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Christopher Harborne has entered the top ten of the Sunday Times Rich List, ranking sixth with an estimated fortune of £18.177bn. The latest list, published on 15 May 2026, records a modest 1.4% increase in the total wealth of the UK’s 350 richest individuals and families, now standing at £784bn. At the same time, the number of UK billionaires edged up by one to 157, even as many foreign‑born billionaires have left the country. The Rich List reveals a £784bn fortune pool and a modest rise in billionaire count The Sunday Times Rich List, compiled by Robert Watts, highlights two contrasting trends: a slight growth in overall wealth and a “tale of two exoduses” – one‑sixth of the previous list’s entrants are gone, and a wave of foreign billionaires have relocated abroad. Numbers that matter: Harborne’s £18.2bn stake and the broader wealth distribution Sanjay and Dheeraj Hinduja and family: £38bn David and Simon Reuben and family: £27.971bn Sir Leonard Blavatnik: £26.852bn Idan Ofer: £24.481bn Guy, George, Alannah and Galen Weston and family: £18.939bn Christopher Harborne: £18.177bn Nik Storonsky: £16.411bn Alex Gerko: £16.006bn Sir Jim Ratcliffe: £15.194bn Igor and Dmitry Bukhman: £14.26bn Harborne’s wealth is anchored by a 12% stake in Tether, valued at roughly £17.7bn, and a 14.2% holding in QinetiQ worth £357m. Additional assets include IFX Payments and Eclipse Aerospace. Why the exodus of foreign billionaires matters for UK fiscal policy Watts warns that the departure of foreign‑born billionaires – many moving to Dubai, Switzerland or Monaco – could shrink the domestic tax base. Their assets remain on the Rich List, but the shift reduces the likelihood of UK tax authorities extracting significant revenue, especially as many of their holdings sit in jurisdictions with lighter reporting requirements. What the next Rich List could signal for wealth taxes and offshore assets If the trend of offshore relocation continues, policymakers may face pressure to broaden wealth‑tax proposals or tighten anti‑avoidance rules. Conversely, the modest rise in total wealth suggests that, despite geopolitical shifts, the UK’s high‑net‑worth cohort remains resilient, potentially prompting a focus on transparency rather than outright taxation.

The Return of Smoggie QueensPhil Dunning's Middlesbrough-set LGBTQ+ comedy returns to BBC Three tonight at 10pm, promising more endearingly lo-fi hijinks at Keith's World of Carpets. The gang are throwing a coming-out party for Stewart, but after Keith busts out his terrifying homebrew ("fermented for 37 years"), everything gets a bit psychedelic. The timing isn't great for Dickie (Dunning) when his ex turns up. While the show never quite manages to be uproarious, viewers can expect to snigger happily throughout.Other Notable TV TonightBeyond Smoggie Queens, tonight's television lineup offers a diverse range of programming:Unreported World (7.30pm, Channel 4) - Explores faith-based treatments in the Philippines amid soaring healthcare costsHidden Treasures of the National Trust (9pm, BBC Two) - A literary-themed opener exploring Agatha Christie's Greenway Estate in DevonHacks (9pm, Sky Atlantic) - Final season focuses on legacy and the stories celebrities tell about themselvesFirst Dates (10pm, Channel 4) - Fred Sirieix hosts another batch of hopeful romanticsSt Denis Medical (10.40pm, BBC One) - Nurse Pam takes temporary charge with surprising consequencesThe Running Man (7am, 8pm, Sky Cinema Premiere) - Edgar Wright's new adaptation of Stephen King's dystopian thrillerThe Cultural Significance of LGBTQ+ RepresentationSmoggie Queens represents an important example of authentic LGBTQ+ representation in mainstream television. The show's setting in Middlesbrough, a working-class northern English town, provides a refreshing counterpoint to the more common metropolitan portrayals of LGBTQ+ life. Its return to BBC Three demonstrates the channel's continued commitment to diverse programming that reflects the full spectrum of British experience.The Evolution of Drag Comedy on TelevisionDrag comedy has evolved significantly from its early appearances on television, moving from novelty acts to nuanced character studies. Shows like Smoggie Queens contribute to this evolution by placing drag performers at the center of narratives that explore identity, community, and belonging. The show's lo-fi aesthetic and focus on character-driven comedy rather than spectacle represents a maturation of the genre.The Future of Regional Comedy ProgrammingThe return of Smoggie Queens highlights a growing trend toward regionally specific comedy programming that moves beyond London-centric narratives. By setting the show in Middlesbrough and embracing local dialects, cultural references, and landscapes, the program offers viewers an authentic representation of northern English life. This approach not only provides refreshing diversity but also challenges the traditional power dynamics in British television production.

The Enduring Appeal of Top Gun The 1986 film Top Gun, directed by Tony Scott, has become a cultural phenomenon, with its portrayal of masculinity, sexuality, and affection continuing to fascinate audiences. The film's success can be attributed to its blend of action, drama, and comedy, as well as its memorable characters, including Tom Cruise's iconic portrayal of Lt Pete 'Maverick' Mitchell. A Product of Its Time Top Gun was released during the Reagan administration, a time of heightened patriotism and machismo. The film's producers, Don Simpson and Jerry Bruckheimer, drew inspiration from a magazine article about the US Navy Fighter Weapons School in San Diego, California. The film's depiction of military life and language was likely influenced by the era's cultural context. The Complexity of Masculinity The film's portrayal of masculinity is multifaceted, with characters like Maverick and his rival, Tom 'Ice Man' Kazansky, played by Val Kilmer. The film's use of humor, particularly in the locker room scenes, adds to its lighthearted and playful tone. However, the film also explores themes of vulnerability and sensitivity, particularly in Maverick's relationships with his co-pilot, Lt Nick 'Goose' Bradshaw, and his love interest, Charlotte 'Charlie' Blackwood. A Film of Its Time, Yet Timeless While some aspects of the film may have dated, such as Maverick's carefree attitude towards authority and his pursuit of Charlie, the film's core themes and characters remain timeless. The film's video-game combat sequences and memorable one-liners, such as 'God-DAMMIT, Maverick!', have become ingrained in popular culture. A Legacy That Endures Top Gun's influence can be seen in many subsequent films and TV shows, and its legacy continues to be felt today. The film's recent sequel, Top Gun: Maverick, was a critical and commercial success, and it's clear that the franchise remains popular with audiences. As the film's 40th anniversary approaches, it's a testament to the enduring appeal of this iconic film.

The Lead Kevin Morby's eighth album "Little Wide Open" presents a contemplative journey through the complexities of life, love, and identity, rooted in his midwestern upbringing. The album showcases Morby's signature Americana style while embracing vulnerability and uncertainty in both lyrics and production. The Musical Landscape of "Little Wide Open" The album opens with "Badlands," a track that juxtaposes the harsh imagery of the American midwest with surprisingly laid-back musical elements. Morby's conversational vocals and gentle guitar riffs create a contrast with lyrics that reference both "the big disaster we call home" and the possibility that "heaven is a place on Earth beneath the golden sky." This duality sets the tone for an album that embraces ambiguity and complexity. Musically, Morby primarily works in introspection and understatement, building on his foundation of Americana influenced by Bob Dylan, Lou Reed, Tom Petty, and Leonard Cohen. While his previous work has touched on soul and jazz elements, "Little Wide Open" returns to his core sound with subtle pleasures rather than flashy moments. Tracks like the title track and "Natural Disaster" both exceed seven minutes, allowing songs to gradually unfold and inviting listeners to sit with the music. The Collaborative Production The genesis of "Little Wide Open" offers insight into Morby's respected position in the music industry. The National's Aaron Dessner, whose production credits include work with Taylor Swift and Noah Kahan, approached Morby to collaborate on the album. Dessner has shared Morby's music "with everyone I've ever worked with," indicating high regard for the artist's craft. The album features an impressive supporting cast, including Justin Vernon of Bon Iver imitating a tornado siren with his voice and alt-country star Lucinda Williams delivering a monologue on "Natural Disaster." Additional contributors come from Muna, Sylvan Esso, Florence + the Machine, and Perfume Genius, creating a rich tapestry of sounds that reinforces Morby's Americana foundation. Themes of Vulnerability and Transition Morby has described "Little Wide Open" as his "most personal and vulnerable album," created as he approaches fatherhood with his partner Katie Crutchfield of Waxahatchee. The album captures the doubts and uncertainties that accompany this life transition, as evidenced in "Javelin" where he questions, "Am I a has-been? Am I a husband?" The album explores the push and pull of one's hometown, balancing comfort and nostalgia with feelings of not quite fitting in. Morby captures this tension in "Cowtown" with the line, "Where no one ever makes a sound except me on this guitar," a bluesy acoustic punctuating the austere sound. Similarly, "Natural Disaster" examines mood swings as either something to be managed through medication or meditation, or simply as natural occurrences like landslides that fuel his songwriting. The Art of Introspective Songwriting "Little Wide Open" demonstrates Morby's mastery of introspective songwriting that embraces uncertainty rather than providing definitive answers. The album creates a "welcome safe space for admitting you're not sure; that things are complicated," particularly valuable in a climate that tends to extremes. Key tracks showcase this approach: the lovely melancholy exhalation of the title track's chorus, the banjo-assisted closer "Field Guide for the Butterflies" that gradually builds from fragility to something tougher, and the beautiful piano and clarinet motif running through "Junebug." Even the more climactic moments, like the maelstrom of noisy guitar in "100,000," serve the album's overall theme of emotional complexity. Legacy and Future Directions While Morby has never achieved massive commercial success or written a breakout crossover hit, "Little Wide Open" reinforces his status as a respected artist within the indie and Americana scenes. The album's critical reception and high-profile collaborators suggest that Morby's thoughtful, introspective approach continues to resonate with both musicians and listeners. As Morby navigates fatherhood and continues to explore life's complexities through his music, "Little Wide Open" stands as a testament to his growth as an artist unafraid to embrace vulnerability and uncertainty. The album's blend of midwestern storytelling, musical craftsmanship, and emotional honesty positions Morby as a distinctive voice in contemporary Americana.

Executive Summary of the Rights Negotiations Cricket Australia has opened talks with Amazon and Dazn to secure a four‑year United Kingdom broadcast package that will include the next men’s and women’s Ashes tours and the 150th anniversary Test in Melbourne next March. Negotiations Target a Four‑Year UK Rights Package Negotiations were initiated after a London visit by Cricket Australia’s media rights team in May 2026. The proposed deal would run for four seasons, covering the men’s Ashes in 2029‑30 and the women’s series a year earlier. Additional fixtures under discussion include eight ODI/T20 matches scheduled for the English white‑ball tour this autumn and a pink‑ball warm‑up at Melbourne’s Junction Oval. Cricket Australia aims to finalise the agreement before the start of its domestic season in August 2026. Financial Stakes and Contract Horizon While exact figures have not been disclosed, industry analysts estimate a multi‑million‑pound valuation for a four‑year package that bundles marquee Ashes series, women’s cricket, and the historic 150th Test. The length of the contract signals a shift away from the short‑term, one‑year extensions that have characterised recent UK deals. Potential Shift in the UK Cricket Broadcasting Landscape The entry of Amazon and Dazn could upend a market long dominated by Sky Sports and TNT Sports. Sky retains exclusive live rights for England’s home internationals but has stepped back from overseas series, while TNT’s one‑year Ashes contract expired last winter. A new rights holder would bring streaming‑first expertise and could increase the visibility of day‑night matches that finish in the UK early morning. Outlook: How the Deal Could Redefine Cricket Coverage If a deal is reached, fans may see live Ashes action streamed on Amazon Prime Video and Dazn’s platform, potentially with interactive features and on‑demand replays. Broadcasters will likely leverage the historic 150th Test as a flagship event to attract new subscribers. Conversely, traditional pay‑TV operators may need to renegotiate their own packages or focus on domestic English cricket to retain relevance.

Russia launched a coordinated wave of missiles and drones against Kyiv on the night of May 13‑14, 2026, killing at least three people and injuring around 40, including children. The assault hit six districts in the capital and six more in the surrounding oblast, while also targeting ports in the southern Odesa region and railway infrastructure. Scale of the Drone and Missile Barrage According to Ukrainian officials, the operation involved more than 670 attack drones and 56 missiles in a single 36‑hour window, bringing the total count of drones used since midnight to over 1,560. This represents one of the largest single‑day drone deployments in the conflict. 670+ attack drones deployed 56 missiles launched 1,560+ drones used in 36 hours 6 Kyiv districts hit, plus 6 surrounding districts Human Toll and Immediate Damage The mayor of Kyiv, Vitali Klitschko, confirmed three fatalities and 40 wounded, including two children. Emergency services reported that a nine‑storey residential building was heavily damaged, leaving many residents trapped under rubble. 3 civilians killed 40 injured (including 2 children) Several buildings, including a nine‑storey block, severely damaged Strategic Implications for the Fragile Cease‑Fire The attack comes just days after U.S. President Donald Trump brokered a three‑day cease‑fire and President Vladimir Putin hinted the war might be winding down. Both sides have accused each other of violating the truce, and the Kremlin has reiterated its demand for a full Ukrainian withdrawal from the Donbas before any lasting peace talks. Cease‑fire announced by Trump, but violations reported Putin’s “war winding down” comments met with skepticism Kremlin demands full Ukrainian withdrawal from Donbas Outlook: Escalation Risks and International Response Volodymyr Zelenskyy urged partners not to stay silent and called for continued support to protect Ukrainian airspace. The scale of the drone offensive suggests Moscow is testing its aerial capabilities while signaling that any diplomatic progress remains tenuous. Analysts warn that unless a robust monitoring mechanism is established, similar large‑scale attacks could recur, further destabilizing any cease‑fire framework. International calls for stronger air‑defense aid to Ukraine Potential for renewed large‑scale drone strikes Cease‑fire durability remains uncertain

The Lead: Art Pushing Boundaries in VeniceThe 2026 Venice Biennale has once again proven to be a platform where contemporary art challenges conventions and expectations. This year's edition has particularly stood out for its unconventional installations and performances, with several pieces capturing global attention through their audacious nature and public interaction.The Event Details: Unconventional Art Takes to the Water and SkyAmong the most talked-about installations at this year's Biennale is a performance art piece featuring naked jetskiers navigating the Venetian canals, creating a striking juxtaposition between human form and historic waterways. Another notable work includes a series of giant bells that produce resonant tones throughout the city, creating an immersive auditory experience for visitors and locals alike.Perhaps the most unexpected sensation of this year's Biennale has been a seagull that has become something of a celebrity, regularly appearing at exhibitions and even participating in what appears to be curated interactions with artists and visitors. The bird has been photographed numerous times and has its own social media following, becoming an unintentional but beloved part of the exhibition.The jetski performance art piece has drawn both acclaim and controversyThe giant bell installation spans multiple locations across VeniceThe celebrity seagull has become an unofficial mascot of the BiennaleThe Impact Analysis: Redefining Contemporary ArtThe unconventional nature of this year's Venice Biennale reflects a broader shift in contemporary art toward immersive, participatory, and even unpredictable experiences. These boundary-pushing works challenge traditional notions of what constitutes art and how it should be experienced. The public's enthusiastic response to these pieces suggests a growing appetite for art that breaks free from gallery spaces and engages with everyday environments in unexpected ways.Venice, as a city with its own unique relationship to water and maritime culture, provides an ideal backdrop for these unconventional art forms. The integration of these works into the city's fabric creates a dialogue between art and environment that is particularly potent in this historic setting.The Prediction: The Future of Immersive Art ExperiencesGiven the success and attention garnered by this year's unconventional installations, we can expect future iterations of the Venice Biennale to continue exploring the intersection of art, public space, and everyday life. The trend toward more participatory and unpredictable art experiences is likely to grow, with artists increasingly seeking to blur the boundaries between artwork and audience, art and environment.The celebrity seagull phenomenon, while likely unintentional, may inspire more artists to incorporate elements of chance and serendipity into their work. This could lead to a new appreciation for art that evolves organically and responds to its environment in real-time, rather than remaining static throughout the exhibition period.

The LeadTonight's TV lineup features a mix of period dramas, comedy shows, and horror series. Here's a rundown of what's on: The Hardacres9pm, Channel 5This attempt to create a class-hopping version of Downton Abbey is generic but still very likable. As the second season begins, the working-class Hardacres are wondering how much longer they’ll be able to afford their country pile as a recession hits their business. Morecambe and Wise 1968: The Lost Tape8pm, BBC FourAiring on what would have been Eric Morecambe’s 100th birthday, this episode of The Morecambe and Wise Show – a recording of which was recently discovered in a private film collection – was first shown in September 1968 during the duo’s debut season at the BBC. Taskmaster9pm, Channel 4The latest series of this comedy is trundling happily along, cast roles now fully established. Armando Iannucci is the grumpy elder statesman: this time, he gets into a mess with a coconut. From9pm, Sky OneAcross three seasons, this horror set in a purgatorial US town has amassed a dense mythology of gory supernatural malarkey. Anchoring it has been Harold Perrineau as resolute lawman Boyd. Prisoner9pm, Sky AtlanticAs this thriller continues, Nina tracks down Amber and Tibor via their Uber-style curry delivery (“Let me guess: paneer tikka and a masala chai”) – is this a first for a crime drama? The Miniature Wife10pm, Sky Atlantic“Meet me in the dollhouse – I have an anniversary surprise for you …” But Les’s relief at being forgiven by Lindy in this dark, satirical comedy is short-lived, after he makes a tiny, rude discovery. Film ChoiceTrack 29 (Nicolas Roeg, 1988), 1.20am, Film4As masters of psychosexual drama, writer Dennis Potter and director Nicolas Roeg would seem perfect bedfellows. This 1988 collaboration doesn’t quite hit the spot but is disquieting and edgy enough for devotees of both.

Russia has added former UK defence minister Ben Wallace to its interior ministry’s wanted‑person database, citing an unspecified “terrorism‑related” criminal investigation. The decision follows Wallace’s outspoken criticism of Moscow’s actions in Ukraine and his call for a strike on the Crimea bridge.Russia Adds Former UK Defence Minister Ben Wallace to Wanted ListDate: 13 May 2026Authority: Russian Interior Ministry’s database, reported by TASSCharge: Unspecified “terrorism‑related” offenceBackground: Wallace served as defence minister 2019‑2023 and has advocated continued military aid to Kyiv.Legal Context: Expanding “Terrorism‑Related” Charges in Russia2024 law permits confiscation of assets for “spreading deliberately false information” about the military, including “justifying terrorism”.Recent cases: criminal case against ex‑oligarch Mikhail Khodorkovsky, arrest warrant for ICC prosecutor Karim Khan.Mediazona reports dozens of European politicians already listed in the database.Geopolitical Ripple Effects for UK‑Russia RelationsThe addition of a high‑profile former minister escalates diplomatic friction. The UK has condemned the move as politicised, while Moscow frames it as a lawful response to “terrorism‑related” statements. The episode may trigger reciprocal measures, affect intelligence cooperation, and influence ongoing sanctions discussions.What the Future Holds for Diplomatic TensionsAnalysts expect a continuation of tit‑for‑tat actions, with potential travel bans or asset freezes on Russian officials in the UK. The broader trend suggests Russia will increasingly weaponise its legal system against foreign critics, complicating any de‑escalation efforts.