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The Escalation at Delaney Hall: Hunger Strikes and Police ClashesThe Delaney Hall detention facility has re-emerged as a critical flashpoint in President Donald Trump’s second-term immigration agenda. After reopening in February 2025, the center outside Newark, New Jersey, is now the epicenter of a volatile standoff involving detainees, protesters, and federal authorities. The immediate trigger for the unrest has been reports that detainees are staging a hunger strike, prompting local officials to demand answers.On Wednesday night, the situation turned physical as protesters attempted to block access to the facility. Demonstrators, some wearing gas masks, erected makeshift barriers and formed a human chain to prevent law enforcement entry. The Department of Homeland Security reported that six demonstrators were arrested for allegedly assaulting federal agents, a move the administration framed as a necessary response to criminal obstruction.The Human Cost and Political FalloutThe protests have exposed a widening rift between the federal government and local oversight bodies. New Jersey Governor Mikie Sherrill has been a vocal critic, stating that health authorities seeking to inspect the facility were denied full access. “Refusing to provide full access raises serious questions about what ICE is trying to hide from public view,” Sherrill said in a statement.Arrests and Charges: Six protesters were arrested for allegedly assaulting federal agents during the Wednesday night clash.Political Targeting: Mayor Ras Baraka was arrested last year for trespassing during a protest, while Congressmember LaMonica McIver faces assault charges she calls “purely political.”Detainee Conditions: Congressional inspections revealed moldy food and a lack of medical attention, with Representative Jerry Nadler describing the conditions as “dire.”The Erosion of Oversight and Private ContractingThe Delaney Hall crisis underscores the administration's strategy of bypassing local oversight through private contractors. The facility is run by the GEO Group under a contract with ICE, a model that allows the federal government to outsource detention operations while maintaining plausible deniability regarding conditions.Resistance to this model is intensifying. Not only are local officials like Sherrill and Baraka demanding closure, but members of Congress are also exercising their oversight duties despite being turned away at the gates. The administration's refusal to grant access to elected officials and health inspectors suggests a deliberate effort to conceal the realities of the detention network.A Flashpoint for the Second TermThe events at Delaney Hall are likely to become a recurring theme in the political landscape of the second term. With reports indicating that 50 immigrants have died in detention nationwide during this administration—the highest in at least two decades—the facility has become a symbol of the administration's hardline stance.As the hunger strike continues and legal battles over the facility's operation and the arrests of protesters unfold, Delaney Hall serves as a microcosm of the broader conflict over immigration policy. The clash between the administration's push for mass deportation and the constitutional rights of oversight and protest suggests that these flashpoints will continue to escalate in the coming months.

The Rise of Heated Rivalry: From Canadian TV to NYC StageWalking into the Culture Club in West Chelsea, New York, for a performance of Heated Rivalry: The Unauthorized Musical Parody last week, I was met by three ghosts left over from when the space was called the McKittrick hotel and it hosted the immersive spookfest, Sleep No More. The first was the phantom of clever detail: cans of Athletic IPAs for sale, a cute, non-alcoholic nod to the mega-popular series' hockey setting. The second was of unnerving fright, as I realized there would be no booze at this singing satire. Would I be able to make it through 90 minutes of jokes about an overexposed Canadian gay sports romance, with zero quality guarantee and an even lower blood alcohol concentration? At least at the downtown premiere of the popular parody Titanique, long before it proved itself worthy of a handful of Tony nominations, you could stand up and order a bucket of White Claws.But then the third specter materialized, the ghost of immersion and surrender, as this very funny production completely won me over. (I've since learned that a liquor license is forthcoming.) Heated Rivalry, for the uninitiated, is a television show adapted from a series of gay romance novels by Rachel Reid, a straight woman who unwittingly launched a thousand discussions about who gets to be horny over whom, how and when. Fans of the books petitioned for a wider release of the show produced for the Canadian streamer Crave, last November and, some six months later, its formerly unknown stars Connor Storrie and Hudson Williams are in easy contention for the most photographed people alive. Heated Rivalry: The Unauthorized Musical Parody is the latest addition to New York City's musical parody cottage industry, which has led me to a theater lobby where a woman in a branded hockey jersey is telling the stranger next to her that she's seen the series "probably not as many times as you think, but still a lot".The Unauthorized Musical: A Masterclass in ParodyThere was a communal giddiness as everyone filed into the unassuming performance space, where less than 200 folding chairs were arranged around a small stage. Super-fans were giddy that their dreams were coming true, and the more reserved types, perhaps blushing at what they deemed beneath them, were still clearly enjoying themselves. I liked the TV show just fine, a bit underwhelmed at what was broadly discussed as "softcore smut" but felt more in line with the twee "naughtiness" of the romance world. I had worried a musical parody put together in a few months would be a cash-grab; plain fan service for those who can't get enough of those six novels or episodes, not jabbing at the culture so much as stroking its ego. Impressively, as written by Dylan MarcAurele and directed by Alan Kliffer, it satisfies all three camps.Framing is everything, and this romp begins with a faux earnest number, à la Waitress, where three suburban Susans detail their newfound pastime: putting their husbands to bed with some iPad time, knocking back an "Ambien margarita" and reveling in their favorite televised "boy aquarium". From there, "Main Susan" (Ryann Redmond, glorious) recaps the years-long flirtation between the feuding players, innocent Japanese-Canadian "Shane Hollander" (Jimin Moon) and brusque Russian "Ilya Rozanov" (Jay Armstrong Johnson).The obligatory double entendres (a song titled Shane Hollander, Slap that Stick! or a line, by Shane's mom, about the "heavy load" her obviously gay son carries) are expertly delivered right between earnestness and tongue-in-cheek, but it's MarcAurele's ability to mock the story's sillier elements that clinched it for me. Shane, whose thumb-twiddling submissiveness often grated me in the TV show, is played by Moon as a dopey bottom with a hopeless romantic complex. What the series plays out as a forbidden romance writ epic across timelines and borders, MarcAurele presents as Shane's borderline delusion in dealing with an uncaring dom for years on end. "I keep replaying things he said," Shane beams after a hookup, "like, 'Ass up, little whore.'" The score's best number, certainly the one best primed for cabaret nights anywhere, is Liza Minnelli's Maybe This Time send-up where Shane croons, "This fuck felt different from the last fuck. This fuck, he asked if I would stay."If reading that inspires eyerolls – totally – Moon (and the rest of the cast, which includes Cherry Torres and Ryan Duncan) are so winning in their deliveries, so in on the joke without reducing their project into one, that it's impossible to resist. As the icy-hot Ilya, Johnson has the less showy role and plays it mostly straight, which makes his song about an outcast childhood made tragic by his impossibly "big ass, cold heart" that much funnier. And, well, let's face it: Johnson and Moon are sexy as hell, and charming to boot. Kliffer's inventive staging, with choreography by Brooke and Tiffany Engen on a resourceful set by Sully Ross, goes long on bunny-hopping glee.The Off-Broadway Parody Boom: A New RenaissanceThe Canadian Kliffer, previously artistic director of famed improv spots like Second City and Asylum NYC, where he helped launch Titanique's improbable boom, later told me that these parodies rarely come together with such speed, let alone quality. He'd loved MarcAurele's Pop Off, Michelangelo! in London and M3gan spoof stateside, and had just bought into Heated Rivalry, courtesy of its amorously optimistic fifth episode, when the writer texted him with the idea. The resulting work fits attractively between the out-and-out bawdiness of the Titanic send-up and the relentless Millennial nostalgia of Ginger Twinsies, which parodied the 90s Parent Trap remake last summer, and Kliffer notes that this very queer, very funny moment downtown – which also includes Cole Escola's Oh, Mary! – points to "a little bit of an Off-Broadway renaissance."This particular renaissance seems to be defined by parodies that are loving but not saccharine, willing to mock their source material while still celebrating what made it appealing in the first place. The success of these shows suggests a hunger for theater that doesn't take itself too seriously but still delivers genuine theatrical craft. In a city where Broadway ticket prices can be prohibitive, these intimate, affordable productions offer a different kind of theatrical experience – one that feels more accessible and immediate.Cultural Impact: Beyond the ParodyHeated Rivalry exists at the intersection of several cultural conversations. The original series, based on novels by Rachel Reid, sparked discussions about who gets to tell LGBTQ+ stories and how those stories should be represented. The parody doesn't shy away from these questions but instead uses humor to explore them. By exaggerating certain elements of the original series, the musical actually highlights what made it compelling in the first place.The show also represents the growing visibility of LGBTQ+ stories in mainstream entertainment. What began as niche content has become a cultural phenomenon, with the original series gaining international attention and its stars becoming unlikely celebrities. The musical parody capitalizes on this popularity while simultaneously commenting on it, creating a meta-narrative that appeals to both fans and newcomers.Moreover, the success of Heated Rivalry reflects a broader trend in entertainment where audiences are increasingly drawn to content that acknowledges and plays with its own artificiality. In an era of heightened awareness about media consumption, audiences seem to appreciate works that don't pretend to be anything other than what they are – crafted, performed, and enjoyed.The Future of Parody Theater: What's Next?As the Off-Broadway scene continues to evolve with these clever parodies, we can expect to see more adaptations of popular TV shows and movies hitting the small stage. The success of Heated Rivalry, following in the footsteps of Titanique and other parody hits, suggests that there's a sustainable market for this type of entertainment.What's particularly interesting is how these parodies are pushing the boundaries of traditional musical theater. They're more immediate, more self-aware, and more willing to break the fourth wall than many conventional productions. This approach seems to resonate with younger audiences who are accustomed to interactive media and meta-commentary.Looking ahead, we might see parodies of other recent cultural phenomena – perhaps streaming hits, viral social media trends, or even political events. The key to success, as demonstrated by Heated Rivalry, will be balancing genuine affection for the source material with sharp, intelligent humor that offers something new to the conversation.

Escalating Humanitarian Collapse in Seiyun’s IDP CampsDuring the early years of the Yemen war, food and shelter were relatively adequate for the 4.8 million internally displaced people (IDPs). Twelve years later, the combination of a collapsing rial, chronic funding cuts and relentless fighting has turned camps like Maryamah in Seiyun into “living in an oven” environments where families struggle to obtain a single daily meal.Stark Numbers Reveal a Deepening Crisis4,823 households (about 38,487 people) are currently sheltering in Seiyun alone.The United Nations estimates 377,000 direct and indirect deaths since the war began.Average summer temperatures reach 40 °C (104 °F) with frequent power cuts.Local wages have collapsed: a salary of 50,000 Yemeni riyal (~$33) is now typical for a health‑facility janitor.Pensions have slumped from $370 a month to roughly $85, barely covering basic needs.Economic Shockwaves Hit Displaced and Host CommunitiesAli Sagher Shareem, who trekked 1,000 km from Hodeidah, lives in a windowless shelter with his wife and three children, relying on sporadic casual work. His wife’s medical expenses are unaffordable, and the family often subsists on a single meal of flour or half a chicken.Mohammed Mohammed Yahya, an octogenarian from Hajjah, now sells timber cut from camp trees to buy a bag of tomatoes and yoghurt. Power outages render his fan useless, turning his cramped room into “hell” during heat waves.Local residents are feeling the squeeze too. Salah, a janitor, earns 50,000 riyal and struggles to feed four children, while Khaled Hassan, a retired teacher, sees his pension shrink from $370 to $85, forcing him to drive a tuk‑tuk all day for meagre earnings.Broader Implications for Yemen’s StabilityThe competition for scarce aid is eroding social cohesion. Host families, once able to share food, now view IDPs as competitors for limited assistance, heightening tensions that could fuel further unrest. With humanitarian funding dwindling and inflation spiralling, the risk of a wider socioeconomic breakdown grows, undermining any prospects for a political settlement.Outlook: Aid Gaps and Potential InterventionsWithout a substantial increase in international funding and a coordinated effort to stabilize the Yemeni rial, both displaced families and host communities will continue to face acute hunger and poverty. Targeted cash‑transfer programs, renewable energy solutions for power‑starved camps, and inclusive aid distribution that reaches both IDPs and vulnerable locals could mitigate the worst effects and preserve a fragile peace.

The Plight of Gaza's Children In a corridor inside Nasser Hospital, Iman Abu Jame sits beside her six-year-old son, Yasser, as she watches his frail body, exhausted by illness, and tries to make sense of what has happened to him. Yasser's skin is covered in angry rashes and burn-like wounds that doctors cannot explain. His body is frail from hunger. The Crisis in Gaza's Camps The family lives in a cramped tent in al-Mawasi, west of Khan Younis, an area full of fellow displaced people, which Iman describes as catastrophic. The heat is suffocating. Garbage piles up around the tents. Contaminated water is all many families can access. Insects and rodents crawl through overcrowded shelters where thousands of displaced people are packed together with no sanitation and little food. Malnutrition and Infections Before the war, Yasser was healthy, Iman says. Then came the hunger. Months of severe food shortages and soaring prices left the family unable to afford even basic meals. Malnutrition weakened his body first. Then came the infections. The Spread of Disease Medical teams from Medical Aid for Palestinians (MAP) say skin diseases are spreading at alarming rates among displaced families forced to live in overcrowded camps. According to Gaza's Ministry of Health, more than 17,000 ectoparasitic infections – caused by parasites living on or under a human's skin – were recorded in 2026 alone. The Impact on Children Among the 1,325 people diagnosed with skin diseases, more than 62 percent were children. Dr Rana Abu Jalal, who works at the clinic, says doctors are witnessing a 'sharp rise' in skin diseases, particularly scabies, with many cases progressing into severe infections and painful abscesses.

The Familiar FinalYou could be forgiven for having a sense of deja vu before a fourth Champions League final between the Spanish champions, Barcelona, and French champions, Lyonnes, on Saturday evening.The three-time champions and eight-time champions played each other in the final of Europe's premier competition three times in six years between 2019 and 2024, with Lyonnes earning a 4-1 win over the Catalan giants in 2019 and a 3-1 win in 2022 before Barcelona delivered a 2-0 defeat of the French side in 2024.However, predicting the outcome could not be harder and Barcelona's talismanic No 11, Alexia Putellas, said there is little that can be discerned from those previous meetings. "We can't compare seasons and we can't compare finals," said the two-time Ballon d'Or winner. "Our squad has evolved a lot, so previous finals don't have an influence on the final we are playing tomorrow."The Tactical Chess MatchA lot has changed. Most notably, Lyonnes are now managed by Jonatan Giráldez, who was a coach at Barcelona as they claimed their maiden UWCL title and at the helm for their second and third. Few managers are better equipped to return Lyonnes to the top of European football after a three-year hiatus than the man who understands the way Barça work and exactly how they ended the domination of the French side.As a result, the tactical approach of those on the sidelines is perhaps the most interesting piece of the puzzle in Oslo's Ullevaal Stadion.Giráldez said of Barça's development since he left: "They have some different players but their identity remains the same; this will to dominate and apply pressure. Not thinking about the result as much as about the show and the performance, that's their identity. I feel privileged to face Barcelona as I'm grateful for the experience I had there and I wish them the best – except when we have to win!"Master and ApprenticeOne of Giráldez's two assistants, Pere Romeu, replaced him when he departed for Washington Spirit in June 2024. "We are the two teams that have done the most in this competition to reach the final in recent years," said Romeu. "Tomorrow is going to be a very demanding match. Tomorrow is going to be a match with a lot of quality from both teams. Tomorrow is going to be a match that, as in all finals, is going to be decided by small details. We are going to try to take care of and control it to the maximum."The 32-year-old Barcelona manager won a domestic treble in his first season in charge, but fell short in the Champions League final last season as Arsenal delivered a shock defeat."I see a team that is more mature than last season," said Romeu. "I see a team with greater capacity to change things during the game than last season and I think we have reached a good point."Putellas described Romeu as a "complete coach", before the showdown on Saturday. "We've been working together for several seasons now and he has always tried to help me evolve as a player, which I'm very grateful for," she said. "He's the most complete coach. This season I've tried to do the best I possibly can without forgetting my own qualities in order to help the team."Romeu is relishing the master-apprentice battle in such a significant game. "I, as a coach, am super-excited to be able to face this match against a former coach of the club in Jonatan," he said. "I'm sure we'll both do everything we can to keep our teams' identities and keep doing the best we can to win."Dominate DomesticallyBarcelona secured another domestic treble on Saturday with a 3-1 Copa de la Reina final win over Atlético Madrid in their final game before travelling to Norway. Meanwhile, Lyonnes are one game away from their own domestic treble, having dispatched Nantes with an emphatic 8-0 win in the semi-final of the Premiere Ligue play-offs, with the final between the holders and Paris FC, taking place next Friday.The Lyonnes midfielder Lily Yohannes told Uefa that the club "just have so much hunger in us," after their three-year European dry spell. "We have so much fight. No matter what happens, we stick together, we rise above the challenges, and we just have such a winning mentality in the group."The 35-year-old centre-back Wendie Renard, who has been involved in each of the club's record eight Champions League wins, similarly spoke about a togetherness and desire in the team after a disappointing European run last season."If I had to sum up our journey this season: dedication," she told Uefa. "A Champions League campaign never comes easy, from one game to another. We've also had doubts and fears at times, but the squad has remained strong, and we've kept focusing on work and humility and performed well together."The Midfield BattleThe midfield battle will be key, with the impact of Melchie Dumornay, who was the difference maker in their semi-final fightback against Arsenal, critical for Lyonnes and Barcelona unsure of the readiness of the three-time Ballon d'Or winner Aitana Bonmatí, who is "feeling better every day", according to Romeu, but has not played 90 minutes for the team since November and only played 18 minutes of the Copa de la Reina final.Contrasting StylesThe Champions League final will ultimately be a contest between two different ways of playing, Barcelona's slick tiki-taka football and the more aggressive way Lyonnes play. Both cannot dominate possession in this game, one will have to cede it and find a different way to win. That is what makes it an enthralling fixture.

Lead: A Bold Fusion of Realism and HorrorClaire Fuller returns with Hunger and Thirst, a novel that fuses the gritty texture of social realism with the unsettling atmosphere of gothic horror. Set in 1987, the story follows Ursula, a young woman haunted by the deaths of her mother and a later, more sinister companion, while the narrative oscillates between documentary‑style observation and nightmarish spectacle.Fuller Blends Social Realism with Gothic Horror in 'Hunger and Thirst'The novel opens with Ursula’s traumatic childhood—spending two days trapped in a Moroccan bathroom by her mother’s corpse after a dengue fever death. By sixteen, she drifts through seven children’s homes before landing a postroom job at Winchester School of Art, where she meets the volatile Sue and her boyfriend Vince. Their obsession with horror films like The Shining and The Stepford Wives steers the plot toward a derelict house, the Underwood, where a seance and a reenactment of a past murder blur the line between art and atrocity. Fuller’s prose captures the “porousness” of identity, as characters literally and figuratively inhabit each other’s bodies.Publication Details and PricingPublisher: Fig TreeRelease price: £18.99Publication year: 2026Previous award: Fuller’s 2021 Costa‑winning Unsettled GroundSocial Critique of Thatcher‑Era Care System Through HorrorThe novel uses its horror framework to expose the under‑resourced British care system of the 1980s, a period when Thatcher’s government prioritized nuclear families over community support. Ursula’s movement between children’s homes and a “halfway house” populated by addicts and ex‑prisoners illustrates the systemic neglect that left many youths adrift. By juxtaposing this social critique with visceral horror, Fuller argues that the genre can convey truths about societal failure more starkly than conventional realism.Potential Legacy and Reader ReceptionFuller’s “outrageous aesthetic gamble” may set a new benchmark for literary horror that does not sacrifice social urgency. If readers and critics embrace the novel’s dual narrative—documentary‑style observation paired with gothic terror—it could inspire a wave of fiction that treats horror as a vehicle for political commentary. The book’s blend of “intense feeling” and “intimate portrayal” positions it as a contender for future literary awards and a touchstone for authors exploring the intersection of genre and social critique.

The Lead A video posted by Israel's far-right National Security Minister Itamar Ben-Gvir, in which he is seen taunting abducted flotilla activists who sought to break the siege on Gaza, has triggered a backlash and dealt a huge blow to Israel's multimillion-dollar public relations campaign, known as 'Hasbara'. The Event Details The footage, posted on the social media platform X, showed Ben-Gvir gloating as activists from the Global Sumud Flotilla knelt on the floor, blindfolded, with their hands bound at the Port of Ashdod. Israeli naval forces had intercepted the flotilla's vessels in international waters off the coast of Cyprus, illegally abducting 430 participants. Among them, at least 87 have launched a hunger strike in solidarity with the more than 9,500 Palestinian prisoners held in Israeli jails. The Diplomatic Fallout The images of activists being dragged across the floor prompted several countries – including Italy, France, the Netherlands, Canada, and Spain – to summon Israeli ambassadors, condemning the 'unacceptable' treatment and violation of human dignity. The Collapse of the 'Hasbara' Illusion Experts argue that the frantic damage control by Israeli officials, including Prime Minister Benjamin Netanyahu, who ordered the rapid deportation of the activists, stems not from moral outrage over the abuses, but from the catastrophic damage done to Israel's global image. For decades, Israel has relied on 'Hasbara' – a Hebrew term translating to 'explanation' – a propaganda campaign to justify its policies and military actions against Palestinians to the international community. US Double Standards and 'Pro-Terror' Sanctions The diplomatic fallout also laid bare the glaring contradictions in United States policy. Following the video's release, US ambassador to Israel Mike Huckabee criticised Ben-Gvir, stating the minister had 'betrayed the dignity of his nation'. However, critics were quick to point out that Huckabee's condemnation rang hollow, as it focused entirely on the indignity of the broadcast rather than the human rights violations committed. A Microcosm of Palestinian Suffering For Palestinians, the humiliation endured by the European and international activists is merely a glimpse into a much darker, systemic reality. Mustafa Barghouti, secretary-general of the Palestinian National Initiative, said the bound and blindfolded activists represent a 'microcosm' of what Palestinian prisoners endure daily. The Hammer and the Flotillas Despite the military interceptions and the US sanctions, activists and analysts agree that the flotilla campaigns, which began in 2009 in response to Israeli land, sea and air blockades, have succeeded in exposing the limits of Israeli force.

The Abduction and Hunger Strike At least 87 people abducted by Israeli forces from an aid flotilla bound for Gaza have begun a hunger strike, organisers say, after Israeli forces intercepted the last remaining vessel in international waters. The Flotilla's Mission and Israeli Interception The group is striking “in protest of their illegal abduction and in solidarity with the over 9,500 Palestinian hostages held in Israeli dungeons”, the Global Sumud Flotilla wrote on X on Wednesday. Late on Tuesday evening, Israeli forces “kidnapped” six people on board the Lina al-Nabulsi boat, organisers said. The boat was the last in a group of more than 50 vessels that left Turkiye’s port city of Marmaris last week to sail towards Gaza, with the goal of breaking Israel’s blockade of the Gaza Strip. International Reactions and Condemnations Countries including Turkiye, Spain, Jordan, Pakistan, Bangladesh, Brazil, Indonesia, Colombia, Libya, and the Maldives denounced the Israeli interceptions as “blatant violations of international law and international humanitarian law”. The United States, however, imposed sanctions on four activists for their involvement in flotillas that have tried to reach Gaza, claiming without evidence that the organisers were acting “in support of Hamas”. The Detainees and Their Nationalities The detainees included nine Indonesian citizens, a spokesperson for Indonesia’s foreign ministry said Wednesday. Indonesia called for the immediate release of all vessels and said that “every diplomatic channel and consular measure will continue to be fully utilised”. Some 15 Irish citizens, including Margaret Connolly, a doctor and the sister of Irish President Catherine Connolly, were among those being held. Previous Flotilla Actions and Hunger Strikes Some previous flotilla participants have refused food upon being detained by Israel. Pro-Palestine activists jailed in the UK also participated in a high-profile, months-long hunger strike that began last year and led to severe health effects.

The Journey to IstanbulAs Aston Villa arrived at Besiktas Park on the banks of the Bosphorus for their final training session before the Europa League final, the remarkable journey from the Championship to this moment was impossible to ignore. John McGinn, who will lead Villa out as captain in Istanbul, was part of the side promoted from the Championship via the playoff final seven years ago. Tyrone Mings also started that day at Wembley, and across the following 12 months, Villa built a spine that would be central to their hopes of winning their first major European trophy since 1982.McGinn reflected on a 3-0 league defeat at Wigan and a midweek trip to Rotherham in the season they clinched promotion, averting a likely financial disaster. "If we lose that match, are Aston Villa here at the minute?" McGinn asks. "Probably not. For us, tomorrow night, it will be nice to see the supporters who were there at Rotherham away, Wigan away, nights like that on a Tuesday evening when it's very easy to stay at home. They deserve it just as much as the players do and hopefully we can give them something to remember."The Core That Built European SuccessThe foundation of this Villa side was built through careful recruitment. Ezri Konsa, a beacon of consistency who was labeled a "Rolls-Royce" by Prince William (who is expected to attend the final as an avid Villa supporter), joined in the months after they returned to the Premier League. Emiliano Martínez, Ollie Watkins and Matty Cash arrived the following summer. Together, this core of players have reached the Europa Conference League semi-finals, the Champions League quarter-finals and a FA Cup semi-final."We've been together for so many years, played so many games together, going from mid-table to the European places, semi-finals and now we're in the final," says Martínez. "I think we deserve it. I think the fans deserve it. And obviously the manager has had five finals and you wouldn't want anyone else on the bench leading us in a European final."The Hunger for Trophy SuccessMcGinn has spoken about shedding the tag of "nearly men" and Martínez acknowledges it would be "massive" to get over the line against Freiburg. Martínez likens trying to feed Villa's hunger for a first trophy since the League Cup in 1996 to his first Copa América with Argentina in 2021."I went into my first Copa América without seeing Argentina win a trophy," says the World Cup winner. "I was 27, 28 years old and this is the same. In Birmingham the Villa fans always say: 'I've never seen Villa in a European final, I've never seen Villa lifting a trophy.' So it's that same mindset as I went into my first Copa América, with that anger, belief and confidence I can do it. I believe in my team and myself."The Emery FactorMartínez was speaking publicly for the first time since attempting to leave the club last summer. It was this time last season he cried as he left Villa Park, presuming it would be for the last time. "We are in a European final, in the Champions League again with all the circumstances and the ups and downs, and with the budget we had this year, we were among the lowest spenders in the Premier League," says Martínez. "Sometimes football can change … when we stick together and fight together we can beat anybody. I am really proud to stay – I made the right choice."Villa yearn for a trophy and, as Martínez says, the consensus is that in Emery they have something of a superpower. Thomas Tuchel's comments in the buildup to Chelsea's Super Cup victory over Emery's Villarreal in 2021 spring to mind. "They can call the [Europa League] trophy the Unai Emery trophy soon," said the now England manager."I am not a king in this competition," says the Basque. "I am now here with Aston Villa in a new chapter. And everything I did is done – of course it's there in that moment but with it I am not winning tomorrow. I need to win with the players we have now, with Villa now. It's a new way, a new moment and, hopefully, a new era."The Final ChallengeVilla, who could welcome back Amadou Onana from a calf injury after he trained with his teammates on Tuesday, are heavy favourites to beat a Freiburg side seventh in the Bundesliga. McGinn and Emery recognise as much, both reading from the same hymn sheet. McGinn talks of treating Freiburg with the respect they deserve, Emery of a tricky task."Tomorrow we have a huge challenge," Villa's manager says. "Are we thinking about the next party on Friday? No, no, no."