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US President Donald Trump has faced intense backlash after sharing an AI-generated image of himself as a Jesus-like savior on his Truth Social platform. The image, which depicted Trump in a white robe with his hand on a man's head in a scene resembling a healing, was deleted on Monday following widespread criticism. The controversy began when Trump posted the image alongside a series of social media attacks on Pope Leo XIV, calling him 'weak on crime' and 'terrible for foreign policy.' These comments drew condemnation from across the Christian political spectrum, with many accusing Trump of blasphemy and disrespect towards the Pope. Later, Trump claimed that the image was meant to depict him 'as a doctor' and had to do with the Red Cross. However, this explanation did little to quell the criticism. Pope Leo XIV responded by stating that he would continue to speak out against war and promote peace, dialogue, and multilateral relationships among states. The backlash against Trump extended beyond church leaders, with conservative figures also criticizing his posts. Brilyn Hollyhand, a former co-chair of the Republican National Committee Youth Advisory Council, described the image as 'gross blasphemy,' while Riley Gaines, a FOX News host, questioned Trump's intentions and called for humility. The controversy highlights the ongoing tensions between the White House and the Vatican, particularly over issues such as immigration policies, military actions, and the US-Israel war on Iran. Italian Prime Minister Giorgia Meloni condemned Trump's attack on Pope Leo as 'unacceptable,' emphasizing the Pope's role as the head of the Catholic Church and his right to call for peace. The incident also raises questions about Trump's support among Christian voters, who have historically been a significant part of his base. Despite not attending church regularly, Trump secured strong support from Christian voters in the 2024 election, including a majority of Catholics.

More than 1,000 film and television professionals have signed an open letter opposing Paramount’s pending acquisition of Warner Bros Discovery, a deal valued at $111 billion. The signatories include high‑profile names such as Joaquin Phoenix, Ben Stiller, Mark Ruffalo, Yorgos Lanthimos, Kristen Stewart, Jane Fonda, and Emma Thompson.The letter, published on BlocktheMerger.com, warns that the merger would undermine the integrity, independence and diversity of the U.S. media sector, consolidating the number of major studios to just four and jeopardising a "vibrant future" for what it calls America’s "single most significant export" – its cultural content.Signatories argue that media consolidation already weakens competition, leading to fewer mid‑budget films, reduced independent distribution, higher production costs and fewer jobs across the ecosystem. They stress that competition is essential for both a healthy economy and a healthy democracy.Among the notable supporters are directors Denis Villeneuve, Boots Riley, Mimi Leder and Nicole Holofcener, as well as TV veterans David Chase, Noah Wyle, Ramy Youssef, Rob Delaney, Jason Bateman and Ted Danson. The letter also praises California Attorney General Rob Bonta and other state officials for scrutinising the deal.Paramount CEO David Ellison, who outbid Netflix for Warner Bros, claims the merger will boost creative output, pledging to release 30 theatrical titles annually and invest in both studios. Critics, however, remain skeptical, pointing to the Ellisons’ political ties and the risk of fewer politically‑engaged films.Recent accolades underscore the stakes: Warner Bros productions captured a record 11 Oscars in March, while Paramount films earned no nominations. The industry fears that the combined entity could further diminish quality and lead to significant job losses.Paramount has responded with a statement emphasizing that the transaction will “create a company that can greenlight more projects, back bold ideas, support talent across multiple stages of their careers, and bring stories to audiences at a truly global scale—while strengthening competition.” The letter’s authors remain unconvinced, urging regulators to block the merger to preserve competition, protect jobs, and safeguard the cultural export that defines American cinema.

Helen DeWitt, the American author of "The Last Samurai," announced she turned down the Windham‑Campbell writing prize—a $175,000 (£130,000) award—after learning that acceptance hinged on a series of promotional commitments.In a personal blog and a thread on X, DeWitt explained that the prize required her to attend a festival, appear on a podcast, and take part in a six‑ to eight‑hour filming session for a promotional video.She disclosed that, at the time, she was "close to breakdown" due to a cascade of professional and personal challenges, making the additional obligations impossible to meet.DeWitt likened the situation to the early‑career expectations of writers such as Thomas Pynchon or Cormac McCarthy, noting that the demands would be "horrifying" for anyone in a similar position.Correspondence with prize director Michael Kelleher showed limited flexibility: while he agreed to drop the podcast requirement, he maintained that DeWitt herself had to appear in the video, rejecting her proposal to feature other writers or her husband instead.Ultimately, DeWitt wrote that she must "regretfully decline to accept the prize on the specified terms," and the award was forfeited.The Windham‑Campbell prizes, founded in 2013 from the bequest of novelist Donald Windham, are intended to be "life‑changing" recognitions. This year’s recipients include British novelist Gwendoline Riley, and winners are selected confidentially.DeWitt argued that a prize structure that excludes writers unable to meet extra promotional duties contradicts the spirit of its generous founders. Kelleher responded that participation is optional and that the organization respects any decision not to engage, emphasizing the "power of literature to connect us all."

British novelist Gwendoline Riley has been recognized with a $175,000 Windham-Campbell prize, one of eight writers to receive the prestigious award. Riley is celebrated for her short novels that delve into complex relationships, family tensions, and the inner lives of women. Her notable works include First Love, which was shortlisted for the Women’s prize for fiction, and My Phantoms.Riley expressed her gratitude, stating, “This is very hard for me to take in. I am more grateful than I can say. This unimagined vote of confidence will not go wasted on me.” Her work has been praised for recasting ordinary lives into something remarkable and new. Clare Clark noted in a review of her latest novel, The Palm House, that Riley is “the laureate of disconnection, her bone-dry humour edged with the vertiginous lurch of despair.”The Windham-Campbell prizes, which award $1.4 million annually, aim to support writers by providing financial security, allowing them to focus on their work without financial pressures. Michael Kelleher, director of the Windham-Campbell prizes, emphasized that the arts face significant challenges, and this grant offers writers “the time, space and creative freedom to think, write and nurture their talent.”Other recipients of the prize include S Shakthidharan, an Australian playwright known for his multigenerational epic Counting and Cracking; Adam Ehrlich Sachs, an American writer recognized for his exploration of the history of knowledge; and Lucy Sante, a Belgian-born American writer celebrated for her memoir I Heard Her Call My Name: A Memoir of Transition.

It's been 12 months since Donald Trump's 'liberation day' on April 2, 2025, when the US president introduced tariffs on nearly every country the US did business with. The move sent shockwaves through the global economy, causing chaos in Washington and beyond. Experts say that if Trump had spent the last 14 months on the golf course instead of in the White House, the US economy would be in a better place. The wholesale slashing of government jobs and defunding of US aid agencies had already signaled that Trump was in a hurry to upset institutions he considered profligate or useless. Investors quickly understood that chaos was an essential tool in Trump's armoury. Almost as soon as he was inaugurated, there was a steady decline in the value of the dollar against other currencies. Investors sold assets denominated in dollars and bought assets elsewhere: Europe, Asia, South America. Dario Perkins, the head of global research at the consultancy TS Lombard, said: 'If you think that discouraging investors from buying assets in the US is a victory, then you don’t believe in a growing economy.' He added that Trump's policies had led to a decline in US manufacturing jobs and a growing trade deficit. The data supports Perkins' claims. US companies stopped hiring almost as soon as liberation day was announced. Significant revisions in February to data covering 2025 pushed payroll employment down by 403,000 jobs, resulting in the addition of just 181,000 jobs last year. This small boost is set against the 163 million people who are employed in the US. Russ Mould, the investment director of the British stockbroker AJ Bell, said: 'America is still home to the world’s largest economy and its reserve currency, as well as the globe’s largest equity and bond markets, but investors continue to reassess their exposure one year on from liberation day.' The next few months of steadily increasing confidence levels followed probably the calmest period in the second Trump presidency. But sentiment began to fall again in the autumn as the White House battled with Congress over the federal budget deficit and much of the public sector was shut down. A poll by the University of Michigan showed consumer confidence at a near record low at the end of 2025. A six-month moving average produced by the Conference Board showed every generation, from baby boomers to gen Xers, had lost confidence in the economy over the past year. Trump’s liberation day executive order stated: 'The decline of US manufacturing capacity threatens the US economy in other ways, including through the loss of manufacturing jobs.' However, the US manufacturing sector shed 100,000 jobs between January 2025 and March 2026. The ratio of manufacturing workers to total nonfarm employment fell to the lowest point since 1939. Bryan Riley, the director of the National Taxpayers Union Foundation’s free trade initiative, said: 'One year after liberation day, the evidence is in. Tariffs failed even by the Trump administration’s own terms. They did not shrink the trade deficit, did not revitalise manufacturing and did not help farmers. It would be a mistake to replace one set of failed tariffs with another.' Some major US companies have redirected their investments to Europe, but China has proved to be one of the main beneficiaries. In the year to February 2026, China’s industrial profits increased by 15.2%. It's a boom that Beijing will struggle to repeat should Chinese companies face fuel and energy shortages and price hikes. But the decline of two major powers can only be to China’s gain.

LeBron James had a stellar performance with 21 points, 12 assists, and 10 rebounds, leading the Los Angeles Lakers to a convincing 120-101 win over the Washington Wizards on Monday night.The victory marked James's 1,228th career win, including the playoffs, tying him with Kareem Abdul-Jabbar for the most in NBA history. This achievement underscores James's enduring impact on the sport.Austin Reaves contributed significantly with 19 points and nine assists, while Luke Kennard and Jaxson Hayes each added 19 points off the bench. The Lakers' strong performance was highlighted by an 11-0 run in the second quarter, which gave them a lead they maintained throughout the game.The Wizards, struggling with 19 losses in 20 games, were led by Will Riley with 20 points and Justin Champagnie with 18 points. Despite an initial lead, they were unable to recover from the Lakers' surge.This win brings the Lakers closer to securing a playoff berth and the Pacific Division title, although a Phoenix loss was also needed to clinch it. The Lakers have now won 12 of their last 13 games, showcasing their strong form.

The UK music industry is facing a significant disparity in executive roles, with black professionals underrepresented in senior positions despite black music generating £24.5bn out of £30bn in revenue over the past 30 years. A recent report by UK Music found that 80% of UK music revenue has been generated by black music, but industry figures are highlighting that black people are still excluded from top executive roles. According to the 2024 UK Music Diversity Report, 22% of the music industry workforce identify as Black, Asian or minority ethnic, compared with 46% of London's population. Eunice Obianagha, head of diversity at UK Music, emphasized the need for investment in genres such as "grime, garage and lovers rock" to support black music innovation. Charisse Beaumont, CEO of Black Lives in Music, noted that racial pay gaps and barriers to career progression are preventing black professionals from gaining executive roles. Industry experts, including Zeon Richards and Jasmine Dotiwala, stress that ensuring black people secure higher industry positions is crucial for driving cultural understanding and nuance. Mykaell Riley, professor of black music at the University of Westminster, argued that black music should be taught in schools to recognize its significant influence on popular music.