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The Lead US Secretary of State Marco Rubio broke from standard diplomatic protocol during a congressional hearing by acknowledging that "most of the world assesses" Israel possesses nuclear weapons, though he stopped short of confirming the official US position on this sensitive issue. Breaking the Nuclear Taboo The exchange occurred when Democratic Congressman Joaquin Castro pressed Rubio for clarity on whether Israel has nuclear weapons. Rubio initially declined to share Washington's official position but acknowledged global assessments that Israel does possess such capabilities. "Most of the world assesses that they do," Rubio told Castro at the hearing on Wednesday, suggesting instead that the issue should be discussed in private settings. The dialogue underscored a decades-long taboo in US politics against publicly discussing Israel's nuclear program, which Rubio himself acknowledged is a "feature" of US foreign policy. Geopolitical Implications The questioning took on particular significance as the United States is currently engaged in a joint war with Israel against Iran. Castro emphasized that understanding Israel's nuclear capabilities is crucial for oversight bodies making decisions about the conflict. "If they, in fact, possess nuclear weapons — and you're right, in open-source reporting, that has come across — we don't know what their red lines are for using those nuclear weapons," Castro stated. "I'm shocked that our government wouldn't make an effort to know, to understand and then to give our oversight body the information that we need." Rubio conceded the question was "fair" and offered to provide a more complete answer in a classified format, noting the need for "delicate balancing acts between different equities." Israel's Nuclear Status Israel, whose Prime Minister Benjamin Netanyahu is wanted by the International Criminal Court for war crime charges in Gaza, is widely believed to possess a nuclear arsenal despite never officially confirming this. The country is not a signatory to the Treaty on the Non-Proliferation of Nuclear Weapons (NPT). In November 2023, Israel's Heritage Minister Amichai Eliyahu suggested that dropping a nuclear bomb on Gaza was "an option." Several pro-Israel politicians in the US, including Congressman Randy Fine, have also made similar statements. Key Developments February 28: US President Trump joined Israel in attacking Iran with the stated objective of preventing Iran from obtaining nuclear weapons May 2026: Congressman Castro and 30 other lawmakers sent a letter to the US Department of State seeking clarification on Israel's nuclear program November 2023: Israeli Heritage Minister Amichai Eliyahu suggested nuclear weapons could be used against Gaza Policy of Silence The US policy of not commenting publicly on Israel's nuclear capabilities has come under increasing scrutiny from lawmakers. Castro's letter to the State Department argued that this official hinders the development of coherent nonproliferation policy for the Middle East. "We cannot develop coherent nonproliferation policy for the Middle East, including with respect to Iran's civil nuclear program and Saudi Arabia's civil nuclear ambitions, while maintaining a policy of official silence about the nuclear weapons capabilities of one party central to the ongoing conflict," the lawmakers wrote. Future Outlook As tensions in the Middle East continue to escalate, the question of Israel's nuclear capabilities may face increased public scrutiny. The current US administration's close alignment with Israel, combined with the ongoing conflict with Iran, suggests this long-standing diplomatic taboo may face further challenges in the coming months. Lawmakers like Castro appear determined to push for greater transparency, potentially forcing a reevaluation of the decades-old policy of silence regarding Israel's nuclear program.

The Return of Joy in Women's FootballIn an era where football has become increasingly serious and analytical, the World Sevens Football tournament offered a refreshing reminder of the sport's primary purpose: fun. For three sun-kissed afternoons by the Thames, this end-of-season seven-a-side women's football tournament provided the perfect antidote to the depressingly serious elements of the modern game, focusing on goals, laughter, and entertainment rather than VAR controversies or financial fair play regulations.The World Sevens Tournament: A Celebration of FootballThe third edition of World Sevens Football, featuring eight English teams, culminated in an 11-goal thriller final won by Chelsea. The tournament format allowed flair players such as Manchester United's Melvine Malard and Jess Park to thrive, showcasing their stepovers and lethal finishing. Chelsea's Aggie-Beever-Jones emerged as the top scorer with eight goals, demonstrating her clinical finishing ability against defenders. Teams also embraced the entertainment aspect with meticulously prepared walk-on routines, ranging from the hilarious to the bizarre. Everton's players pretended to give birth, Chelsea manager Sonia Bompastor was carried onto the pitch by her players, and Manchester United's head coach Marc Skinner made an entrance in a dressing gown. Even the referees participated in the festivities with their own walkout routine.Financial Impact and Fan EngagementThe tournament delivered significant financial benefits to women's football, with $500,000 (£372,000) awarded to the winners. This injection of capital is particularly valuable for a sport that often struggles for funding. Fan engagement was equally impressive, with a sold-out crowd of 3,000 attending Saturday's final. One clip on Dazn's Instagram featuring Beever-Jones's amusing walk-on garnered over 11 million views, demonstrating the tournament's ability to expand the reach of women's football beyond traditional audiences. Jennifer Mackesy, a co-founder of World Sevens Football, expressed her delight with the fan response: "The response from fans in London has blown us away."Challenging Conventions in Women's FootballThe tournament's entertainment-focused approach sparked debate within the women's football community. Some observers, perhaps mistaking the event for the World Cup final, expressed annoyance on social media about players not acting in a "serious" manner. One X user wrote: "Organisers of this have genuinely set them back years." Another commented: "Unfortunately, women's football won't ever be taken seriously." Even respected figures in the women's game were critical, with former Everton women's manager Andy Spence responding to a viral video of Everton's players acting out a mock funeral by writing: "What is going on? The Women's game has made such progress but these 'tournaments' and the narrative around them are threatening the integrity & hard work people have put in to make the Women's game be accepted by a wider audience. Please stop. Embarrassing."The Future of Entertainment in Women's FootballDespite the criticisms, the World Sevens Football tournament demonstrated several crucial benefits for women's football. It broadened teams' reach through social media exposure, brought much-needed investment into the sport, and attracted new fans. The tournament also provided light relief to players after a gruelling season, allowing them to express themselves in football's "purest form." While the event is not without its challenges—inequitable facilities for different teams and injuries to players like West Ham's Tuva Hansen and Manchester United's Phallon Tullis-Joyce—the engagement from broadcast partners Sky Sports and Dazn suggests this format has a bright future. As women's football continues to grow, events like the World Sevens may play an important role in diversifying the sport's appeal and finding new ways to engage audiences while maintaining the competitive spirit that makes football compelling.

The Lead: New Hope for Brain Injury RecoveryDr. Orlando Swayne, a consultant neurologist at the National Hospital for Neurology and Neurosurgery in London, is challenging the long-held medical belief that broken brains cannot mend. Through his pioneering work in neurorehabilitation, Swayne demonstrates that the brain's remarkable capacity for neuroplasticity can lead to meaningful recovery even years after severe brain injuries, offering new hope to patients who were once considered beyond help.The Case of Claire: A Journey from Severe Impairment to RecoveryClaire, a mother of three in her late 30s, experienced life-changing trauma when an artery at the base of her brain ruptured, causing severe damage to her frontal lobe. Initially brought to the ward on a stretcher, she was unable to speak, with flat eyes and an expressionless face. While she could move her right arm slightly, her left arm and both legs were immobile. When asked if she had any questions, she wrote with a clenched pencil: "Questions, questions, questions," revealing characteristic signs of brain damage through pathological repetition.The Science of Neuroplasticity: How the Brain Heals ItselfThe key to recovery lies in the brain's capacity for neuroplasticity—its ability to make new connections and reorganize in the face of changed circumstances. After a stroke or brain injury, chemical changes in the brain trigger neuronal growth processes that were last active during development. Surviving neurons are spurred into making new connections to work around dead tissue. While this process occurs naturally, targeted therapy can significantly enhance and guide it, leading to more substantial functional improvements.The Critical Window for Recovery: Timing MattersWhile the brain's capacity for plasticity is greatest in the first few months after injury, research shows that neuroplasticity doesn't simply switch off. In one study, intensive therapy improved upper limb movement in patients 18 months after their strokes. This finding is crucial as it extends the potential for recovery beyond the traditional "golden window" of the first few weeks or months, offering hope to those who may have missed early intervention opportunities.The Moral and Economic Imperative of NeurorehabilitationStroke is a leading cause of adult disability in the UK, with approximately 12 million people globally suffering a stroke each year, and one in five dying within 30 days. The economic and human costs of untreated brain injuries are enormous. Swayne argues that providing early, targeted, and intense therapy is not just a moral obligation but also an economic imperative, as proper rehabilitation can significantly reduce long-term care costs while dramatically improving patients' quality of life and independence.The Future of Brain Injury Treatment: Balancing Hope with RealismWhile Swayne emphasizes that recovery is possible, he is careful to balance hope with realism. "There is hope, but clearly you have to balance that. Some people just don't recover," he acknowledges. His approach represents a middle ground between the false promises of miracle cures and the previous hopelessness surrounding brain injuries. By focusing on evidence-based interventions and realistic expectations, Swayne and his colleagues are transforming the landscape of neurorehabilitation, offering meaningful improvements even for those with the most severe impairments.

The Passing of a Disney LegendPeabo Bryson, the R&B; singer best known as the voice behind the Oscar-winning Disney film duets Beauty and the Beast with Celine Dion, and A Whole New World with Regina Belle from Aladdin, has died. He was 75.His family said in a statement that Bryson, who won two Grammy awards, died Tuesday, days after having a stroke."While our hearts are broken, we find comfort in knowing how deeply Peabo was loved and how many lives were touched by his voice and his generous spirit," the family's statement said. "His legacy and music will live on for generations to come."A Five-Decade Career in R&B;Internationally celebrated for his Disney classics, Bryson also built a career over five decades as one of R&B;'s premier balladeers, recording hits including Feel the Fire, I'm So Into You and Can You Stop the Rain."For more than five decades, Peabo's extraordinary voice served as the soundtrack to some of life's most cherished moments," the family's statement said. "His music carried generations through joyful celebrations, great love stories and enduring moments of comfort and inspiration."Born and raised in South Carolina, the singer, songwriter and balladeer launched his career with the group Moses Dillard and the Tex-Town Display in the 1970s. Shortly afterward, Atlanta label Bang Records signed him as a solo artist.He recorded for Capitol, Elektra and Columbia Records and became one of music's most-sought-after duet partners. Aside from Belle and Dion, he collaborated with artists including Roberta Flack and Natalie Cole.His duet with Flack – Tonight, I Celebrate My Love – became one of the defining love songs of the 1980s, while If Ever You're in My Arms Again helped expand his audience beyond R&B; radio. He later scored No 1 R&B; hits with Show & Tell and Can You Stop the Rain.Beyond music, Bryson appeared in stage productions including Raisin, The Wiz, and Porgy and Bess. In 2018, he returned with Stand for Love, his 21st studio album, produced by hit-making duo Jimmy Jam and Terry Lewis.A Legacy of Musical CollaborationBryson had a stroke in late May and was placed under medical care."At this time, the family requests privacy as they navigate this deeply personal moment together," a statement from his representative read at that time. "The thoughts, prayers and love of friends and fans are welcomed and deeply appreciated."In 2019, Bryson made a full recovery after having a heart attack.Comedian and television host Loni Love said she worked with Bryson on a cruise ship last year and spoke with him for hours on the deck one night after she noticed him sitting alone."He shared incredible stories, spoke passionately about his music, and had such a deep love for his craft," she wrote in a social media post Tuesday. "I am so grateful to have had that special moment with him."The Enduring Impact of Bryson's MusicBryson's family said memorial and celebration-of-life arrangements will be announced at a later date.As news of Bryson's death spread, tributes poured in from fans and fellow artists who recognized his contribution to music, particularly his ability to create timeless duets that became cultural touchstones. His Disney collaborations, in particular, introduced his smooth R&B; vocals to global audiences and created some of the most recognizable love songs in animation history.The Future of Bryson's Musical LegacyWith over 20 studio albums and numerous hit collaborations to his name, Bryson's music is likely to continue finding new audiences through streaming platforms and film soundtracks. His Disney duets, in particular, remain staples of popular culture and will likely be introduced to new generations through theme park performances and home entertainment releases.Industry experts predict that Bryson's passing may lead to renewed interest in his complete discography, potentially resulting in posthumous chart success and tributes from contemporary artists who have cited him as an influence.

The LeadPop star Sabrina Carpenter has been granted a temporary restraining order against a man she accuses of stalking her and attempting to force entry into her California home.The Court Order DetailsOn Monday, Los Angeles county court issued an order to prohibit William Applegate, 31, from being within 100 yards of the Hollywood Hills home that Carpenter shares with her sister and the latter's partner. Carpenter filed a civil harassment restraining order against Applegate on May 29, following an incident on May 23 when he approached her front door and attempted to force it open.The Stalking PatternAccording to court documents, Applegate had been stalking Carpenter since at least April 20. Images from a Ring camera show a man trying to open Carpenter's door on May 23 and being confronted by a security guard. The guard ordered the man to leave but Applegate refused, claiming that the singer was expecting him—a statement described as "outrageous and entirely false" in the documents.The Impact on Carpenter"His pattern of stalking, trespassing, and surveillance has caused me severe and ongoing emotional distress," Carpenter wrote in a signed declaration. "I am in fear [of] what he may do if he is not restrained by this Court." She called the incident when Applegate attempted to enter her home "among the most disturbing violations of personal safety and privacy I have ever experienced."Law Enforcement AssessmentApplegate was arrested on suspicion of trespassing, a misdemeanor, but returned to the neighborhood two days later. Detective Peter Doomanis from the Los Angeles police department stated that Applegate had "developed a disturbing and irrational fixation on" the pop star. "His delusional insistence that he knows me and was expected by me is indicative of a dangerous, delusional and irrational fixation on me," Carpenter said.Legal Proceedings AheadA follow-up court hearing is scheduled for June 17, with a criminal court hearing scheduled the following day for Applegate's arrest for trespassing. The court documents note that Applegate had been parking in the neighborhood since April 20 and choosing spots progressively closer to Carpenter's residence.

The Lead: Swift's Return to Toy Story UniverseAfter days of online speculation, Taylor Swift has officially announced her new single "I Knew It, I Knew You" for Disney and Pixar's Toy Story 5. The announcement comes just weeks before the film's release and marks Swift's first new music since her 2025 album "The Life of a Showgirl."The Event Details: Single Release and FormatsTitled "I Knew It, I Knew You," the single will be released on June 5, 2026, with CD singles available for preorder on Swift's website. Three variants will be available, each containing different versions of the song: a piano version, an acoustic version, and the original. The announcement follows a mysterious campaign featuring billboards with "TS" initials in the Toy Story font that appeared in major cities worldwide.The Creative Process: Collaboration and InspirationSwift wrote the song with her longtime collaborator Jack Antonoff, marking her return to the country music genre. The track was inspired by Jessie, the film's cowgirl character, after Swift viewed an early cut of Toy Story 5. "I've always dreamed of getting to write for these characters who I've adored since I was a 5 year old kid watching the first Toy Story movie," Swift shared on Instagram.The Industry Impact: Music-Film SynergyThe collaboration represents a significant moment in the intersection of music and film marketing. Director Andrew Stanton praised Swift's connection to the character, noting "Her connection to Jessie and the immediate way she understood what the character was going through was undeniable." The song's release strategy aligns with Disney's marketing approach for the film, which introduces a new tech foe called Lilypad.The Future Outlook: Anticipation for Film and MusicWith the single release on June 5 and the film's worldwide premiere on June 19, 2026, fans have a packed schedule of Swift-related content to anticipate. The announcement comes amid Swift's continued dominance in the music industry following her record-breaking album releases. The song's placement in the highly anticipated Toy Story franchise ensures massive exposure and potentially introduces Swift's music to a younger generation of fans.

A Critical Portrait of George MichaelIn 1998, George Michael was arrested for public lewdness in an LA lavatory, an incident that finally led the singer to publicly come out. The following day, Sathnam Sanghera found himself unable to leave his room at university: the doorway had been mockingly plastered with tabloid newspaper headlines – "ZIP ME UP BEFORE YOU GO-GO!" – by fellow students aware of his longstanding fandom. As a writer, Sanghera is best known for a series of award-winning books on the British empire, which he calls his "specialist subject". Judging by Tonight the Music Seems So Loud – not a biography so much as a miscellany, a set of themed essays that tend to digress in all kinds of intriguing directions – the life and work of one Georgios Panayiotou runs imperialism and its legacy a very close second.The Complex Legacy of a Pop IconIt is an unashamedly partisan book, although not an uncritical one. Sanghera is as alive to Michael's personal and professional failings (whether the naffness of some of his early work as one half of Wham! or his high-handed treatment of the duo's other half, Andrew Ridgeley) as he is in love with his artistic triumphs. These, of course, range from Careless Whisper and Wham!'s annually inescapable Last Christmas to the 1996 solo masterpiece Older, a peculiar and peculiarly effective cocktail of raw grief at the Aids-related death of his lover Anselmo Feleppa and unrepentant horniness.The Evolution of Critical ReceptionSanghera's love for his subject is evidently sharpened by the opprobrium of others. Indeed if the book has a flaw, it's that the author is old enough to remember an era when George Michael was deemed insufferably uncool by some arbiters of taste (incredibly, when Wham! performed at a 1984 benefit show for striking miners, the only mainstream pop act to show support for the cause, they were received stone-faced by the audience and savaged by the music press for their trouble), and thus has a tendency to underestimate how much both he and his music have been critically re-evaluated in the 21st century.The Artistic Journey of George MichaelHe says one of the spurs to write the book was his belief that "most truly popular music is not generally deemed worthy of serious analysis and George Michael's music most certainly is not". That might have been true once, but certainly not of late: when he died, this newspaper alone ran six features by critics analysing different aspects of his music. "He sang so exquisitely about the marrow of life, about the vital, corporeal things", wrote one, which definitely doesn't amount to taking George Michael insufficiently seriously.double quotation markEven as he skinned up in front of journalists and discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed himFamily Background and Cultural IdentitySanghera is very good on the climate of homophobia in the 80s, which might have given any gay public figure serious qualms about coming out, and fascinating on Michael's family background: how growing up embedded in north London's Greek Cypriot community impacted on everything from Wham!'s image – not camp, Sanghera suggests, but "the vision of two children of immigrants imagining a kind of glamour they had not actually experienced before" – to his work ethic and control freakery. His dad made good in England by working exceptionally hard, running such a tight ship at his restaurant that he summarily fired his only son for messing up the drinks orders. The fact that the same son went on to hire 12 different saxophonists before finding one that could play the solo on Careless Whisper to his satisfaction doesn't come as a huge surprise.The Perfectionist and Contradictory ArtistThis my-way-or-the-highway perfectionism could yield hugely impressive results – Careless Whisper's sax hook may well be the most famous in pop history – but it could equally lead to intransigence and self-sabotage. Michael worked incredibly hard to transform himself from a member of a teen pop band into a more adult-facing solo artist, but having sold a staggering 25m copies of his 1987 solo debut Faith, he refused to promote its follow-up Listen Without Prejudice Vol. 1, or even make videos for its singles: a better album than its predecessor, it achieved only a fraction of its sales as a result. It was evidence of a deeply contradictory nature that occasionally has Sanghera throwing up his hands in bewilderment.The Public and Private Faces of George MichaelMichael was a polymath, keen to be duly credited as the sole singer, writer, producer and musician on a succession of tracks, but also had a weird habit of talking down his abilities, claiming he couldn't play instruments he was perfectly capable of playing. He was a Stakhanovite who increasingly worked at an agonisingly glacial pace, endlessly fussing over details, a state of affairs not much helped by his gargantuan appetite for marijuana: coupled with bouts of writers' block, it meant he released only six albums of original material in a career that lasted 34 years. He was a Labour voter, booster of the NHS and famously generous philanthropist who also engaged in tax avoidance. After being publicly outed, he became a notoriously frank interviewee ("as if nothing can embarrass him anymore" the Guardian's Simon Hattenstone suggested when he met him in 2009). But even as he skinned up in front of journalists and freely discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed him.The Decline and Final YearsMichael emerges as a messy, unpredictable but ultimately hugely likable figure, which makes the essay about his demise particularly tough reading. Listed starkly on the page, the facts of his final 10 years make it obvious that he was a deeply unwell man whose life had spun wildly out of control: drug busts, medical emergencies, visits to rehab, rumours of breakdowns and suicide bids and seven incidents in which he either crashed his car or was found comatose at the wheel.The Professional Mask of Personal StruggleThat it somehow didn't appear obvious at the time – that his death at 53 felt like a shock rather than a grim inevitability – seems remarkable, but as Sanghera points out, Michael's professionalism did a lot to paper over the cracks. He was always available to the media and always smart, funny and self-effacing: to use a modern turn of phrase, he controlled the narrative. He was punctilious about his appearance – the star certainly never looked like an ailing drug addict – and unfailingly superb onstage.The Hidden Realities Behind the FameBehind the scenes, it was a different story. He struggled to make new music: at one juncture he booked six months of recording sessions but never turned up to the studio once. His once-acute commercial instincts seemed to desert him: even Sanghera can't muster much enthusiasm for the handful of still-unreleased songs he completed in his final years. He cut off close friends and family who tried to intervene. No one who knew him seems to have been particularly surprised by his death: the list of adjectives used to describe him on his official website now includes not just "icon" "legend" "soul singer" and "philanthropist" but "addict" "repeat offender" and "depressive".An Imagined Alternative LegacyAs the book draws to a close, Sanghera offers a heartbreaking alternative history. He imagines Michael conquering his addictions, coming to a complete accommodation with his musical past (to the end of his life, he was dismissive of Wham!, describing their oeuvre as an exercise in "ignoring my own intelligence" and declining to play most of their hits live) and headlining Glastonbury, "getting pleasure from the audience reaction to Club Tropicana".The Enduring Power of George Michael's MusicIt's affecting because you can imagine it so vividly: the endless succession of hits that anyone with even a passing interest in pop music knows, the pandemonium in the crowd when he breaks out Careless Whisper, the encore of Freedom '90. You don't have to be a fan on Sanghera's level to understand what a triumph it would have been. Tonight the Music Seems So Loud: The Meaning of George Michael by Sathnam Sanghera is published by Picador (£22). To support the Guardian, buy a copy at guardianbookshop.com. Delivery charges may apply.

Court Blocks Trump's Transgender Military BanA United States court of appeals has ruled that a policy under President Donald Trump to expel transgender troops from the military was a violation of the Constitution. Monday's decision was a split one among the three-judge panel of the US appeals court for the District of Columbia.One judge, Robert Wilkins, an appointee of former Democratic President Barack Obama, upheld a lower court ruling rejecting the Trump administration's policy as it pertains to already enlisted service members. A second judge – Judith Rogers, who was picked by former Democratic President Bill Clinton – agreed with his opinion, but only in part. She felt it should extend to those who seek to enlist, too.And the third judge, Trump pick Justin Walker, issued a dissent questioning the court's ability to second-guess US military policy.Origins of Trump's Controversial PolicyThe case focused on one of the earliest actions Trump took during his second term in office. On January 27, 2025, a week after his second inauguration, Trump issued an executive order called "Prioritizing Military Excellence and Readiness".In it, he denounced the US armed forces as having been infiltrated with "radical gender ideology". He proceeded to describe transgender people as unfit for service for embracing a "false 'gender identity'"."A man's assertion that he is a woman, and his requirement that others honor this falsehood, is not consistent with the humility and selflessness required of a service member," Trump wrote.The executive order became the basis for a 13-page Pentagon memorandum, issued in February 2025 under Defense Secretary Pete Hegseth. It declared that any service member who has "symptoms" of gender dysphoria, or who has used hormone therapy or surgery to affirm their gender, would be "disqualified from military service".Military Service Record of Transgender PlaintiffsIn Monday's ruling, Wilkins described the policy as blatantly discriminatory. The policy, he wrote, "appears to be driven by the bare desire to harm a politically unpopular group: persons who identify as transgender"."To add insult, the President labeled transgender persons as dishonorable, undisciplined, arrogant, selfish liars," Wilkins added, pointing to the executive order.He pointed out that the transgender plaintiffs in the case had a combined 130 years of military service and had earned more than 80 commendations for their work.In the face of such evidence, Wilkins said the Trump administration had "forfeited any argument" that "retaining these service members will harm national security".Divided Rulings and Legal ImplicationsBut Wilkins stopped short of fully upholding a lower court ruling against the policy. Previously, Judge Ana Reyes had issued a temporary injunction against Trump's executive order, finding that the discrimination against transgender troops was unconstitutional.Wilkins agreed with Reyes that the Trump administration could not dismiss those already in the military's employ. But, he added, the harm was less for those seeking to enlist.Monday's ruling, therefore, strikes down the part of Reyes's injunction that would have barred the Trump administration from banning transgender people from the enlistment process.Rogers, the Clinton appointee, disagreed with that distinction. She pointed to testimony indicating that excluding transgender recruits from joining the military would deprive "our force of qualified personnel who have proven their ability to serve".Meanwhile, the dissent from the Trump appointee, Walker, hinged on his argument that the court had violated the separation of powers in the US government.Courts, he argued, should not be able to rule on the composition of the military."We have neither the expertise nor the authority to decide whether the military can exclude the plaintiffs from its ranks," Walker wrote. "The Constitution assigns that authority to Congress and the Commander in Chief."What Happens Next in the Legal BattleThe split decision is unlikely to have an immediate effect on US military policy. The appeals court has stayed the preliminary injunction from Reyes, as the legal fight continues, and last year, the US Supreme Court also halted an injunction against Trump's anti-transgender policy, in the case United States v Shilling.In a short, four-word social media post, Hegseth signalled that the Pentagon would appeal Monday's decision."See you at SCOTUS," he wrote, using the acronym for Supreme Court of the United States.But Democrats and LGBTQ+ advocates hailed the ruling as a victory against prejudice and discrimination in the Trump administration."No one who is qualified and answers the call to serve should be denied that opportunity because of who they are," US Representative John Larson of Connecticut wrote in a statement."Trump's trans military ban is discrimination — plain and simple. We'll keep fighting these attacks on our troops and all transgender Americans."

The Launch of Ferrari's First Electric Vehicle Ferrari's share price has dropped after it revealed a long-awaited first electric vehicle, with a minimalist look created by the former Apple design chief Jony Ive that departs from the Italian manufacturer's petrol sportscars. Ferrari Luce: Design and Specifications The Luce, starting at $640,000 (£477,000), has a range of 329 miles (530km) thanks to its battery capacity of 122 kilowatt hours, the company said, with four motors that can accelerate from 0 to 100km/h in 2.5 seconds, with a top speed of more than 310km/h (193mph). Market Reaction and Investor Sentiment The launch was hotly anticipated, given the world's most valuable sportscar maker's totemic status among car and Formula One racing fans. However, the Luce's saloon-like design immediately proved divisive, with some analysts questioning whether it lived up to Ferrari's sportscar heritage. Ferrari's share price dropped by as much as 8% in morning trading on Tuesday in Milan, before recovering to a 6% decline. The carmaker, which produces all its cars in Maranello, northern Italy, was valued at €56bn (£48bn) before the launch. The Impact of Jony Ive's Design The Luce was developed in partnership with LoveFrom, the studio founded by Ive after his long career at Apple, during which he led the design of products including the iPhone, MacBook and Apple Watch. Others said they believed it diverged too far from the blueprint that has made Ferrari one of the most profitable carmakers in the world. The Luce looks like a “mix between a Honda Accord EV and Tesla 3”, wrote Pierre-Olivier Essig, the head of research at AIR Capital, in a note for clients reported by Bloomberg. Ferrari's Future Plans Ferrari, founded in 1939, said the car's design was “simplified and rationalised in service of the driving experience”, and emphasised that was creating an “entirely new Ferrari”. The company last year scaled back its ambitions to shift from petrol to electric. It is aiming to have a 2030 lineup of 40% internal combustion engine models, 40% hybrids and 20% fully-electric.