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Entertainment Apr 25, 2026

Venice Biennale Jury to Withhold Awards from Countries with Leaders Facing War Crimes Charges

The Venice Biennale jury has announced it will not award artists from countries whose leaders face …
The LeadThe Venice Biennale, one of the world's most prestigious art exhibitions, has taken a bold stance by announcing its jury will withhold awards from artists from countries whose leaders face war crimes charges. This decision, seemingly aimed at Russia and Israel, represents a significant intersection of art and international justice, potentially reshaping how cultural institutions respond to geopolitical conflicts.The Jury's Human Rights CommitmentThe five-member jury of the Venice Biennale has declared its commitment to "the defence of human rights," continuing the vision established by Koyo Kouoh, the Swiss-Cameroonian curator who was appointed to lead the 2026 edition before her death last year. In a formal statement, the jury announced it would refrain from considering artists from countries whose leaders have been charged with crimes against humanity by the International Criminal Court (ICC).The jury is responsible for selecting winners of the prestigious Golden and Silver Lion awards among the 110 artists participating in the event, which opens on May 9. This decision places art at the center of international political discourse, using cultural recognition as a tool for diplomatic pressure.The International Legal ContextThe ICC has issued arrest warrants for Russian President Vladimir Putin over alleged war crimes committed against children in Ukraine, and for Israeli Prime Minister Benjamin Netanyahu over alleged war crimes and crimes against humanity in Gaza. These legal developments have created a complex backdrop for the Venice Biennale, which has historically maintained a degree of political neutrality.Mayor of Venice Luigi Brugnaro confirmed that the jury had sent his council a letter stating they were unable to give awards to artists whose governments were under investigation by the ICC. Brugnaro emphasized that this was "an independent choice which we respect, just as the biennale is independent in choosing to have these pavilions."The Impact on International Relations and Cultural DiplomacyThis decision has significant implications for international cultural diplomacy. The Venice Biennale has faced intense criticism for allowing Russia to reopen its pavilion at the event, which runs until November 22. The controversy has escalated to the European level, with the European Commission announcing plans to terminate or suspend its €2m (£1.73m) grant for the exhibition due to Russia's participation.Italy's far-right government has also clashed with the biennale over Russia's reintroduction. Culture Minister Alessandro Giuli noted that the decision had been made "entirely independently by the Biennale Foundation, despite the Italian government's opposition." This tension highlights the growing divide between political institutions and cultural organizations in addressing international conflicts.The decision also reflects a broader shift in how cultural institutions are responding to geopolitical crises. Since Russia's full-scale invasion of Ukraine in February 2022, the biennale condemned the aggression and banned access to that year's event for anyone linked to the Kremlin. While Russia was never formally barred from participating, the country was absent from the 2022 and 2024 editions.The Future of Cultural Institutions in Geopolitical ConflictsAs the Venice Biennale moves forward with this controversial stance, it sets a precedent for how major cultural institutions might navigate politically charged environments. The jury's decision to prioritize human rights considerations over diplomatic neutrality represents a significant evolution in the relationship between art and politics.Ukrainian government officials have urged organizers to reconsider Russia's participation, arguing that the biennale must not become "a stage for whitewashing ... war crimes." This perspective has gained traction among various international cultural figures who see art institutions as having a responsibility to take positions on human rights issues.The Venice Biennale now faces the challenge of balancing artistic freedom with political responsibility while maintaining its status as a premier international art exhibition. The biennale has 30 days to respond to the European Commission's funding concerns, adding further complexity to this already delicate situation.
#Venice Biennale #Russia #Israel
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Environment Apr 25, 2026

A Lifeline for the Forest: Sumatran Orangutan Successfully Crosses Wildlife Bridge

A critically endangered Sumatran orangutan has been filmed crossing a newly constructed canopy brid…
Historic Crossing: A Glimmer of Hope for the Critically EndangeredAfter a two-year vigil, conservationists in North Sumatra have witnessed a historic moment: a Sumatran orangutan successfully navigating a canopy bridge over a public road. The footage, described by the team as eliciting "cries of delight," marks the first time this species has been captured on camera utilizing a wildlife overpass, providing a critical psychological and biological lifeline for the local population.Constructing a Lifeline Over the Lagan-Pagindar RoadThe bridge, installed in 2024 by Tangguh Hutan Khatulistiwa (TaHuKah) in partnership with the Sumatran Orangutan Society (SOS), spans the Lagan-Pagindar road. This infrastructure was essential to reconnect the fragmented habitats of the Siranggas wildlife reserve and the Sikulaping protection forest. While other species such as black giant squirrels, long-tailed macaques, and agile gibbons utilized the structure immediately, the orangutan's hesitation and eventual success highlighted the species' cautious nature and high intelligence.Location: Pakpak Bharat district, North Sumatra, Indonesia.Partners: Tangguh Hutan Khatulistiwa (TaHuKah) and Sumatran Orangutan Society (SOS).Species Involved: Sumatran orangutan, black giant squirrels, long-tailed macaques, agile gibbons.Preventing Genetic Bottlenecks in a Fragmented HabitatThe road had severed the forest into two isolated pockets, threatening the survival of the remaining 14,000 Sumatran orangutans. Conservationists warned that without genetic exchange, the population faced "functional extinction" due to inbreeding depression. The young male orangutan seen crossing the bridge represents a vital step toward gene flow, ensuring the long-term viability of the species in this region.Proof of Coexistence: Infrastructure Meets EcologyThis event serves as a powerful rebuttal to the notion that modernization inevitably leads to environmental destruction. The bridge demonstrates that human infrastructure can be designed to accommodate wildlife rather than destroy it. As the district head, Franc Bernhard Tumanggor, noted, witnessing the orangutan's confidence proves that communities can build their own futures without severing the forest's lifeline.The Future of Wildlife Corridors in Southeast AsiaThe success of this canopy bridge sets a precedent for conservation strategies across Southeast Asia. As deforestation and road networks expand, the integration of wildlife overpasses will likely become a standard requirement for sustainable development. This breakthrough offers a roadmap for preserving biodiversity in human-dominated landscapes, ensuring that iconic species like the orangutan have a future in the wild.
#Sumatran Orangutan #Indonesia #Wildlife Conservation
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Sports Apr 25, 2026

Cook-Pietersen Clash Highlights Cricket's April Dilemma: IPL vs County Cricket

The ongoing debate between Alastair Cook and Kevin Pietersen over the value of IPL participation ve…
The Lead April has become a contentious month in cricket, marked by a familiar spat between Alastair Cook and Kevin Pietersen over the value of English players participating in the Indian Premier League versus county cricket. This debate reflects the growing divide in cricket as traditional red-ball cricket faces an existential threat from the financial dominance of T20 leagues. The IPL vs County Cricket Dilemma The controversy began when Cook suggested that Jacob Bethell would learn little from "sitting on his arse" at the IPL and would be better served playing for Warwickshire in county cricket. Bethell responded by highlighting the "intangible benefits" of being around elite players in the IPL. Pietersen then entered the fray, claiming Cook "has absolutely NO IDEA what it's like to be in the IPL" while criticizing Derbyshire cricket in April. The Financial Reality of Modern Cricket The IPL offers lucrative contracts worth up to $250,000, making it difficult for players to turn down. At the same time, county cricket is being "attacked and dissolved" by the financial power of T20 leagues. This creates a difficult situation where players must choose between financial security and traditional cricket development. The Impact on English Cricket Development The debate raises questions about how young English players develop their skills. While some argue that learning from elite players in the IPL provides invaluable experience, others contend that actual match practice in county cricket is more beneficial. The reality is likely somewhere in between, with individual player needs and circumstances playing a significant role. The Future of Red-Ball Cricket Perhaps the most significant issue highlighted by this debate is the uncertain future of red-ball cricket. The author suggests that "red-ball cricket is doomed" in its current form, despite being the format most people in England prefer and which still pays most of the bills. This creates a difficult situation where hard choices must be made about the future direction of the sport. Navigating Cricket's Tectonic Shift Ultimately, the Cook-Pietersen debate represents a symptom of cricket's broader transformation. The sport has "separated into two codes," with players caught between the tectonic plates of traditional and modern formats. The challenge for cricket administrators is to make clear decisions about which parts of the sport to preserve and how to do so before what remains turns into a "wasteland."
#Alastair Cook #Kevin Pietersen #IPL
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Politics Apr 25, 2026

Gaza Holds First Municipal Election in 20 Years Amid Ongoing Conflict

Palestinians in Gaza’s Deir el‑Balah and the occupied West Bank opened polls on Saturday, conductin…
Palestinians in Gaza’s Deir el‑Balah and the occupied West Bank began voting Saturday in the first municipal elections held in the enclave in two decades, marking a symbolic step toward political coordination amid Israel’s ongoing war. The Historic Opening of Polls in Deir el‑Balah Polling stations opened at 7 am (04:00 GMT) for roughly 70,000 eligible voters in Deir el‑Balah, a city that escaped the worst of the recent Israeli bombardment. The Central Elections Commission described the exercise as a “pilot” intended to link the West Bank and Gaza politically. Location: Deir el‑Balah, Gaza Strip Eligible voters: ~70,000 Opening time: 07:00 local (04:00 GMT) Key spokesperson: Fareed Taamallah Voter Registration and Turnout Figures Across the Territories In the occupied West Bank, nearly 1.5 million registered voters are casting ballots for local councils that manage water, roads and electricity. Historical data from the commission shows turnout in past local elections averaging between 50 % and 60 %, though overall Palestinian participation has been on a slow decline. West Bank registered voters: ~1.5 million Typical turnout range: 50‑60 % Major parties on the ballot: Fatah slates and independents; no official Hamas candidates Political Significance for the Palestinian Authority and Hamas The elections occur as Mahmoud Abbas, 90, seeks to project reform and legitimacy after years of stagnation. Recent decrees overhaul the electoral system—allowing individual candidacies, lowering the eligibility age, and raising female quotas—while also requiring candidates to endorse the Palestine Liberation Organization programme that recognises Israel and renounces armed struggle, effectively sidelining Hamas. International observers, including UN deputy special coordinator Ramiz Alakbarov, called the vote “an important opportunity for Palestinians to exercise their democratic rights during an exceptionally challenging period.” What the Municipal Vote Could Signal for Future Governance If turnout meets or exceeds historical averages, the PA may claim a mandate to push forward limited self‑governance under the stalled U.S. 20‑point peace plan. Conversely, low participation or logistical failures—such as the inability to transport ballot boxes into Gaza—could reinforce perceptions of the polls as merely symbolic. Analysts anticipate that the results will influence: Negotiations on the next phase of the U.S. peace framework International donor confidence in Palestinian institutional reforms Hamas’s political calculus regarding future participation in formal politics
#Palestinian Authority #Deir el-Balah #Fatah
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Entertainment Apr 25, 2026

Northern Soul’s Southern Surge: Gen‑Z Revives the Classic Dance Movement

Gen‑Z is breathing new life into the 1970s‑born Northern Soul scene, but the revival is now centred…
A Manchester Teen’s Unexpected Dive into Northern SoulTom, a 24‑year‑old who has lived his whole life in Salford, Greater Manchester, attended a Northern Soul night and was instantly hooked by the high‑energy dancing and obscure American soul tracks. The experience sparked his personal quest to master the signature spins, high kicks and floor‑flips that define the scene.Southern Cities Power the New Northern Soul RevivalDespite the genre’s name, the most visible clubs and organisers of the current wave are located south of Birmingham – from Bristol to south‑London’s Rivoli Ballroom. Even the Manchester night Tom attended was run by a team based in the south, underscoring a broader geographic migration of the culture.Key venues: Bristol Northern Soul Club, Rivoli Ballroom (London), Deptford Northern Soul Club.Prominent promoters: Lewis Henderson (Deptford), Keith Gildart (academic, Leigh).Youth Migration and Regional Pride NumbersRecent YouGov polling reveals that while northern regions retain strong local pride, economic pressures are driving young people away:44% of 16‑21‑year‑old northerners say they plan to leave their hometown for work.North‑west and north‑east residents show the highest attachment to their region, even outpacing London in hometown pride.What the Southern Shift Means for the Northern Soul IdentityThe southern‑led resurgence challenges the myth of Northern Soul as an exclusively northern, industrial‑working‑class phenomenon. Scholars like Keith Gildart note that the original “northernness” was defined by journalist Dave Godin, who coined the term after noticing northern customers in his London shop. Today, the scene’s expansion reflects a broader, cross‑regional appetite for the music and dance, while also raising concerns about cultural dilution.Future of Northern Soul: From Underground to Nationwide PhenomenonIndustry observers predict that the genre will continue to grow as viral videos and social‑media trends attract more Gen‑Z participants. If southern promoters maintain momentum, Northern Soul could evolve from a niche subculture into a mainstream dance movement, potentially reshaping its historical narrative while preserving its core love for rare American soul records.
#Northern Soul #Tom #Deptford Northern Soul Club
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Entertainment Apr 25, 2026

Richard Gadd's 'Half Man' Leads Week of Rave Reviews for TV and Film

This week's cultural highlights include Richard Gadd's powerful drama 'Half Man' tackling toxic mas…
The Week's Standout Cultural ReviewsThis week's entertainment landscape has been dominated by a diverse range of critically acclaimed productions, from Richard Gadd's latest drama exploring toxic masculinity to Netflix's unexpected horticulture show featuring Zach Galifianakis. Critics have been particularly impressed with the bold storytelling and fresh perspectives across these new releases.Gadd's Powerful Exploration of Toxic MasculinityHalf Man, the latest creation from Baby Reindeer writer Richard Gadd, has been described as a "brutal, brilliant drama that leaves you queasy." The BBC iPlayer production tackles the complex issue of toxic masculinity head-on, with one reviewer stating it "needs to be shown in any place men." Gadd's follow-up to his acclaimed Baby Reindeer continues his exploration of uncomfortable truths, with one article describing it as "uncomfortably erotic and utterly monstrous." The drama represents a significant evolution in Gadd's storytelling, demonstrating his willingness to push boundaries and challenge audiences.MasterChef's Post-Scandal RevivalThe BBC's flagship cooking show MasterChef has made a triumphant return following recent controversies, with a new female presenting duo of Anna Haugh and Grace Dent. Critics have praised the show's "warmer, funnier, sharper" approach under the new leadership. The post-scandal comeback has been hailed as a success, with the show emerging "from disgrace with a clean pair of heels." The chemistry between Haugh and Dent has been particularly noted, with Dent commenting that they don't "just point at scallops. It's full on!" This reinvention suggests the BBC has successfully navigated the challenges facing one of its longest-running shows.Galifianakis's Unexpected Horticulture DelightIn an unexpected turn, comedian Zach Galifianakis has charmed audiences with his new Netflix series This Is a Gardening Show. The six 15-minute episodes have been praised for their "deliriously light touch," with one reviewer noting it "makes you want to run outside and plunge your hands into the soil." The series represents a significant departure for Galifianakis, showcasing a different side of the comedian known for his absurdist humor. The show's unique blend of lightheartedness and genuine horticultural knowledge has made it an unlikely standout in Netflix's lineup, proving that sometimes the most surprising concepts yield the most delightful results.Mint: A Visual and Narrative TriumphMint, the BBC iPlayer drama starring rapper Loyle Carner in his first acting role, has been described as "the most outrageously beautiful TV show since Twin Peaks." The visually sumptuous production reimagines a classic love story with a modern gangster thriller backdrop, creating what one reviewer called an "undeniably impressive feat with an incredible payoff." Carner's performance, particularly the decision to keep his acne visible, adds authenticity to the production. The drama represents a bold fusion of styles and genres, demonstrating the BBC's commitment to innovative storytelling that pushes boundaries both visually and narratively.The Forever Chemicals Scandal: A Chilling DocumentaryIn Our Blood: The Forever Chemicals Scandal on ITVX offers a disturbing look into the town with the highest levels of Pfas in the UK. The documentary examines whether authorities should have known earlier about the contamination and acted more swiftly to help affected communities. The lingering question posed by the film raises important issues about environmental responsibility and government accountability. As one reviewer noted, the documentary leaves viewers questioning what could have been done differently and what should be done now to address this ongoing crisis.Cinematic Highlights: Rose of Nevada and Exit 8In the film world, Rose of Nevada from Cornish director Mark Jenkin has been praised for its "uncanny ghost ship story" that feels like "a kind of found object." The time-slipping drama, starring Callum Turner and George Mackay, is described as having "unsettling rhythms of coastal life" and evoking the "lost physical reality of celluloid." Meanwhile, Exit 8 is another cinematic release gaining attention, though specific details about this film are limited in the provided content. These films represent the continuing strength of independent cinema, particularly from British directors who bring unique perspectives and innovative techniques to their storytelling.
#Richard Gadd #Half Man #MasterChef
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Politics Apr 25, 2026

Civil Rights Activist Kimberlé Crenshaw on America's Race Backlash and the Power of Intersectionality

Civil rights scholar Kimberlé Crenshaw reflects on the political backlash against her pioneering wo…
The Erasure of a Scholar's LegacyWhen Donald Trump returned to office in January last year, one of his first acts was to sign an executive order intended to cut federal funding for any school teaching what the administration defined as "critical race theory." A raft of other orders mandated the termination of DEI (diversity, equity and inclusion) personnel, offices and training across the federal government. Federal agencies began flagging hundreds of words to avoid or eliminate, including "intersectional" and "intersectionality." All of which has amounted to 40 years of Kimberlé Crenshaw's work being literally and deliberately erased.The Architect of IntersectionalityFor decades, the 66-year-old legal scholar has been naming things that powerful people would prefer remain unnamed. In 1989, she coined the term intersectionality to describe the way race and gender overlap to shape lived experience, often in ways the law fails to recognize. Around the same time, she was one of a group of African American scholars who created the framework that came to be known as "critical race theory," which sought to examine how racism is embedded in legal systems rather than simply enacted through individual prejudice. Now, Crenshaw's ideas are being contested like never before.The Political Weaponization of Academic Concepts"Unfortunately, I did see this coming," she tells me over a video call from the California offices of the African American Policy Forum, the thinktank she co-founded. We are calling to discuss Crenshaw's new memoir, Backtalker, but the conversation soon shifts. "The fact that they are targeting this … it is because they understand the power of these ideas, the power of this history." Behind her, posters reading "History repeats when we forget" and "The freedom to learn is the freedom to live" hang alongside shelves of critical race theory texts and Black history books the likes of which have, in some states, become politically radioactive.The Cultural War Over "Woke" IdeologyWhat makes the intensity of this backlash striking is how recently Crenshaw's work entered mainstream public consciousness. Until a few years ago, ideas such as intersectionality and critical race theory remained largely within the domain of legal scholarship, academic debate and activist vernacular. It wasn't until 2020, when a loose coalition of conservative activists, media figures and politicians began elevating them as political flashpoints, that they were thrust into the centre of the culture wars. In the ensuing five years, this snowballed into all-out war against "woke," with critical race theory as its ultimate bogeyman. It became a byword for liberal overreach, a catch-all for everything that was wrong with the US in the eyes of the conservative right.The Fascist Narrative and American Democracy"Trump jumped on a bandwagon started by a few rightwing propagandists, claiming that intersectionality and critical race theory were anti-white, anti-male and anti-American," she says. "Fox News amplified this, and within weeks, these ideas were mentioned more than they had been in the previous four decades."Crenshaw, true to form, is not shy about naming what she considers to be the problem. "One of the keys of fascism is control of the nation's narrative," she says. "That, alongside creating a group of people that are legitimate targets of exclusion – an us and them – allows for the autocrat to be seen as the embodiment of the essential nation. And in the United States, we come prefabricated for that dimension of fascism to set into our politics."Why is it that so many white Americans are willing to continue to vote for a president that is demolishing democracy, so long as he's willing to affirm them effectively as true Americans?" she continues. "Because of the idea that those over there are different from us. They don't really belong. That is the way fascism works."From Childhood Inequality to Intellectual FrameworkIt is clearly in Crenshaw's DNA to confront injustice, as is evidenced in Backtalker, which chronicles her journey from witnessing inequality as a child to challenging entrenched power structures in law, academia and politics. "Being a backtalker is like being lactose intolerant," she writes. "There is BS that I cannot digest. To accept anything close to second-class status as the price of belonging sickens me."Born in Ohio in 1959, on the verge of the civil rights movement, Crenshaw grew up at a time of expanding yet restricted possibilities. She watched that tension unfolding in real time, in the speeches of Malcolm X and Martin Luther King Jr on television, and in discussions around the kitchen table, where her parents, dedicated anti-racist activists, treated politics as a daily practice. "As a Black child, I had early inklings that differences would matter in my life, even if I couldn't name them," she says.The Making of an Intersectional ConsciousnessOne such inkling came when her family moved to the predominantly white suburb of Canton, Ohio. "When we arrived, there were children playing everywhere," she remembers. "I was excited." But almost overnight, the children vanished. Neighbours treated the new family as intruders and shouted slurs when they walked by; an estate agent knocked on their door urging a quick sale.Perhaps the most formative incident came when she was five years old, and was the only girl in her all-white class who was not given the opportunity to play the princess, Thorn Rosa, in a school performance. "Thorn Rosa marks the stirring of my nascent awareness that my colour and my girlness were linked," she writes."You push that doubt down until something happens that forces it open," she tells me. "You realize that how others see you will shape your experiences. And that realization is traumatic."The Trauma of Loss and the Birth of ActivismWhat mattered, she says, was that those moments were not dismissed. "I credit my parents for taking them seriously," she says. "They refused to minimize what I experienced, even as a young child. That affirmation was freeing, it told me my feelings were grounded in reality and gave me permission to understand them."It was tragedy that would, in many ways, become the making of the young Crenshaw. She was eight years old when Martin Luther King Jr was assassinated in 1968 – a before-and-after moment in her life. The following day, young Black activists in Canton directed schoolchildren to the local church for a hastily organized memorial service. Crowded into pews, everyone was silent when the activists asked if anyone had anything to say about Dr. King. No one moved. It was Crenshaw who broke the silence, exhorting the crowd not to let his death be the end of the freedom struggle. "We pick up where he left off," she recalls saying. "We continue to walk in his footsteps. They can't kill his dream for us – not if we won't let them."Further devastation followed. A year later, her father, an apparently healthy 34-year-old, died suddenly, leaving the family reeling. Not long after, her older brother Mantel was shot and killed while at university. The circumstances were never fully explained, and justice never came. She writes of that period with unflinching candor: "Happiness was dead." These losses left an indelible mark, sharpening her awareness of the unevenness of justice in a world already structured by racial and social inequities.The Complexity of Solidarity and the Limits of "We"Crenshaw arrived at Cornell University in 1978, to a campus shaped by the afterlives of civil rights struggle and Black student organizing. It was there that she entered into a relationship with a fellow student that became physically abusive. In one incident, he beat her and tried to throw her from the window of her 10th-floor dorm room."We were eye-to-eye when he threw the first punch," she writes in Backtalker. "Pressed out of denial, I woke to the fact that he was going to beat the daylights out of me."What followed unsettled her understanding of community more profoundly than the violence itself. Rather than rallying around her, many of her peers – fellow Black students and friends – closed ranks around him. To involve authorities, they told her, would be to expose a Black man to a system already predisposed against him. The implication was that her suffering as a woman should be subordinated to a broader racial solidarity."The way that sexual violence against Black women has long been justified – framing us as unlikely ever to say no to any sexual encounter – you can know this historically, but then when you experience it interpersonally, you have to grapple with the fact that more people in your own community will come to the defense of your abuser than you," she says. "It really presses the question of 'what is solidarity supposed to look like?' she continues. "What does it mean to defend the 'we', when that 'we' often excludes me?"The Birth of Intersectionality in Legal TheoryCrenshaw returns to that question – of the instability of "we"– again and again. From arriving at Harvard Law School and being called the N-word on her first day, to being directed to enter the university's exclusive Fly Club through the back door because she was a woman – the Black male friends she was with, rather than challenge the slight, urged her not to make a scene. What she would later call "asymmetrical solidarities" revealed themselves in practice: loyalty expected but not returned. "I cannot bring myself to ride or die for a politics that won't ride or die for me," she writes of the incident.In legal terms, the problem came into focus when Crenshaw came across a 1976 case in which an African American woman was denied the ability to bring a discrimination claim against her employer on the grounds that the law could recognize race or gender, but not both at once. Her experience – specifically of being discriminated against as a Black woman – fell through the cracks and the case was thrown out of court. In 1989, Crenshaw identified this form of compound discrimination and gave it a name: intersectionality. Around the same time, she was part of a group of scholars developing what would become critical race theory, a broader attempt to understand how racism is a structural part of the legal system.The Promise and Limits of Political RepresentationIt is a lesson that would resurface, years later, in a very different arena. When Barack Obama was elected president in 2008, the language of "we" returned with renewed force – this time, as a promise. For many, Obama's election felt like a rupture with the past. But for Crenshaw, it quickly raised a familiar question."I didn't think it would happen in my lifetime," she says, of that initial hope after Obama's victory. "It felt like a miracle. My mother and I celebrated together on the phone – I was dancing on a table at Stanford and she was doing the same in her retirement facility. For her especially, it was a dream come true."But symbolism, Crenshaw suggests, has limits, particularly when it is used as a substitute for structural change. She found his reticence to address racial injustice head-on frustrating. Very quickly, the terms of Obama's political viability became clear."He had been framed as post-racial, beyond these issues," she says. "And that framing became a constraint on what he could say and how directly he could address racial injustice."Even when Obama did address racial inequality more explicitly in his second term – most notably after the killing of 17-year-old Trayvon Martin in 2012 – the focus, she felt, remained narrow, failing to address the systemic nature of the problem.The Future of Racial Justice in AmericaAs Crenshaw reflects on her life's work and the current political climate, she remains committed to the struggle for racial justice, even as her ideas face unprecedented opposition. "If speaking out means being at odds with people I love, well, so be it," she writes. "I still love them. I hope they still love me."Looking ahead, Crenshaw sees both challenges and opportunities in the fight for racial justice. The backlash against critical race theory and intersectionality, she argues, is a sign of the power these ideas hold to transform American society. "There's a long history in this country of using the threat of violence to keep people under heel," she observes. "But the resistance has always been there too, and it's getting stronger."As America continues to grapple with its racial legacy, Crenshaw's work – and the concept of intersectionality she pioneered – offers a framework for understanding the complex ways race, gender, and other identities intersect to shape experiences of discrimination and privilege. Whether this framework will survive the current political assault remains to be seen, but Crenshaw's decades of scholarship and activism have already left an indelible mark on American discourse and law.
#Kimberlé Crenshaw #intersectionality #critical race theory
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Entertainment Apr 25, 2026

From Mother Mary to Foo Fighters: Your Complete Entertainment Guide to the Week Ahead

The Guardian presents a comprehensive entertainment guide for the week ahead, covering cinema relea…
The LeadThis comprehensive entertainment guide from The Guardian covers all the cultural highlights for the week ahead, offering recommendations across cinema, music, art, theater, streaming, gaming, and more. Whether you're planning a night out or looking for quality content to enjoy at home, this guide has something for every cultural enthusiast.New Cinema ReleasesMother MaryOut nowAnne Hathaway and Michaela Coel play a pop star and a fashion designer embroiled in a psychosexual affair in this A24 drama-slash-thriller from director David Lowery. Also starring FKA twigs, Sian Clifford and Hunter Schafer.Rose of NevadaOut nowStarring George MacKay and Callum Turner, this is a sci-fi drama from director Mark Jenkin about a boat lost at sea for three decades that mysteriously reappears.Exit 8Out nowBased on the hit video game set in a Japanese metro station passageway, this high-concept horror has its protagonist, The Lost Man (Kazunari Ninomiya) trapped in a seemingly inescapable spatial loop.MichaelOut nowSeventeen years on from Michael Jackson's death, his estate-approved biopic finally arrives. Charting his rise from the Jackson 5 to Bad-era superstardom, the film features Jackson's nephew Jaafar in the lead, with Colman Domingo as domineering father Joe.Live Music HighlightsEgo Ella MayManchester, 29 April; touring to 9 MayA fusion of neo-soul and contemporary jazz, south Londoner Ego Ella May's third album Good Intentions gets an airing on this short tour. Keep an ear out for slick tracks such as What You Waiting For.Grand Pianola MusicRoyal Northern College of Music, Manchester, 1 MayPianist Tamara Stefanovich joins the BBC Philharmonic and conductor John Storgårds in Stravinsky's Concerto for Piano and Wind Instruments and John Adams's Grand Pianola Music, inspired by a dream about limousines turning into oversized Steinway pianos.Cheltenham Jazz FestivalVarious venues, 29 April to 4 MayThe 30th anniversary of the ever diverse Cheltenham jazz festival draws a typical raft of established and rising stars. Genre-bending virtuoso violinist Nigel Kennedy (1 May) is an early highlight with Joshua Redman and Emma Rawicz to follow.Louis Tomlinson25 April to 3 May; tour continues BirminghamJust before tours by his former bandmates, Louis arrives in UK arenas in support of January's How Did I Get Here?. With three albums of rock-adjacent pop to lean on now, chances of a One Direction throwback are slim but not impossible.Art ExhibitionsHandpicked: Painting Flowers from 1900 to TodayKettle's Yard, Cambridge, today to 6 SeptemberFlowers are integral to the look and feel of Kettle's Yard: its founders Jim and Helen Ede incorporated fresh cut flowers into the gallery to create visual counterpoints to the artwork and architecture. This exhibition features artists who cared about flowers as much as the Edes, from Henri Rousseau and Winnifred Nicholson to Lubaina Himid and Cedric Morris.George HallettJohn Lennon School of Art, Liverpool, 25 April to 21 JuneSouth African photographer George Hallett's work captures the cultural and political landscape of his country during and after apartheid. This retrospective brings together his most powerful images from a career spanning five decades.
#Guardian #Entertainment #Culture
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Economy Apr 25, 2026

US Sanctions China’s ‘Teapot’ Refinery Over Iranian Oil Purchases

The U.S. Treasury sanctioned Hengli Petrochemical’s Dalian refinery for buying hundreds of millions…
US Treasury Targets Hengli Petrochemical’s Dalian FacilityThe U.S. Treasury Department announced sanctions on Hengli Petrochemical (Dalian) Refinery, China’s second‑largest independent “teapot” refinery, accusing it of purchasing hundreds of millions of dollars worth of Iranian crude. The action comes ahead of potential diplomatic talks aimed at ending the U.S.–Israel conflict with Iran.Sanctions Scope and Financial FiguresTargeted entity: Hengli Petrochemical (Dalian) RefineryAlleged purchases: hundreds of millions of dollars in Iranian oilAdditional measures: sanctions on ~40 shipping firms and vessels linked to Iran’s “shadow fleet”The Treasury highlighted that these transactions generate significant revenue for the Iranian military, intensifying the geopolitical stakes.Implications for China’s Independent ‘Teapot’ RefineriesChina’s “teapot” refineries—small, privately owned plants mainly in Shandong—have become crucial conduits for discounted Iranian and Russian oil, allowing state‑owned giants to stay insulated from politically risky trades. The new sanctions threaten:Revenue streams for the refineriesSupply chains that rely on covert financing and vessel networksChina’s broader strategy of diversifying oil imports, which currently sees >50% of its oil from the Middle East and >80% of Iran’s shipped oil purchased by Chinese firms (Kpler data).U.S. Treasury Secretary Scott Bessent warned that any person or vessel facilitating these flows “risks exposure to U.S. sanctions.”Broader Market Impact and Geopolitical TensionThe sanctions add another layer of pressure on an oil market already strained by the U.S.–Israel war on Iran and a U.S. naval blockade of Iranian ports (in place since April 13). Analysts at Bruegel note that teapot refineries face “high replacement prices” as global tensions drive up costs, potentially reducing China’s ability to stockpile cheap oil.Looking Ahead: Future of Sino‑Iran Oil TradeWith the U.S. signaling continued targeting of “the network of vessels, intermediaries, and buyers” that move Iranian oil, Chinese independent refiners may need to:Seek alternative feedstocks to mitigate sanction riskIncrease compliance and transparency in trade financingPotentially align more closely with state‑owned enterprises to shield operationsShould diplomatic efforts succeed, the intensity of sanctions could ease, but the precedent set by this action suggests a prolonged period of heightened scrutiny for China’s “teapot” sector.
#Hengli Petrochemical #US Treasury #Iran oil
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