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Business Jun 05, 2026

Evoke agrees £243m takeover by Greek casino firm Bally's Intralot

Evoke, the owner of William Hill and 888 online casino brand, has agreed a £243m takeover by Greek …
The Takeover Deal Evoke, the owner of William Hill and the 888 online casino brand, has agreed a £243m takeover by the Greek casino and lottery operator Bally's Intralot. The Background of the Deal Evoke has been locked in talks with the Athens-listed Bally's Intralot, which has extensive international operations including in the US, for the past two months. The deal comes four years after Evoke, previously known as 888 Holdings, paid £2.2bn to buy William Hill's network of 1,400 high street bookmakers. The Impact of UK Gaming Tax Changes The companies said the government's announcement in November of a significant increase in remote gaming duty, from 21% to 40%, triggered a “material shift in the UK operating environment” that will “create meaningful dislocation across the competitive landscape”. Evoke's shares have fallen by 90% since the William Hill acquisition. Market Reaction and Future Outlook Shares in London-listed Evoke soared by more than 12.5% in early trading as investors welcomed the takeover deal. Evoke has net debt of about £1.8bn and a market value of just over £180m. The Evoke chief executive, Per Widerström, has previously said that the changes in gambling tax would cost the business up to £135m a year. Mark Summerfield, the chair of Evoke, said the deal represented “the most attractive and deliverable outcome for Evoke shareholders”. The Future of Evoke and Bally's Intralot Soo Kim, the chair of Bally's, said that Intralot was confident the deal would “deliver substantial benefits for both Intralot and Evoke shareholders”. Intralot provides technology for 12 state lotteries in the US and has operations in Europe, South America, north Africa, south-east Asia, Australia and New Zealand.
#Evoke #Bally's Intralot #William Hill
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Art Jun 05, 2026

Breathing 2.4 Billion Years of History: The Oxygen Installation Connecting Humans to Earth's Ancient Past

French-Swiss artist Julian Charrière has created a permanent art installation at Tasmania's Museum …
Breathing Earth's Ancient PastMore than 2bn years ago, during the Paleoproterozoic era, the Earth's atmosphere began to fill with free oxygen, enabling the rise of aerobic life and, ultimately, humans. This Great Oxidation Event is now being experienced firsthand by visitors to the Museum of Old and New Art (Mona) in Tasmania, where French-Swiss conceptual artist Julian Charrière has created an extraordinary installation that allows people to inhale oxygen that has been trapped in iron ore since that ancient time.When Charrière came up with the concept for what would become 'Breathe,' Mona's owner David Walsh not only approved the project but created a bespoke space for it, recognizing the unique intersection of science, art, and human experience that the installation represents.The Science Behind the Ancient OxygenThe installation is a marvel of scientific ingenuity and artistic vision. Charrière has sourced ancient iron ore from Australia's Pilbara region, which is processed daily in an on-site laboratory. The water is extracted from the ore using specialized machinery, then put through a Hofmann apparatus—a piece of scientific equipment that electrolyzes water—to liberate the trapped oxygen molecules.This pure, ancient oxygen is then released into a specially designed room where visitors can breathe it in, creating a direct connection to the beginning of life on Earth. As Charrière explains: 'I want people to get all the way back to the beginning of the earth. It's like a time machine.' The installation is designed as a solitary experience, with visitors accessing a vault-like corridor reminiscent of a mining drift, flanked by raw sandstone and lined with deep red rocks from the Pilbara.The Immense Timescale of the InstallationThe timescale involved in 'Breathe' is almost incomprehensible. The oxygen visitors inhale has been trapped in iron ore for over 2.4 billion years—since the Great Oxidation Event that transformed Earth's atmosphere and enabled the development of complex life forms. This installation literally connects each visitor to the primordial beginnings of our planet's atmosphere.As visitors walk through the tunnel, the temperature drops as they approach a high-ceilinged cylindrical room, an underground windowless tower where lighting depends on the amount of sun that can be reflected through a small opening above. Walking over tiles made of polished ancient tiger ore, they circle a floor-to-ceiling clear glass tube that houses the Hofmann apparatus. It is here, at a small opening, that visitors have their closest access to Charrière's pure, ancient oxygen.Redefining the Art-Science Experience'Breathe' represents a groundbreaking fusion of scientific methodology and artistic expression, challenging traditional boundaries between disciplines. The installation creates a profound personal experience that connects visitors not just to art, but to the very essence of life on Earth.What makes this installation particularly powerful is its claim that each visitor is the first human being to ever inhale that specific oxygen. As Charrière explains: 'You are breathing something which is so pure and has not been touched by any being before you... And the beauty of the piece is you will carry it until you die. You're going to become a small part of this installation and you become a big part of the great oxygen cycle, and you will only finally free this oxygen once... once you're going in the other world.'This installation is part of a broader trend in contemporary art that incorporates scientific processes and concepts, creating works that are both intellectually stimulating and viscerally impactful.The Future of Scientific Art Installations'Breathe' is opening alongside Charrière's major new exhibition 'Hard Core,' which showcases both the ambition and scientific curiosity of the Berlin-based artist. Individual elements of 'Hard Core' have been exhibited elsewhere in the world, including at the Venice Biennale, but the full exhibition finds its perfect home at Mona, with its exposed rock, industrial aesthetic, and fusion of science with art.As museums and galleries continue to seek innovative ways to engage audiences, installations like 'Breathe' point to a future where art and science are not just displayed together but are fundamentally intertwined in the creative process. This approach has the potential to create more immersive, educational, and thought-provoking experiences that challenge visitors to see the world—and their place in it—in new ways.Charrière's work demonstrates how art can make abstract scientific concepts tangible and personal, creating connections across vast stretches of time and space. As our understanding of the universe expands, art installations like 'Breathe' will play an increasingly important role in helping us process and relate to these profound concepts.
#Julian Charrière #Museum of Old and New Art #Tasmania
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Sports Jun 05, 2026

Iraq’s ‘Fighter’ Spirit Aims to Shock Rivals at the 2026 World Cup

Iraq secured its first World Cup berth since 1986 after a grueling qualification campaign, highligh…
Iraq has clinched a historic spot at the 2026 World Cup, becoming the final nation to qualify and ending a 40‑year absence from football’s biggest stage. The Epic Journey to Mexico and Qualification Twenty hours on a bus, a charter plane out of the Middle East, and a one‑off game carrying the expectations of 48 million people defined Iraq’s road to the tournament. After a two‑year, 21‑match qualification marathon, the Lions of Mesopotamia travelled overland to Jordan, endured a 24‑hour flight delay, and finally landed in Monterrey for the inter‑continental playoff against Bolivia. Coach Graham Arnold gave his squad three days to recover before the decisive match, insisting they “don’t use it as an excuse.” The plan worked: a 2‑1 victory, sealed by a corner‑kick goal from 24‑year‑old forward Ali Al‑Hamadi, booked Iraq’s place at the World Cup for the first time since 1986. Numbers Behind Iraq’s Historic Qualification 21 matches played over more than two years 48 million Iraqi fans cheering the campaign Travel itinerary: 20‑hour bus ride → charter plane → 24‑hour flight delay → 3‑day recovery period Playoff result: Iraq 2 – Bolivia 1 First World Cup goal scorer: Ali Al‑Hamadi (on loan at Luton Town) What Iraq’s Return Means for Middle‑East Football The qualification marks a symbolic victory for a nation scarred by decades of conflict, sanctions and political instability. Football has become a “vehicle for happiness” for Iraqis, offering a rare moment of unity and pride. The success also revives the legacy of the 2007 Asian Cup triumph, reminding the region that Iraqi football can still compete on the continental stage. Beyond national morale, the achievement may inspire investment in grassroots programs across the Middle East, encouraging other war‑torn nations to view sport as a pathway to global recognition. Looking Ahead: Iraq’s Group‑of‑Death Challenge and Prospects With only a short preparation window, the squad will train in Spain and face friendlies against Spain and Andorra before heading to the United States. Drawn in a “group of death” with France, Norway (featuring Erling Haaland) and Senegal, Iraq’s path is steep. Arnold’s experience—guiding Australia to the round of 16 at Qatar 2022—provides tactical know‑how, but success will hinge on the team’s “mindset of shocking the world.” Midfielder Aimar Sher, born in Iraq but raised in Sweden, epitomises the blend of diaspora talent and home‑grown determination that could fuel an upset. If the Lions can translate their fighting spirit into disciplined performances, they may not only spoil a party but also rewrite the narrative of Middle‑East football on the world stage.
#Iraq #Graham Arnold #Ali Al-Hamadi
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Sports Jun 05, 2026

Pakistan clinch ODI series 2-1 with four-wicket win over Australia

Pakistan overcame a turning wicket in Lahore to beat Australia by four wickets, sealing the three‑m…
Series Decider: Pakistan Edge Australia in LahorePakistan recovered from a precarious 161-6 in 41.5 overs to chase down Australia’s 157 at the Gaddafi Stadium, winning by four wickets and clinching the series 2‑1.Key Match Figures and Turning PointsAustralia innings: 157 all out in 42 overs; top‑score Babar Azam 40 (caught by Matthew Kuhnemann 3‑38).Pakistan chase: 161‑6 in 41.5 overs; Shadab Khan 29* (2‑28), Abdul Samad 18* not out.Bowling highlights: Shaheen Shah Afridi 3‑30, Abrar Ahmed 2‑19, Haris Rauf 2‑22 (including a wicket of Alex Carey).Australia batting: Josh Inglis 65 off 71 balls; remaining batsmen ≤19 runs.Why the Spin‑Friendly Pitch Shifted the BalanceThe Lahore surface offered significant turn, rewarding Pakistan’s spin attack. Matthew Kuhnemann’s early breakthrough of Babar Azam set the tone, while Pakistan’s spinners, especially Abrar Ahmed, applied sustained pressure that forced Australia into a low total.Implications for Both Teams Moving ForwardSecuring the series at home restores confidence for Pakistan ahead of upcoming international commitments, highlighting the effectiveness of their spin‑heavy strategy on sub‑continental wickets. Australia, despite a solid opening partnership, must reassess their middle‑order approach on slower pitches if they are to compete in similar conditions.Looking Ahead: What the Victory Means for Pakistan’s Next ChallengesWith the series win, Pakistan will aim to carry the momentum into future fixtures, emphasizing the blend of disciplined pace (Shaheen, Rauf) and spin (Abrar, Shadab). Australia will likely revisit batting tactics against low‑bounce, turning tracks to avoid repeat collapses.
#Pakistan cricket #Australia cricket #Shadab Khan
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Sports Jun 04, 2026

Alessandro Circati on the Art of Defending: 'Stopping a Goal is Equivalent to Scoring'

Alessandro Circati, a young Socceroos defender, discusses the art of defending and his journey from…
The Philosophy of Defending Alessandro Circati, a 22-year-old Socceroos defender, has a unique perspective on the game. He believes that defending well is just as hard as attacking well, and that stopping a goal is equivalent to scoring one. Circati's Journey to Serie A Circati has just finished the Serie A season with Parma, comfortably safe from relegation. After missing most of the previous campaign with an ACL injury, he has established himself as a regular in Carlos Cuesta's defence, starting more than 30 games across their league and cup commitments. The Influence of Italian Football Circati was born in Fidenza but moved to Perth as an infant. He grew up playing football in Australia and eventually moved to Italy in 2021, signing a professional deal with Parma. Italian football has had a significant influence on Circati's game, with the country's defensive traditions and legendary defenders like Paolo Maldini and Franco Baresi. Choosing to Represent Australia Circati was torn between representing Australia or Italy, having played for Italy's junior national teams. However, with the help of Gianluigi Buffon, he decided to represent the Socceroos. Buffon simply asked him, 'What do you feel inside?' The Future: World Cup and Beyond Circati's dream was always to play at a World Cup. He has come a long way since his first senior call-up in June and international debut in October. Now, he is likely to start in the World Cup and is excited for the challenge ahead.
#Alessandro Circati #Socceroos #Australian Football
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Sports Jun 04, 2026

Russell Refuses to Feel Pressure Amid F1 Championship Battle

George Russell remains confident in his F1 world championship ambitions despite a mechanical failur…
Russell's Confidence Amidst Championship Battle George Russell remains confident in his world championship ambitions despite taking a serious blow with a mechanical failure at the last round in Canada. In Monaco, the British driver insisted that he felt no pressure, with the Formula One title his rival and teammate Kimi Antonelli's to lose. The Event Details Russell suffered a battery failure while leading in Montreal, after taking pole position and having enjoyed a hard-fought contest for the race lead that ebbed and flowed with his teammate. With Antonelli going on to win, he extended his lead in the world championship to 43 points. The 19-year-old Italian has now won four races in a row to establish a strong advantage, although 17 rounds remain including this weekend's meeting in Monaco. The Mental Approach Russell had been the pre-season favourite but, after winning the opening round in Australia, he has been surpassed by Antonelli, who is in only his second season in F1. The British driver has endured something of a run of bad luck: alongside the failure in Canada he had two technical problems in qualifying in China that were costly as Antonelli took pole and the win. The Impact Analysis However, the 28-year-old was calm and assured in Monaco as he insisted he would not change his approach as he attempts to chase down Antonelli. 'I don't think I've got anything to lose, really. I feel I'm still going with that same mindset, that if I look at it from my competitor's [Antonelli's] position, you're kind of in a position now that you've got such a buffer, it feels like you can only keep it, or you can only lose it. I think it's his to lose.' The Prediction Russell maintained he was unaffected by the setback in Canada, which was beyond his control. 'My mindset is enjoy every single race, try and win every single race, the same as I've done this whole season. I'm going to fight the same. I'm not going to change my mentality at all, nor am I going to let this put any more pressure on to me.'
#George Russell #Kimi Antonelli #F1
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Sports Jun 04, 2026

Sky Paywall Decision: Did Moving Test Cricket Behind Paywalls Save or Stifle English Cricket?

Twenty years after the ECB controversially moved live Test cricket to Sky's paywall, the decision r…
The End of an Era for Free-to-Air Cricket As Rudi Koertzen and Billy Bowden removed the bails at The Oval and celebrations began across the country after a grandstand finish to an epochal Ashes, it signalled not only the end of England's 18-year wait to claim back the urn, but the last rites of live Test match cricket on terrestrial TV in the UK. In December 2004, the ECB announced a landmark four-year deal worth £220m that gave Sky exclusive rights to show live cricket, with Channel 4 – which had been showing home Test matches since 1999 – left with nothing. This decision, made more than 20 years ago, remains one of English cricket's most controversial and divisive moments. The Financial Breakthrough Behind the Paywall For Giles Clarke, who led the negotiations in his role as chair of the ECB's marketing committee, it was a simple case of economics. "The alternative was a significant decline in income," said Clarke at the time. "Major cuts would have had to have been made in the funding of the England team, the support structure and to county cricket clubs as well." Clarke insists that the ECB's financial modeling presented a bleak picture if they were to accept Channel 4's bid. "We worked out that at least seven counties would have had to close, and I'm being very serious here. We would have had to cut back on our youth programmes and we couldn't see what we could fund. The game as we knew it, in the opinion of the guys who did the financial modeling, would not exist." In negotiations with Vic Wakeling, Sky's head of sport, Clarke insisted the ECB would need more money if they were to justify the decision to take live cricket off free-to-air. "We sat Vic down and said, 'If you don't [increase your offer], we aren't going to consider doing this with you. You've got to give us a better reason.' We got Sky to increase their bid by £30m. I think we did a bloody good job on the money." The Audience Impact and Accessibility Concerns Channel 4 had innovated in areas that had never been touched before, according to Mark Nicholas, Channel 4's frontman across their seven years as the home of Test cricket in the UK. "We made the game more accessible by the way that we styled it, so it didn't feel too elitist or too difficult." Having won the broadcasting rights before the 1999 season, the same summer that England were defeated by New Zealand on home soil to become officially the worst Test side in the world, Channel 4 brought viewers the team's subsequent rise under Nasser Hussain and then Michael Vaughan, culminating in the Ashes triumph of 2005 when a peak audience of 8.4 million tuned in to watch Ashley Giles and Matthew Hoggard clinch a nail-biter at Trent Bridge. When England sealed the deal at The Oval just over a week later, Channel 4 reported their highest-rating day ever – at 23.2%, the channel's total share of all TV viewing broke the record set by the Big Brother final three years earlier. By then the ink had dried on the ECB's contract with Sky. The Divisive Legacy of the Decision Channel 4 released a statement saying they hoped the ECB "would not come to regret its decision to turn its back on the hundreds of hours of terrestrial exposure that Channel 4 was offering". Their innovative coverage had been widely lauded since they had usurped the BBC to win the broadcasting rights alongside Sky in a two-pronged deal that involved the latter showing one home Test match each summer between 1999 and 2005. Speaking to key figures involved at the time, it's clear that passions still run high. There remains a sense of animosity between the different camps, accusations of underhand PR campaigns, and a refusal to accept that the other side may have a point. There are legacies to protect. In a sense, it's English cricket's Brexit. "We were faced with a horrendous situation but there was no doubt in the minds of all of us who were involved, and there was no doubt in our minds 15 years later, that we did the only thing we could do," says Giles Clarke, reflecting on the deal he struck with Sky 22 years ago. "There have been a lot of lies and rubbish said about this. Channel 4 did not bid for all the Test matches – they only wanted the second series each summer. The BBC said they were not going to bid two days before the did date for bids. Sky had bid for absolutely everything." The Future Outlook for Cricket Broadcasting More than 20 years later, it remains one of English cricket's most divisive and controversial decisions. Did taking live cricket off free-to-air TV secure the future of the English game, or hold it back at exactly the moment it was ready to fly? "When they did the deal in 2004 for 2006 to 2009, they actually only got £55m per year," said Terry Blake, the TCCB's marketing manager and then ECB's commercial director between 1989 and 2003. "So for £10m per year more, which no doubt helped Giles Clarke secure his chairmanship for years to come, they moved it off free-to-air television altogether. I would turn it round and say: imagine the audiences we would have grown and the interest we would have had at the grassroots level had we stayed on free-to-air, even if we'd had to take a slight drop from the £45m per year [received from the 2002-05 deal with Sky and Channel 4]. Whatever money was put into the grassroots because of additional money from Sky, it could never replace the top-down approach." "The music, the graphics, the commentary team, the public's love of it – it had become really rather special," recalls Nicholas. "It was a bit of a cult. The coverage in 2005 was probably universally appreciated more than any other at that stage, so much so that even Kerry Packer in Australia was saying, 'How come they're doing it better than we're doing it?' When you give something such a deep dive, and you're going so well with it, and you feel like you've got so much left to do, it's difficult to stomach that the rights have moved on."
#Test Cricket #Sky Sports #Channel 4
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Business Jun 04, 2026

Meta Calls Australia’s News Bargaining Incentive ‘Grossly Unfair’

Meta has condemned Australia’s new News Bargaining Incentive as ‘poorly designed’ and ‘grossly unfa…
Meta’s Formal Objection to the News Bargaining IncentiveMeta labelled Australia’s News Bargaining Incentive (NBI) as “poorly designed” and “grossly unfair”, arguing the scheme shields publishers from the competitive pressure to innovate. In a submission to the government, the company said the levy would entrench dependency at a time when media adaptation is crucial.Projected Revenue Impact of the Proposed LevyThe plan would impose a 2.25% levy on Australian revenues of social media and search platforms that fail to negotiate deals with local news outlets. Platforms meeting a minimum number of commercial agreements could reduce the rate to an effective 1.5%. The government estimates the scheme could raise between AU$200 million and AU$250 million (US$143 million‑US$178 million) for Australian media.Levy applies to Meta, Google and ByteDance (TikTok owner).AI developers such as OpenAI are excluded.Revenue distribution would be based on the number of journalists employed by each outlet.Implications for the Australian Media Landscape and Tech CompaniesThe initiative seeks to replace the earlier News Bargaining Code, which tech firms circumvented by removing news content. By targeting platform revenue, the NBI aims to revive a sector that has lost over 19,500 journalism jobs since 2008 due to collapsing ad revenues. Meta warned the levy could violate Australia’s free‑trade agreement with the United States.What Lies Ahead for the NBI and Platform NegotiationsPrime Minister Anthony Albanese unveiled the plan in April, pledging support for local journalists. The proposal still requires parliamentary approval, and Meta’s strong criticism suggests a protracted negotiation phase. If the levy is implemented, platforms will need to strike commercial agreements quickly to avoid the higher rate, reshaping the economics of digital news distribution in Australia.
#Meta #Australia #News Bargaining Incentive
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Sports Jun 04, 2026

England vs New Zealand: Historic 150th Test at Lord's Marks Summer Cricket Start

The first men's Test of the English summer begins at Lord's, marking the historic 150th Test at the…
The Historic Lord's Milestone Morning everyone and welcome to the first Test of the English summer. Ashes, what Ashes? There's a lot to look forward to here. It's the 150th Test at Lord's, the first ground to reach that milestone. The next one looks like being Melbourne, some time in the 2040s, so here is one facet of cricket where England still rules the world. The Evolution of Bazball Strategy It's a reboot for our old friend Bazball, which is now going to be "slightly smarter" (according to Baz McCullum) or "a lot smarter" (according to Ben Stokes). As in Australia, these two seem to be singing from half of the same hymn sheet. New Faces and Last-Chance Opportunities It's a big moment for Emilio Gay, who will make his debut for England and open the batting in place of Zak Crawley, the only head to roll after a sobering winter. It may be an even bigger moment for Ollie Robinson, the prodigal seamer, as he walks into the last-chance saloon. New Zealand's Strong Challenge It's the biggest series for New Zealand since they last faced England in December 2024. They've played only six Tests since, but they've brought a strong squad, stuffed with seasoned batters and talented bowlers. Their last big series away from home went quite well: they beat India 3-0. Weather Threatens Cricket Action It's all set to be a great occasion. But have you seen the weather forecast? Bad for today, even worse for Saturday, bad again for Monday. If a bit of water could just be allowed to seep through the covers, it might be the only hope of a result. Toss and Match Preview The toss is at 10.30am (BST), at least in theory.
#England Cricket #New Zealand Cricket #Lord's Cricket Ground
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