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The Efficacy of UNIFIL Under Scrutiny Beirut, Lebanon – The mandate of the United Nations Interim Force in Lebanon (UNIFIL) ends on December 31, 2026, bringing to an end its 48-year peacekeeping role. This week, Israel advanced deeper into Lebanese territory than at any point since it ended a nearly two-decade occupation of the country’s south in 2000. The UN body’s inability to prevent the invasion has led to questions about UNIFIL’s mandate and its effectiveness in keeping the peace. Background and Criticisms UNIFIL has been attacked by both Israeli and Lebanese actors for various perceived failures. The Israelis often criticise the UN force for failing to disarm Hezbollah or other nonstate armed actors, although Resolution 1701 – the UN mandate for the body in Lebanon – does not stipulate this. Conversely, UNIFIL has also been accused of working against Lebanese armed groups that are fighting Israel. Recent Escalations and Violations Israel intensified its war on Lebanon on March 2, just hours after Hezbollah fired on Israel for the first time in over a year, starting a chain of new disasters for the Lebanese. Since March 2, Israel has killed 3,412 people in the country, according to the Lebanese Ministry of Health, and displaced over 1.2 million, some multiple times. Even before the latest Israeli assault, Israel had violated the 2024 ceasefire more than 10,000 times, according to the UN. The Future of UNIFIL and Beyond Despite the ongoing war, European diplomats have said there is strong support in Europe and Lebanon to continue some form of monitoring body in the country once UNIFIL begins to scale down and end its operation at the end of the year. A variety of options have been proposed as an alternative, including a scaled-down UN force under the United Nations Truce Supervision Organization (UNTSO). However, analysts say that UNIFIL, or a replacement, cannot effectively bring peace to southern Lebanon alone; a political consensus in Lebanon and the wider region is necessary. Regional Implications and Stability Many observers believe Lebanon’s fate is closely tied to peace negotiations between the US and Iran, the primary benefactor behind Hezbollah. No international force is likely to successfully enforce a ceasefire, impose disarmament, or maintain long-term stability unless there is a broader political consensus both within Lebanon and across the region.

PSG's Historic Champions League Win Paris Saint-Germain's victory in the Champions League final on Saturday has catapulted them into an elite group of European football teams. Since 1990, only Real Madrid had successfully defended the Champions League, winning three consecutive titles between 2016 and 2018. PSG's win, although on penalties, showcases their quality and cements their status as one of Europe's best. The Event Details PSG's journey to the title was impressive, with notable victories against top teams. They thrashed Bayern 6-1 in the semi-final, demonstrating their superiority. In the quarter-final, a 4-0 aggregate win over Liverpool highlighted their dominance. Their midfield, led by Fabián Ruiz, showed great control and possession, reminiscent of Spain's great teams. The Data Analysis PSG's squad depth and freshness were key factors in their success. While many of their European rivals, like Arsenal, had players logging over 2,500 minutes of league soccer this season, PSG's starting XI had relatively fewer minutes played. Their significant wage bill, roughly double that of the next highest in France, has enabled them to assemble a talented and young team. The Impact Analysis PSG's success raises questions about the balance of French football and the impact of their wealth on the domestic league. Their Qatari ownership has transformed the club, but this success comes with concerns about the game's community and spiritual values. PSG's model, built on substantial investment, contrasts with traditional footballing values. The Prediction Looking ahead, PSG's young and talented squad, with most players under 25, suggests they will remain competitive for years to come. However, their continued dominance and the implications of their wealth on French and European football will be closely watched. As the football world grapples with the end of the Guardiola era, PSG's model, under coach Luis Enrique, may offer a glimpse into the future of European football.

The Profile in Courage Award and the Independence TestFormer Federal Reserve Chair Jerome Powell issued a stark warning on Sunday, declaring that a single act of political interference in monetary policy could permanently erode the public's trust in the central bank. Speaking in Boston to accept the 2026 John F. Kennedy Profile in Courage Award, Powell described the institution as undergoing a critical 'stress test.'He emphasized that legal protections shielding monetary policy from politics have historically served the public well across administrations of both parties. However, Powell argued that if any administration finds a way to remove Fed officials over policy disagreements, future administrations will inevitably follow suit, creating a dangerous precedent for executive overreach.The Lisa Cook Case and Constitutional PrecedentThe speech comes at a pivotal moment as the Supreme Court weighs a highly anticipated decision on the fate of Fed Governor Lisa Cook. Trump attempted to fire Cook last August, marking the first time in the Fed's history that a sitting president sought to remove a sitting governor. Powell noted that the court's upcoming ruling is 'perhaps the most important legal case in the Fed's 113-year history.'The Legal Basis: Trump cited 'deceitful and potentially criminal conduct' regarding mortgage transactions, though Cook denied any wrongdoing.Market Implications: Powell warned that removing Cook would signal that the Fed is not independent, leading to a loss of credibility and a potential constitutional showdown.The Future of Central Bank AutonomyPowell argued that Fed officials hold office with legal protections against removal and serve long terms unrelated to the four-year presidential election cycle to insulate decisions from political pressure. By quoting philosopher Edmund Burke—who noted that democratic institutions take time to build but can be torn down quickly—Powell highlighted the fragility of this independence.With the Supreme Court expected to rule before its summer recess, the global economy faces an uncertain future where the Fed's ability to make decisions based solely on economic analysis, rather than political winds, hangs in the balance.

The Birth of a Classic The Bluetones' lead singer Mark Morriss and guitarist Adam Devlin share the story of their hit song 'Slight Return', from its humble beginnings to its massive success in the 90s. Mark Morriss' Vocals and the Song's Early Days We were still a three piece: Adam Devlin, my brother Scott and myself. We hadn’t met Eds Chesters yet, so we didn’t have a drummer. We were spending a lot of time writing songs, trying to hone this west coast, mid-60s, Crosby, Stills & Nash sound – even though it was the 90s and we were from Hounslow in London. Slight Return was the fourth or fifth song we wrote. Scott wrote the chord progressions and structure, but didn’t have any words or melody. He recorded guitar into a cassette player, then played that back on a second cassette player so he could record himself playing along to what he’d just recorded, in a very rudimentary way of four-tracking. We liked it, but we weren’t skipping around the room going: “My God, we’re going to be millionaires.” That came later. The Song's Rise to Fame It went down well at our early shows. It was catchy and memorable. We recorded a demo version and sold it on blue 7-inch vinyl at our gigs. When we got signed to A&M, they were keen for it to be a single, but we felt like it would be short-changing our fanbase, which was about 200 people, who had already bought it. We had to be talked around by the label, who said: “We can hear it being played on the radio.” But they wanted us to change the song’s name because Slight Return isn’t actually in the lyrics. The title in part refers to the last line of the song: “I’m coming home but just for a short while.” It’s also a kind of sideways tribute to Jimi Hendrix’s Voodoo Child (Slight Return). When we finally succumbed and let them release it as a single, lo and behold, it went ballistic. Adam Devlin's Perspective on the Band's Journey We thought we could write half-decent songs, so we cobbled together a set that would get us on the London circuit. I remember Scott bringing in a faster, simpler version of Slight Return. I fleshed out the guitar parts and put in a guitar solo. Mark worked out the vocal melodies, and we added a coda – the instrumental that fades out at the end, which originally had a sample from Tom Courtenay in Billy Liar, which was all very 60s. We had very different ideas from the record label and thought Can’t Be Trusted should have been the single. By then, I was living in another shared house in Wimbledon that didn’t have a washing machine. I was in the launderette when our manager phoned and said: “You’ve gone in at No 2.” I don’t think we were ready for it being so successful. The Legacy of Slight Return We've been playing it for 30 years. One tour, we’d got so bored with it, we didn’t even play it, which was a mistake because people thought we’d gone up our own arses. We learned our lesson: it’s the song everyone wants to hear. People get confused because Slight Return isn’t actually in the lyrics. I was at a farmers’ market recently when one of the stallholders said: “You were in that band who sang Where Did You Go?” I said: “Yes, but that’s not what it’s called.”

The Unbearable Loss I woke up beneath the rubble, surrounded by darkness, dust, collapsed concrete and the screams of my six-year-old son Nasser crying hysterically above the ruins, trying to reach my buried fingers. In those moments, I believed I was dying. What I did not yet know was that a part of me had already died. The Fate of My Children When I emerged, I discovered that my 51-day-old baby Ryan had been recovered lifeless after spending more than an hour trapped under the debris. His body was so small that I wrapped him in part of my own clothing, afraid he would feel cold. I was told Yaman, my seven-year-old, had suffered only minor injuries and had been taken to the hospital. The truth, however, was that my little boy had died before reaching it. A World That Failed Like countless mothers in Gaza, I had feared hunger for my children. I had feared displacement, terror and interrupted education. But despite everything, I never dared to think of death. Ryan never had the chance to grow up and enjoy his childhood. The Data of Loss 21,000 Palestinian children massacred Thousands of other Palestinian mothers have had to bury their children since January 2024 The Impact on Survivors My surviving son, Nasser, became an only child after losing both his brothers. He spends long hours staring silently at photographs of Yaman on a mobile phone as though he is trying to understand how a child can disappear so suddenly. A Call to Action Why have all of these special days, organisations and laws when they do nothing to stop the massacres of children? Ryan and Yaman were taken away from me in January 2024. Thousands of other Palestinian mothers have had to bury their children since then.

The Passing of a Rugby Legend John Kear, the rugby league broadcaster and former Challenge Cup-winning coach, has died at the age of 71. The Rugby Football League announced that Kear died suddenly on Sunday on his return from covering Wigan’s Challenge Cup victory at Wembley for the BBC. A Coaching Career Spanning Decades Kear led nine clubs across a coaching career lasting more than 700 matches, masterminding a shock win for Sheffield Eagles in 1998 and then steering Hull FC to glory in 2005. Tributes from the Rugby Community Nigel Wood, chair of the RFL said: “On behalf of the whole sport, our thoughts and condolences are with John’s wife Dawn, his family and with those who played or worked alongside him over the last 50 years. Coached England in the 2000 World Cup, Wales in the 2017 and 2021 World Cup Oversaw Challenge Cup victories at Sheffield Eagles and Hull FC Took Batley Bulldogs to the Championship Grand Final A Legacy in Broadcasting and Coaching Kear, who played for a decade as an outside back at Castleford before his long spell in the dugout, retired from coaching in 2025 after a second stint at Batley. The Yorkshireman also tried his hand at international level, coaching England, Wales and France over the course of his career. Reaction from Hull FC Hull FC’s chief operating officer Tony Sutton joined the tributes, adding: “He was a true rugby league man through and through, with a deep knowledge of the game, who always had time to stop for a chat whenever you saw him.

The LeadWhen Keir Starmer won a landslide Labour majority promising to pursue five governing "missions", the high-profile leftwing economist Mariana Mazzucato was credited as an inspiration. Two years on, her bracing new book helps shed light on why Labour in power has struggled to project the sense of direction that "mission-led government", as Mazzucato calls it, requires.A New Framework for Economic PolicySynthesising and extending her earlier work, here she proposes "a new economics of collective action around the common good". From this perspective, the economy is not a concatenation of rapacious independent forces, to be contained and offset by public policy, but a project – or rather a series of projects – with direction and purpose.The Five Principles of Common Good EconomicsThe "compass" in the title is really a set of five principles, all of which Mazzucato says such an economy should have: purpose and "directionality"; co-creation by citizens; collective learning; reward sharing; and accountability. Each of these principles is set out in detail. Co-creation implies grassroots participation in designing and redesigning government programmes, for example – because, "when people help define a problem and develop and implement solutions, they see them as theirs rather than something imposed on them".Reward Sharing and PredistributionReward sharing means ensuring the creators or rightful owners of economic value stand to benefit: from Indigenous people whose homes lie near raw material deposits, to social media users whose data fuels Big Tech's profits. That implies radical tax reform – including greater use of wealth taxes – and the robust use of conditions in public contracts, to make sure workers and taxpayers get their fair share: an approach she calls "predistribution".Critique of Labour's Economic ApproachAccording to Mazzucato's definition, Labour's attempt at mission-led government badly missed the mark. Its first and overriding goal – "kickstart economic growth" – cannot be a "mission" at all, because it lacks the necessary purpose. What, in other words, is that economic growth meant to be for? While her scope in this ambitious book is global, the analysis also dismantles Starmer's claim to be pursuing national "missions", by setting out just how radical – and radically different – that would look in practice.Practical Examples and Global Applications"The seeds of transformation are everywhere," she says, citing inspiring projects that range from delivering healthy and sustainable school meals in Sweden to the EU's mission to support cities to become climate-neutral, to the international Nagoya Protocol on sharing the benefits of genetic resources and traditional knowledge. Echoes of Mazzucato's mindset are detectable in some Labour policies – from using the threat of legislation to cajole pension funds to invest more in UK assets, to writing conditions on youth training into clean energy contracts.The Future of Economic DirectionEconomies work best, she believes, when they pursue grand collective goals – developing and distributing a vaccine for a pandemic; or confronting the climate emergency (or, though she doesn't lean on the example here, tooling up for a new and more frightening geopolitical era). We should ask, she says, "not which market failure do we want to be fixed, but what direction do we want the economy to sail in".

The Historical Clean SweepNew South Wales has secured the first whitewash in Women's State of Origin since the series shifted to three matches in 2024, after grinding out a 12-4 victory over Queensland on the Gold Coast in game three. The scoreline flattered the home side, who were clearly second best against the shield holders, and have now lost back-to-back series. But they hung with the Blues until Jayme Fressard's try with 17 minutes to go which proved to be the match-winner.The Decisive MomentThe Blues' fifth-tackle spread looked to be going nowhere, but when the imperious Isabelle Kelly off-loaded to her winger, Fressard capitalised on the Maroons' tired defense. She surged down the inside, slicing up the Queenslanders and sliding across to trigger the Blues' celebrations. The winger told Channel Nine she wanted to make up for an earlier missed opportunity. "I'd seen a few Queenslanders and a big space, and I thought, you know, just back yourself, you've got the speed, so I wasn't bombing that one," Fressard said.Series Statistics and PerformanceThe series result represented an unfortunate opening to the Origin coaching career of Queensland's Nathan Cross, who was brought in this year to replace Tahnee Norris. Despite the 3-0 result, the Maroons were in each contest, and the combined margin across the three matches was just 17 points. Instead, the sweep was another endorsement for John Strange, who has now won five of six matches in the series.Impact on Women's Rugby LeagueEven after Fressard's try pushed the lead to eight, the Blues still had work to do. With seven minutes to go, the Maroons had three successive sets on the Blues line, and both Blues wingers – Fressard and Jaime Chapman – prevented the Maroons from turning grubbers into tries. Though her fellow Blues forward Yasmin Meakes won the player of the series award, lock Olivia Kernick had a night to remember, topping counts for tackles (33) and run metres (199).Future Outlook for Both TeamsDespite the result, the Maroons can have cause for optimism. Five-eighth Chantay Kiria-Ratu only became more confident in her first Origin series, and on Thursday her ball-playing and running began to match her already elite kicking and defense. NSW dominated the first half but took 26 minutes to find the opening try, with Kelly – named player of the match on Thursday – crossing after Southwell ran deep into the Maroons' retreating goalline defense.

The Dance Challenge: A Weekend Immersion As I wait for my first Cuban salsa class to begin, I have the distinct feeling that I am poorly prepared. I'm wearing heavy jeans, a bulky woollen sweater and boots. I have never done a dance class in my life – or any kind of exercise class. I don't know anything about salsa, Cuban or otherwise. Standing alone, I notice that everyone has come with at least one friend, and begin to suspect that it takes two to Cuban salsa. This year, Rising festival – Melbourne's winter arts offering – has consolidated its longstanding dance focus into a mini-festival: the inaugural Australian Dance Biennale, showcasing Australian and international work. There's also a series of dance classes, romantically titled The Land of 1000 Dances, held in the romantically decrepit Flinders Street Ballroom. Running daily until 7 June, with classes costing $29 a pop, the diverse schedule includes Afro-fusion, ballroom, voguing, waltz and K-pop for teens and tweens. From Salsa to Shuffle: A Dancer's Journey As an audience member, I am an avid appreciator of dance; as a participant, I can most kindly be described as "curious" but uncoordinated. What if I went to a bunch of dance classes and then wrote about it? Precisely 24 hours before my first class, the misgivings begin – doing my first dance class while dressed for the show I'm seeing directly afterwards sounds like a bad idea. At the ballroom, I am briefly reassured: the crowd is a diverse mix of ages, genders and bodies, and hardly anyone is wearing dance-appropriate clothing. But the class itself is a blur – sometimes literally – as I try to learn and enact the cucaracha, the guapo and other basic Cuban salsa moves; attempt to locate the beat, my hips, any sense of coordination at all. Every time I feel as though I'm starting to get the hang of something, the instructor adds a new step. Then he corrals us into pairs – and a series of new moves, yelling "change partners!" every three minutes. Going solo, it turns out, is fine: everyone is friendly; many seem as unsure as I am. Some are nailing it but there's a sense of camaraderie: we're all in this together. That said, we're all a bit too sweaty to be holding each other. The Social Dynamics of Dance Classes I move from absolute befuddlement, through occasional moments of triumph, to a sense of quiet despair. A move that involves a 360-degree rotation to an eight-count almost breaks my spirit and I consider quitting. To my surprise, this awakens a latent fighting spirit: screw the rules, I'm doing it my way. I experience brief elation. Then we change partners and I find myself in a cursed duet involving four left feet. The elation shrivels. The class ends and I run to the theatre feeling like a dank, demoralised biohazard. I spend the next hour watching a show by the Irish choreographer Oona Doherty featuring a mix of professional, student and untrained dancers – and I mentally salute them all, with a newfound appreciation for the dark art of dance. Finding Joy in Movement I approach my next class, Melbourne shuffle, with a sense of dread. Not only do I now know how bad I am but I have agreed to be photographed. And I made the choice without knowing anything about the Melbourne shuffle, mistakenly assuming it was somewhere in the ballpark of the city's other great cultural tradition. This feeling I am experiencing, I discover, is known as "endorphins". The physical exertion, the mental focus required, the social connection – it all combines to create a chemical cocktail that makes the experience worthwhile despite the occasional humiliation. By the end of my dance weekend, I haven't become a dancer, but I've gained a profound respect for those who are. The Australian Dance Biennale and The Land of 1000 Dances offer not just entertainment, but an invitation to participate, to challenge oneself, and to discover new dimensions of movement and expression.