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More than a quarter of British musicians have lost all their EU work since 2021, according to new research by the European Movement UK. This decline signals a critical turning point for the UK's creative economy, where the post-Brexit regulatory landscape has fundamentally altered the feasibility of cross-border touring. The New Bureaucratic Walls of European Touring The primary driver of this crisis is the introduction of complex visa regimes and work permit requirements that differ across EU member states. Musicians now face the Schengen 90-days-in-180 rule, which severely limits the duration of work across the bloc. Additionally, the cost of logistics has skyrocketed; temporary admission (ATA) carnets now cost over £400, and security deposits can reach 40% of equipment value, making extended tours financially impossible for smaller acts. The Financial Fallout: A 45% Earnings Decline The economic impact is stark. The report indicates that average tour earnings have fallen by 45%, with 59% of musicians deeming touring in Europe no longer viable. This represents a massive contraction in revenue streams for a sector that contributed £8bn to the UK economy in 2024, including nearly £5bn in exports. Disruption Across the Creative Supply Chain The repercussions extend beyond individual artists to venues and producers. Mig Schallache, owner of The Louisiana in Bristol, notes that fewer European artists are visiting the UK, creating a void that UK artists cannot fill. This "supply chain" disruption leads to cancelled tours, reduced exports, and weakened collaboration, ultimately depriving audiences of diverse cultural experiences. The Long-Term Risk to UK Cultural Soft Power The loss of Creative Europe funding, which previously invested €111m in UK organizations between 2014 and 2020, further exacerbates the issue. Without addressing these mobility barriers, the UK risks not only economic loss but also a diminished cultural footprint on the continent, threatening the soft power that the music industry traditionally provides.

The Life and Legacy of Kanya King Kanya King, the entrepreneur and tireless champion of Black British music who founded the Mobo awards, has died aged 57 from colon cancer. The Battle with Illness The news was announced by the Mobo Organisation, who said she died on Wednesday “after a courageous and characteristically determined battle” with her illness. Tribute to a Fearless Champion “The music world has lost one of its most fearless champions,” the statement continues. “What Kanya created was never simply an awards ceremony. It was an act of cultural justice. Mobo did not just celebrate Black music; it legitimised it, amplified it, and demonstrated its commercial and creative power to a world that had too often chosen not to see it.” Early Life and Career Born to a Ghanaian father and Irish mother in Kilburn, north London, King was working as a TV researcher when she set about filling a gap in the marketplace: an awards ceremony that would celebrate the Black British musicians who were sometimes overlooked by other industry events. The Birth of Mobo She remortgaged her house to raise the money for the first Mobo awards, held in 1996, eventually turning it into an arena-filling event that has celebrated artists such as Stormzy, Dave and Olivia Dean in recent years.

The Punk Revolution That Changed Music ForeverFifty years ago this week, the Sex Pistols played their first Manchester gig at the city's Lesser Free Trade Hall. This relatively small event, attended by only a few dozen people, marked the beginning of a summer that would forever change British rock music. By the end of 1976, the music landscape had been completely transformed with the live debuts of the Clash, the Damned, and Buzzcocks, the arrival of fanzine Sniffin' Glue, and the first British gig by the Ramones. This punk explosion would ultimately obliterate everything that came immediately before it from the collective memory.The Forgotten Music Landscape of Pre-Punk BritainThe musical world that punk entered into has been largely forgotten in the shadow of its revolutionary impact. Reading the weekly music papers from 1976 reveals a deeply different landscape than what we imagine today. While familiar names like Elton John, Paul McCartney, Queen, the Who, and the Rolling Stones dominated, they were discussed in terms that now seem alien. An NME cover asked "Is Your Fave Rave Rock Star Old Enough To Be Your Father?" beneath the headline "All The People On This Page Will Be 30 Or Over During The Next Year - How Will They Live With It?" - a question that seems quaint given these artists' continued relevance decades later.The Economics of a Pre-Punk Music IndustryThe financial aspects of the pre-punk music industry present striking contrasts to today's market. The Rolling Stones' spring tour tickets that caused public hand-wringing in 1976 cost £3, equivalent to approximately £30 in today's money. This stands in stark contrast to the Stones' 2022 Hyde Park performance, where getting close to the stage would have cost £186. The industry was also experiencing different economic pressures, with Bruce Springsteen's UK promotion attempts being dismissed as "desperate hype around underwhelming music," while Nils Lofgren was being hyped as "one of the biggest stars in the world" based on his second solo album.The Cultural Shift That Punk RepresentedPunk's emergence represented a profound cultural shift in music and society. The movement wasn't just musical but ideological, challenging the perceived irrelevance of mainstream rock. As Mick Farren wrote in NME, rock had "lost its guts" and was "on an unalterable course to a neo-Las Vegas" because artists were "totally insulated from the real world." Punk's raw energy, DIY ethos, and anti-establishment stance provided a direct counterpoint to this perceived artistic complacency. The movement's impact extended beyond music, influencing fashion, politics, and youth culture in ways that continue to resonate.The Legacy of Punk and Its Forgotten VictimsAs we look back on punk's legacy, it's important to acknowledge the artists and bands who were effectively erased by its meteoric rise. The music press of 1976 was filled with names now largely forgotten: the Jess Roden Band, Nasty Pop, the Cate Brothers, and Elephunt. There was also a peculiar vogue for bands mixing music and comedy, such as Alberto y Lost Trios Paranoias and Supercharge, who apparently reduced audiences to stitches with their impersonations of popular acts. These artists and countless others represent the rich, diverse musical ecosystem that punk's revolution temporarily obscured, though some have since been rediscovered by music historians and crate diggers.

Breathing Earth's Ancient PastMore than 2bn years ago, during the Paleoproterozoic era, the Earth's atmosphere began to fill with free oxygen, enabling the rise of aerobic life and, ultimately, humans. This Great Oxidation Event is now being experienced firsthand by visitors to the Museum of Old and New Art (Mona) in Tasmania, where French-Swiss conceptual artist Julian Charrière has created an extraordinary installation that allows people to inhale oxygen that has been trapped in iron ore since that ancient time.When Charrière came up with the concept for what would become 'Breathe,' Mona's owner David Walsh not only approved the project but created a bespoke space for it, recognizing the unique intersection of science, art, and human experience that the installation represents.The Science Behind the Ancient OxygenThe installation is a marvel of scientific ingenuity and artistic vision. Charrière has sourced ancient iron ore from Australia's Pilbara region, which is processed daily in an on-site laboratory. The water is extracted from the ore using specialized machinery, then put through a Hofmann apparatus—a piece of scientific equipment that electrolyzes water—to liberate the trapped oxygen molecules.This pure, ancient oxygen is then released into a specially designed room where visitors can breathe it in, creating a direct connection to the beginning of life on Earth. As Charrière explains: 'I want people to get all the way back to the beginning of the earth. It's like a time machine.' The installation is designed as a solitary experience, with visitors accessing a vault-like corridor reminiscent of a mining drift, flanked by raw sandstone and lined with deep red rocks from the Pilbara.The Immense Timescale of the InstallationThe timescale involved in 'Breathe' is almost incomprehensible. The oxygen visitors inhale has been trapped in iron ore for over 2.4 billion years—since the Great Oxidation Event that transformed Earth's atmosphere and enabled the development of complex life forms. This installation literally connects each visitor to the primordial beginnings of our planet's atmosphere.As visitors walk through the tunnel, the temperature drops as they approach a high-ceilinged cylindrical room, an underground windowless tower where lighting depends on the amount of sun that can be reflected through a small opening above. Walking over tiles made of polished ancient tiger ore, they circle a floor-to-ceiling clear glass tube that houses the Hofmann apparatus. It is here, at a small opening, that visitors have their closest access to Charrière's pure, ancient oxygen.Redefining the Art-Science Experience'Breathe' represents a groundbreaking fusion of scientific methodology and artistic expression, challenging traditional boundaries between disciplines. The installation creates a profound personal experience that connects visitors not just to art, but to the very essence of life on Earth.What makes this installation particularly powerful is its claim that each visitor is the first human being to ever inhale that specific oxygen. As Charrière explains: 'You are breathing something which is so pure and has not been touched by any being before you... And the beauty of the piece is you will carry it until you die. You're going to become a small part of this installation and you become a big part of the great oxygen cycle, and you will only finally free this oxygen once... once you're going in the other world.'This installation is part of a broader trend in contemporary art that incorporates scientific processes and concepts, creating works that are both intellectually stimulating and viscerally impactful.The Future of Scientific Art Installations'Breathe' is opening alongside Charrière's major new exhibition 'Hard Core,' which showcases both the ambition and scientific curiosity of the Berlin-based artist. Individual elements of 'Hard Core' have been exhibited elsewhere in the world, including at the Venice Biennale, but the full exhibition finds its perfect home at Mona, with its exposed rock, industrial aesthetic, and fusion of science with art.As museums and galleries continue to seek innovative ways to engage audiences, installations like 'Breathe' point to a future where art and science are not just displayed together but are fundamentally intertwined in the creative process. This approach has the potential to create more immersive, educational, and thought-provoking experiences that challenge visitors to see the world—and their place in it—in new ways.Charrière's work demonstrates how art can make abstract scientific concepts tangible and personal, creating connections across vast stretches of time and space. As our understanding of the universe expands, art installations like 'Breathe' will play an increasingly important role in helping us process and relate to these profound concepts.

The Lead: Knicks' Historic Finals Return Echoes Inside Rikers IslandOn 3 June 2026, as the New York Knicks stepped onto the court for Game 1 of the NBA Finals, a group of roughly 30 men in tan uniforms settled into the common area of the George R. Vierno Center on Rikers Island to watch the same broadcast that was filling bars, living rooms, and streets across the five boroughs.Inside the George R. Vierno Center: A Prison “Honors House” Turns Into a Fan ZoneThe inmates gathered around a folding table piled with snacks, dragged plastic chairs closer to the flat‑screen televisions, and settled into a space that also houses classrooms, a recording studio, and a barbershop. The area, described by correction officials as an “honors house,” is reserved for those who have gone at least 120 days without violence or disciplinary incidents and have shown a sustained commitment to rehabilitation programs.Numbers That Frame the Moment: Capacity, Time Since Last Finals, and Inmate Eligibility850‑bed jail complex, one of eight active facilities on Rikers Island.Approximately 30 inmates watching the game.The Knicks’ first NBA Finals appearance since 1999, ending a 27‑year drought.Inmates qualify for the “honors house” after 120 days of good behavior; many have gone six months or longer without an infraction.Why This Matters: Sports Unity Extends Into New York’s Most Isolated InstitutionThe event turned a notoriously hidden correctional facility into a participant in a city‑wide civic ritual. Inmates like Luis Guzman, a 43‑year‑old from the Bronx, voiced the same optimism and rivalry heard on the streets, illustrating how sports can foster a sense of community and shared identity even behind razor‑wire fences.Looking Ahead: What the Knicks’ Success Could Mean for Incarcerated CommunitiesIf the Knicks capture the title, the moment may reinforce the value of “honors house” programs that reward good behavior with privileges such as extended lock‑in times and communal activities. The shared experience could encourage correctional authorities to expand similar initiatives, using major cultural events to boost morale and support rehabilitation efforts.

The World Cup 2026 Wallchart The Guardian has released a printable wallchart for the 2026 World Cup, which will feature 48 teams competing across the USA, Mexico, and Canada. How to Use the Wallchart Users can print out and fill in the wallchart to follow the tournament. World Cup 2026 Details 48 teams will participate in the tournament. The tournament will be hosted across the USA, Mexico, and Canada. Additional Resources For more information and coverage, visit The Guardian's World Cup 2026 section.

The New Zealand national football team, the All Whites, have secured a place at the 2026 World Cup in the United States, Canada and Mexico. Ranked 85th, they face a daunting Group G line‑up of Belgium, Egypt and Iran, but a professional‑era squad and a seasoned coach give them a realistic shot at reaching the knockout stage for the first time. All Whites' Road to the 2026 World Cup After winning Oceania’s sole qualifying spot, New Zealand entered the tournament with a markedly different profile from the part‑time side that appeared in South Africa 2010. Coach Darren Bazeley emphasises possession‑based football, a style that served them well in qualifiers but will be tested against higher‑rated opponents. Group G fixtures: 15 June vs Iran (Los Angeles), 21 June vs Egypt (Vancouver), 26 June vs Belgium (Vancouver). Recent warm‑up results: 2‑0 loss to Finland, 4‑1 victory over Chile – the latter marking New Zealand’s first win against a South American nation. Key squad notes: Chris Wood (captain, 89 caps, 45 goals) returning from a serious knee injury; Eli Just (26‑year‑old attacking midfielder) highlighted as a breakout talent. Key Numbers Shaping New Zealand's Chances FIFA ranking: New Zealand 85th – the lowest among qualifiers. Opponents' rankings: Belgium 9th, Egypt 29th, Iran 21st. Recent form: 10 friendlies since qualification – 1 draw, 7 losses, 2 wins (including the Chile win). Defensive record in OFC qualifiers: 14 wins, 1 draw, 4 goals conceded, 64 goals scored. Chris Wood: 45 international goals; his fitness is a decisive factor according to commentator Paul Ifill. What Qualification Means for New Zealand Football Qualifying for a third World Cup marks the culmination of a decade‑long professionalisation drive. The tournament offers a platform to showcase the growing depth of New Zealand talent, attract higher‑profile overseas contracts, and inspire grassroots participation across the country. Success would also narrow the historic gap between New Zealand and other Oceania nations, reinforcing the All Whites as the region’s benchmark. Projected Path Through Group G and Beyond Analysts suggest that a disciplined defensive setup combined with swift counter‑attacks could earn New Zealand a point against Iran and a potential upset versus Egypt. A win or draw against Belgium appears unlikely, but a narrow loss would still leave the team in contention for a third‑place finish and a possible advancement on goal difference. Best‑case scenario: 1 win (vs Iran), 1 draw (vs Egypt), finish 3rd, advance on goal difference. Most‑likely scenario: 1 point (draw vs Iran), finish 4th, exit at group stage. Key variables: Wood’s fitness, midfield cohesion (Joe Bell, Eli Just), and Bazeley’s tactical flexibility. Regardless of the outcome, the All Whites’ participation will be a milestone for New Zealand football, offering valuable experience that could fuel future World Cup cycles.

The US Stance on Bolivia Protests The administration of United States President Donald Trump has issued a statement appearing to characterise the anti-government protests in Bolivia as an attempted coup against the country’s right-wing president. On Thursday, US Secretary of Defence Pete Hegseth posted on social media that the US military establishment would “reject all attempts to overthrow the legitimate government” of Bolivian President Rodrigo Paz. The Protests in Bolivia Since May, protesters have filled streets across Bolivia, blockading roadways and clashing with law enforcement. Some demonstrators have called for Paz’s resignation, citing popular discontent, though officials in his administration have rejected the possibility outright. Facing public unrest, Paz has reshuffled his cabinet and pledged to take a 50-percent pay cut. The US Involvement in Latin America The Trump administration has encouraged Latin American governments to take more hardline measures to confront drug trafficking. The administration has also designated multiple criminal networks in Latin America as “terrorist” organisations. Earlier this year, Trump established a security initiative called the Americas Counter Cartel Coalition (A3C), under the umbrella of the Shield of the Americas, to bring together right-wing governments from across the region to collaborate on issues like crime and security. The Future Outlook The situation in Bolivia remains uncertain, with protests continuing to grind on. The Trump administration's support for Paz's government may escalate tensions in the region, and it remains to be seen how the situation will unfold.

The Rise of Cosmetic Surgery in Hollywood A growing trend in Hollywood has actors opting for cosmetic surgeries, particularly Botox and dermal fillers, to achieve a more youthful and polished appearance. This has led to a noticeable change in the way actors perform on screen, with many displaying restricted facial expressions. The Impact on Acting The increased use of cosmetic surgeries has raised concerns about the impact on the craft of acting. Dr. David A. Colbert, a New York dermatologist, notes that "it's almost become standard that the face doesn't move as much as it used to." This lack of facial dexterity can limit an actor's ability to convey emotion and express themselves authentically on screen. The Pressure to Conform to Beauty Standards The pressure to conform to unrealistic beauty standards is intense in Hollywood, with many actors feeling compelled to undergo cosmetic surgeries to remain competitive. This has led to a culture where actors are expected to look ageless and flawless, rather than authentic and expressive. The Intersection of Technology and Beauty Standards The rise of high-definition cameras and social media has further fueled the demand for cosmetic surgeries. Dr. Anthony Brissett, a Houston-based cosmetic surgeon, notes that "there are things that actors and actresses will share with me that bother them" about their appearances, and that modern technology has increased the scrutiny they face. The Future of Acting and Beauty Standards As the film industry continues to evolve, it remains to be seen how the trend of cosmetic surgeries will impact the craft of acting. While some actors, like Kate Hudson, have spoken out against the use of Botox and fillers, others have embraced these procedures as a necessary part of their career. Ultimately, the tension between beauty standards and artistic expression will continue to shape the conversation around cosmetic surgeries in Hollywood.