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The Pink-and-Yellow ResurrectionMargaret Thatcher wasn't to blame for the closure of Britain's coalmines. Mr Blobby was. This shocking revelation came during a spoof documentary on Saturday Night Live UK, where the pink-and-yellow agent of chaos was portrayed as an evil entity awakened from underground, going on a murderous rampage. Fast forward to today, and this once-forgotten character has been unearthed and is making an unexpected comeback, appearing on primetime TV shows, duetting with popstars, and convincing nostalgic fans to pay premium prices for Blobby-themed merchandise.The Comeback TrailMr Blobby's resurgence has been nothing short of remarkable. Last month on The Claudia Winkleman Show, comedian Josh Widdicombe attempted to explain the character to a confused Canadian, Schitt's Creek star Dan Levy, who visibly hid behind the sofa when Blobby made a surprise entrance. "That's our Mickey Mouse," said Widdicombe proudly. This squishy cultural signifier of the 90s is now in hot demand on the nostalgia circuit, with Blobby costumes changing hands for thousands of pounds on eBay and Blobby-shaped iced biscuits in Scotland becoming cult bestsellers.The Merchandise and Media FrenzyThe commercial revival of Mr Blobby has been substantial. Singer and actor Self Esteem, AKA Rebecca Lucy Taylor, is a vocal fan who invited him to appear on stage at her Hammersmith Apollo gig. After performing a surreal duet of her track The Best, she hailed the experience as "the highlight of my career." Mr Blobby was even featured as a GQ cover star recently, appearing in the style magazine's selection of "modern British icons" alongside Emma Thompson, Ian Wright and Brian Cox. His contribution to the interviews was simply saying "Blobby," obviously. The character's merchandise has become highly collectible, with original items from the 90s now commanding premium prices.Cultural Significance and Divided OpinionsFor cultural historian Dr Matthew Sweet, Mr Blobby's revival is a sign of "idiotic times." "Mr Blobby is a creation of breathtaking stupidity," he says. "His stupid name, his stupid appearance, his stupid voice and its ceaseless repetition of his own stupid name are unimaginative to the point of atavism. Somehow, his dumb relentlessness has allowed him to push through into some other territory." The character has always been divisive, with The New York Times once describing him as "a metaphor for a nation gone soft in the head." Bob Mortimer called him a "pink, spotty, rubber twat," while this newspaper once dubbed him a "widely despised irritant."The Future of the Pink PhenomenonDespite the controversy, Mr Blobby's comeback shows no signs of slowing down. Comedy writer Joel Morris suggests that the character's enduring appeal comes from his versatility: "What's funny about Blobby is that he was meant to be confusing. The original joke was that he came from some nonexistent kids' show. But because he was entirely invented, there's nowhere he doesn't fit." As the article concludes, "With renewed interest and rumours afoot of further Blobby antics, don't be surprised to see more pink-and-yellow chaos coming our way. After all, 2026 is the year of the Blobaissance. Resistance is futile. We might as well say it: blobby, blobby, blobby."

Lead: Monroe’s Last‑Minute Image Rebellion Marilyn Monroe visited Lawrence Schiller after a nude pool shoot for the unfinished film Something’s Got to Give (1962), cutting up colour negatives she disliked. The episode, recounted by the now‑89‑year‑old photographer, underscores Monroe’s determination to shape her visual legacy. Behind the Pool Shoot: Creative Control in Action May 1962 – Monroe swims in a Hollywood set pool, defying director George Cukor to find better lighting. She jokes, “What if I come out with nothing on?” highlighting her willingness to push boundaries. After the session, she uses scissors to destroy negatives she found unsatisfactory, a gesture Schiller describes as “Ziiiiiip”. Schiller notes that none of the destroyed images were ones he would have published, suggesting Monroe’s edits aligned with professional standards while serving her own vision. Exhibition Data: The National Portrait Gallery Show Opening timed for Monroe’s 100th birthday (early June 2026). Curated by Rosie Broadley, the exhibition frames Monroe as an active director of her image. Features previously unseen pool photographs and commentary from photographers Richard Avedon, Milton Greene, Bert Stern, and Eve Arnold. Impact: Re‑evaluating Monroe’s Cultural Narrative The exhibition challenges the long‑standing myth of Monroe as merely a “messy” blonde bombshell. By foregrounding her “creative agency”, the show invites reassessment of how female stars negotiate studio control, media representation, and personal autonomy. Schiller’s testimony, alongside Arnold’s observations of Monroe’s “lost self”, illustrates a broader pattern: iconic women often reclaim agency through selective image‑making, influencing both contemporary celebrity culture and historical scholarship. Future Outlook: Monroe’s Legacy in the Age of Image Ownership As digital platforms amplify image control, Monroe’s 1962 act of negative‑snipping resonates with modern discussions about artists’ rights and the power of self‑curation. The National Portrait Gallery’s narrative may inspire further exhibitions and academic work that position Monroe alongside today’s media‑savvy figures who dictate how they are seen.

Uncovering the Sounds of Paul McCartney's Past Paul McCartney sits in his office overlooking Soho Square in London, reminiscing about his earliest memories and the sounds that have shaped his life and music. His new album, The Boys of Dungeon Lane, is a collection of rare and revealing glimpses into memories never-before shared. The Power of Early Memories McCartney reflects on the sounds that have stuck with him since childhood, from the white tiles and chrome instruments of his birth to the family singalongs and radio broadcasts that filled his home. He recalls listening to 'great little classical pieces' on the radio and being inspired by the likes of Ray Charles and Jack Jackson's Record Round-up on the BBC Light Programme. Influence of Bandmates and Radio The album is not just a nostalgic trip but also a testament to the influence of his bandmates, including John Lennon and George Harrison. McCartney shares stories of their time together, from bus rides to shared memories of Liverpool. He also credits radio with introducing him to new music and sparking his imagination, citing Alfred Jarry's Ubu Cocu as an example. Creating The Boys of Dungeon Lane McCartney explains that the album was an opportunity for storytelling, with the Dungeon Lane of the title referencing a birdwatching destination close to his childhood home. He emphasizes that there's 'nothing conscious' behind the decision to revisit his past, but rather a desire to share these stories and memories through music. A Legacy of Music and Memories As a songwriter and musician, McCartney's life has been extensively documented, with thousands of books, podcasts, and screen projects dedicated to his work. He remains a jovial figure, eager to share his stories and music with fans, and The Boys of Dungeon Lane is a testament to the enduring power of his memories and melodies.

The Nothing Phone 4a Pro: A Departure from Glass-Clad Designs Nothing's latest smartphone, the Phone 4a Pro, marks a significant departure from its previous glass-clad designs. The new device features a solid aluminium body, a rare sight in the world of Android phones, and a large 6.83in OLED screen on the front. Design and Display The Phone 4a Pro has a slim aluminium body that feels great in hand, but its large size makes it a two-handed affair most of the time. The device features a high 144Hz refresh rate screen that keeps scrolling smooth, making it great for watching video on the commute. Camera and Battery Life The Phone 4a Pro has a large camera island on the back containing a big, bright circular dot-matrix LED screen, which can display notification icons, the time, timers, volume, and charge levels. The device is powered by a Qualcomm Snapdragon 7 Gen 4 chip and has a solid battery life that lasts two-plus days between charges. Specifications Screen: 6.83in 144Hz QHD+ OLED (450ppi) Processor: Qualcomm Snapdragon 7 Gen 4 RAM: 8 or 12GB Storage: 128 or 256GB Operating system: Nothing OS 4.1 (Android 16) Camera: 50MP main, 50MP 3.5x tele and 8MP ultrawide, 32MP selfie Verdict The Nothing Phone 4a Pro is a quirky smartphone that offers a unique design, solid performance, and good battery life. While it may not be the most powerful device on the market, it's a great option for those looking for a device that stands out from the crowd.

Federal Workers Report Severe Mental Health Impact After Unlawful FiringsUS federal workers laid off by the Trump administration are experiencing significant mental health effects, including PTSD-like symptoms, from losing their jobs, according to a new survey conducted by 27UNIHTED, a network of former National Institute of Health (NIH) employees.Mass Firings of Probationary Federal EmployeesMore than 300,000 federal workers have been laid off or pushed to resign or retire since the start of Donald Trump's second term. Among these, over 25,000 workers were laid off in the middle of their probationary period—meaning they had started their positions within a year or two when they were abruptly fired.The surveyed employees were located across 43 states and the US Virgin Islands and had worked in 12 different departments across 15 agencies, bureaus and subgroups. Individual stories highlight the personal impact of these terminations:Brier Ryver, a park ranger at Florida's Crystal River national wildlife refuge, was fired twice after initially being reinstatedChrista Reynolds, an NIH program analyst with eight years of experience as a contractor, received good performance reviews before being "illegally fired"Dr. Whitney Behr, a biologist with US Fish and Wildlife, had to move in with family after being fired during her probationary periodSurvey Reveals Widespread Mental Health Crisis Among Fired WorkersThe survey of more than 300 fired probationary employees revealed alarming mental health consequences:95% reported ongoing mental health effectsNearly half (48%) said they are experiencing PTSD-like symptomsA quarter (25%) are taking new medications to manage symptomsOne in five respondents reported being unemployed as of January 3149% who found new jobs reported earning significantly less in their new positionsOnly 11% of fired probationary workers found another role in the federal governmentThese findings directly contradict a claim Trump made in January that fired federal workers are "getting sometimes twice as much money, three times as much money" and "they're getting much better jobs and much higher pay."Precedent Set by Firings Threatens Civil Service ProtectionsA federal judge ruled in September that the firing of federal probationary employees was unlawful, though the federal government was not required to reinstate terminated employees. The judge overseeing the case noted concerns that the Supreme Court would overrule the relief if he ordered reinstatement of the fired workers.Ryver noted that the firings have set a dangerous precedent that could allow the federal government to fire employees on a whim despite civil service protections. "These unlawful terminations that should have never happened in the first place have had deep personal impacts," Ryver said. "I still have PTSD-like symptoms in my own life that are impacting my ability to work."Reynolds recalled a comment made by Russell Vought, Project 2025's lead architect, before he was appointed head of the Office of Management and Budget: "We want the bureaucrats to be traumatically affected." She expressed dismay at this statement: "It just seems like a terrible thing to say. You're targeting people who have dedicated their careers to helping the country."Long-Term Consequences for Federal Workforce and Public ServicesAs court cases related to the firings of probationary employees continue and workers file appeals with the merit systems protection board, the long-term consequences become increasingly apparent. More than 10,000 doctoral-trained experts in science and related fields have left the US since Trump started his second term, according to an analysis by Science.Behr emphasized the impact on public services: "There are a lot of PhD-level scientists that the government lost. There are species going extinct right now and there's just nothing we can do about it. There are projects that were paid for that are not getting completed."The White House deferred comment to the Office of Personnel Management, which did not respond to multiple requests for comment. Meanwhile, many affected workers continue to struggle with the aftermath of their dismissals, both financially and emotionally.

Kim Noble confessed to the Guardian that his first attempt at promoting his long‑awaited graphic novel involved asking publishers if he could hire a digger, dig a massive hole in a roundabout and bury the books there. The proposal was rejected, but it underscores the lengths he’s willing to go to get his work into readers’ hands. Kim Noble’s Unconventional Pitch to Bury a Book Under a Roundabout During a coffee interview, Noble explained that he had even suggested leaving drafts of his work in public toilets so publishers would have to hunt them down. When a previous Icelandic curator vanished after promising a book project, Noble’s frustration grew, leading to the roundabout idea – a stark contrast to traditional marketing tactics. Publication Details: Date, Publisher and Price Title: In Pursuit of a Wonderful Nothing Publisher: Cheerio Publishing Release date: 28 May 2026 Price: £15 Why Noble’s Stunt Highlights the Struggles of Indie Artists The interview reveals a broader tension between avant‑garde performance art and the commercial realities of publishing. Noble, known for transgressive stage shows such as 2022’s Lullaby for Scavengers, notes that theatres are increasingly wary of risky work, and publishers push for conventional back‑cover biographies that clash with his aesthetic. His desire to create a tangible object “even if it’s shit, it’s there” reflects a yearning for permanence in a career built on fleeting live performances. What Might Come Next for Noble’s Literary Debut Despite his self‑confessed lack of confidence in writing a “proper” book, Noble is “absolutely loving” the focus on drawing and text. He hints at a live component to the launch and continues caring for his ailing mother, suggesting future projects may blend personal caregiving narratives with his characteristic dark humor. Observers will watch whether his unconventional reputation can translate into sustained sales and further publishing opportunities.

The New Executive Order on AI Oversight President Donald Trump signed an executive order on Tuesday designed to give the government a chance to review powerful AI models before they are released. The order asks certain AI companies to voluntarily submit their new models to the government for testing or evaluation 30 days before releasing the products to the public. Industry Pushback and Changes A previous draft of the order had called for a voluntary review up to 90 days in advance, though AI industry insiders had pushed for something closer to a two-week window. Trump had been slated to sign the more demanding version of the order in late May, but delayed after industry pushback, including from venture capitalist and former White House AI czar David Sacks. Key Provisions and Limitations The order states that "Nothing in this section shall be construed to authorize the creation of a mandatory governmental licensing, preclearance, or permitting requirement for the development, publication, release, or distribution of new AI models, including frontier models." Trump had planned to sign the EO with a bevy of Silicon Valley's top CEOs in attendance but ended up signing the current version privately. Additional Enforcement Measures In addition to the voluntary governmental AI model review, the EO directs the Department of Justice to treat crimes like AI-assisted hacking and unauthorized access as a high-priority enforcement area. Context and Previous Actions This isn't the president's first EO on AI. Last December, Trump signed an order directing the development of "one rulebook," or a national AI policy framework, intended to preempt state AI laws.

A Critical Portrait of George MichaelIn 1998, George Michael was arrested for public lewdness in an LA lavatory, an incident that finally led the singer to publicly come out. The following day, Sathnam Sanghera found himself unable to leave his room at university: the doorway had been mockingly plastered with tabloid newspaper headlines – "ZIP ME UP BEFORE YOU GO-GO!" – by fellow students aware of his longstanding fandom. As a writer, Sanghera is best known for a series of award-winning books on the British empire, which he calls his "specialist subject". Judging by Tonight the Music Seems So Loud – not a biography so much as a miscellany, a set of themed essays that tend to digress in all kinds of intriguing directions – the life and work of one Georgios Panayiotou runs imperialism and its legacy a very close second.The Complex Legacy of a Pop IconIt is an unashamedly partisan book, although not an uncritical one. Sanghera is as alive to Michael's personal and professional failings (whether the naffness of some of his early work as one half of Wham! or his high-handed treatment of the duo's other half, Andrew Ridgeley) as he is in love with his artistic triumphs. These, of course, range from Careless Whisper and Wham!'s annually inescapable Last Christmas to the 1996 solo masterpiece Older, a peculiar and peculiarly effective cocktail of raw grief at the Aids-related death of his lover Anselmo Feleppa and unrepentant horniness.The Evolution of Critical ReceptionSanghera's love for his subject is evidently sharpened by the opprobrium of others. Indeed if the book has a flaw, it's that the author is old enough to remember an era when George Michael was deemed insufferably uncool by some arbiters of taste (incredibly, when Wham! performed at a 1984 benefit show for striking miners, the only mainstream pop act to show support for the cause, they were received stone-faced by the audience and savaged by the music press for their trouble), and thus has a tendency to underestimate how much both he and his music have been critically re-evaluated in the 21st century.The Artistic Journey of George MichaelHe says one of the spurs to write the book was his belief that "most truly popular music is not generally deemed worthy of serious analysis and George Michael's music most certainly is not". That might have been true once, but certainly not of late: when he died, this newspaper alone ran six features by critics analysing different aspects of his music. "He sang so exquisitely about the marrow of life, about the vital, corporeal things", wrote one, which definitely doesn't amount to taking George Michael insufficiently seriously.double quotation markEven as he skinned up in front of journalists and discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed himFamily Background and Cultural IdentitySanghera is very good on the climate of homophobia in the 80s, which might have given any gay public figure serious qualms about coming out, and fascinating on Michael's family background: how growing up embedded in north London's Greek Cypriot community impacted on everything from Wham!'s image – not camp, Sanghera suggests, but "the vision of two children of immigrants imagining a kind of glamour they had not actually experienced before" – to his work ethic and control freakery. His dad made good in England by working exceptionally hard, running such a tight ship at his restaurant that he summarily fired his only son for messing up the drinks orders. The fact that the same son went on to hire 12 different saxophonists before finding one that could play the solo on Careless Whisper to his satisfaction doesn't come as a huge surprise.The Perfectionist and Contradictory ArtistThis my-way-or-the-highway perfectionism could yield hugely impressive results – Careless Whisper's sax hook may well be the most famous in pop history – but it could equally lead to intransigence and self-sabotage. Michael worked incredibly hard to transform himself from a member of a teen pop band into a more adult-facing solo artist, but having sold a staggering 25m copies of his 1987 solo debut Faith, he refused to promote its follow-up Listen Without Prejudice Vol. 1, or even make videos for its singles: a better album than its predecessor, it achieved only a fraction of its sales as a result. It was evidence of a deeply contradictory nature that occasionally has Sanghera throwing up his hands in bewilderment.The Public and Private Faces of George MichaelMichael was a polymath, keen to be duly credited as the sole singer, writer, producer and musician on a succession of tracks, but also had a weird habit of talking down his abilities, claiming he couldn't play instruments he was perfectly capable of playing. He was a Stakhanovite who increasingly worked at an agonisingly glacial pace, endlessly fussing over details, a state of affairs not much helped by his gargantuan appetite for marijuana: coupled with bouts of writers' block, it meant he released only six albums of original material in a career that lasted 34 years. He was a Labour voter, booster of the NHS and famously generous philanthropist who also engaged in tax avoidance. After being publicly outed, he became a notoriously frank interviewee ("as if nothing can embarrass him anymore" the Guardian's Simon Hattenstone suggested when he met him in 2009). But even as he skinned up in front of journalists and freely discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed him.The Decline and Final YearsMichael emerges as a messy, unpredictable but ultimately hugely likable figure, which makes the essay about his demise particularly tough reading. Listed starkly on the page, the facts of his final 10 years make it obvious that he was a deeply unwell man whose life had spun wildly out of control: drug busts, medical emergencies, visits to rehab, rumours of breakdowns and suicide bids and seven incidents in which he either crashed his car or was found comatose at the wheel.The Professional Mask of Personal StruggleThat it somehow didn't appear obvious at the time – that his death at 53 felt like a shock rather than a grim inevitability – seems remarkable, but as Sanghera points out, Michael's professionalism did a lot to paper over the cracks. He was always available to the media and always smart, funny and self-effacing: to use a modern turn of phrase, he controlled the narrative. He was punctilious about his appearance – the star certainly never looked like an ailing drug addict – and unfailingly superb onstage.The Hidden Realities Behind the FameBehind the scenes, it was a different story. He struggled to make new music: at one juncture he booked six months of recording sessions but never turned up to the studio once. His once-acute commercial instincts seemed to desert him: even Sanghera can't muster much enthusiasm for the handful of still-unreleased songs he completed in his final years. He cut off close friends and family who tried to intervene. No one who knew him seems to have been particularly surprised by his death: the list of adjectives used to describe him on his official website now includes not just "icon" "legend" "soul singer" and "philanthropist" but "addict" "repeat offender" and "depressive".An Imagined Alternative LegacyAs the book draws to a close, Sanghera offers a heartbreaking alternative history. He imagines Michael conquering his addictions, coming to a complete accommodation with his musical past (to the end of his life, he was dismissive of Wham!, describing their oeuvre as an exercise in "ignoring my own intelligence" and declining to play most of their hits live) and headlining Glastonbury, "getting pleasure from the audience reaction to Club Tropicana".The Enduring Power of George Michael's MusicIt's affecting because you can imagine it so vividly: the endless succession of hits that anyone with even a passing interest in pop music knows, the pandemonium in the crowd when he breaks out Careless Whisper, the encore of Freedom '90. You don't have to be a fan on Sanghera's level to understand what a triumph it would have been. Tonight the Music Seems So Loud: The Meaning of George Michael by Sathnam Sanghera is published by Picador (£22). To support the Guardian, buy a copy at guardianbookshop.com. Delivery charges may apply.

The Lead Donald Trump's claims of mastering the 'Art of the Deal' have been exposed as a negotiating incompetence in his approach to Iran, leading to a profound embarrassment for the US. Trump's Misguided Approach to Iran Trump's unprovoked war of choice has accomplished all of nothing, and his cabinet offered little resistance as he naively bombed first and faced reality later. A new approach is urgently needed. The Data Analysis Trump's repudiation of the JCPOA removed limits on Iran's nuclear program, enabling it to produce nearly half a tonne of highly enriched uranium at a purity of 60%. Iran has compounded the effect by attacking oil and gas facilities in the Gulf Arab states. The strait of Hormuz, a critical waterway for oil and gas supply, has been turned into an actual weapon. The Impact Analysis Trump's actions have enhanced the power of hardliners in Iran and increased the country's ability to wreak havoc. The US is now worse off, with Tehran upping the ante in negotiations. The Prediction The proposed preliminary accord will only return us to the February status quo, before the strait of Hormuz was even in play. A new approach is needed to address the key nuclear questions and prevent Iran from obtaining a nuclear weapon.