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Interviewing Mouse on Mars: A Conversation Like No Other Interviewing Mouse on Mars is no easy feat. Not because the duo are hard to find, even though their current studio is hidden in a courtyard deep in Berlin’s Kreuzberg district. Nor because they continue to be notoriously busy, particularly since one half of the band, Jan St Werner (born Jan Stephan Werner), is now a professor in pop music, at the Folkwang University of the Arts in the western German city of Essen. The Collaboration with Lee 'Scratch' Perry After a five-year silence, they are about to release Spatial, No Problem, a collaboration with Lee “Scratch” Perry recorded during the late dub and reggae legend’s whirlwind visit to their former Berlin studio in 2019, two years before his death aged 85. The meeting had been set up by mutual friends, though it was not clear whether it would really happen until Perry arrived at Berlin’s airport – the former Bob Marley producer had a reputation for unpredictability, and dates kept shifting. The Making of Spatial, No Problem The result is a collage-esque fever dream of a record, marrying Perry’s signature free-flowing vocals with a strange, yet warm mix of countless instruments played by friends, all held together by glitchy electronics. They had the idea to record the session as spatial audio, a technology used to mimic a more “natural” hearing experience in 3D. Asking about his familiarity with the technique, Perry answered with a wide grin, and the sentence “Spatial? No problem”. The title to the album was born, which includes recordings that are said to be some of Perry’s last. The Impact of the Collaboration Their reverence for Perry is obvious, every attempt to steer the conversation towards other topics brings the trio back to their time with him. They paint a picture of a creative frenzy: technicians installing microphones whichever corner Perry ended up standing and performing in, friends popping in and out of the sessions, NKishi being proclaimed “God” by Perry in a graffito on the studio’s walls, a general sense of a meeting of minds between artists with a similarly anarchic approach to life and craft. The Future of Mouse on Mars At a moment when the music industry is becoming ever more algorithmic, more optimised, more relentlessly targeting fickle attention-spans on social media, Mouse on Mars remain a genuinely anomalous proposition: a band whose greatest asset is their refusal to be legible. And they have been doing this for 30 years, ending up somewhere entirely different than originally planned – and making it sound, against all odds, exactly where they meant to be.

Season Overview: Bayern’s Unprecedented Dominance The 2025‑26 Bundesliga campaign ended with Bayern Munich clinching the title on 89 points, reinforcing their status as Germany’s premier club. While the league saw a handful of surprise stories, the awards ceremony highlighted Bayern’s influence across player, goal and coaching categories. Key Award Winners and Their Statistical Highlights Player of the Season – Michael Olise (Bayern): 15 goals and 21 assists in 23 league starts; 5 goals and 6 assists in the Champions League. Young Player of the Season – Luka Vuskovic (Hamburg): 6 goals, pivotal defensive work, and a memorable back‑heeled flick against Werder Bremen. Goal of the Season – Luis Díaz (Bayern): A solo effort at Union Berlin involving a dribble through a tight space and a finish from an almost impossible angle. Coach of the Season – Sebastian Hoeness (Stuttgart): Guided Stuttgart to a fourth‑place finish, a Pokal final and Europa League last‑16. Great Escape – Mainz under Urs Fischer: Turned a disastrous start (1 win / 9 losses) into a mid‑season surge, including a point‑snatching draw at Bayern. ‘Dortmundy’ Moment – Borussia Dortmund: A late‑season collapse that saw them finish second despite a strong start. Head Loss of the Season – Joakim Mæhle (Wolfsburg): Red‑carded early in the relegation playoff, contributing to Wolfsburg’s historic drop. Points Table and Statistical Snapshot PosTeamPGDPts 1Bayern Munich34+8689 2Borussia Dortmund34+3673 3RB Leipzig34+1965 4Stuttgart34+???? The table underscores Bayern’s statistical superiority, while the narrow gap between Dortmund and Leipzig hints at a tightening top‑four race. Implications for German Football’s Power Balance The awards signal a dual narrative: established giants remain dominant, yet younger talents and smaller clubs are reshaping the competitive landscape. Hoffenheim’s unexpected top‑four finish, Hamburg’s resurgence through Vuskovic, and Mainz’s survival under Fischer suggest a broader diffusion of quality beyond the traditional elite. What’s Next? Trends to Watch in 2026‑27 Will Olise’s creative output sustain Bayern’s attacking edge, or will rivals close the gap? Can Luka Vuskovic translate his loan‑season form into a permanent impact for Hamburg or attract interest from bigger clubs? Will Sebastian Hoeness remain at Stuttgart or become a target for the top‑flight clubs seeking a proven manager? How will the ‘Dortmundy’ slip influence Borussia Dortmund’s recruitment and tactical approach? These storylines will define the narrative of the upcoming Bundesliga season, with the awards serving both a celebration of the past and a preview of future battles.

The Leadership Transition at LA PhilThe Los Angeles Philharmonic has officially announced Daniel Harding as its next music director, marking a significant transition in leadership for one of America's premier orchestras. The UK-born conductor, 50, will begin his tenure in the 2027/28 season with an initial six-year contract, succeeding Gustavo Dudamel who has led the orchestra since 2009.Dudamel will depart in August 2026 to become music and artistic director of the New York Philharmonic but will maintain close connections with the Los Angeles organization as its artistic and cultural laureate. This transition represents the end of an era for the LA Phil, which has flourished under Dudamel's leadership while also preparing for a new artistic direction.The New Musical VisionIn his new role, Harding will oversee programming across the entire organization, including presentations at the Walt Disney Concert Hall, the Hollywood Bowl, and the Ford. His conducting schedule will begin with eight weeks in his first season, increasing to twelve weeks in subsequent years. This comprehensive responsibility reflects the central role of the music director in shaping the artistic identity of the institution.Harding brings a distinct musical perspective to the position, with the orchestra's president and CEO Kim Noltemy highlighting his "intellectual curiosity, passion for bringing in and engaging with new audiences, global perspective, and talent for nurturing emerging voices." These qualities are expected to align with and potentially expand the LA Phil's mission in the coming years.A Legacy of Musical ExcellenceThe Los Angeles Philharmonic, founded in 1979, has established itself as one of the world's leading orchestras, known for both its traditional classical programming and innovative contemporary commissions. The orchestra has premiered works by composers ranging from Stravinsky and Schoenberg to Lutosławski and John Adams, cementing its reputation for musical adventurousness.Under Dudamel's 14-year tenure, the organization has achieved significant recognition, winning 11 Grammy awards for recordings. The orchestra's multiple performance venues—including the iconic Walt Disney Concert Hall designed by Frank Gehry—have made it a cultural cornerstone of Los Angeles, attracting diverse audiences from across the city and beyond.Harding's Distinguished CareerBorn in Oxford in 1975, Harding has developed an extraordinary conducting career that began remarkably early. As a teenager, he came to the attention of Simon Rattle, who hired him as an assistant at the City of Birmingham Symphony Orchestra. At just 21, he joined the Berlin Philharmonic as Claudio Abbado's assistant and became the youngest conductor in Proms history.His subsequent career includes 19 years with the Swedish Radio Symphony Orchestra and more than two decades with the Mahler Chamber Orchestra, which he helped found. Harding has maintained long-established relationships with major orchestras worldwide, including the Berlin Philharmonic, Amsterdam's Concertgebouw, and the Vienna Philharmonic. As an opera conductor, he has led critically acclaimed productions at Milan's Teatro alla Scala, Vienna State Opera, London's Royal Opera House, and at the prestigious festivals in Aix-en-Provence and Salzburg.A Unique Dual CareerWhat distinguishes Harding from most of his contemporaries is his parallel career as a qualified airline pilot. For the past few years, he has been piloting Airbuses for Air France while maintaining his conducting schedule. Harding has described this dual life as enriching, noting that "it's OK to take risks in concerts, because there it's safe to do so" and that "knowing another world, how other people work and having a completely different role is healthy."This unique perspective has informed his approach to music-making, with Harding stating that he "learned things about myself and conducting in a year that I didn't learn in 29 years before as a conductor." His first connection to the LA Phil came in 1997 when he conducted the orchestra at the Ojai music festival.The Transition PeriodIn the transition leading up to his official appointment, Harding will serve as music director designate, conducting the LA Phil in November 2026 and January 2027. These programs will feature wide-ranging repertoire including Brahms, Bernstein's Jeremiah symphony, Strauss's Also Sprach Zarathustra, and works by contemporary composers Thomas Adès and Betsy Jolas.The search process for a new music director was extensive, led by a committee including musicians, board members, and staff. John Lofton, bass trombone of the Los Angeles Philharmonic and search committee member, praised Harding's "exceptional level of focus and musical insight," noting that musicians value "his clarity, his respect for the orchestra and the way he invites us into the music."The Future of the LA PhilThe transition represents both an ending and a beginning for the LA Phil. As outgoing director Gustavo Dudamel expressed confidence that "the brilliance, heart and limitless talent of the LA Phil...will be in good hands under Daniel's musical leadership," the organization looks toward a new chapter.Esa-Pekka Salonen, the orchestra's creative director and former music director (1992-2009), expressed his hope that "the beauty, optimism and openness of Los Angeles proves as transformative for [Harding] as it has been for me." As Harding prepares to take the helm, the LA Phil enters a period of artistic evolution that will build upon its storied past while exploring new musical territories under his leadership.

The Lead: Hull's Unlikely Triumph Amidst ControversyA freezing night in Berlin. Silence. Mist. Breath steams above a gaggle of grey-faced men, collars upturned. An unbearable tension in the air. Binoculars trained across the River Havel from Wannsee to Potsdam. An officer reaches into the pocket of his greatcoat to take a bite of schnapps. Another smokes nervously. And then, at last, a light on the east side of the Glienicke Bridge. The exchange is on. There is almost a sense of relief as the action begins. This is the moment in the spy film after the espionage is over, the mole exposed, and the agonising denouement can begin.On a roasting May afternoon, Wembley did not, admittedly, look much like Berlin in November, but there was a similar sense of tension, of the working out of murky games, of a victory that could not help but be compromised. The demands of integrity meant that Southampton had to be punished but their espionage has tainted the Championship playoffs as a whole. In the world of shadows there are few moral absolutes – although a consensus seems rapidly to have emerged on Tonda Eckert.The Event Details: Championship Final Amidst Espionage ScandalThe Hull owner, Acun Ilicali, had said before the game that he would take legal action if Middlesbrough were to be victorious – arguing that as Boro had not won their semi-final, but had been awarded Southampton's place after their expulsion, they had no business being in the final. "Our legal team says we have to go for action, that's for sure," he told Radio Humberside. "We have no doubt about it." Perhaps Hull did have a case – certainly they had a point that they had been disadvantaged by having to prepare for two possible opponents, whereas both of those opponents knew who they would be facing if they were in the final – but, equally, it felt slightly unseemly. The Football League must have been relieved they didn't have to find out how strong that case was.At the final whistle Ilicali dissolved into tears. His too is an unlikely, and not uncontroversial, story. He was a sports reporter who became a major television celebrity in Turkey with a travel show he presented. He invested in other shows and became such a major media player that he has been one of Turkey's 100 most taxed people since 2008.The Data Analysis: Tactical Masterclass in AdversityIf the uncertainty did hamper Sergej Jakirovic's preparations, though, there was no sign of it. No side in the Championship has had more possession that Boro this season, and Hull essentially let them have the ball, denying them passing options in the final third. Although Boro had 13 shots in the game, none of them were on target. Given Hull conceded 66 goals this season, more than relegated Oxford, that was a striking statistic. Jakirovic cites Jürgen Klopp and his dynamic hard-pressing football as his model; it's fair to say he played against type here.It was an oppressive afternoon, so hot that long passages of play went by in a soporific daze and every slight knock was taken as an opportunity to take on fluids. Nobody could run, nobody could think. As a football match it was drab, featuring only one shot on target – a gentle floater from Mohamed Belloumi – before Oli McBurnie's winner, but as an occasion the stakes maintained a dreadful tension until the fateful error.The Impact Analysis: Manager's Journey to Premier League HistoryJakirovic is the definition of a journeyman: as a centre-back he played for 19 different clubs, three of them twice. As a manager, he is already on his eighth position and he doesn't turn 50 till December. He will now become the first Bosnian manager in Premier League history. The job he has done is remarkable. Last season Hull avoided relegation to the third tier only on goal difference after burning through Tim Walter, Rúben Selles and Liam Rosenior in a year. They've been operating under a transfer embargo imposed for late payments on a loan fee to Aston Villa for Louie Barry and yet somehow they've dragged their way into the Premier League.The Prediction: Hull's Uphill Battle in the Premier LeagueThere will have to be major investment if this squad is to have a chance of matching the achievements of Sunderland and Leeds in staying up, but that is a consideration for another day. This was a joyful afternoon that, after all the intrigue and debate, will live in Hull memories for ever. If Eckert, even in his absence, was the main character, the second-biggest was the temperature. It was an oppressive afternoon, so hot that long passages of play went by in a soporific daze and every slight knock was taken as an opportunity to take on fluids. Nobody could run, nobody could think. As a football match it was drab, featuring only one shot on target – a gentle floater from Mohamed Belloumi – before Oli McBurnie's winner, but as an occasion the stakes maintained a dreadful tension until the fateful error.It was that sort of film. There were few moments of high drama, more an incessant intensity, a constant anxiety building to the dramatic finale. McBurnie was released by Sheffield United when they were relegated from the Premier League in 2023-24, and picked up on a free by Hull from Las Palmas. But he's back from the wilderness, he's crossed the bridge as an improbable hero and, for now, everybody can relax. For Hull, peering through the fraught night, this was mission accomplished.

Five‑Day Berlin Blackout: A Sabotage UnveiledOn 3 January 2026, a fire set on five high‑voltage cables under a bridge over the Teltow Canal plunged large parts of Berlin into darkness for five days, marking the longest outage since World War II. The attack was claimed by a self‑styled “Volcano Group”, linking the sabotage to broader anti‑fossil‑fuel activism. Arson on High‑Voltage Cables Triggers Citywide OutageApproximately 12 km from the Immanuel Hospital, the cables—each 10 cm thick and supplying power to about 45,000 homes, 2,200 businesses and four hospitals—were set ablaze. The fire was captured on video by Stromnetz Berlin, the city’s state‑owned grid operator, showing the cables burning above a pile of debris. Scale of the Outage: Numbers and Immediate Consequences10,000 homes restored electricity by the next day.35,000 homes remained without power for the full five days.Hospitals relied on emergency generators; Immanuel Hospital’s diesel tank held 3,000 L and burned ≈550 L/day.Hospitals faced cancelled surgeries, heating failures, and patient evacuations. Human Toll and Hospital Operations Under StrainTechnicians at Immanuel Hospital rerouted power to gas pumps, averting a heating crisis. At the nearby Hubertus Hospital, director Michael Schmidt evacuated 150 patients and postponed operations. Residents endured a “dystopian” atmosphere, with makeshift community support emerging around hospital canteens. Future Security Measures and Threat LandscapeThe confession, posted on left‑wing platforms, framed the act as “shutting down fossil fuel power stations”. The Volcano Group has a history of at least seven attacks since 2011, often referencing Icelandic volcanoes. Authorities now face pressure to harden vulnerable infrastructure points—especially above‑ground crossings like the Teltow Canal bridge—and to monitor anonymous activist channels for similar threats.

The Weekend's Premier Sporting EventsThis weekend brings a spectacular array of sporting events across different disciplines and continents. From football finals to tennis championships and Formula 1 racing, sports enthusiasts have plenty to look forward to as multiple seasons reach their climactic conclusions.Saturday's Football ExtravaganzaSaturday offers a full day of football action across multiple competitions. The Championship playoff final at Wembley sees Hull and Middlesbrough compete for the £200m prize of Premier League promotion, while in Scotland, Celtic seeks the Double against Dunfermline in the Scottish Cup final. The German Cup final features Bayern Munich against Stuttgart at Berlin's Olympiastadion, while the Women's Champions League final brings together Barcelona and OL Lyonnes in Oslo.Cricket Action: England vs New ZealandFollowing their seven-wicket victory in the opening T20 clash, where Alice Capsey played a starring role with an unbeaten 74 from 51 balls, England continues their T20 series against New Zealand at Canterbury. The three-match series comes after the teams drew their one-day international series 1-1.Formula 1 in Canada: Mercedes' Dominance Continues?The Canadian Grand Prix weekend kicks off with sprint race and qualifying sessions. Mercedes' Kimi Antonelli holds a commanding 20-point lead in the standings after winning three of the first four races, including the most recent in Miami. His teammate George Russell looks to bounce back from a podium-less performance in Florida as Mercedes brings upgraded parts to their dominant car.Sunday's Football FinaleThe Premier League season concludes with 10 games kicking off simultaneously, with Tottenham and West Ham nervously awaiting their relegation fates. At Wembley, Stockport and Bolton contest the League One playoff final, adding another chapter to the end-of-season drama in English football.Key Matchups to WatchChampionship Playoff Final: Hull vs Middlesbrough at WembleyScottish Cup Final: Celtic vs Dunfermline at HampdenGerman Cup Final: Bayern Munich vs Stuttgart in BerlinWomen's Champions League Final: Barcelona vs OL Lyonnes in OsloCanadian GP Sprint Race: Mercedes' Kimi Antonelli looks to extend his championship lead

The Churchill Exhibition: War Leader's Artistic EscapeBritain's eloquent war leader kept himself sane by puffing on cigars, swilling brandy – and painting the world around him. The Wallace Collection in London is hosting "Winston Churchill: The Painter" from 23 May to 29 November, offering a rare glimpse into the artistic side of the historical figure.New Voices in Contemporary ArtThe London art scene is buzzing with new exhibitions featuring contemporary artists:Kira Freije presents hollow metal people at Modern Art Oxford, showing shadows of Berlin Dada in her work. The exhibition runs from 23 May to 16 August.Miriam Elia, known for her witty take on Ladybird books, turns her eye towards Moses in this exhibition for Jewish Cultural Month at JW3, until 30 June.Liam Young offers futuristic but lo-fi worlds you can walk through at the Barbican, until 6 September, with installations finding hope for our planet.Zsuzsi Ujj presents her first UK solo show at Arcadia Missa, from 22 May until 18 July, establishing her presence from Hungary's dissident art and underground music scenes.Remembering Valie ExportThe art world mourns the passing of Austrian feminist artist and film-maker Valie Export, who died this week. Her 1968 performance piece "Tapp und Tastkinema" (Tap and Touch Cinema) is highlighted as typically provocative but playful, giving people the opportunity to interact with and appraise a real female body: her own. Export's fearless approach to challenging beauty standards continues to influence contemporary artists.Notable Art News and DevelopmentsThe week brought several significant stories from the art world:Taiba Akhuetie makes wild creations out of hair – Rihanna and Cate Blanchett are fansWhistler should have used better paint to capture his motherNina Simone's chewing gum is going on show in a new exhibition celebrating the superfanChristo made the invisible visibleGrayson Perry's life story is to be made into a musicalFlorentina Holzinger rocked this year's Venice Biennale with naked jetskiers, human bells and urine diversGen Z can't get enough of the king of colour, Mark RothkoSanya Kantarovsky's paintings of Christian iconography and children will haunt youMasterpiece of the Week: The Judgement of ParisJoachim Wtewael's "The Judgement of Paris" (1615) stands as this week's masterpiece. The painting depicts the moment when Trojan prince Paris foolishly rates the beauty of Minerva, Venus, and Juno, giving the prize to Venus in return for her helping him seduce Helen. This decision sparked the Trojan War, with the Greeks supported by the furious Juno. Wtewael's mannerist style, with its bony, angular forms and deliberate distortions, creates an overabundance that presages doom, reflecting the war-torn Europe of the 1600s. The painting is on display at the National Gallery in London.

The LeadIn the stolid world of German football, few moments have been as seismic as Bayer Uerdingen's 2-1 victory over Bayern Munich in the 1985 German Cup final. This giant-killing act, now celebrated as the 'Miracle of Berlin,' represented a rare inversion of the natural order in a nation dominated by football's traditional powerhouses.The Historic UpsetOn May 26, 1985, at Berlin's Olympic Stadium, Uerdingen—then a modest club from Krefeld with a population of around 300,000—defeated the seven-time cup holders Bayern Munich. The Bavarians, who had also won three consecutive European Cups between 1974-1976, were considered football aristocracy. Horst Feilzer and Wolfgang Schäfer scored for Uerdingen, while Dieter Hoeness netted Bayern's only goal. The victory was particularly significant as it was the first time the DFB-Pokal final had been staged in the former German capital.Under coach Kalli Feldkamp and chairman Arno Eschler, Uerdingen had only been promoted to the Bundesliga a couple of years earlier. Their team was devoid of household names, featuring the Funkel brothers (Friedhelm and Wolfgang) in midfield, while Bayern boasted stars like a young Lothar Matthäus and Klaus Augenthaler.The Rise and FallThe cup victory was not a one-off for Uerdingen. The following season, they reached the European Cup-Winners' Cup semi-finals, with their quarter-final tie against East Germany's Dynamo Dresden becoming club lore as the 'Miracle of the Grotenburg' after an improbable second-leg comeback. That match attracted 18 million television viewers, and the club finished third in the Bundesliga in the season after their cup triumph.Despite this brief period of success, Uerdingen's star faded. The club, backed by chemicals giant Bayer AG, could not sustain their upward trajectory. Today, they remain a distant memory in German football, their moment of glory a footnote in the sport's history.The LegacyUerdingen's victory remains one of the greatest cup shocks in German football history. It demonstrated that even in a sport dominated by established powerhouses, underdogs could occasionally triumph. As chairman Arno Eschler famously hoped after the victory: 'Ich hoffe dass dies keine einmmailie' [I hope this is not a one-off]. While Uerdingen couldn't build on their success, their 'Miracle of Berlin' continues to be celebrated as one of football's great fairy tales.

The American Museum of Natural History has launched “For the Win,” a new exhibition that treats championship hardware—rings, medals, trophies—as artifacts of cultural history, offering fans a tangible connection to the moments that define sport. The For the Win Exhibition Marries Sports Lore with Museum Craftsmanship Located in the museum’s dedicated gems and minerals space, the show was timed to the upcoming 2026 World Cup and curated to highlight the artistry behind each piece. Senior adviser Rich Kleinman describes the objects as “artifacts from history,” emphasizing their dual role as symbols of victory and objects of fine workmanship. Historical Highlights: From 1877 NYPD Medal to Owens’s Gold 1877 NYPD Medal of Valor – its interlocking “N” and “Y” inspired the New York Yankees logo. Jesse Owens’s 1936 Berlin Olympic gold medal – later sold for a record $1.4 million at auction. 2024 WNBA champion Breanna Stewart’s diamond‑encrusted ring and matching earrings. Kevin Durant’s 2024 Olympic gold medal and 2017 NBA championship ring (on loan for the exhibit). Joc Pederson’s pearl necklace from the 2021 World Series run. John McEnroe’s 1983 Wimbledon trophy displayed beside a velociraptor skull to underscore the museum’s scientific context. Why Showcasing Trophies Matters for Fans and Culture According to cultural critic Vikki Tobak, trophies act as “proxies for the road to becoming great,” resonating across genres and generations. The exhibition gives fans a “contact high” that they normally only experience during fleeting victory parades, while also preserving the craftsmanship of each piece for future study. Future of Sports Memorabilia in Public Institutions With the World Cup trophy currently touring the United States and other iconic items (such as the Heisman Trophy) remaining tightly guarded, “For the Win” sets a precedent for museums to collaborate with athletes and collectors. The success of this show could inspire similar partnerships, expanding public access to sports heritage and reinforcing the narrative that athletic achievements belong in the historical record.