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Wet Easter Dampens Seasonal Sales at B&QA wet and cold Easter discouraged customers from buying barbecues, garden furniture and plants, causing a dip in seasonal revenue for the home‑improvement chain B&Q, part of the Kingfisher group.Sales Figures Reveal 0.9% Group Decline, B&Q Down 4.1%Group like‑for‑like sales fell 0.9% between February and April.B&Q sales dropped 4.1% in the same period.Screwfix revenue rose 4.1%, offsetting part of the decline.Seasonal products account for roughly 20% of Kingfisher’s total revenue.Kitchen sales increased 4.5% after the launch of new ranges.Strategic Shift Toward Trade Customers and Heatwave OpportunityKingfisher is leaning more on its trade‑customer base, which grew 17% (excluding Screwfix) as professionals continue to buy essential tools and materials. The company also plans further investment in its own‑brand bathroom range later this year, aiming to capture market share despite a 2% overall decline in UK bathroom sales.Outlook: Heatwave Boost and Full‑Year Profit GuidanceThe current heatwave is expected to revive demand for outdoor and garden items, helping B&Q recover lost ground. Thierry Garnier, chief executive of Kingfisher, reaffirmed the full‑year outlook, targeting a pre‑tax profit of £565 million‑£625 million. The guidance lifted the share price by 3% and kept the stock at the top of the FTSE 100.

The Record-Breaking AchievementBruno Fernandes has made history by securing the outright record for assists in a Premier League season, taking his tally to 21 in Manchester United's 3-0 win at Brighton. The 31-year-old Portuguese midfielder had equalled the previous record, shared by Thierry Henry and Kevin De Bruyne, a week earlier during United's 3-2 victory over Nottingham Forest.The Controversial CriticismFormer Manchester United captain Roy Keane criticized Fernandes for what he perceived as prioritizing individual glory over team interests. Speaking on The Overlap podcast, Keane claimed Fernandes had said: 'A few times, I probably should have shot but I made them passes.' Keane suggested this mindset indicated Fernandes was focused on personal records rather than team success, stating: 'How can your mindset of a footballer be going into a match to be about an individual record? He won't be winning trophies, not with that mindset of the team.'The Truth Behind the RemarksFernandes has vehemently denied Keane's characterization of his comments. His actual post-match remarks after the Nottingham Forest game were: 'There were probably moments today when I should have passed instead of shot. I'm very happy for the assist, but more than that, I'm happy for the win and to finish the season on a high.' Fernandes accused Keane of putting untrue 'words in my mouth' and claimed the former United captain had misrepresented his statements.The Public ResponseIn an interview with The Diary of a CEO podcast, Fernandes expressed his frustration: 'Like I've always said, I don't mind criticism. I've always taken criticism from everyone and anyone and I never reply to anything or whatsoever. People have an opinion; they think it's good, bad, whatever. What I don't like is when people lie about things and in this case that you said about Roy Keane basically what he said is a lie because either he saw some other interview or he can't say that I said one thing that I've just not said and luckily for me everything is on record.'The Feud EscalationThe situation escalated when Keane posted on Instagram: 'Too much attention makes a donkey think he's a lion,' which appeared to be a direct reference to Fernandes. This cryptic message further fueled the public feud between the two, with Fernandes suggesting Keane was deliberately misrepresenting his words to create controversy.Seeking Direct ResolutionFernandes revealed he had taken steps to directly address the issue with Keane, contacting former United manager Ole Gunnar Solskjær to ask for Keane's phone number. 'I think I've always showed a lot of respect for Roy Keane and for everything he's done for the club and for everything he's always said,' Fernandes stated. 'What I don't like is that people make their own words on what I say and it's not true.' This indicates Fernandes' desire to resolve the matter directly rather than continue the public dispute.

Iran’s star forward Sardar Azmoun will miss the 2026 World Cup after being left out of the preliminary squad, a move tied to his outspoken social‑media posts and a controversial meeting with the ruler of the United Arab Emirates. The exclusion has ignited a heated debate across the country, pitting football fans against political authorities.Azmoun’s Omission from Iran’s World Cup Squad Amid Political TensionsThe Iran Football Federation announced that the 31‑year‑old striker, who plays for Shabab Al‑Ahli in the United Arab Emirates, is not part of the provisional list for the tournament in the United States. Coach Amir Ghalenoei cited “technical reasons” for the decision, but the timing coincides with:Azmoun’s Instagram post condemning the killing of Iranian women after the Mahsa Amini protests.A photo of him meeting Mohammed bin Rashid al‑Maktoum, a figure Tehran labels an antagonist.Public statements from the Iran Revolutionary Guard calling his actions “cooperation with Iran’s enemies.”Numbers Behind the Controversy: Goals, Caps, and Squad SizeAzmoun’s on‑field record underscores the sporting cost of his exclusion:57 goals in 91 appearances for the national team.He is the second‑most‑capped forward after Mehdi Taremi.At 31 years old, he remains one of Asia’s most experienced strikers.Iran’s provisional squad contains 26 players, leaving no room for a late‑season recall.Political Fallout: Social Media Statements and Government ReactionsThe episode has polarized Iranian society:TV pundit Mohammed Misaghi called Azmoun “unworthy of the national jersey.”Vice‑president Abdolkarim Hosseinzadeh urged the federation to reconsider, emphasizing national unity.The Revolutionary Guard’s Telegram post labeled Azmoun’s silence on “American and Zionist attacks” as betrayal.Meanwhile, Iran’s training camp has been moved from Tucson, Arizona, to Tijuana, Mexico, amid ongoing visa uncertainties for the team’s travel to the United States.Implications for Iran’s World Cup Campaign and Regional FootballExcluding a player of Azmoun’s caliber could affect Iran’s attacking options against New Zealand, Belgium, and Egypt. The decision also highlights the growing entanglement of sport and state politics, potentially influencing:Team morale and public support.International perception of Iran’s willingness to separate politics from sport.Future selection policies for players who voice dissent.Possible Paths Forward: Reinstatement or Continued ExclusionTwo scenarios loom:Reinstatement: If Ghalenoei yields to political pressure, Azmoun could be added before the final squad deadline, bolstering Iran’s attack.Continued exclusion: The coach may stick to his technical rationale, forcing Iran to rely on younger forwards and risking a less experienced lineup.Regardless of the outcome, Azmoun’s case underscores the delicate balance between athletic merit and political loyalty in Iranian football.

The Lead: A New Era for Youth FootballThe Football Association is making a significant shift in youth development by introducing 3v3 football for the youngest players (under-7s) starting next season. This bold move replaces the traditional 5v5 format and aims to create a more engaging, technically-focused version of the game that mirrors the unstructured "playground feel" many adults experienced in their childhood.The Technical Breakthrough: Why 3v3 Makes SenseAccording to John Folwell, the FA's head of grassroots coach development, 3v3 football offers numerous developmental advantages for young players. "At this age players are getting used to their body," explains Folwell. "You're developing your agility, your balance and coordination. But you're also getting to love the ball; 3v3 gives you lots and lots of touches on the ball, lots of dribbles, lots of 1v1s."The format eliminates goalkeepers and referees, addressing two common issues in youth football. In traditional 5v5 games, goalkeepers often spend significant time standing around, while squads of nine typically mean three or four players sit on the sidelines. By removing these elements, the FA aims to maximize participation and give children more ownership of their football experience.International Inspiration: Learning from European ModelsThe FA is not pioneering this approach but rather following successful models from other European nations. Norway and the Netherlands have implemented 3v3 formats for over a decade, while Germany has developed their own version called "Funino" that emphasizes passing with two sets of goals at each end.These countries have reported similar benefits: improved technical skills, greater player enjoyment, and better decision-making abilities. The FA hopes to replicate these positive outcomes while adapting the approach to English football culture.Impact Analysis: Changing Football CultureThe introduction of 3v3 football represents more than just a format change—it's an attempt to transform the culture surrounding youth football. Rachel Yankey, England and Arsenal legend and FA youth ambassador, sees it as a return to more organic play: "Three v three is a throwback to how we played when we were growing up. There wasn't a parent or a referee, it was just about playing and learning that social side."The format may particularly benefit girls in football, who often drop out during adolescence due to lack of confidence. Yankey notes: "This is a game that shows you can try something different. You don't have to always be told what to do."Additionally, the 3v3 format addresses parental pressure on sidelines. With multiple games happening simultaneously and parents positioned further from the action, the environment becomes less focused on performance outcomes and more on enjoyment and development.The Future Outlook: Challenges and OpportunitiesDespite the potential benefits, the 3v3 rollout faces resistance from some parents and coaches. The absence of goalkeepers has been a primary concern, with many questioning whether this format constitutes "real football." Coach Ryan Walker reports hearing comments like "it's just not football, is it?" during trials.Nevertheless, the 3v3 format is gaining popularity beyond youth development, with high-profile examples like Stormzy's 3v3 Merky FC Cup and Adidas featuring 3v3 games in World Cup commercials. This grassroots movement suggests that while the format may not replace traditional football, it could become an increasingly important complementary approach.As the FA implements this strategy, the success will likely be measured not just by technical development but by whether children continue to enjoy and stay engaged with football. If the 3v3 format can achieve this balance, it may indeed represent a significant step forward in youth football development.

The Lead Emily Wilson, renowned for her acclaimed translations of Homer's Odyssey and Iliad, presents a new collection of essays exploring the art and challenges of translation. Her work has become the standard English-language versions of these classics, praised for their conciseness and fluency. The Translation Philosophy Wilson's approach to translation occupies a middle ground between the "familiarisers" who prioritize accessibility and the "foreignisers" who emphasize preserving the strangeness of the original. She believes the tensions and complexities of the original should always remain legible, while also creating a reader-friendly experience. This balance is evident in her choice to use iambic pentameter for the Odyssey, honoring Homer's dactylic hexameters without being slavishly literal. Classical Insights The book delves into how the ancient world intersects with the modern, examining continuities in war, cruelty, and political turmoil while also highlighting important contrasts. Wilson critiques those who view antiquity as merely "a mirror in which we always find ourselves," arguing for a more nuanced understanding. Her analysis extends from classical authors like Aeschylus and Aristophanes to modern figures like Spike Lee and Boris Johnson, demonstrating the timeless relevance of these texts. Translating Sappho Wilson addresses the unique challenges of translating Sappho, whose work survives only in fragments. She compares it to "trying to get a sense of a whole Tyrannosaurus rex from one claw." While mostly admiring Anne Carson's version as "performance art on the page," Wilson finds it disembodied and stripped of same-sex desire. She challenges feminist readings that position male poets as metaphorically raping Sappho while female poets sing with her, instead emphasizing how Sappho's work "emphasise the isolation of the individual." Critiquing Other Translators Wilson doesn't shy away from criticism, applying tough-minded standards to fellow translators. She dismisses Robert Browning's version of Agamemnon as "arguably more difficult to understand than the Greek" and accuses Edith Hamilton of racism for "remaking ancient Greece in the image of an idealized United States." Even respected translators like Peter Green are found to be "oddly stiff" at times. She reserves particular scorn for "armchair classicists" who engage in snobbish gatekeeping, positioning herself as an accessible champion of the classics. The Sirens' Seduction One fascinating section explores Wilson's approach to translating the Sirens' scene in the Odyssey. She challenges the modern perception of Sirens as sexual temptresses, noting that Homer's Sirens are "cognitively tempting" bird-women whose seduction promises knowledge, not sex. Rather than referring to their "lips" as many translators do, Wilson uses "mouths," emphasizing their dangerous nature over any sexual appeal. Choosing "Complicated" Wilson details her decision to translate Homer's description of Odysseus as "polytropos" as "complicated," acknowledging it might sound stark but defending it as capturing the character's complexity. She admits nearly dropping the term after encountering "He's a complicated man" in Isaac Hayes's Shaft theme song but ultimately embraced it, dedicating ten pages to explaining her choice. The Future of Translation In a manifesto-like afterword, Wilson offers 20 rules for translators, emphasizing the importance of recreating the emotional impact of the original text. "If the original makes you laugh, cry, feel excited, get goosebumps, feel puzzled, get bored, be charmed," she advises, "then the translation should try to create those effects." She encourages experimentation and persistence, noting that there's always another way to say things and that future generations will undoubtedly develop new approaches to translation.

The Rise of Saint Levant Saint Levant, a pop star from Gaza, has taken the Middle East by storm with his catchy and unconventional music. Born in Gaza, Saint Levant has become a symbol of hope and resilience for many young Palestinians. His music, which blends Arabic, French, and English, has captured the hearts of millions and made him one of the biggest stars in the region. From Gaza to Global Fame Saint Levant's journey to fame began three years ago when his song 'Very Few Friends' went viral on social media. The song's success was unprecedented, with millions of views and listens within weeks. His debut album, 'From Gaza, With Love', further solidified his position as a rising star in the music industry. The Impact of His Music Saint Levant's music has not only entertained but also inspired a generation of young Palestinians. His songs have become anthems for those seeking to express their feelings about Palestine and the struggles of the Palestinian people. His music has also provided a platform for him to speak out against Israeli occupation and genocide in Gaza. The Controversy Surrounding Him Despite his success, Saint Levant has faced criticism and controversy. Some have accused him of instrumentalizing politics to boost his career, while others have praised him for using his platform to raise awareness about the Palestinian cause. Saint Levant has walked a fine line between being a commercial artist and a political voice, and his ability to navigate this complex landscape has been key to his success. The Future of Palestinian Pop Music Saint Levant's rise to fame has paved the way for other Palestinian artists to follow in his footsteps. He has shown that it is possible to be a successful musician while still being true to one's roots and values. As the Palestinian diaspora continues to grow, Saint Levant's music will likely remain a powerful symbol of hope and resilience for many years to come.

The Leadership Transition at LA PhilThe Los Angeles Philharmonic has officially announced Daniel Harding as its next music director, marking a significant transition in leadership for one of America's premier orchestras. The UK-born conductor, 50, will begin his tenure in the 2027/28 season with an initial six-year contract, succeeding Gustavo Dudamel who has led the orchestra since 2009.Dudamel will depart in August 2026 to become music and artistic director of the New York Philharmonic but will maintain close connections with the Los Angeles organization as its artistic and cultural laureate. This transition represents the end of an era for the LA Phil, which has flourished under Dudamel's leadership while also preparing for a new artistic direction.The New Musical VisionIn his new role, Harding will oversee programming across the entire organization, including presentations at the Walt Disney Concert Hall, the Hollywood Bowl, and the Ford. His conducting schedule will begin with eight weeks in his first season, increasing to twelve weeks in subsequent years. This comprehensive responsibility reflects the central role of the music director in shaping the artistic identity of the institution.Harding brings a distinct musical perspective to the position, with the orchestra's president and CEO Kim Noltemy highlighting his "intellectual curiosity, passion for bringing in and engaging with new audiences, global perspective, and talent for nurturing emerging voices." These qualities are expected to align with and potentially expand the LA Phil's mission in the coming years.A Legacy of Musical ExcellenceThe Los Angeles Philharmonic, founded in 1979, has established itself as one of the world's leading orchestras, known for both its traditional classical programming and innovative contemporary commissions. The orchestra has premiered works by composers ranging from Stravinsky and Schoenberg to Lutosławski and John Adams, cementing its reputation for musical adventurousness.Under Dudamel's 14-year tenure, the organization has achieved significant recognition, winning 11 Grammy awards for recordings. The orchestra's multiple performance venues—including the iconic Walt Disney Concert Hall designed by Frank Gehry—have made it a cultural cornerstone of Los Angeles, attracting diverse audiences from across the city and beyond.Harding's Distinguished CareerBorn in Oxford in 1975, Harding has developed an extraordinary conducting career that began remarkably early. As a teenager, he came to the attention of Simon Rattle, who hired him as an assistant at the City of Birmingham Symphony Orchestra. At just 21, he joined the Berlin Philharmonic as Claudio Abbado's assistant and became the youngest conductor in Proms history.His subsequent career includes 19 years with the Swedish Radio Symphony Orchestra and more than two decades with the Mahler Chamber Orchestra, which he helped found. Harding has maintained long-established relationships with major orchestras worldwide, including the Berlin Philharmonic, Amsterdam's Concertgebouw, and the Vienna Philharmonic. As an opera conductor, he has led critically acclaimed productions at Milan's Teatro alla Scala, Vienna State Opera, London's Royal Opera House, and at the prestigious festivals in Aix-en-Provence and Salzburg.A Unique Dual CareerWhat distinguishes Harding from most of his contemporaries is his parallel career as a qualified airline pilot. For the past few years, he has been piloting Airbuses for Air France while maintaining his conducting schedule. Harding has described this dual life as enriching, noting that "it's OK to take risks in concerts, because there it's safe to do so" and that "knowing another world, how other people work and having a completely different role is healthy."This unique perspective has informed his approach to music-making, with Harding stating that he "learned things about myself and conducting in a year that I didn't learn in 29 years before as a conductor." His first connection to the LA Phil came in 1997 when he conducted the orchestra at the Ojai music festival.The Transition PeriodIn the transition leading up to his official appointment, Harding will serve as music director designate, conducting the LA Phil in November 2026 and January 2027. These programs will feature wide-ranging repertoire including Brahms, Bernstein's Jeremiah symphony, Strauss's Also Sprach Zarathustra, and works by contemporary composers Thomas Adès and Betsy Jolas.The search process for a new music director was extensive, led by a committee including musicians, board members, and staff. John Lofton, bass trombone of the Los Angeles Philharmonic and search committee member, praised Harding's "exceptional level of focus and musical insight," noting that musicians value "his clarity, his respect for the orchestra and the way he invites us into the music."The Future of the LA PhilThe transition represents both an ending and a beginning for the LA Phil. As outgoing director Gustavo Dudamel expressed confidence that "the brilliance, heart and limitless talent of the LA Phil...will be in good hands under Daniel's musical leadership," the organization looks toward a new chapter.Esa-Pekka Salonen, the orchestra's creative director and former music director (1992-2009), expressed his hope that "the beauty, optimism and openness of Los Angeles proves as transformative for [Harding] as it has been for me." As Harding prepares to take the helm, the LA Phil enters a period of artistic evolution that will build upon its storied past while exploring new musical territories under his leadership.

The Heatwave in Western Europe Seven people have died in France in an extreme early-summer heat event that is affecting a swathe of western Europe, as France and the UK set record highs for May and temperatures were forecast to rise further on Tuesday. Record Temperatures and Deaths "What I can say today is that there have been seven deaths linked directly or indirectly to the heat," a French government spokesperson, Maud Bregeon, told TF1 television, adding that five of the deaths were by drowning. Météo France, the national weather agency, said Monday's highest reading, 37.1C, was recorded near Hossegor, in the south-western department of Les Landes, and that temperatures across the west of the country could exceed 36C on Tuesday. The Data Analysis The UK's Met Office said Monday was the country's hottest May day on record, with temperatures hitting 34.8C at Kew Gardens, south-west London, a reading it described as "exceptional in the UK even in mid-summer, let alone May". In Spain, widespread highs of 36-38C in the Guadiana, Guadalquivir and Ebro valleys were expected to continue possibly until Friday, the state weather service, Aemet, said, adding that "in some of those areas, temperatures could reach 40C". The Impact Analysis In Italy's Lazio region, which includes Rome, authorities have imposed restrictions on work in conditions "with prolonged exposure in the sun", for example on farms, construction sites and in the delivery sector, between 12.30pm and 4pm. Eight of France's 96 administrative departments have been placed on an orange high-temperature alert, the second-highest level, requiring the population to "be vigilant and take precautions", with a further 20 on a more moderate yellow warning. The Prediction Christophe Cassou, a climate scientist, told Le Monde: "This is an unprecedented event with a one in 1,000 chance of happening at this time of year in the climate of 1979 to 2025." He added that "it would have been virtually impossible in the pre-industrial era". The prime minister, Sébastien Lecornu, called a meeting of key ministers on Thursday to assess government preparations for heatwaves after more than 350 weather stations across France recorded new monthly highs on Monday.

Heatwaves have grown hotter and stronger as the planet has warmed, making what doctors call a "silent killer" even more dangerous. How worried should we be about heat – and how can we stay safe as the climate changes?The Human Cost of Extreme HeatHot weather kills an estimated half a million people each year. The average annual death toll is greater than that from wars or terrorism, but smaller than that from cars or air pollution.Despite this, heat is rarely listed as the cause of death. That's because extreme temperatures are largely indirect killers. Most heat victims die early from illnesses – such as heart, lung and kidney disease – that are made worse in warm weather.The Physiological Impact of Heat StressHigh heat stresses the human body, sending the heart and kidneys into overdrive as they work to keep the body cool. The added strain – particularly for those with chronic illness – can prove fatal even before heatstroke hits.There are also secondary health effects from high heat. Heatwaves lead to more accidents, dirtier air, bigger wildfires and more frequent power outages, all of which can increase the burden on health systems.The Critical Role of Nighttime TemperaturesWhen days are too hot to function and nights are not cool enough to recover, the body is unable to rest. This compounds the damage done during scorching days.In many European countries, meteorologists describe nights with temperature minimums above 20°C as "tropical", while in Spain, which is more familiar with extreme heat, they call nights above 25°C "equatorial" or "torrid". In recent years, they have informally introduced a new category for night-time temperatures above 30°C: "hellish".Identifying Vulnerable PopulationsPeople who are forced to be outdoors in scorching weather – builders, farmers, rough sleepers etc – are most likely to suffer from heat exhaustion and the heatstroke that can follow.But older people, and particularly those with underlying illnesses, make up the bulk of heat-related deaths. Women are more likely to die from heat-related causes than men. Poorer people – who are less likely to have air conditioning, well-insulated homes or access to green spaces – are also at greater risk.The Humidity FactorSweat is the body's best defence against heat, lowering internal temperatures as it evaporates. But when humidity is high and the air hot and sticky, the body struggles to cool down because sweat clings to the skin. The effect this has on perceived temperatures can be equal to several degrees, enough to spell the difference between life and death.Climate Change and Escalating HeatwavesMore than a century's worth of fossil fuel pollution has clogged the atmosphere, trapping sunlight and heating the whole planet. Average global temperatures have risen by about 1.3°C since preindustrial times – and land temperatures by even more – which has pushed the baseline higher and made punishing extremes far more common.There is also some evidence that the climate crisis is making heatwaves worse by weakening the jet stream. Scientists think this is increasing the occurrence of heat domes, which are areas of high pressure and heat that get stuck over a region for days or even weeks.The Net Effect of Rising TemperaturesCold weather kills far more people than hot weather today, even in warm regions such as sub-Saharan Africa and south Asia. But as temperatures rise, the number of deaths from heat is projected to grow much faster than the number of lives saved from milder cold. When scientists modelled this in 854 European cities, they found a net increase in temperature-related deaths under all emissions scenarios, even accounting for how people adapt.Adapting to a Hotter FutureCutting fossil fuel pollution is the biggest step that can be taken to stop heatwaves from getting even hotter, along with protecting forests and wetlands that suck carbon dioxide out of the atmosphere.Urban planners have called for cities to be redesigned so they have less concrete and fewer cars, and more parks and water. This can negate the urban heat island effect, which makes cities hotter than their rural surroundings.Buildings with air conditioning or passive cooling can bring down death tolls, as can strong healthcare systems and swift emergency warnings.The Air Conditioning DilemmaAir-conditioning units increase planet-heating emissions if the power they consume is generated by burning fossil fuels, as it mostly is today, but their pollution is falling as countries clean up their electricity grids. Some experts cite the scale of the heat-related death toll as a worthy reason to use more air conditioning – particularly for the most vulnerable groups – even if it pushes temperatures higher.This year, the UK's Climate Change Committee (CCC) recommended that air conditioning be installed in all care homes and hospitals within the next 10 years, and in all schools within 25 years.Personal Safety StrategiesThe simplest advice is to stay out of the heat: avoid going outside during the hottest parts of the day, and stay in the shade if you have to. To keep your home cool, close windows during the day and open them after dark, when outdoor temperatures fall below inside temperatures. Cover windows with blinds or curtains to block out direct sunlight.Doctors also recommend drinking water frequently, wearing loose clothing and checking on vulnerable people in your community.