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The Enhanced Games: A Doping-Filled Spectacle in Las Vegas I woke up in Las Vegas on Monday to an avalanche of messages from people across elite sport asking about the Enhanced Games. Some wanted to know what it was really like. Most, though, wanted to dance on its grave. So much for the organisers' promises that we would witness multiple world records. So much for their ridiculous claim to be the "Super Bowl of athletics, swimming and weightlifting!" Hubris meet nemesis. The Reality of Performance-Enhanced Competition Perhaps the most farcical moment came just before the women's 100m final. Only one athlete in the modest field had ever broken 11 seconds. But that didn't stop the announcer floating the idea that Florence Griffith Joyner's world record of 10.49sec might be under threat. "Are we going to witness history?" she asked. "Let's hope so." Of course we weren't. Tristan Evelyn, who was competing as a drug-free athlete, won in 11.26sec – a time that would have barely made it out of the first round of the 2024 Olympics. The Financial Temptation: Why Athletes Are Being Lured When I spoke to its chair, Christian Angermayer, on Sunday night he revealed the plan for next year was to invite fitness influencers to race alongside elite athletes. A legends section may also follow, he reckoned. Shortly afterwards, the Australian swim coach Brett Hawke revealed that his phone had been buzzing with elite stars wanting to sign up. Can you blame them? Hunter Armstrong competed clean and walked away with $250,000 (£186,000). That's 12½ times what gold at the World Aquatics championships pays. While World Athletics offers significantly more – the winner of each event in its Ultimate Championships will get $150,000 – Angermayer believes he can also lure big track stars over. The Cultural Divide: Puritans in Babylon Most of the time I felt like a puritan in Babylon. I didn't see the Michael Jackson lookalike, who has had plastic surgery to look uncannily like him and turned up at the aftershow party. But I did see dozens of fitness influencers going round filming each other, showing off their abs, and asking each other which protocol they were on. And hear predictions that there would be a pill that would give you all the benefits of easy exercise in zone 2. It felt like a trip to the Upside Down. The Marketing Machine: More Than Just a Sports Event Before I arrived in Vegas, I thought the Enhanced Games people were grifters. Now I think it is more accurate to say they are evangelicals. They truly believe these drugs have changed their lives. And they want others to enjoy them, albeit while burning a few hundred dollars a month. Some also believe that the Enhanced Games is a Trojan horse to sell drugs such as testosterone and human growth hormone. I don't quite agree. Because organisers are not exactly being shy here. The horse is rolling towards Troy draped in a large advert for testosterone cream and peptides. The Inevitable Collapse: Why the Enhanced Games Will Fail Ultimately, though, I believe the Enhanced Games will fail. Not next year. But probably over the next five. Why? Because while its movers and shakers are rich and smart, they don't come across as caring deeply about sport. They don't seem to understand its whims and irrationalities, its rivalries and narratives, its traditions and its heart. You can't pay a mortgage with morals, but you also can't build a lasting sporting movement on money alone.

The Premier League Finale Burnley came from behind to make sure the ignominy of finishing bottom of the Premier League went to Wolves as the two relegated sides fought out a 1-1 draw at Turf Moor. Wolves Take Early Lead Wolves started on the front foot and were ahead after in the fifth minute. Mateus Mané’s misdirected corner was retrieved by Ladislav Krejci and his header struck the outstretched arm of Florentino. The referee, Andrew Kitchen’ needed to take a look on the pitchside monitor after being summoned by the video assistant referee and after he pointed to the spot, up stepped Adam Armstrong to send Clarets goalkeeper Max Weiss the wrong way. Burnley Equalizes Burnley drew level in the 48th minute when Zian Flemming swapped passes with Lesley Ugochukwu on the edge of the box and fired a crisp shot just inside Sá's right-hand post. It was the Dutchman’s 11th Premier League goal of the season and sixth in his last 11 appearances. The Impact of the Draw This was a battle for pride – plus around $2.6million extra in merit payments – and Rob Edwards’ side took an early lead through Adam Armstrong's penalty, but Mike Jackson saw his team produce a spirited second-half display in which Zian Flemming equalise after the break. The Prediction The draw means Wolves finished bottom of the Premier League, a disappointing end to the season for the team. The match was a close one, with both teams creating chances but ultimately settling for a draw.

The Lead: Liverpool's Strategic Coaching Move Liverpool are closing in on the appointment of Etienne Reijnen to their coaching staff, a move that would underline the club's continued support for Arne Slot despite recent pressure on the manager. Slot's position remains under scrutiny with Liverpool yet to secure Champions League qualification, but the club is backing his request to strengthen his backroom team. The Coaching Partnership: Reijnen's Background with Slot Reijnen played with Slot at PEC Zwolle and became the Liverpool head coach's assistant at Feyenoord in 2023. Slot wanted to bring the 39-year-old with him when first appointed at Anfield but work permit issues scuppered the move. A deal to reunite Slot with his former assistant has not been completed but is progressing, with Feyenoord's technical director seemingly confirming Reijnen's exit this week. The Salah Situation: Manager-Star Relations Under Pressure Slot refused to confirm the move but acknowledged his high regard for Reijnen. He also addressed the ongoing situation with Mohamed Salah, who has posted critical social media comments about the team's performance. Slot agreed with Salah on the importance of Champions League qualification, insisting Liverpool's focus must be on securing a top-five finish. Everton's Ambition: Moyes Calls for Summer Investment David Moyes says Everton need "a big summer" when the club's owners must show the ambition to push the team forward. The Everton manager admitted he is despondent over a poor end to the season that has squandered the opportunity to qualify for Europe. Having competed at the right end of the table for the first time in several years, Moyes believes the Friedkin Group's next moves will determine how far the team can progress. Resource Constraints: Everton's Financial Strategy Moyes clarified that "a big summer" might mean making just one top-quality signing rather than multiple transfers. "We are not a club to go and spend, as some other clubs do, £200m-£300m. We don't have that. We will need to dodge and weave a bit and hopefully make the right choices," he said. Everton visit Tottenham on the final day needing a result to secure a top-half finish. Merino's Recovery: From Mobility Scooter to Potential Title Glory Arsenal's Mikel Merino feared he might never play again after sustaining a stress fracture in "a very strange part of the foot where not even the specialists had seen before" that left him needing a mobility scooter for two months. The Spain midfielder is expected to be named in Luis de la Fuente's World Cup squad next week after returning to training. Mental Fortitude: Coping with Injury During Title Race Merino admitted it has been difficult to watch from the sidelines as his team closed on their first title for 22 years. "At the beginning I was a little scared," he said. "We didn't know what to expect, what path to take during the recovery and if I was going to be able to play again." The midfielder maintained a positive attitude, using the mobility scooter as "a fun way to see the light of day and enjoy time with the dog." Burnley's Challenge: Rebuilding After Third Relegation Mike Jackson has warned there are no guarantees Burnley will immediately return to the Premier League following the club's third relegation in five seasons. Since a five-year stay in the top flight, the Clarets have experienced multiple promotions and relegations, highlighting the competitive challenges of maintaining stability in England's top division.

The Legacy of 'Nipplegate': A New Play Exposes Industry Double StandardsThe stage production 'Nine Sixteenths' offers a critical examination of the 2004 'Nipplegate' scandal, highlighting the racial and gender biases that defined the aftermath. By juxtaposing Janet Jackson's career devastation with Justin Timberlake's continued success, the play exposes systemic inequalities within the music and media industries.Revisiting the 2004 Super Bowl IncidentThe play centers on the infamous halftime show where Justin Timberlake ripped part of Janet Jackson's bodice, briefly exposing her right breast. This 'wardrobe malfunction' lasted just nine sixteenths of a second but was broadcast to over 140 million viewers. The production, inspired by a 2019 Glastonbury performance, uses kinetic multimedia, lip-syncing, and puppetry to reconstruct the moment and its immediate fallout.The Disparity in Fallout: A Comparative AnalysisJanet Jackson: Faced immediate blacklisting from the music industry and sustained ridicule, including on The David Letterman Show.Justin Timberlake: Continued to thrive, eventually being invited back to the Super Bowl halftime show in 2018 with open arms.The play illustrates a stark contrast in how the industry treats Black women versus white men when facing similar public scrutiny.Systemic Bias in Media and EntertainmentBeyond the historical event, the production serves as a loud and proud love letter to Jackson. It uses voiceovers to draw parallels between the 'Nipplegate' era and modern examples of abuse, including the treatment of Meghan Markle and the racist abuse directed at Francesca Amewudah-Rivers when cast opposite Tom Holland.Why 'Nine Sixteenths' Matters in 2026Directed by Emily Aboud, the show concludes with a third act that broadens its critique to societal fears and industry pressures. It argues that the 'Nipplegate' scandal was not an isolated incident but a symptom of a larger, enduring pattern of discrimination against Black women in the entertainment sector.

The Final Episode of The Late Show Celebrities, politicians, and New Yorkers paid their respects to Stephen Colbert as the Late Show aired its final episode on Thursday. The long-running chat show, which started back in 2015, was cancelled last year by CBS, purportedly because of a financial decision. But many believed it was a result of the network's increasing closeness with Donald Trump, who Colbert regularly criticised. A Bittersweet Goodbye Last night's episode saw the host bid an emotional farewell with the help of celebrity guests including Paul McCartney, Paul Rudd, Ryan Reynolds, and Bryan Cranston. "We love doing the show for you but what we really love is doing the show with you," he said to the audience at home. Colbert hosted more than 1,800 episodes of the Late Show, taking over the mantle from David Letterman. Tributes from Around the World Former president Joe Biden, who had previously guested on the show, also joined the chorus this week with a tribute on Instagram. "There aren't many who can make people think and laugh at the same time," he wrote. "For years, Stephen brought wit, heart, and honesty to late night television. America could always count on a laugh – and sometimes a needed reality check. Congrats on an incredible run, my friend." The Impact of Colbert's Comedy Jane Fonda was among celebrities featured in a video put together by her newly relaunched Committee for the First Amendment. "He made us laugh and he never flinched," the Oscar-winning actor said. "We've watched this administration suppress dissent repeatedly." Colbert already has his next gig lined up with the long-term JRR Tolkien fan set to co-write a new Peter Jackson-produced film tentatively titled The Lord of the Rings: Shadow of the Past. The Future of Late-Night Television The Late Show is being replaced by Comics Unleashed, an unscripted comedy series from comedian and media mogul Byron Allen. The entire set from the show is being donated to the Museum of Broadcast Communications in Chicago.

The Sequel Announcement The studio behind hit Michael Jackson biopic 'Michael' has revealed plans for a sequel despite the controversy that surrounded the original. Production Details Speaking in a quarterly earnings call, Lionsgate motion picture chair Adam Fogelson said that preparations for a projected sequel “continue to go exceptionally well”. Fogelson added that there is a lot of entertaining Michael Jackson story that was not touched upon in the first film. The Financial Impact The original film delivered record-breaking box office figures in both the US and UK, with its current revenue standing at $715.8m worldwide. Fogelson suggested that some of the previously shot footage could be utilised for the sequel, which would help lower the sequel’s production costs. Addressing Controversy The production of 'Michael' was dogged by issues surrounding allegations of child sex abuse against Jackson. It is not clear how or even if a sequel will deal with these allegations. However, Fogelson suggested that the sequel may not follow chronologically. The Future Outlook Lionsgate believes that they have 25 to 30% of a second movie already shot from the prior production activity. The studio is confident that the sequel will appeal once again to a global audience.

Senegal’s national team has confirmed a 28‑man squad for the 2026 FIFA World Cup, with marquee names Sadio Mane and Kalidou Koulibaly leading a blend of seasoned stars and youthful prospects.Senegal Announces 28‑Man Roster Featuring Mane and KoulibalyCoach Pape Thiaw revealed the list on Thursday, noting that two players will be cut before the final deadline at the end of May. The selection reflects a strategic mix of experience, athleticism, and depth across all positions.Squad Composition and Player StatisticsGoalkeepers: Edouard Mendy, Yehvann Diouf, Mory DiawDefenders: Kalidou Koulibaly, Krepin Diatta, Antoine Mendy, Abdoulaye Seck, Ilay Camara, Moussa Niakhate, Mamadou Sarr, El‑Hadji Malick Diouf, Moustapha Mbow, Ismail JakobsMidfielders: Idrissa Gueye, Habib Diarra, Pape Matar Sarr, Pape Gueye, Lamine Camara, Pathe Ciss, Bara NdiayeForwards: Sadio Mane (34, 53 goals in 126 caps), Bamba Dieng, Iliman Ndiaye, Nicolas Jackson, Assane Diao, Ibrahim Mbaye, Cherif Ndiaye, Ismaila SarrThe squad retains the all‑time leading scorer Mane and the experienced centre‑back Koulibaly, while also integrating promising talents such as 18‑year‑old Bayern midfielder Bara Ndiaye.Implications for African Representation and Tournament ProspectsSenegal entered the tournament as the most potent African qualifier, having topped the recent Africa Cup of Nations. Their Group I draw pits them against France (June 16, New Jersey), Norway (June 22), and Iraq (June 26), offering a challenging path but also a chance to replicate their 2002 quarter‑final run.The inclusion of both veteran leaders and dynamic youngsters signals a clear intent to advance beyond the group stage, potentially reshaping the perception of African teams at the World Cup.What to Expect from Senegal in the 2026 World CupAnalysts anticipate that Mane will spearhead the attack, supported by pacey wingers Ismaila Sarr and Nicolas Jackson. Defensively, Koulibaly provides stability, while the midfield depth—featuring Gueye and emerging talents—offers tactical flexibility.If the squad can stay injury‑free and integrate the new call‑ups quickly, Senegal could challenge for a knockout‑stage berth, aiming to surpass their 2018 group‑stage exit and 2022 round‑of‑16 finish.

The Evening’s Dual Focus: Franceschi’s Choreography and Krasner’s StoryThe Guardian’s review opens with a clear picture of the night’s two pillars: choreographer Antonia Franceschi, a former NYCB dancer turned artistic director of the New York Theatre Ballet, and the subject of the evening’s most ambitious work, abstract expressionist painter Lee Krasner, whose legacy is often eclipsed by her husband Jackson Pollock.Prophecy in Motion: A Sketch of Lee Krasner’s LifeFranceschi’s piece Prophecy (still a work‑in‑progress) is a dance‑theatre vignette that layers voice‑over excerpts from Krasner’s and Pollock’s own words over sparse, gestural movement. The choreography leans on minimalism, allowing a single hand gesture or a tender head tilt to amplify the emotional weight of the text. The reviewer notes that the work aims to evolve into a full‑length production that charts Krasner’s entire career.Numbers on the Stage: Run Dates and Audience ReachVenue: The Mount Without, BristolRun until: 22 May 2026While ticket‑sale figures are not disclosed, the limited‑run schedule suggests a targeted, high‑impact engagement with regional audiences, positioning the piece as a test‑bed before a broader rollout.Reframing the Narrative of Female Artists in DanceThe review argues that Uncaged+ and Prophecy together challenge the traditional male‑centric mythos of abstract expressionism by foregrounding Krasner’s agency, creative labor, and the domestic constraints she navigated. By juxtaposing her story with Pollock’s larger‑scale myth, the production invites a re‑examination of how dance can reinterpret art‑historical narratives and give voice to previously marginalised figures.Future Prospects: From Sketch to Full‑Length ProductionCritic Roseanna Anderson expresses a strong desire to see the sketch mature into a full‑length work, noting that the current minimalism serves as a compelling proof‑of‑concept. If the piece secures further funding and audience interest, it could become a landmark dance‑theatre exploration of a female artist’s life, potentially touring beyond the UK and influencing future interdisciplinary collaborations.

Billy Joel Slams Unauthorized Biopic Over Life‑Rights DisputeBilly Joel publicly condemned the forthcoming film Billy & Me, describing the project as “legally and professionally misguided” after confirming that neither his life rights nor his music catalogue have been licensed to the producers.Legal and Creative Stakes Behind “Billy & Me”The film, announced on Tuesday, is intended to be told through the eyes of Joel’s first manager Irwin Mazur and will be directed by John Ottman, known for editing the Michael Jackson biopic Michael. However, the production does not hold:Joel’s life‑rights agreement, which protects against lawsuits.Licensing rights to any of Joel’s songs, a prerequisite for a music‑driven narrative.Joel’s representatives warned that the parties have been officially notified since 2021 that they lack these essential permissions.Financial Implications of Missing Music RightsSecuring rights to a major catalog like Joel’s typically involves:Up‑front licensing fees that can run into the low‑millions of dollars.Royalty splits on box‑office and streaming revenues.Potential penalties for unauthorized use, which can halt distribution.Without these agreements, the film faces significant budget overruns or the need to replace iconic songs with costly original compositions.Potential Ripple Effects on the Music‑Biopic LandscapeThis clash underscores a growing trend: artists demanding tighter control over how their stories and music are portrayed. Studios may now:Prioritize early negotiations for life‑rights before green‑lighting projects.Allocate larger portions of budgets to music licensing.Consider alternative storytelling approaches that avoid direct use of copyrighted songs.Failure to secure rights could set a precedent that discourages similar unauthorized biopics.What the Future Holds for the Joel Biopic ProjectIndustry observers anticipate three possible outcomes:Negotiations reopen, and the studio secures Joel’s approval and music rights, potentially reshaping the script.The project proceeds without Joel’s catalog, relying on original scores and limited references, which may dilute its commercial appeal.The film is shelved or re‑conceptualized, prompting producers to explore other phases of Joel’s career where rights are clearer.Until a resolution is reached, “Billy & Me” remains in limbo, serving as a cautionary tale for future music‑driven productions.