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Hull KR's Golden Era and Championship MentalityHull Kingston Rovers are experiencing a remarkable period in their history, transitioning from a club that won nothing for a generation to treble winners and world club champions. After a slow start in Super League, the team is climbing up the table and could go second if they beat Wigan at Craven Park on Thursday night. The teams meet again in the Challenge Cup final at Wembley next Saturday, with Rovers seemingly peaking at the right time."We're aware that teams definitely have windows of opportunity," says Rovers captain Elliot Minchella. "That comes with continuity as well. Look at the spine of our team: we've played together for a long time and, with those connections, sometimes you don't have to say anything, you just know what they're going to do. That comes through playing 150 games together. Those days don't last for ever. In five years' time, some might still be at the club, some will be in different places around the world. So we need to take advantage of it now."The Wigan Double Header and Championship DefenseThe Robins are preparing for two crucial games against Wigan, with the first at Craven Park on Thursday night and the second being the Challenge Cup final at Wembley next Saturday. This comes after a tough win at Leigh, demonstrating the team's ability to perform under pressure. Despite coach Willie Peters revealing that players already knew when he intended to give them rest, the team has chosen to field a strong side against Wigan at Craven Park, even as Wigan sends their reserves."You've got to practise with different players, because anything could happen," says Minchella. "Obviously, there's not another Mikey Lewis around the corner, so if someone has to come in to do that job, they might have a different skill set. But we've got a framework and someone comes in and out of the framework. No matter who's in those positions, it should look the same."Building a Dynasty: The Hull KR ModelAfter winning nothing for a generation, Hull KR have been battling intensely with Wigan for the last few years, with the two teams winning or finishing as runners-up 13 times in the last nine domestic competitions. The question now is how to build a dynasty rather than being a one-season wonder."It probably starts with the very top from the owners then filters down," explains Minchella. "In years gone by, there would have been a big celebration about getting to Wembley. Well, you don't win anything for getting there. You win at Wembley. That's the mentality shift. Willie's as driven as anyone. He's moving on at the end of the year, but nothing's changed. If anything, he's dialled in even more. It's such a high when you win and affects so many people. It becomes infectious, addictive. The message is: chase that feeling again."The Changing Landscape of Rugby League's Power StructureHull KR's emergence represents a significant shift in rugby league's power dynamics. The club's transformation from perennial underachievers to champions challenges the traditional hierarchy of the sport. Their success has created a new narrative in Super League, proving that sustained excellence can be built outside of the traditional powerhouse clubs."Everybody wanted us to win for a period, but now everybody wants to stop us," Minchella acknowledges. "Everyone wants to see the champions lose. You've got to embrace that because it's not going to go away." This new status as champions has changed how opponents approach games against Hull KR, with teams now specifically targeting their key players and strategies.The Future of Hull KR Beyond Willie PetersWith coach Willie Peters set to leave in October to take over the new NRL franchise PNG Chiefs, Hull KR faces a transition period while maintaining their championship-winning core. Most of the club's important players will stay, but the team must adapt to life without their long-term leader who has guided them through their most successful period."We've spoken about not wanting to be one-season wonders," Minchella states. "It was unbelievable to do what we did last year, but it's in the past. People have left, new people have come in, and we want to do it again as a new group." The team's ability to maintain their winning culture through this transition will be crucial to their long-term success and their attempt to establish a lasting dynasty in rugby league.

The Symbolic SummitThe hopes and dreams of Palestinian children from Gaza have reached the top of the world as a kite bearing their handwritten messages was carried to the summit of Mount Everest by a team of mountaineers. The group summited the world's highest peak at 10:48am local time (05:03 GMT) on Thursday, Jordanian Palestinian mountaineer Mostafa Salameh, who was spearheading the expedition but did not summit, confirmed in a social media post.The Humanitarian MissionA team of Nepali Sherpas – led by Italian filmmaker and explorer Leonardo Avezzano – carried the kite to ensure that the dreams of children in the besieged Strip could make it "to the top of the world", Salameh told Al Jazeera from the Everest base camp last week. The 56-year-old climber launched this expedition to raise $10m towards medical aid for children in the Strip and draw global attention towards the difficulties they have faced during the Israeli genocide in Gaza.A Personal Connection to Palestine"After months of preparation, sacrifice, training, fear, hope, prayers, and carrying the weight of a message much bigger than themselves… the kite carrying the dreams of the children of Gaza is now flying above the highest point on Earth," Salameh said in a video posted to Instagram. "From the rubble and pain of Gaza … to the roof of the world. A dream refused to die," he wrote in the caption.The Climbers' JourneySalameh, who has previously summited Everest, stayed at the first base camp due to frostbite and a blood clot in his left hand. "Tonight, at 8,848 metres (29,029 feet) in the death zone where every step feels like a battle between life and exhaustion, Leonardo carried that kite with courage, heart, and purpose," Salameh added. "I am so proud of my brother Leonardo for believing in this mission and for carrying the voices, names, hopes, and dreams of children who deserve to be seen by the world."The Explorer's LegacySalameh is one of 20 people to have completed the Explorer's Slam – the accomplishment of reaching the North and South poles and climbing the highest peaks on all seven continents. He has summited Everest four times, the first being in 2008, the year he was honoured with knighthood by King Abdullah II of Jordan. "What I do best is climb mountains," he told Al Jazeera in an interview last week from the base camp. "I did promise lots of people in my life not to go back to Everest, but this is worth it. As a mountaineer, what I can do is bring the story and suffering of every Palestinian child all the way to the top of the world."From Darkness to LightSalameh acknowledged the immense risks – including death – that come with scaling Mount Everest at 8,000 metres with only 15 percent oxygen, but insisted it was "absolutely nothing" compared with what the Palestinians in Gaza have endured. "This time is very personal for me," Salameh said in another video. "This one hits home for the child in me, because I know what it feels like to be a child at a refugee camp, and I feel for the children of Gaza and what they go through."The Path ForwardSalameh said the "mission [was] not accomplished yet" since summiting Everest was only the halfway point; returning to base camp safely was the next goal for Leonardo and his team. "Tonight, the kite flies above Everest; tonight, the dreams of Gaza touched the sky," Salameh said, ending the video with a chant of "Free, Free Palestine". He emphasised that the summit was not only about climbing a mountain but about humanity, hope, and proving that "even from darkness, something beautiful can still rise into the sky."

The Israeli Desire for War While the United States backs away from threats to resume bombing Iran if it does not agree to a peace deal, Israel’s political establishment is reportedly itching for war. Leaked Plans and Public Reaction Shimon Riklin, an anchor for the right-wing Israeli Channel 14, blurted out apparently confidential plans about a renewed attack on Tehran, which included the location of what he claimed was a uranium storage facility that could be targeted. The Data Analysis A poll conducted by the Israel Democracy Institute in early May showed that a majority of Israelis believed a premature end to the war ran counter to their country’s security interests, while a similar percentage thought that a resumption of the conflict is likely. The Impact Analysis For Netanyahu, the April 8 ceasefire – agreed with little Israeli involvement – has proven politically costly and, analysts say, unnerved a public conditioned to view Iran as an existential threat. The Prediction Ultimately, despite the broad political support for a renewed war with Israel, there are still limits to what Netanyahu can do. “This stops when the US says it stops,” Levy said.

The Escalation of Settler Activity in the West Bank Recent reports from Al Jazeera reveal that Israeli settlers have intensified their activities in the occupied West Bank, employing aggressive tactics to expand their presence. The settlers have been burning vehicles and installing caravans in areas near Palestinian communities, marking a significant escalation in the ongoing territorial conflict. Tactics of Expansion: Burnings and Caravan Installations The settlers' actions involve the deliberate burning of vehicles, believed to be owned or used by Palestinians, followed by the immediate installation of mobile caravans. This pattern suggests a calculated strategy to establish facts on the ground, a common tactic in the decades-long settlement expansion process. These actions typically occur under the cover of night or during periods of heightened tension in the region. Geopolitical Implications and Regional Tensions These developments exacerbate an already volatile situation in the West Bank, where Israeli-Palestinian tensions remain high. The international community, including the United Nations and various human rights organizations, has consistently condemned settlement expansion as illegal under international law. Such actions not only violate UN resolutions but also undermine the possibility of a two-state solution, which remains the internationally endorsed framework for peace in the region. Future Outlook for the Occupied Territories Without significant intervention from the international community or a shift in Israeli government policy, the cycle of settlement expansion is likely to continue. This trajectory further entrenches the occupation, making a viable Palestinian state increasingly difficult to achieve. The coming months will likely see increased diplomatic pressure on Israel, though historical precedents suggest that such pressure has had limited effect in curbing settlement activities in the past.

The Lead: Whistler’s Sound‑Inspired Vision Takes Center Stage at TateThe James McNeill Whistler exhibition opening at the Tate London re‑examines the painter’s habit of titling canvases as arrangements, symphonies, harmonies and nocturnes, underscoring a deep, reciprocal relationship with music that continues to echo in contemporary art discourse.Whistler’s Musical Nomenclature and the Tate ExhibitionWhistler deliberately borrowed musical terminology to frame his visual work:Arrangement in Grey and White No 1 – portrait of his mother.Symphony in White, No 1: The White Girl – depiction of mistress Joanna Hiffernan.Harmony in Grey and Green – portrait of Miss Cicely Alexander.The series of Nocturnes – Thames twilight scenes named after Chopin’s piano nocturnes.These titles were not mere gimmicks; Whistler argued that “painting is the poetry of sight” just as music is “the poetry of sound,” urging viewers to experience colour and form without narrative constraints.Lack of Quantitative Metrics – A Qualitative ExplorationThe article provides no sales figures, visitor counts, or market data for the exhibition. Consequently, the impact is assessed through critical reception, scholarly references, and the observable resurgence of interdisciplinary programming in major museums.Reverberations Across Art and Music: Modernist DialogueWhistler’s approach prefigured modernist ideas of abstraction, prompting critics like Jonathan Jones to ask whether he was “the first absolute modernist.” The painter’s influence looped back to music: Claude Debussy titled his 1899 orchestral Three Nocturnes after Whistler’s paintings, describing them as impressions of light—mirroring the visual effect of Whistler’s nocturnal canvases.Beyond Debussy, the article notes contemporary singers such as Felicity Lott whose performances embody the same “visionary and abstract” qualities, linking auditory and visual experiences across centuries.Future Cross‑Disciplinary Curations and Musical HomagesGiven the renewed scholarly interest, museums are likely to design more exhibitions that pair visual art with corresponding musical works, fostering immersive “sound‑color” environments. Anticipated projects may include live orchestral accompaniments to Whistler’s nocturnes or digital installations that translate colour palettes into sonic textures, further blurring the line between sight and sound.

The End of an Era and the Move to the EmiratesThe Invincibles were slain in 2004, ending a record 49-match unbeaten run in a traumatic defeat at Old Trafford. The subsequent seasons were defined by a painful transition. The 2005-06 campaign saw Arsenal finish 4th with 67 points, salvaged by a Champions League final appearance and a memorable Highbury farewell where Thierry Henry scored a hat-trick against Wigan. However, the move to the Emirates Stadium in 2006-07 confirmed the club was in a rebuilding phase, finishing 4th again despite a strong double over eventual champions Manchester United.Consistency Challenges and Near-Miss FinishesArsenal's inability to sustain a title challenge became evident in the late 2000s. In 2007-08, a young team led by Cesc Fàbregas amassed 83 points but still finished 3rd, ultimately derailed by a harrowing leg-break for Eduardo and four successive draws. The following seasons were equally erratic; 2008-09 saw a bizarre mix of 0-0 draws and 4-4 thrillers, while 2009-10 saw a promising start collapse after a first league defeat to Spurs in 11 years. Despite averaging 70+ points across these seasons, Arsenal consistently fell short of the top two.The Rise of Youth and the Van Persie DepartureThe 2010-11 season marked the emergence of Jack Wilshere and a strong run to the Champions League semi-finals. However, inconsistency remained the norm, highlighted by a 4-4 draw at Newcastle and a League Cup final loss. The 2011-12 season was a wild ride, featuring an 8-2 drubbing at Old Trafford and a 5-3 victory over Chelsea, but it ended in another 3rd-place finish. The season was defined by Robin van Persie, who scored 30 goals and won the Golden Boot, only to leave for Manchester United in the summer, signaling the end of an era for Wenger's young core.Future Outlook: The Foundation for Title GloryThe instability and near-misses of this period, while frustrating for fans, laid the necessary groundwork for the club's eventual return to the top. The transition from the Invincibles to the Emirates era forced Arsenal to rebuild their squad, developing a youth system that would eventually produce the talent required to compete at the highest level again. The lessons learned from these inconsistent seasons were instrumental in shaping the squad that would eventually return to title glory.

A Norwegian journalist’s attempt to question Prime Minister Narendra Modi during a press meet in Oslo ended with the Indian leader walking out, reigniting criticism over India’s declining press‑freedom record.Modi’s Walkout at the Norway Press ConferenceOn the second day of his two‑day Nordic tour, Modi was scheduled to address a joint press meet with Norwegian Prime Minister Jonas Gahr Støre. When Helle Lyng Svendsen of Dagsavisen asked why he would not take questions from “the freest press in the world,” Modi left the room without responding. Svendsen followed him and repeated the query, receiving no answer.Later, she pressed the Indian Ministry of External Affairs’s Secretary (West) Sibi George on human‑rights concerns. George deflected by highlighting India’s historical contributions—chess, zero, vaccines, yoga—before becoming visibly angry when interrupted, replying “India is a civilisational country.”Modi’s Norway visit: 2‑day trip, meetings with PM Støre and participation in the India‑Nordic Summit.Key moment: Walkout after Svendsen’s question on press freedom.Follow‑up: George’s deflection and angry response to further questioning.Press Freedom Rankings and Legal Pressures: The NumbersIndia’s standing in the 2026 World Press Freedom Index fell to 157th out of 180 countries, a drop of six places from the 2025 ranking of 151. The Committee to Protect Journalists (CPJ) notes that while the number of imprisoned journalists has decreased to two, the use of broad statutes—such as the Unlawful Activities (Prevention) Act—and regulatory tools like tax investigations has intensified.Additional data points:Self‑censorship and online harassment are cited as major deterrents for journalists.Legal actions, takedown orders, and social‑media account blocks have risen sharply in the past year.Implications for India’s Democratic Image and International RelationsThe walkout has drawn criticism from opposition figures, notably Rahul Gandhi, who posted, “when there is nothing to hide, there is nothing to fear.” International watchdogs, including CPJ’s Kunal Majumder, warned that the rarity of open press briefings undermines democratic confidence.Domestically, veteran journalist Rajdeep Sardesai lamented the erosion of a culture where tough questions were routine. Some Indian journalists, however, argued that Svendsen’s persistence bordered on activism.What the Fallout May Mean for India’s Media LandscapeAnalysts anticipate several possible trajectories:Increased diplomatic pressure on India to allow more transparent media engagements, especially from European partners.Potential legislative scrutiny or reforms aimed at curbing the misuse of broad security and tax laws against media outlets.Continued reliance on controlled briefings, which may further entrench self‑censorship among journalists.How India responds could shape its democratic credibility and affect future foreign‑policy negotiations, particularly with nations that prioritize press freedom as a core value.

The Lead: A Disappointing Return to FormHirokazu Kore-eda's latest film "Sheep in the Box" has premiered at the Cannes Film Festival to largely negative reviews, with critics describing it as a "bafflingly unsatisfying and unconvincing muddle of ideas and moods." The film, which explores the concept of AI humanoid robot children replacing deceased children, represents a significant departure for the acclaimed director, whose previous works have been celebrated for their emotional depth and nuanced storytelling.The Film: A Futuristic Tale of Grief and Technology"Sheep in the Box" follows Otone (Haruka Ayasi), an architect, and her husband Kensuke (Daigo Yamamoto), a carpenter, who are offered a promotional free offer by a company called REbirth: an ultra-hi-tech humanoid robot replica of their deceased seven-year-old son Kakeru. The robot is designed to have the physical form, speech patterns, and memories of the original child, based on videos, photos, and other research materials provided by the grieving parents.The film presents several intriguing concepts: the robot being taken to the scene of the hit-and-run that killed the original Kakeru in hopes of recovering details about the culprit; the robot serving as a confessor for Kensuke to admit his guilt about his son's death; and a subplot involving other abandoned robot children planning a "replicant revolt." However, these ideas remain largely undeveloped, leaving audiences with more questions than answers.Critical Reception: A Missed OpportunityThe review from The Guardian is particularly scathing, noting that the film "isn't as interesting as films on similar themes including Kogonada's After Yang and Benjamin Cleary's Swan Song." The critic specifically faults Kore-eda's "quietist, un-emphasised style" for being unsuitable to the material, suggesting that the director's typically subtle approach doesn't work with the ambitious sci-fi concepts presented.One of the primary criticisms is the film's tonal inconsistency, attempting to be both a sci-fi dystopia and a relatable story about parental grief, with these two elements ultimately undermining each other. The performances are also noted as problematic, with the robot child being "unpersuasively performed in a returning keynote of bland serenity," while the human parents react with bizarre matter-of-factness to what should be an emotionally charged situation.Impact on Kore-eda's Legacy and AI CinemaThis film represents a significant departure for Hirokazu Kore-eda, whose previous works like "Shoplifters" and "Like Father, Like Son" have been celebrated for their emotional authenticity and humanistic approach. The negative reception of "Sheep in the Box" raises questions about whether the director can successfully transition into more genre-oriented territory while maintaining his signature style.In the broader context of AI cinema, the film joins a growing conversation about artificial intelligence and humanity in film, alongside works like Spike Jonze's "Her" and Alex Garland's "Ex Machina." However, where those films have been praised for their thoughtful exploration of AI ethics and human connection, "Sheep in the Box" appears to have missed the mark, failing to deliver either compelling drama or meaningful commentary on its central themes.Future Outlook: A Setback in an Otherwise Distinguished CareerWhile "Sheep in the Box" may represent a misstep for Kore-eda, it's unlikely to significantly impact the director's otherwise distinguished career. The filmmaker has previously demonstrated remarkable range and depth, and this ambitious if flawed experiment may ultimately be viewed as an interesting if unsuccessful detour rather than a definitive statement on his abilities.For audiences interested in exploring AI and humanity in cinema, the film serves as a cautionary tale about the challenges of blending emotional storytelling with complex technological concepts. As the conversation around AI continues to evolve in both society and art, "Sheep in the Box" may be remembered more for what it attempted than for what it ultimately achieved.

The LeadRachel Reeves is preparing to announce a planning shake-up that would fast-track clean energy and infrastructure projects by curbing judicial reviews, the Treasury said.The Planning Reform DetailsThe chancellor will propose that parliament should be able to designate and approve the most important clean energy projects as of "critical national importance", as part of a wider package seeking to blunt the impact of the Iran crisis."That would reduce the exposure from judicial review on all but human rights grounds," the Treasury said.It comes as pressure grows on the government to accelerate its energy infrastructure development to meet its goal to build a virtually zero-carbon power system by 2030.The Renewable Energy LandscapeRenewable energy developers have long bemoaned the difficulty in gaining planning permission for projects, from offshore windfarms to onshore solar and battery storage developments, and waiting times to connect to Great Britain's electricity grid.A spokesperson for the Treasury said that vital infrastructure delivery had been "delayed by judicial reviews of projects the country needs."They added: "The chancellor won't stand for it any longer and is bringing forward bold changes to support delivery. She is clear that parliament must take back control – to get Britain building the power plants, windfarms and grid connections that will bring bills down, strengthen our energy security, and deliver growth in every part of our country."The Current State of Renewable Energy ApprovalsLast year a record number of renewable energy projects were given the go-ahead in Great Britain, according to analysis by the consultancy Cornwall Insight. It found that the energy capacity of new battery, wind, and solar projects that received approval climbed to 45GW, 96% higher than in 2024.However, it also found the pace of projects starting up lagged behind, largely as a result of long construction timelines and grid connection delays.The Broader Infrastructure ApproachFor other infrastructure, such as transport and water projects, the government will introduce a fixed legal challenge window. When this ends, planning consent could be updated to address "any legitimate issues", the Treasury said.The Political ContextThe proposal comes amid a series of policy moves by Reeves despite uncertainty around the future of Keir Starmer as prime minister.On Tuesday it emerged that the government asked UK supermarkets to consider freezing the prices of some essential foodstuffs to protect the public from inflation fuelled by the Middle East conflict.Reeves is expected to announce measures to help households with the cost of living on Thursday, on which she is also planning to cancel a planned rise in fuel duty.