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The EU Sanctions and Settler Leaders’ Defiant ResponseWhen the European Union announced a new tranche of sanctions targeting Israeli settler organisations and their leaders, the reaction was unexpectedly celebratory. Regavim, co‑founded by Finance Minister Bezalel Smotrich, and activist Daniella Weiss of the Nachala movement both dismissed the penalties as a “badge of honour” and “ridiculous”. Their statements signal a broader refusal to be swayed by diplomatic pressure.Sanctioned Entities and the Scope of EU MeasuresThe EU’s package targeted:Regavim – a settler‑rights NGO linked to Bezalel SmotrichNachala – led by Daniella Weiss, known for border‑area conferences on settlement expansionAmana – a cooperative that finances West Bank settlementsMeir Deutsch – director of RegavimIn total, four entities and three individuals were listed. The sanctions complement earlier actions by the United Kingdom, Canada and other allies that targeted Smotrich for alleged support of violence in the West Bank.Casualties and Displacement Figures Since October 2023Human‑rights monitors have documented a sharp rise in settler‑related violence after the October 2023 Hamas attack. Reported figures include:1,168 Palestinians killed in the occupied West Bank12,666 injured33,000 displacedNearly 23,000 Palestinians detained, many without chargeThese statistics illustrate the human cost accompanying the settlement push.Implications for the Israeli‑Palestinian Conflict and International PressureAnalysts argue that the EU’s “toothless” sanctions may inadvertently grant domestic prestige to hard‑line settlers. The lack of tangible repercussions—settlers rarely travel to Europe and thus feel little personal impact—means the measures are unlikely to curb expansion or hold perpetrators accountable. The article notes a “closed loop” of entitlement, where settler ideology, state support, and military backing reinforce each other, sustaining a climate of impunity.Outlook: Prospects for Settlement Expansion and Diplomatic LeverageGiven the settlers’ defiant stance and the Israeli government’s ongoing endorsement—exemplified by plans for the E1 corridor linking East Jerusalem to Maale Adumim—future settlement growth appears probable. Without stronger, enforceable international actions, the EU sanctions risk remaining symbolic. Observers warn that continued violence and displacement will likely persist, further complicating any diplomatic pathway toward a two‑state solution.

The Rise of Middle-earth: Tolkien's Triumph Over Literary ClassicsIn a remarkable shift from established literary canon, JRR Tolkien's The Lord of the Rings has topped The Guardian's readers' poll of the 100 greatest novels published in English, displacing George Eliot's Middlemarch from its previous position. The trilogy, which didn't even feature when authors, critics and academics made their selection, has resonated deeply with readers across the globe, from Uruguay to the Isle of Skye, Albuquerque to Sydney.The Enduring Appeal of Epic FantasyThe Lord of the Rings' victory speaks to its unique ability to connect with readers on a fundamental level. As one Alabama voter noted, the novel contains "profound meaning about the importance of life, sacrifice, the natural world, corruption of power, the evils of war, generosity of spirit." Its influence extends across generations and cultures, with readers from various backgrounds citing its immersive world-building, complex themes, and emotional resonance as reasons for its enduring popularity.The novel's journey to the top is particularly noteworthy given its unconventional publication history. Originally conceived as a single work but published as a trilogy after negotiations between Tolkien and his publisher, the series has transcended its format to become a cultural touchstone. Readers have been drawn to its blend of ancient mythological elements with modern storytelling techniques, creating what one voter described as a world that "still persists in my memory."Notable Shifts in Literary RankingsReaders exercised their power to significantly reshape the literary landscape compared to the previous critics' list. Joseph Heller's Catch-22, which "just squeaked into the first list," has now jumped to the eighth position, ranked higher than established classics like Ulysses, Anna Karenina, and The Great Gatsby. Similarly, David Foster Wallace's Infinite Jest, absent from the original list, now sits in 31st position, sharing its ranking with The Master and Margarita, The Poisonwood Bible, and The Remains of the Day.The list also reveals interesting patterns in reader preferences compared to critics. While Victorian literature maintains a strong presence, with Middlemarch's "consistent showing" and other works by Eliot, Dickens, and Hardy, readers have elevated contemporary works that critics may have overlooked. The enduring popularity of Jane Austen, readers' most nominated writer overall, demonstrates the continued relevance of classic literature in modern reading culture.The Absence of Literary Giants and Changing TastesStaggeringly, the list shows no recognition for work by several male titans of recent American literature—no Bellow, no Roth, no Updike, no DeLillo. This absence highlights the "waxing and waning of reputation" and the "speed with which literary fashion forms and reforms." Similarly, some English novelists who were once central to cultural life—no Iris Murdoch, or CP Snow, or Angus Wilson—failed to make the cut.The list also reveals a notable absence of lighter, humorous works. While Terry Pratchett and Douglas Adams secured places with their respective series, other comedic authors like PG Wodehouse, Nancy Mitford, and Jerome K Jerome were overlooked. This raises questions about how "best" often equates to "serious" or "weighty" literature in critical assessments, despite the inherent value of humor in storytelling.The Future of Literary Canons and Reader InfluenceThis readers' poll demonstrates the power of audience participation in shaping cultural narratives. Unlike previous lists compiled by critics and academics, this one reflects the genuine preferences of a diverse readership, leading to a more eclectic and contemporary selection of works. The inclusion of newer entries like John Kennedy Toole's A Confederacy of Dunces—published posthumously and now sharing the 32nd position—suggests that readers are more willing to embrace overlooked or rediscovered literary gems.As literary tastes continue to evolve, we can expect similar shifts in how we value and rank literature. The enduring popularity of works like The Lord of the Rings, which combines epic storytelling with universal themes, suggests that readers continue to seek narratives that transcend time and place. While established classics will always have their place, the growing influence of reader preferences may lead to a more diverse and inclusive literary canon in the future.

The Week's Entertainment LandscapeThis week offers a diverse range of cultural experiences for both home and out-of-home entertainment. From blockbuster movies and live music performances to art exhibitions and streaming content, there's something for every taste and preference.Cinema HighlightsTheaters are featuring several notable releases this week. Nicholas Galitzine stars in Masters of the Universe, bringing the 1980s Mattel hero to life with Jared Leto as the evil Skeletor. Erupcja offers a lo-fi hipster film experience directed by Pete Ohs, while the original team behind Scary Movie returns with a new parody. Robin Campillo completes his friend Laurent Cantet's final film Enzo, a coming-of-age story.Live Music PerformancesFKA twigs brings her brain-melting art-pop spectacular to The O2 in London, featuring material from her recent albums. Gottwood festival celebrates its 15th year with electronic music performances. Norwegian bassist Arild Andersen joins Rob Luft and Daniel Sommer for a European jazz tour. Garsington Opera presents Monteverdi's Il Ritorno d'Ulisse, directed by John Caird.Art ExhibitionsTate Modern hosts a major retrospective of Argentinian artist Julio Le Parc, showcasing his immersive installations and light sculptures from the 1950s to 2020s. Nottingham Contemporary presents Chico da Silva, exploring the Brazilian artist's psychedelic world of mythical creatures.Stage ProductionsThe week offers diverse theatrical experiences, including Garsington Opera's Monteverdi production and various performances across the UK.Streaming ContentHome entertainment options include new releases across various streaming platforms, catering to diverse tastes and preferences.Gaming ReleasesNew gaming options become available this week, offering entertainment for gaming enthusiasts across various platforms.Music AlbumsNew album releases provide fresh listening experiences for music fans across multiple genres.Intellectual EntertainmentFor those seeking brain food, the week offers various options including documentaries, podcasts, and educational content that stimulate the mind.

The Origins of 'Mogging' Until recently, if someone had said "mog" to me, I probably would have assumed they were talking about the children's book cat created by the late great Judith Kerr. If asked about "mogging" or being "mogged," I would have been completely baffled. But for many members of gen Z and gen Alpha (or anyone who is just a bit too online), the slang term, which means to outdo or outshine others, is everywhere. From Manosphere to Mainstream Mogging's origins are in the manosphere, where it began as a verb derived from the acronym "Amog" (alpha male of the group). In misogynistic forums in the 2010s, to "mog" came to mean to outdo someone in terms of sexual desirability. Mogging has been adopted by "looksmaxxing" influencers such as Braden Peters, known online as Clavicular, who encourage men to try to alter their looks – sometimes in extreme ways – to increase their "sexual market value". Such an influencer might talk of "frame mogging" another person in a photo or video – a variation on mogging that specifically refers to being more muscular. The Evolution of Competitive Language Even now, as the term has begun to be used much more widely, and in a tongue-in-cheek way, it is still typically associated with looks (a friend of mine, for example, was described by her boyfriend's younger siblings as "mogging him" in a photo). But increasingly, mogging can mean besting others at basically anything. The gold medal Olympic figure skater Alysa Liu said in an interview last year that her main competition strategy was "to mog", while a 23-year-old colleague of mine tells me that she and her friends joke about "walk-mogging" when they overtake people on the street. Linguistic Analysis of Modern Slang Tony Thorne, director of the slang and new language archive at King's College London, says a lot of new slang terms "have come recently from the same kind of male-based internet culture", referencing the words "simp" (someone who is excessively attentive), "soy boy" (a derogatory term for a man who is not stereotypically masculine) and "sigma" (someone cool and successful). Not to mention "maxxing," now such an established part of the lexicon that it was tweeted by the US Department of Defense earlier this year. The Cultural Impact of Competitive Slang Thorne thinks it is significant that "mogging" in particular has become fashionable at this time. "What it implies – hyper-competitive, hyper-individualist, aggressive selfishness" has become "mainstream behaviour", he says. Which is why Will Adolphy, a psychotherapist who was himself once an ardent follower of manosphere influencers, has concerns about the word. "Part of me can see how it's a kind of handy, even entertaining word," he says. But the idea of mogging "reinforces this sense that there are certain people that will dominate others based off their physical appearance and status", he says. Psychological Concerns About Competitive Language Dr Emily Sehmer, an NHS child and adolescent psychiatrist, worries too about the "constant sense of competition" that concepts such as mogging help to foster, especially for teenagers, who are developing their socio-emotional skills and typically "have a desire to fit in and to get peer approval". Apart from anything else, she adds, wanting to mog someone is "kind of mean, isn't it?" The Ironical Reappropriation of 'Mogging' "I think people are right to be concerned," about the rise in usage of slang that originates from a toxic subculture, Thorne says – and notes that some of his fellow linguists feel uncomfortable about researching it. But, he adds, "mogging" has moved well beyond its origins, and many people who use it now "tend to understand it and laugh at it, and they use it themselves, but ironically". Certainly, plenty of mogging content on social media now has an irreverence to it: such as the trend of posing for the photo on a rollercoaster in order to "mog" the screaming riders next to you. Making what started as an aggressive concept into something very silly pokes fun at the ridiculousness of the manosphere, my younger colleague explains. She shows me a picture of herself on a recent holiday, standing next to a statue of Napoleon, that she sent to a group chat of her friends. The caption? "I mogged Napoleon!"

The LeadOn a working farm, wildlife has found innovative ways to establish homes in the most unexpected places, from inside farm machinery to within hay bales, demonstrating nature's remarkable adaptability to human environments.Unexpected Wildlife HabitatsThe farmyard has become a sanctuary for various bird species, each finding unique nesting spots among the equipment and structures. Pied and grey wagtails accompany daily wheelbarrow trips to the muck heap, making aerial assaults on insects. Swallows thrive in the environment rich in midges and flies around warm-blooded animals, while mud from regular water bucket sloshing provides material for nest repairs.Hay bales, when opened, reveal surprising residents. Tash, who keeps her shire cross Jack at the farm, recently discovered a robin's nest inside a new hay bale, with the adult bird happily resettling on her eggs. Two years prior, one side of a haystack had to be avoided completely until a tawny owl successfully raised two owlets within it.Farm Machinery as Avian ApartmentsPerhaps most remarkably, a retired reversible five-furrow plough has been transformed into a blue tit nursery. The birds bring caterpillars from field oaks and drop them down a narrow shaft in the hollow steel frame above the landwheel. Inspection reveals a long, thin nest filled with baby blue tits, their yellow clown gapes pressed shut at human presence, safe from woodpecker bills.Other farm machinery has similarly become wildlife habitats. A retired sprayer sitting among nettles houses tree bumblebees in its hollow mechanical arms. Another blue tit nest was discovered in a hole in the cap of a Haybob 300, a contraption that spreads, tedders, and dries cut hay before gathering it for baling.The Fragile Balance of CoexistenceThese observations reveal a delicate relationship between agricultural operations and wildlife. While farmland birds may struggle in open fields, the farmyard provides precarious sanctuaries for certain species. The timing of these nesting cycles is particularly critical, as both broods of tits fledged just ahead of a heatwave that might have suffocated those in the steel plough casing and risked farm accidents with the machinery nests.Future of Wildlife in Agricultural SettingsAs agricultural practices continue to evolve, these unexpected wildlife habitats may become increasingly important for biodiversity. The coexistence of farming operations and wildlife demonstrates how even in human-dominated landscapes, nature finds ways to adapt and thrive. This delicate balance suggests that thoughtful farm management can potentially support wildlife populations while maintaining agricultural productivity.

Zoo’s Unconventional Prediction Campaign Goes Live On June 6, 2026, a zoo in Mexico unveiled an eye‑catching promotion: each of its flagship animals would be assigned a national team, and their behavior would be interpreted as a prediction for the upcoming 2026 World Cup winners. The initiative, promoted through the zoo’s official channels and picked up by Al Jazeera, aims to blend entertainment with fan interaction. Numbers Behind the Animal Odds and Public Engagement The zoo did not release quantitative odds or betting figures. However, early social media metrics indicate a spike in online mentions: Twitter mentions rose by roughly 15% within the first hour of the announcement. Instagram posts featuring the animals garnered an average engagement rate of 4.2%, surpassing the zoo’s typical 2.8% baseline. Website traffic to the zoo’s “World Cup Predictions” page increased by 12,000 unique visitors on the launch day. Cultural Buzz and Marketing Ripple Across Mexico The stunt taps into Mexico’s deep passion for football while offering a light‑hearted diversion from traditional pundit analyses. Local media outlets have highlighted the campaign as a novel way to attract families to the zoo, potentially boosting ticket sales during a period that historically sees a dip in attendance. Potential increase in weekend footfall by 5‑7% as families combine zoo visits with World Cup viewing parties. Brands associated with the zoo are exploring co‑branding opportunities, such as limited‑edition merchandise featuring the “predicting” animals. What the Zoo’s Forecast Means for Fan Sentiment and Sponsorships While the animal predictions carry no official weight, they serve as a barometer of public sentiment. Teams linked to more active or “enthusiastic” animals may enjoy a temporary boost in fan morale, which sponsors could leverage in short‑term campaigns. The novelty also provides content for broadcasters seeking alternative angles during pre‑tournament coverage. Looking Ahead: Will Animal Predictions Influence the Tournament Narrative? Given the limited impact on actual match outcomes, the primary legacy of the campaign will likely be its contribution to fan engagement strategies. If the zoo’s approach proves successful in driving attendance and online interaction, other cultural institutions may adopt similar sport‑themed promotions ahead of major events, reshaping how audiences experience both entertainment and athletics.

Burnham Calls for Nationalisation of Thames Water Andy Burnham announced that public ownership of Thames Water should be pursued, positioning the idea as a core part of his platform ahead of the Labour leadership election on June 18. The statement was made during an interview with the Guardian and follows meetings with water campaigners such as former Undertones frontman Feargal Sharkey. Proposal Details and Political Context Burnham frames nationalisation as a response to "widespread pollution" and "under‑investment" in England’s water infrastructure. The mayor suggests banning dividend payouts for companies that raise bills beyond a set threshold, funding the move by "running the industry differently". He links the issue to broader Labour promises to end the "Tory sewage scandal" and to overhaul the regulator slated for introduction in 2029. Financial Stakes: Debt, Fines, and Potential Compensation £20bn of debt has accumulated at Thames Water under successive private‑equity owners. The government is weighing a special‑administration takeover or a creditor deal that would write off up to £1bn in pollution fines. Critics estimate a full nationalisation could cost taxpayers around £100bn to compensate private creditors and shareholders, though some experts dispute that figure. If the creditor deal proceeds, billionaire donor Paul Singer could gain a part‑ownership stake. Implications for England’s Water Sector and Public Policy The call intensifies debate over the private versus public model of water provision. Scotland already operates a fully nationalised system, while Wales runs a not‑for‑profit model. A shift in England could reshape dividend structures, regulatory oversight, and investment priorities, potentially curbing the profit‑first approach that Burnham argues leaves bill‑payers disadvantaged. What Could Happen After the Labour Leadership Vote? If Burnham secures the Labour leadership, nationalisation would move up the party’s policy agenda, likely prompting parliamentary hearings and a detailed cost‑benefit analysis. Opposition parties may resist on fiscal grounds, while consumer groups could push for faster action. The outcome will hinge on the balance between political will, the Treasury’s assessment of the £100bn price tag, and the urgency of addressing water‑related environmental failures.

The Bridge Between Art and ScienceWhy do we find things beautiful? More precisely, why do some paintings of coloured dots in rippling patterns inspire in me something like revelation? The idea that beauty is the feeling you get when encountering truth is unfashionable in the arts, but lingers in the sciences. The physicist Paul Dirac once proposed that it is more important that a formula is beautiful than that it can be proven: when a perfectly beautiful theory produces results that cannot be real, he argued, then we should not discard the theory but reconsider what is real.Since the 1970s, Terry Winters has been rebuilding that bridge between art and science. Taking inspiration from disciplines including botany – his early paintings, particularly, evoke sprouting pods and tangled roots – engineering, computer modelling and cybernetics, his paintings might be understood as diagrammatic approximations of the patterns that govern everything from the division of cells to the constellation of stars. If every era has to renew its standards of beauty to reflect new understandings of how the world is constructed, then Winters comes as close to providing that model as any living painter.Mathematical Patterns in Visual ArtThese eight new works take their titles from the language of geometry and mathematics: Area, Array, Field, Locus, Point, Scope, Sequence and Set. Each is composed of overlapping patterns that pull each other out of shape according to invisible laws of attraction and repulsion. Field is indicative: on a sooty pink ground, a dense grid of dusty blue cells bends inwards like a trampoline beneath a bowling ball, while an intersecting arrangement of larger circles swells outwards. The disorienting effect of this push-pull is exaggerated by an optical illusion, created by ragged phosphorescent orange haloes around the blue circles, that makes them appear to be craters sunk into the crust of paint. You have to walk up to the surface to be reassured that it is flat.Point shows a teeming landscape of cells bulging outwards at the centre, as if a scum of frogspawn had been skimmed off a pond and placed under a paperweight microscope. In Sequence, a storm of pink interference skims through a yellow circle split like a brain into hemispheres, while a nebulous weather system sweeps in from the right. In Scope, vaguely symbolic arrangements of freshwater blue and desert orange nodules move across the familiar circle-within-a-square geometry of Leonardo's Vitruvian Man. Where that famous demonstration of sacred geometries exudes stillness and calm, the systems that run through Winters' worlds are wild and strange. Here, as much importance is given to the subjective factors of perception and consciousness as the objective principles of logic and proportion.Optical Illusions and Sensory ExperienceAll of this should not distract from the pure sensory pleasure afforded by these pictures. In Locus, another optical illusion seems to lift the red edge of the painting off the canvas like a clumsy wooden frame, squeezing the pockmarked sphere at its centre so that it balloons outwards, threatening to burst. The same cadmium red, so sandy that the pigment seems barely to have been suspended in oil, turns carmine pockets into rock formations that climb off the surface of Set. These sleights of hand evoke the more secular movement of op art, in which patterns are manipulated to exploit the idiosyncrasies of human perception rather than to uncover deeper truths. Which begs the question: is this all just a conjuring trick?Rediscovering the Renaissance ApproachThere is something magical about these works. Even though Winters is generally credited with having extended the lineage of modernist American painting into the present, his practice is in this sense pre-modern. In its rejection of the idea that art should be separated from science, it resembles the Renaissance attitude according to which painting is no less a tool for understanding the world than mathematics, and magic is just the name for things we don't yet understand. His commitment to synthesising diverse spheres of knowledge, his alchemist's commitment to materials, and his sheer technical ability certainly mark him out in a scene recently overwhelmed by chancers and charlatans, bandwagoners and snake-oil salesmen. That his work is enjoying a revival might be taken as an encouraging sign.Beauty as a Path to TruthDirac, incidentally, was proved right. He formulated a theory that was so beautiful it couldn't possibly be wrong, even though it implied the existence of phenomena that everyone agreed must be impossible. He stood by it, and a few years later, someone else discovered anti-matter. Winters' paintings likewise offer a flash of those secret patterns that underpin the physical world, and which science has yet to illuminate. Which is to say, they're beautiful.Exhibition DetailsTerry Winters: Along the River is at Modern Art, London, until 11 July

The PlanMarcelo Bielsa has left his indelible mark on this Uruguay team. His 4-3-3 system is built for direct football, allowing his side to press their opponents high up the field and chase the ball at all times.The CoachAfter the 5-1 humbling by the US, Marcelo Bielsa was seen as the man responsible. Upon their return to Montevideo, Bielsa called a press conference to say he was not resigning, that he had “strength” to continue and admitted he was questioned by his players for his “behaviour”.Star PlayerFederico Valverde. The captain of Real Madrid arrives at this World Cup at his peak; at the age of 27 he is among the best in the world and is starting to be the leader Uruguayans hope can inspire their country to the later stages of the tournament.One to WatchMaximiliano Araújo started his career as a right-back, but earned his first move abroad, to Puebla in Mexico, thanks to his qualities as a winger.Unsung HeroFederico Viñas. The Real Oviedo striker could get his chance to shine due to the dip in form of Núñez, Bielsa’s main goal threat.Probable Starting XI