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The Rise of AI-generated History Influencers “I have just arrived in Tudor London, 1536,” a young woman in a green puffer jacket tells the camera. “I’m going to check in at my room in the inn, get into the market. Then, later I am meeting the actual king – yep, Henry VIII – in person.” On YouTube and other social platforms, users are flocking to watch AI-generated “history influencers”, characters that vlog their travels to historical settings. The Popularity of Chloe VS History One of the most popular channels is Chloe VS History, with more than 610,000 Instagram followers and 15m views on YouTube. Viewers can watch Chloe try eel pie at a Tudor market, explore the first-class suites on the Titanic and take a plunge in an ancient Roman bath. The format has been replicated by other channels, such as Janella Through Time, Nova VS History and Esmetimetravels. Popular destinations include ancient Rome, Pompeii, the wild west and England during the Black Death. The Creator's Vision The creator of Chloe VS History, 32-year-old Jonathan Laramy, said the goal was to “get younger people more interested” in different periods of history. “History is a very visual experience, but it’s just not taught that way,” he said. “It’s taught via a textbook. And that is not compatible with lots of students. So why not use the technology we have to bring that to life in a really visceral way? The Impact on History Education Adam Smith, a historian at Oxford University, believes the format could “massively enhance” how history is taught to young people. “What these AI [videos] are doing is connecting with that visceral, tangible sense of: ‘Oh my God, that could have been me, that was an earlier version of me.’ It’s quite a deep-seated psychological need in many people, to understand themselves in time.”

A rapid expansion of data‑centres around Santiago’s Quilicura wetland is siphoning billions of litres of water, turning one of Chile’s largest swamps into a dry plain and intensifying a 15‑year mega‑drought. The Wetland’s Vanishing: On‑the‑Ground Observations in Quilicura Rodrigo Vallejos, a final‑year law student, first noticed the change five years ago when the once‑lush Quilicura wetland – spanning 468.4 hectares (about 1,200 acres) – began to dry out. He now works with the activist group Resistencia Socioambiental de Quilicura, documenting how the area, once a key urban biodiversity zone, is turning into “a wetland without water.” Water Consumption Numbers: Billions of Litres Drained Annually Experts estimate that the largest data‑centres in the district – operated by Google, Microsoft, Brazilian Ascenty and Chilean Sonda – consume roughly 1.5 bn litres of water each year. The scale is illustrated by the following figures: 33 data‑centres are currently operating, with 34 more planned. Google’s water rights allow extraction of up to 50 litres per second, equivalent to the annual use of 8,500 Chilean households. Water‑based cooling systems dominate, using far more water than air‑cooled alternatives. Ecological and Social Fallout: Why Chile’s Tech Push Risks a Mega‑Drought Crisis The water draw aggravates a national mega‑drought that has persisted for over 15 years. Climate scientist Pablo Sarricolea warns that by 2070 precipitation could fall sharply while average temperatures rise from 15.6 °C to 17.4 °C, increasing evaporation and further stressing water supplies. Residents also point to limited job creation and the lack of transparent reporting on water extraction. Company statements differ: Microsoft claims its Chilean sites rely on air‑based cooling, reducing water use, while Ascenty argues its water consumption equals that of only 16 households. Nonetheless, activists argue that prioritising water for tech firms over local communities raises ethical concerns. Looking Ahead: Relocation, Regulation, and the Future of Chile’s Data‑Centre Strategy Chile’s national data‑centre plan, launched under former President Gabriel Boric, aims to position the country as Latin America’s tech hub. Experts suggest a shift to water‑rich southern regions to balance growth with ecological limits. Stronger industry regulation, transparent water‑use reporting, and investment in air‑cooled or renewable‑energy‑based cooling could mitigate the crisis. Without such measures, the Quilicura wetland may become a stark symbol of how unchecked digital infrastructure can deepen climate vulnerability in already water‑scarce regions.

Spotify's AI Music Strategy Spotify's chief executive has defended the company's move into AI-generated music, claiming it offers users and creators a better alternative to piracy and unregulated AI slop. The New Feature Last week, the platform announced a new feature in which premium users will be allowed to create their own, AI-generated remixes and song covers using music from participating artists. The feature comes as a part of a deal with Universal Music Group that sent Spotify's shares up 16% last week. The Data Analysis Spotify's feature will cost extra money, and allow 'one song to become 10,000', said Norström. There appears to be clear demand for AI-generated music, with three AI-generated songs topping music charts last year, including Spotify's. The Impact Analysis Ed Newton-Rex, a composer and campaigner for protecting artists' copyright, said: 'I think if you are going to have AI music, it's clearly better that you have AI music that is rooted in consent.' However, he also warned that the feature could lead to human artists facing greater competition from AI-generated work. The Prediction Newton-Rex said Norström's decision to frame Spotify's move as a choice to prioritise curated AI content over AI slop elided the more real, pressing competition between human artists and AI-written music. 'The framing is absolutely AI music versus human music. Whenever someone listens to AI music on Spotify, they are not listening to a song that is simply made by a human. There are only so many hours that you listen to music in a day.'

Celebrating Queer Nightlife Through Photography A new photo book titled 'Sex, Clubs, Dissent: Visualising Queer Nightlife' offers a striking defence of the culture-shaping role of snapshots taken inside and after queer clubs. Edited by writer and London dancefloor regular Amelia Abraham, the anthology takes an expansive view of nightlife photography from the 1960s until today. The Book's Diverse Collection The book features contributions from artists such as Wolfgang Tillmans, Sunil Gupta, and Kia LaBeija, showcasing a wide range of nightlife photography. The image selection is cacophonous, ranging from film stills and studio portraits to Grindr screenshots, taking readers on a nonlinear dance through scenes of queer sociality. A Platform for Marginalized Voices The book aims to rebalance the history of queer nightlife, which has often focused on white gay men. The cover features a 1978 photo by Meryl Meisler, 'Two Women Embrace on Floor Next to Jupiter's Legs, Les Mouches, NY', highlighting the intention to include marginalized voices. A Celebration of Queer Expression The book includes a generous selection of images from Del LaGrace Volcano's archive, documenting meetings of leather-clad lesbians in London, as well as never-before-published photos from two trans community archives in Mexico City and Buenos Aires.

Sonny Rollins' Enduring Legacy: 10 Essential Recordings Sonny Rollins, a jazz icon, has left an indelible mark on the music world. With a career spanning over seven decades, Rollins has consistently pushed the boundaries of jazz, showcasing his mastery and innovation. Here are 10 of his greatest recordings: Tenor Madness (released on Craft/OJC, 1956) A 30-year-old Sonny Rollins had already made his unique mark with Miles Davis and Thelonious Monk by the time this 1956 session was cut. Hooking up with his contemporary and admirer John Coltrane happened by chance on the two-tenor blues chase of this album's title. Saxophone Colossus (Prestige, 1957) This writer's first connection with Sonny Rollins' music was occasioned not by music but words: poetic New Yorker writer Whitney Balliett's evocative review of Sonny Rollins' 1957 Saxophone Colossus. Rollins was partnered on this classic set by pianist Tommy Flanagan, bassist Doug Watkins, and bebop-pioneering drummer Max Roach. Way Out West (Contemporary, 1957) When UK jazz musician Courtney Pine was blossoming as a teenage saxophonist in the early 80s, he would recall that Sonny Rollins' 1957 recording Way Out West was a key inspiration. The format was a Rollins favourite in his own early years – the demanding setup of a sax improviser with just bass and drums in support. A Night at the Village Vanguard (Blue Note, 1957) Rollins' live recordings are not as abundant as his genius in open situations deserves, but this music from New York's Village Vanguard makes up a lot of the ground. Freed from the march of chords by the absence of a pianist, he's in storming form in the company of rock-solid bassist Wilbur Ware and soon to be legendary Coltrane drummer Elvin Jones. Freedom Suite (Riverside, 1958) Rollins was never a natural composer – like Miles Davis, he preferred tunes that could be sketched on the back of envelopes. But Freedom Suite was an interesting departure for him, occasioned by the political climate of US race relations and civil rights in the late 1950s. The Bridge (RCA, 1962) Rollins took a creative break between 1959 and 1961, and his return came with The Bridge, named after the eccentric refuge he found: practising alone on New York's Williamsburg Bridge with only passing trains for company. Live at Ronnie Scott's (Gearbox Records; recorded January 1965) Rollins' visits as a solo performer to London's Ronnie Scott's club in the late 50s and early 60s introduced his mesmerising magic to UK audiences, and also helped to galvanise the local scene's confidence at a time when European jazz became increasingly emancipated from the US. Sunny Days, Starry Nights (Milestone, 1984) From the 1980s onwards, Rollins settled into a concert groove that was predictable – by his exacting improvisational standards – and frequently dazzling for audiences new to him. Sunny Days, Starry Nights showcased him with partners who would regularly join him on stage for the rest of his life. This Is What I Do (Milestone, 2000) The best and most affectionately closeup manifestation of Sonny Rollins' genius as he hit his 70s. The saxophonist's later-life partners are present, and so is one of contemporary jazz's greatest drums pioneers in Jack DeJohnette. Without a Song: The 9/11 Concert (Milestone; recorded 2001) Sonny Rollins and his wife, Lucille, lived close to the World Trade Center, witnessed the buildings' collapse on 9/11, and had to evacuate their apartment shortly afterwards. Four days later, the saxophonist performed and recorded this evocative session with his regular sidemen at the Berklee School of Music in Boston.

The Remix of a Classic Words, words, words. Can Hamlet retain its tragic force without using most of them? This hour-long dance-theatre remix by the late South African choreographer Dada Masilo preserves few speeches and its opening is not auspicious, crashing straight into “To be, or not to be” shorn of context and characterisation. The Dance of Ophelia and Hamlet There follows, as is customary, a meeting between the prince and Ophelia, but Masilo replaces the usual cruel encounter with stolen moments amid a ceremony, as if they are meeting anew like Romeo and Juliet at the Capulet ball. Matching each other’s movements, amid clapped hands, thrusting shoulders and rippling chests, they grow closer with a hint of tango footwork. From this flashback, Masilo practically fast-forwards their choreography with a sense of doom. The Emotional Depth of Gertrude Letting the pair share a tender duet reinforces their romance but also heightens the violence of the nunnery scene where they are traditionally first seen together. Masilo adds another new scene to show Gertrude’s despair upon receiving news of Old Hamlet’s death rather than introducing her as sanguinely remarried to his brother. We see her seek strength amid grief, supported by courtiers whose pulsing, grounded movement is a message of persistence. This is dancing felt in the gut. The Impact of Movement and Music Wooed offstage, Gertrude returns for a convivial ceremony where a young couple are ticked off for getting too raunchy on the dancefloor. Movement styles across generations and cultures are blended by Masilo, who drew attention for remoulding ballet’s classics. Her ensemble is often an industrious force, driven by relentless percussion, as each scene breaks like a wave against Thuthuka Sibisi’s compositions. The Tragic Conclusion The latter stages lose focus but the choreography’s omnipresent sense of returning to the earth foreshadows a climax where all are struck down by the kingdom’s collective sickness, stressed by the lighting of Suzette le Sueur (who also provides some of the elegant costumes). It’s a collection of often piercing scenes that never quite establish full collective power – a tragedy out of joint. At Sadler’s Wells, London, until 26 May

The Lead E Jean Carroll, a renowned journalist and author, has come forward with her story of alleged sexual abuse and defamation against former US President Donald Trump in a new documentary titled 'Ask E Jean'. Carroll's Journey to the Courtroom Carroll, 82, alleges that Trump sexually abused her in a dressing room at Bergdorf Goodman in the mid-1990s. She initially confided in trusted friends but buried the memory deep down. However, when Trump branded her a liar and 'whack job', she decided to take him to court. In 2023, a jury found Trump liable for sexual abuse and defamation, awarding Carroll $5m. In 2024, a second jury awarded Carroll $83.3m for defamation regarding Trump's continued social media attacks. The Documentary: 'Ask E Jean' The documentary, directed by Ivy Meeropol, explores Carroll's life as a journalist, author, and advice columnist. It also delves into her experiences as a woman of strong character and deep resilience who refused to be cast in the role of victim or bit-part player in the Trump cinematic universe. The Impact Analysis Carroll's story has significant implications for the #MeToo movement and the conversation around sexual abuse and defamation. Her courage in coming forward has inspired many women to share their own stories of abuse. The Prediction As the documentary gains attention, it is likely to spark further conversation and debate about the issues of sexual abuse, defamation, and the role of women in society. Carroll's story serves as a testament to the power of resilience and determination in the face of adversity.

The Enduring Appeal of Sherlock Holmes In 1893, Sherlock Holmes' older brother, Mycroft, was introduced in The Adventure of the Greek Interpreter by Arthur Conan Doyle. Over a century later, Sherlock Holmes has achieved near-ubiquity, spawning numerous adaptations that stretch his life in various directions. The Recent Surge in Remakes This year alone has seen the release of Prime Video's Young Sherlock and an Enola Holmes threequel. Work has begun on a second series of Sherlock & Daughter, starring David Thewlis, and there are rumors of Robert Downey Jr reprising his role for a third big-screen adventure. The Data Analysis More than 100 years of Sherlock Holmes adaptations have shown no signs of slowing down. Recent adaptations include Sherlock Holmes films by Guy Ritchie, Benedict Cumberbatch's modern-day Sherlock, and Ian McKellen's Mr Holmes. The Impact Analysis The article questions whether the world has reached a Sherlock saturation point, given the numerous adaptations. However, Steven Moffat believes there's always been adaptations of Sherlock Holmes and no loss of appetite for them. The Prediction Despite concerns about saturation, the iconic detective's enduring appeal and the rich characters created by Conan Doyle ensure that Sherlock Holmes will continue to inspire original work. The Sherlock Holmes Society of London welcomes reinterpretations that respect the original texts, suggesting that Sherlock will remain a beloved character for years to come.

The Archers Actors on Their Flower Power Stage Show The actors from the popular rural radio drama The Archers are set to take the stage in a special production marking the show's 75th anniversary. Susie Riddell, who plays Tracy Horrobin, Sunny Ormonde, who plays Lilian Bellamy, and Tim Bentinck, who plays David Archer, sat down with The Guardian to discuss their excitement and nerves about performing live. Characters Come to Life The actors discussed how they bring their characters to life, even in a radio drama. Riddell mentioned that she has to be careful not to betray her true levels of excitement when speaking about the show. The actors also talked about the importance of using their imagination to create the world of Ambridge, where the show is set. From Radio to Stage The actors will be performing a specially written episode, set at Ambridge's annual flower and produce show. They discussed their concerns about adapting to a live stage performance, including what to wear and how to interact with the audience. Bentinck joked about trying to look cool on stage, while Riddell expressed her worry about people reacting to her "gurning" on stage. A Community of Fans The actors emphasized the strong connection they feel with the show's fans, who have been listening for decades. They discussed how the show's characters are very much character-led, and that the listeners have a sense of ownership over the characters. The actors are looking forward to performing in front of a live audience and interacting with fans.