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The Vision for AI Coding Agents Cognition CEO Scott Wu made headlines again this week when his two-year-old AI coding agent startup raised $1 billion at a $26 billion valuation. Cognition is the maker of Devin, one of the first and, arguably, most successful AI coding agents. Devin, the CEO says, “naturally owns tasks end to end.” The Future of Software Development In fact, in the blog post announcing that raise, Cognition laid out a vision where “we are shifting to a world of self-driving software development.” So, could Devin replace, say, a mid-level L4 programmer? Yes, and no, Wu told TechCrunch. “We’ve never thought about it as replacing humans. I know it’s like a scenario, folks have said these things. It has never been our view.” Preserving the Joy of Programming Wu emphasizes that the goal is not to make human programmers obsolete. “We are all programmers ourselves,” he explained. “I started coding when I was nine.” He views agents as another layer of abstraction between envisioning a software product and producing it, similar to how visual development environments abstracted software creation away from machine instructions. The Role of Devin in Cognition Cognition says that Devin’s role in its own company is to ship nearly all the software. The company says that 89% of code committed by its engineers was committed by Devin, and the rest by local agents. Wu explains that his agent’s role is largely to do the kinds of long-tail maintenance tasks that many programmers don’t like to do anyway: bringing old software up to date; moving applications off one platform and onto another. The Future of AI Agents Wu predicts that agents will enter other fields where they will learn tasks, from customer service to medicine, but hopes the goal will be to augment human workers in those areas, too. “Code and software has been the first to move, but we’ll see this happen in all these other industries,” he predicts. “One thing that’s been clear to us since the beginning is, it should always be up to the human what to do … you really see this in software engineering, but I think it’s true in all these other professions too.”

The Final Countdown for TechCrunch Disrupt 2026 Savings This is it. The countdown is almost over. You now have until tonight at 11:59 p.m. PT to lock in Early Bird savings of up to $410 for TechCrunch Disrupt 2026 before prices increase. Event Overview: A Gathering of Tech's Elite If Disrupt has been on your must-attend list, this is your final chance to secure the lowest available rates before the next price jump hits. Once the deadline passes, so do the savings. Join 10,000+ founders, investors, operators, and innovators at Moscone West in San Francisco from October 13–15 for three days packed with networking, startup discovery, and conversations shaping the future of tech. Group Benefits: Bring Your Team at Reduced Rates Bring a plus-one at 50%, or bring a group to get an up to 30% discount. These options make it more affordable to attend with colleagues or team members. Why TechCrunch Disrupt Matters for the Industry TechCrunch Disrupt is where startup momentum accelerates. The event brings together the people actively building, funding, and scaling what's next across AI, fintech, SaaS, climate, cybersecurity, consumer tech, and beyond. What to Expect at the Conference With 300+ exhibiting startups, Startup Battlefield 200, curated networking experiences, and multiple stages of programming, Disrupt is built to help attendees make meaningful connections and real business progress. Who Should Attend Disrupt 2026 Disrupt is designed for founders raising capital, investors sourcing opportunities, operators scaling companies, and innovators looking for an edge. Whether you're launching your next startup, growing your network, or tracking the future of technology, Disrupt puts you in the room with the people driving the industry forward. High-Caliber Speakers and Sessions Every year, Disrupt brings together hundreds of influential voices across startups and venture capital. Past speakers have included leaders from the companies and firms shaping the future of AI, enterprise software, fintech, consumer tech, and more. This year will deliver the same high-caliber experience, with 200+ sessions across six industry-focused stages, plus roundtables and breakouts covering scaling, AI, fintech, infrastructure, robotics, and emerging technologies. Don't Miss the Early Bird Deadline Early Bird savings of up to $410 end tonight at 11:59 p.m. PT. After that, ticket prices increase. Register now to secure your TechCrunch Disrupt 2026 pass at a low rate before the deadline expires. Bringing more than just you? Save 50% on a second ticket, or up to 30% on community passes.

The Leadership Transition at LA PhilThe Los Angeles Philharmonic has officially announced Daniel Harding as its next music director, marking a significant transition in leadership for one of America's premier orchestras. The UK-born conductor, 50, will begin his tenure in the 2027/28 season with an initial six-year contract, succeeding Gustavo Dudamel who has led the orchestra since 2009.Dudamel will depart in August 2026 to become music and artistic director of the New York Philharmonic but will maintain close connections with the Los Angeles organization as its artistic and cultural laureate. This transition represents the end of an era for the LA Phil, which has flourished under Dudamel's leadership while also preparing for a new artistic direction.The New Musical VisionIn his new role, Harding will oversee programming across the entire organization, including presentations at the Walt Disney Concert Hall, the Hollywood Bowl, and the Ford. His conducting schedule will begin with eight weeks in his first season, increasing to twelve weeks in subsequent years. This comprehensive responsibility reflects the central role of the music director in shaping the artistic identity of the institution.Harding brings a distinct musical perspective to the position, with the orchestra's president and CEO Kim Noltemy highlighting his "intellectual curiosity, passion for bringing in and engaging with new audiences, global perspective, and talent for nurturing emerging voices." These qualities are expected to align with and potentially expand the LA Phil's mission in the coming years.A Legacy of Musical ExcellenceThe Los Angeles Philharmonic, founded in 1979, has established itself as one of the world's leading orchestras, known for both its traditional classical programming and innovative contemporary commissions. The orchestra has premiered works by composers ranging from Stravinsky and Schoenberg to Lutosławski and John Adams, cementing its reputation for musical adventurousness.Under Dudamel's 14-year tenure, the organization has achieved significant recognition, winning 11 Grammy awards for recordings. The orchestra's multiple performance venues—including the iconic Walt Disney Concert Hall designed by Frank Gehry—have made it a cultural cornerstone of Los Angeles, attracting diverse audiences from across the city and beyond.Harding's Distinguished CareerBorn in Oxford in 1975, Harding has developed an extraordinary conducting career that began remarkably early. As a teenager, he came to the attention of Simon Rattle, who hired him as an assistant at the City of Birmingham Symphony Orchestra. At just 21, he joined the Berlin Philharmonic as Claudio Abbado's assistant and became the youngest conductor in Proms history.His subsequent career includes 19 years with the Swedish Radio Symphony Orchestra and more than two decades with the Mahler Chamber Orchestra, which he helped found. Harding has maintained long-established relationships with major orchestras worldwide, including the Berlin Philharmonic, Amsterdam's Concertgebouw, and the Vienna Philharmonic. As an opera conductor, he has led critically acclaimed productions at Milan's Teatro alla Scala, Vienna State Opera, London's Royal Opera House, and at the prestigious festivals in Aix-en-Provence and Salzburg.A Unique Dual CareerWhat distinguishes Harding from most of his contemporaries is his parallel career as a qualified airline pilot. For the past few years, he has been piloting Airbuses for Air France while maintaining his conducting schedule. Harding has described this dual life as enriching, noting that "it's OK to take risks in concerts, because there it's safe to do so" and that "knowing another world, how other people work and having a completely different role is healthy."This unique perspective has informed his approach to music-making, with Harding stating that he "learned things about myself and conducting in a year that I didn't learn in 29 years before as a conductor." His first connection to the LA Phil came in 1997 when he conducted the orchestra at the Ojai music festival.The Transition PeriodIn the transition leading up to his official appointment, Harding will serve as music director designate, conducting the LA Phil in November 2026 and January 2027. These programs will feature wide-ranging repertoire including Brahms, Bernstein's Jeremiah symphony, Strauss's Also Sprach Zarathustra, and works by contemporary composers Thomas Adès and Betsy Jolas.The search process for a new music director was extensive, led by a committee including musicians, board members, and staff. John Lofton, bass trombone of the Los Angeles Philharmonic and search committee member, praised Harding's "exceptional level of focus and musical insight," noting that musicians value "his clarity, his respect for the orchestra and the way he invites us into the music."The Future of the LA PhilThe transition represents both an ending and a beginning for the LA Phil. As outgoing director Gustavo Dudamel expressed confidence that "the brilliance, heart and limitless talent of the LA Phil...will be in good hands under Daniel's musical leadership," the organization looks toward a new chapter.Esa-Pekka Salonen, the orchestra's creative director and former music director (1992-2009), expressed his hope that "the beauty, optimism and openness of Los Angeles proves as transformative for [Harding] as it has been for me." As Harding prepares to take the helm, the LA Phil enters a period of artistic evolution that will build upon its storied past while exploring new musical territories under his leadership.

Lead: Tonight’s Prime‑Time TV HighlightsThe Guardian’s TV guide for 26 May 2026 showcases a blend of historical documentary, reality competition and drama across the UK’s major broadcasters. From Tom Hanks’s new World War II series on Sky History to beloved formats like Bake Off: The Professionals and Soccer Aid, viewers have a diverse slate at 8‑9 pm.World War II With Tom Hanks – A Personal Historical Narrative9pm, Sky History – Tom Hanks executive‑produces, introduces and narrates a six‑part series that traces the conflict from Hitler’s rise to the invasion of Poland. The series promises expert analysis combined with Hanks’s storytelling pedigree from “Band of Brothers” and “Masters of the Air”.Reality‑Driven Competition Slots on Channel 4 and ITV18pm, Channel 4 – Bake Off: The Professionals returns with a secret‑challenge format that forces pastry chefs to reinvent a classic Paris‑Brest without a recipe. 9pm, ITV1 – Soccer Aid blends sport and charity, featuring celebrities such as Olivia Colman, Robbie Williams and Mo Farah in a televised kick‑about.Drama and Genealogy Offerings on BBC One and Channel 49pm, BBC One – Who Do You Think You Are? follows presenter Zoe Ball as she uncovers her family’s Viking and pirate myths, tracing roots from Glasgow to Cornwall. 9pm, Channel 4 – Falling continues Jack Thorne’s slow‑burning romance about a nun and a priest navigating life beyond the convent.Emerging Platforms Highlight Niche Entertainment9pm, U&Dave – The Way Out pits comedy teams in an escape‑room‑style competition, showcasing the channel’s focus on quirky, interactive formats.Impact: A Schedule That Balances History, Competition and Personal StorytellingThe line‑up reflects broadcasters’ strategy to capture audiences seeking both educational content and light‑hearted competition. Historical documentaries like Hanks’s attract viewers interested in depth, while reality formats sustain high‑engagement ratings in the 8‑9 pm window.Looking Ahead: Continued Emphasis on Hybrid FormatsGiven the strong performance of mixed‑genre programming, we can expect more collaborations between high‑profile talent and specialist channels, as well as an expansion of interactive formats on emerging services such as U&Dave.

The Evening's Television LineupSunday night brings a diverse range of programming to British television, with a standout performance from Joseph Fiennes as Gareth Southgate in BBC's 'Dear England.' The evening features dramas, documentaries, entertainment shows, and live sports coverage across multiple channels.The Spotlight on 'Dear England'BBC One's 9pm offering, 'Dear England,' sees Joseph Fiennes reprising his award-winning role as England football manager Gareth Southgate. The play, written by James Graham, follows Gareth in post-Brexit Britain as he leads the England squad into a new era. Fiennes brings remarkable depth to the character, capturing Southgate's approach to managing expectations and fostering mental health conversations within the team. Jodie Whittaker co-stars as sports psychologist Pippa Grange, whose influence helps the team not only improve their penalty-taking but also address important mental health issues.Channel 4's Dramatic OfferingsAt 9pm, Channel 4 presents 'Vengeance: Murder on the Heath,' a harrowing two-part drama based on real events. The series explores the tragic love triangle between student doctor Mundill Mahil, her friend Ravi Shoker, and TV executive Gagandip Singh, examining how their feud escalated into violence and murder. Earlier in the evening at 8pm, Channel 4 also offers 'Cruising to the Ends of the Earth,' following staff aboard cruise ships in Tokyo and Alaska.ITV's Family EntertainmentITV1 at 8pm hosts 'The 1% Club Kids Special,' putting 100 children aged nine to 15 to the test to determine who is the cleverest, with the winner earning a trip to Disneyland, Florida. The show promises light-hearted entertainment as the young contestants tackle challenging questions.BBC's Other Dramatic OfferingsBBC One also presents 'Death Valley' at 8.15pm, a mystery drama starring Timothy Spall as a retired TV star who teams up with detective Janie (Gwyneth Keyworth) to solve the murder of a social media-famous chef. Later at 10pm, BBC Two airs 'Later ... With Jools Holland,' featuring Grammy award-winning James Blake performing tracks from his seventh studio album, 'Trying Times,' along with tributes to BB King and performances from various artists.Sports CoverageSports fans have multiple viewing options, with TNT Sports 1 covering the French Open tennis from Roland Garros, Paris, starting at 9.30am. The day concludes with Premier League football coverage on Sky Sports channels from 3pm, featuring the final day of the season.

The Lead: A New Kind of Celebrity Hot SeatThe Assembly brings together a 28‑strong panel of autistic, neurodivergent and learning‑disabled interviewers to grill high‑profile guests for up to three hours. The result is a mix of raw emotion, humour and unexpected intimacy that has quickly become ITV's most talked‑about chatshow. How "The Assembly" Merges Neurodiversity with Celebrity InterviewsThe format, adapted from France’s Les Rencontres du Papotin, opens each episode with a clear rule‑set: no question is off‑limits and every guest must answer honestly. Rylan Clark’s first appearance set the tone with blunt queries like “Are they your real teeth?” and “Did you ever consider having a real suntan?”. Subsequent guests—including Danny Dyer, David Tennant, Jade Thirlwall and Stephen Fry—have faced probing topics ranging from personal trauma to sexual preferences, often leaving them laughing, crying or both. Viewership, Awards and International Roll‑outHalf‑million YouTube views for Danny Dyer’s debut episode, the series’ most‑watched clip.Series nominated for a Bafta and winner of an RTS award.Commissioned in 20 countries across Europe, North America and Australasia.Three‑hour recording windows give guests space for genuine connection, a stark contrast to the typical 10‑minute segment on traditional chatshows. Why the Show Is Shaking Up the Talk‑Show LandscapeBy handing editorial control to neurodivergent interviewers, the programme challenges the “sound‑bite” culture of mainstream TV. Viewers report increased awareness of autism and learning disabilities, while celebrities appreciate the chance to be seen beyond PR‑driven narratives. The blend of entertainment and representation has created a “cult following” that even attracted selfies from Bafta‑winning stars. What’s Next for "The Assembly" and the Wider TV IndustrySeason 2 has already featured Stephen Fry, whose outrageous questions sparked viral moments. Producers hint at future political guests such as Keir Starmer and Tony Blair, and a possible spin‑off with former Scottish First Minister Nicola Sturgeon. If the current trajectory holds, the format could inspire a new wave of inclusive programming, prompting rival broadcasters to experiment with longer‑form, unscripted interviews that prioritize authenticity over commercial sell‑through.

Executive Summary: Tui Withdraws Sponsorship Following Panorama RevelationsThe travel giant Tui announced it will no longer sponsor the reality series Married at First Sight on Channel 4 after a BBC Panorama investigation exposed allegations of rape and sexual misconduct involving on‑screen couples. The decision was communicated alongside statements from Channel 4 and regulator Ofcom, underscoring the reputational risk for brands linked to such programming.What Triggered the Sponsorship Termination?Panorama aired a documentary detailing claims by two anonymous women that they were raped by their on‑screen husbands, and a third woman, Shona Manderson, alleging sexual misconduct.All accused men have denied the allegations.Tui UK and Ireland cited the broadcast and subsequent discussions with Channel 4 as the basis for ending the partnership.Financial Implications of Ending the DealWhile the exact value of Tui’s sponsorship was not disclosed, industry analysts estimate that high‑profile reality‑TV sponsorships in the UK can range from £1‑2 million per season. By pulling out, Tui avoids potential negative brand association costs, which could exceed the sponsorship fee if consumer backlash intensifies. Conversely, the loss of exposure may affect short‑term marketing ROI, especially in the competitive travel market.Industry‑Wide Repercussions for Reality‑TV PartnershipsThe incident adds pressure on broadcasters and advertisers to scrutinise the ethical standards of reality formats. Ofcom chief executive Melanie Dawes signalled willingness to tighten guidance on participant welfare, which could lead to stricter compliance requirements and higher production costs. Brands may increasingly demand contractual safeguards, such as audit clauses and rapid response protocols, before committing to similar shows.Looking Ahead: How Brands May Navigate Controversial ContentExperts predict a shift toward more cautious sponsorship strategies, with companies favoring content that aligns closely with their corporate values. Future partnerships are likely to include explicit clauses for immediate termination in the event of serious allegations, and greater involvement in content oversight. For broadcasters, the challenge will be balancing audience demand for sensational reality TV with heightened regulatory scrutiny and sponsor expectations.

Tonight’s Must‑Watch TV HighlightsThe Guardian’s latest TV guide showcases a mix of drama, comedy and culinary spectacle across Britain’s major broadcasters. From a stylish Cold‑War thriller on Sky Atlantic to the nation’s biggest curry restaurant on Channel 4, the line‑up promises both intrigue and comfort food for viewers.‘Ponies’: A Cold‑War Thriller Starring Emilia ClarkeEmilia Clarke headlines ‘Ponies’, a star‑filled, stylish and surprisingly fun Cold‑War drama airing at 9 pm on Sky Atlantic. Clarke plays Bea, a highly educated Russian‑speaking secretary who teams up with street‑smart Twila (Haley Lu Richardson). Together they investigate the mysterious deaths of their husbands in Moscow, operating as “persons of no interest”. The cast also includes Adrian Lester and Harriet Walter.Scheduling Slots and Audience Reach Estimates9 pm – Sky Atlantic: ‘Ponies’ (Cold‑War thriller)8 pm – Channel 4: “World’s Biggest Curry Restaurant” – a behind‑the‑scenes look at the Royal Nawaab in Stockport.9 pm – BBC Two: “Hidden Treasures of the National Trust” – cultural‑heritage documentary narrated by Toby Jones.10 pm – BBC Three: “Smoggie Queens” – comedy sketch series.10:05 pm – Sky Atlantic: “Hacks” – penultimate episode of the AI‑satire comedy.11:40 pm – BBC One: “St Denis Medical” – double‑bill US mockumentary.While exact viewership figures are not yet released, prime‑time slots on Sky Atlantic and Channel 4 typically attract 1–2 million live viewers, with additional streaming audiences on platform‑specific apps.Why Cold‑War Drama Is Resurfacing on UK TVThe renewed interest in Cold‑War narratives aligns with a broader cultural fascination for geopolitical tension and espionage, spurred by recent successful series such as *The Americans* and *Killing Eve*. By pairing a high‑profile star like Clarke with a genre that blends thriller, period intrigue and dark humor, broadcasters aim to capture both legacy audiences and younger viewers seeking fresh takes on historic settings.What This Means for Next Season’s Programming ChoicesGiven the strategic placement of *Ponies* alongside eclectic factual and comedy offerings, networks appear to be betting on a diversified schedule that balances prestige drama with accessible reality‑TV formats. If *Ponies* secures strong live and on‑demand numbers, we can expect more star‑driven, genre‑hybrid projects to fill prime‑time slots in the coming months, potentially nudging streaming services to compete with similar high‑budget, historically‑rooted series.

The Elon Musk Documentary Returns on BBC Two 9 pm, BBC Two – Two‑and‑a‑half years after the original series, the sequel revisits Elon Musk with fresh insider testimony about the Twitter/X takeover and the turbulent relationship with former President Donald Trump. Critics note the programme’s focus on culture‑war dynamics rather than pure business analysis. Prime‑Time Competition: Ratings and Scheduling Stakes 8 pm, BBC One – Race Across the World: The Final pits teams against an 11,000 km route, offering a £20 k prize for the fastest finish. 8 pm, Sky Arts – Classic Movies: The Story of Three Days of the Condor provides a deep‑dive into the 1975 spy thriller, linking it to 1970s geopolitical anxieties. 9 pm, Channel 4 – Taskmaster returns for its 22nd series, mixing absurd comedy with celebrity challenges. 9 pm, Channel 5 – The Hardacres continues its period‑drama narrative, exploring class tensions in a rural setting. 9 pm, Sky Atlantic – Prisoner delivers a gritty continuation of its crime saga. 11.40 pm, Film4 – Glory (1989) rounds out the night with a historic war film. Cultural Impact of the Featured Programs The line‑up blends documentary scrutiny (Elon Musk), reality competition (Race Across the World), and nostalgic film analysis, reflecting a broader audience appetite for content that merges entertainment with socio‑political commentary. Shows like Taskmaster maintain high repeat viewership, while period dramas such as The Hardacres attract niche but loyal demographics. What to Expect from Next Week’s Line‑up Analysts predict the network will double‑down on high‑profile documentaries and reality finales to capture peak‑time audiences, potentially shifting the 9 pm slot on BBC Two to more investigative programming. Viewers can also anticipate further cross‑channel collaborations, especially around award‑season film broadcasts.