscriminately on labourers, including some who had gathered at a local church. Photos showed bodies, some wearing thick rubber boots for work, strewn on the ground outside. According to one report, three sisters were among the dead. The Ambush of Police Officers Separately on Thursday, a second deadly incident unfolded in another part of northern Honduras, the Cortes department, near the border with Guatemala. In that case, police officers had travelled from the capital Tegucigalpa to Omoa, in Cortes, to carry out an anti-gang operation. But authorities describe what happened next as an ambush. According to reports, the officers entered a building to search for suspects and were fired upon. Six officers were killed, including a deputy commissioner named Lester Amador, according to the National Police. They were from the Anti-Maras, Gangs and Organised Crime Police Directorate (DIPAMPCO), a unit within the police force. Suspects may have also been killed or injured in the attack. The Government's Response After the two attacks, the National Police issued a statement, saying it “will proceed immediately with a direct intervention in the affected areas”. “The state will act firmly to capture those responsible, protect vulnerable communities and guarantee comprehensive justice for all affected victims,” it added. Honduras was under a years-long state of emergency to combat crime starting in 2022. Critics, however, denounced the emergency measures as weakening civil liberties and awarding law enforcement inordinate power, allowing it to carry out human rights abuses.

The Play's Concept Imagine if One Day was set in Long Eaton. Now, take its sweeping, time-spanning love story, but make it platonic, and about two theatre-obsessed best mates. That’s the foundation for Jane Upton’s luminous, heart-exploding play, which catches Jess and Billy in a series of snapshots across their friendship. The Story Unfolds Beginning in the early 90s, during their school days, and then moving through their 20s, 30s and into their mid-40s, the play threads together teenage crushes, career decisions, breakups, marriages, births and children. Jess (Katie Redford) is an oversharer while Billy (Benedict Salter) has secrets. Their early years together pass through play rehearsals, parties, personal revelations and betrayals, but even in their lowest moments, the two are always pulled back to each other’s side. The Evolution of Friendship As their lives move in different directions, with Billy heading to London for drama school and later building a career as a high-flying agent, and Jess staying at home in a “suburban bubble” before eventually tiptoeing her way back into the creative scene as a playwright, they turn their noses up at the other’s choices. Still, in times of turmoil, they can’t help but pick up the phone or race across the country just to be there for their old friend. Their dialogue accurately captures people who know each other’s lives inside out. The Production Directed by Hannah Stone, the production shows friendship as something defining. Redford and Salter make their characters people we want to stay with across the decades. In fact, time here slips through our fingers. One moment they’re 15 in 1995, and Jess is getting advice from More! magazine; the next it is 2022, and a 42-year-old Billy is considering surrogacy for his next child. Abby Clarke’s design evokes nostalgia, with the back wall composed of white, Polaroid-inspired squares that shift from photographic outlines to mirrors. The Verdict With so much life to fit into 95 minutes, there are inevitable gaps in Billy and Jess’s stories. We could learn more about the structure of their families and the other relationships in their lives. But really, this is a play about the complicated, beautiful bond between two people. It leaves you desperate for more days with them. Where to Watch At Nottingham Playhouse until 12 June

The Launch of Spotify’s AI‑Powered Studio AppSpotify Labs introduced Studio, a standalone desktop application that lets users generate personalized podcasts from emails, calendars, and web searches. The preview, rolled out in more than 20 markets on 2026-05-21, positions the music‑streaming giant against Google’s NotebookLM in the emerging AI‑audio briefing space.How the App Turns Data into a Daily Audio BriefingUsers submit multistep prompts such as “Create a daily audio brief for my road trip through Italy…”An integrated AI agent browses the web, extracts personal schedule information, and assembles a custom podcast.Generated podcasts are saved privately in the user’s Spotify library and synced across devices.The tool is labeled a “research preview,” with Spotify warning that AI‑generated content may be unreliable.Market Implications for Spotify and Its CompetitorsSpotify expands beyond music streaming into AI‑driven content creation, a segment valued at billions of dollars.Competing directly with Google’s NotebookLM, which already offers similar podcast generation.Early adoption could boost user engagement metrics, though no revenue figures are disclosed yet.Strategic Impact on the Audio‑Productivity LandscapeThe launch signals a shift toward audio‑first knowledge workers, challenging text‑centric tools from Adobe, ElevenLabs, and emerging startups like Hero and Huxe. If successful, Spotify could integrate the app with its broader ecosystem, potentially adding system‑audio capture for meeting‑note transcription.Future Outlook for AI‑Generated PodcastsSpotify plans to iterate on the Studio app, broaden market availability, and explore additional integrations such as Granola‑style note‑taking. The next wave may see tighter coupling with Spotify’s Discover feed and monetization through premium podcast features.

Harvey’s Vision for Pym’s Classic Samantha Harvey’s adaptation of Barbara Pym’s novel arrives at the Arcola Theatre with the weight of literary prestige. Harvey, who won the Booker Prize in 2024 for Orbital, takes on the challenge of translating the book's rich interiority into a stage performance. The production focuses on four central characters—Edwin, Letty, Marcia, and Norman—who form a complex web of relationships as they approach retirement. The Cast and Directorial Choices Anthony Calf plays Edwin, a pragmatic widower finding solace in church life. Kate Duchêne portrays Letty, who fears solitude as her best friend enters a romance. Pooky Quesnel brings a neurotic intensity to Marcia, who becomes obsessed with a doctor. Paul Rider is Norman, a blunderer whose deadpan humor rivals The Office. Director Dominic Dromgoole emphasizes the characters' quirks, using Ellie Wintour’s chunky knits and oversized specs to ground the piece in the 1970s, while the set design of facing desks creates a claustrophobic yet intimate office environment. Enduring Relevance of Pym’s Themes One of the most striking aspects of this production is its uncanny ability to feel contemporary. Despite being written in the 1970s, the characters' anxieties regarding rising heating costs and the threat of computerized technology are strikingly familiar to modern audiences. The play captures the "infinite possibilities" of life after work, offering a poignant look at how we define ourselves outside of our professional identities. Outlook for Literary Adaptations The success of Quartet in Autumn suggests a growing appetite for stage adaptations that prioritize character study over spectacle. By stripping away peripheral characters to focus on the quartet's internal monologues, the production validates the idea that literary fiction can thrive on stage when given the right directorial care.

Lead: A $700 Million Bet on the First Must‑Have AI Consumer Product Hark announced a $700 million Series A financing that pushes its post‑money valuation to $6 billion. The round, led by Parkway Venture Capital and populated by a roster of industry‑heavy investors, is earmarked for building a universal AI interface that could redefine how everyday users interact with digital services. Hark Secures Massive Funding to Build a Universal AI Interface The AI lab, founded in late 2025 by Brett Adcock—the entrepreneur behind Figure.AI and Archer—has kept details of its product under wraps. According to the announcement, Hark plans to release its first multimodal models this summer, which will power a personal AI platform capable of integrating with existing products and services. Subsequent hardware devices will be engineered specifically for these models. Lead investor: Parkway Venture Capital Participating investors: Align Ventures, AMD Ventures, ARK Invest, Brookfield, Greycroft, Intel Capital, Prime Movers Lab, Qualcomm Ventures, Salesforce Ventures, Tamarack Global Valuation and Investor Landscape Signal Massive Confidence The $700 million raise places Hark at a $6 billion valuation, a striking figure for a company that currently employs about 70 people and runs a data center equipped with Nvidia B200 GPUs. The investor mix—spanning venture capital, semiconductor giants, and corporate venture arms—underscores a broad belief that a dedicated AI interface, paired with custom hardware, could capture a sizable consumer market that current players have yet to dominate. Potential Shift in Consumer AI Assistants and Hardware Integration Industry observers note that while firms like Anthropic and OpenAI focus on coding tools and broader AI services, Hark’s singular emphasis on an “agentic” AI system and native hardware could create a new product category. Former Apple executive Abidur Chowdhury, now Hark’s director of design, highlighted the lack of consumer‑centric AI experiences that truly simplify daily life. If Hark succeeds, it may pressure incumbents to accelerate hardware‑first strategies and prioritize privacy‑preserving contextual awareness. What Hark’s Funding Could Mean for the Next Generation of AI Products With the fresh capital, Hark will invest heavily in talent acquisition for hardware engineering, product design, and AI research, as well as secure compute resources and component supply chains. The company’s roadmap suggests a rapid rollout: multimodal models this summer followed by dedicated AI devices later in the year. Should the demos that impressed investors translate into market‑ready products, Hark could set a benchmark for “universal” AI assistants, prompting a wave of competition focused on seamless integration rather than isolated functionalities.

The Lead When the founders of a mental health app for men called Mental discovered that one feature — AI interactive audio — was resonating strongly with users, they recognized a significant opportunity. This insight led to the creation of The Path, a new AI therapy application co-founded by renowned motivational speaker Tony Robbins and former Calm employees, which has now secured $14.3 million in seed funding. The Birth of a Safer AI Therapy Platform The Path emerged from observations made by co-founder and CEO Anson Whitmer and co-founder Tyler Sheaffer, who previously worked together at meditation app Calm. Whitmer's personal experiences with suicide in his family inspired him to pursue mental health technology. After working at Calm until 2021, he felt he could make a greater impact by addressing the unique, personal nature of people's mental health challenges. Whitmer sees large language models (LLMs) and AI as the bridge to providing personalized mental health care to everyone, especially given the shortage of therapists worldwide. "What's exciting and game-changing is that, for the first time in my career, I've seen that there's actually this possibility for every single person to have the personalized sort of access and care that they need to really get the help," he said. Funding and Celebrity Endorsement The Path has successfully raised $14.3 million in seed funding, led by Prime Movers Lab where Tony Robbins is a partner. Other notable investors include Olympic speed skater Apolo Anton Ohno, boxer Deontay Wilder, and Designer Fund. After Prime Movers invested, Robbins initially consulted on branding but his enthusiasm grew, leading to him becoming a co-founder. The author has since helped shape The Path into a therapy-plus-coaching app that incorporates his popular self-improvement methods. The app currently offers 11 virtual AI therapists that users can customize based on their preferences for directness and other details. While it's currently free to gain users, The Path plans to eventually charge $40 per month for the service. Superior Safety Benchmarks A key differentiator for The Path is its specially trained AI model, which has scored a 95 on the Vera-MH mental health safety AI benchmark. This significantly outperforms consumer chatbots, which top out at 65 on the same benchmark. According to Whitmer, consumer chatbots are "optimized for engagement," which is counterproductive to effective therapy and coaching that should focus on deep understanding rather than quick solutions. "It's meant to challenge you. It's not just meant to agree with you," Whitmer explains. The Path's AI is designed to help users dig out their assumptions and discover their own solutions rather than simply reinforcing ideas to keep users engaged. The startup's model is post-trained from open source models and doesn't use major consumer LLMs, positioning it as a specialized therapeutic tool rather than a generic chatbot wrapper. Market Potential and Future Outlook The mental health tech market is experiencing significant growth, with OpenAI reporting that at least 900 people use ChatGPT for mental health-related queries every week. This demonstrates the clear demand for AI-powered mental health solutions. However, The Path aims to capture a specific segment of this market by focusing on therapeutic rigor and safety. As mental health awareness continues to grow and technology becomes more sophisticated, AI therapy platforms like The Path could play an increasingly important role in addressing global mental health challenges. The combination of Tony Robbins' brand recognition, the technical expertise of the Calm alumni team, and the specialized focus on therapeutic safety positions The Path as a notable contender in the emerging field of AI-powered mental health care.