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Despite a ceasefire that has been in place for seven months, Israeli attacks have killed several Palestinians in the Gaza Strip over the past two days. The violence has resulted in the deaths of at least six people, including brothers Abdelmalek and Abdel Sattar al-Attar, who were killed in an Israeli drone strike in Beit Lahiya.Nine-year-old Saleh Badawi was also shot dead by Israeli forces in the Zeitoun neighbourhood east of Gaza City. Additionally, Mohsen al-Dabbari, 38, was killed by Israeli fire south of Khan Younis.On Friday, three more Palestinians were killed, including brothers Mohammed and Eid Abu Warda, who were shot dead on Mansoura Street in the Shujayea neighbourhood east of Gaza City. An Israeli drone strike on a water desalination facility in the same neighbourhood killed one Palestinian and wounded several others.The Gaza Government Media Office has reported that Israel has committed 2,400 violations of the ceasefire, which began in October. These violations include killings, arrests, blockades, and starvation policies.The violence has also spread to the occupied West Bank, where Israeli forces and settlers have carried out raids and attacks. Israeli settlers set fire to two vehicles during an attack on Palestinian homes in the southern West Bank, while Israeli forces stormed ar-Ram town north of Jerusalem and arrested a number of Palestinians.The United Nations has expressed concern over the continued violence, with UN Women reporting that an average of at least 47 women and girls were killed each day during the war in Gaza.

Richard Wagner’s near‑death at sea in 1839 inspired the legend of the cursed ghost ship that underpins The Flying Dutchman. The Welsh National Opera (WNO) brings this myth to life in a fresh production that treats the libretto as a poetic meditation on birth, love, and mortality. Directed by Jack Furness, the opening scene intertwines a woman’s labor with the overture’s turbulent surges, symbolising the birth of Senta—destined to lose her mother and become haunted by the Dutchman’s promise of redemption, which can surface only once every seven years. Visual motifs—circling movements, blood‑red dresses echoing the ship’s sails—reinforce the cyclical fate of both protagonists. Designer Elin Steele and lighting designer Lizzie Powell conjure stormy seas and mist without literal ships, allowing the audience to focus on the raw emotions conveyed by the singers. Minimalist set pieces, occasional gold‑dust flourishes, and precise costume changes keep the drama tight and immersive. The cast delivers a musically rewarding performance. James Creswell shines as Daland with crystal‑clear German diction, while Simon Bailey portrays the tormented Dutchman with a compelling blend of menace and sympathy, especially in the final act. Rachel Nicholls as Senta offers a believable, passionately deluded love, delivering bel canto lines with immaculate pitch. Tenors Trystan Llŷr Griffiths (the Steersman) and Leonardo Caimi (Erik) make strong impressions, though the opera’s numerous choruses feel over‑extended. The WNO orchestra, under the authoritative baton of outgoing music director Tomáš Hanus, creates a convincing tempest that underpins the drama. Facing a thin 2026/27 season, the company is eager to prove its vitality, making these performances a must‑see—though audiences should not anticipate a conventional resolution. Staging dates include the Wales Millennium Centre in Cardiff (19 April), Theatre Royal Plymouth (24 April), Birmingham Hippodrome (7 May) and Milton Keynes Theatre (15 May).Review by Rian Evans, The Guardian, 17 April 2026.

From my home in Hawai‘i, the reef is more than a backdrop—it feeds families, shields shorelines, and anchors our culture. Today that vital connection is under unprecedented threat. Scientists report the most extensive coral‑bleaching episode ever recorded, persisting for 33 months into 2025. At a projected 1.5 °C rise in global temperatures, the IPCC warns that up to 90% of the world’s coral reefs could disappear. That temperature threshold is not a distant projection; it is looming now. Even if climate targets are eventually met, reefs continue to be battered by plastic waste, coastal development, agricultural runoff, and overfishing. Their degradation weakens natural storm barriers, leaving coastal communities more vulnerable to floods and erosion, jeopardising homes, jobs, and cultural heritage. In Hawai‘i we speak of kuleana—a generational duty to protect what sustains us. That principle must expand to every person on the planet: caring for reefs is caring for ourselves. On the ground, communities in French Polynesia have shown that, when equipped with the right tools, they can actively restore damaged reefs. Likewise, my collaboration with the Global Fund for Coral Reefs and the UN Environment Programme demonstrates how targeted financing can create sustainable livelihoods, boost marine conservation, and help coastal societies rebound after extreme weather. Time, however, is not on our side. The next twelve months could become a defining turning point for coral ecosystems. New scientific findings and a series of high‑profile gatherings—including the Kenya Ocean Conference, the International Coral Reef Symposium in New Zealand, and the upcoming Global Coral Reef Summit—will focus world attention on reef survival. The responsibility now lies with governments, businesses, and individuals alike. Proven actions include: cutting carbon footprints, eliminating plastic leakage, protecting keystone species, supporting reef‑positive enterprises, investing in resilient coastal economies, enacting protective legislation, and amplifying public advocacy. Moments like 2026 are not just about pledges; they are about swift, measurable change. Coral reefs cannot wait for perfect plans—they need us to act now, embodying the spirit of kuleana for the sake of our children and the ocean that sustains us. Jason Momoa is an actor, filmmaker, and UNEP Advocate for Life Below Water, dedicated to protecting oceans and raising global awareness of coral‑reef conservation.

Crystal Palace turned a daunting 3‑0 first‑leg deficit into a triumphant advance after fending off a determined Fiorentina side in the second leg of the UEFA Europa Conference League quarter‑final. The match began with Ismaïla Sarr opening the scoring early, giving the South London fans a glimmer of hope. Despite losing Adam Wharton and Maxence Lacroix to injuries before the break, Palace maintained composure and kept Fiorentina at bay. Fiorentina, managed by Paolo Vanoli, reduced the aggregate gap to two goals with about thirty minutes remaining, sparking a tense period. However, Palace’s defence, anchored by David de Gea in goal, held firm, denying further breakthroughs. Key moments included a penalty conversion by Albert Gudmundsson and a crucial save from de Gea after a wayward strike by Daniel Muñoz. Palace also benefited from a disciplined performance by goalkeeper Dean Henderson, who thwarted several Fiorentina attempts, including a long‑range effort from Cher Ndour. In the second half, manager Oliver Glasner introduced Norwegian striker Jørgen Strand Larsen, who replaced Jean‑Philippe Mateta, adding fresh impetus to the attack. Although Fiorentina pressed hard, Palace’s makeshift defence weathered the storm, and a late header from Roberto Piccoli sailed over the crossbar, sealing the result. With the aggregate score favoring Palace, the club now prepares for a semi‑final clash against Shakhtar Donetsk, marking a remarkable milestone for a side that, just a year ago, was still awaiting its first major trophy. Fans celebrated the achievement under the Tuscan sun, with vibrant displays of red and blue flags and flares organized by the Holmesdale Fanatics, highlighting the growing passion surrounding Palace’s European adventure.

Aaron Pierre delivers a storming, almost hypnotic performance as Randle P. McMurphy, instantly igniting the stale atmosphere of a 1960s American psychiatric ward. His swagger‑filled stride and sudden, childlike scampers create a compelling contrast that keeps the audience on edge.From the opening moments, McMurphy clashes with the authoritarian Nurse Ratched (Olivia Williams), provoking the other patients to rebel, play, and celebrate life beyond the ward’s walls. Pierre’s physicality—alternating between boisterous hugs and a frantic, vulnerable laugh—captures the character’s chaotic charisma.Director Clint Dyer, fresh from his acclaimed 2022 Othello, reshapes the narrative by casting the inmates almost entirely with Black actors. This choice injects a fresh political dimension, turning the patients into “pawns in a system designed to disempower.” Each time Ratched addresses them as “boys,” the line feels like an implicit sneer.While the script does not overtly discuss race—apart from Chief Bromden’s (Arthur Boan) Indigenous background—the production foregrounds the systemic misogyny embedded in both the novel and the 1963 Dale Wasserman adaptation. McMurphy’s mantra, “I fight and fuck,” teeters between liberated individualism and a problematic reclamation of alpha‑male tropes.Olivia Williams, who stepped into the role of Nurse Ratched late in rehearsals, gives the character a “ramrod spine and starched smile.” Her performance underscores the unchecked cruelty of a regime where the doctor (Matthew Steer) is a peripheral, snickering figure, leaving Ratched’s authority unchecked and increasingly vicious.Ken Kesey’s own experience as a government‑run LSD guinea‑pig informs the play’s visceral critique of psychiatry. The production’s lighting, designed by Chris Davey, erupts in scarlet and blue hues that echo the anti‑psychiatry movement of the 1960s, while the depiction of medication, group therapy, and electroconvulsive therapy feels deliberately brutal.Staged in the round at the Old Vic, the audience becomes a “ring of often appalled observers.” Ben Stone’s set design, with its white and pond‑green tiles beneath a soaring ceiling, creates a claustrophobic floor that simultaneously aspires upward—mirroring the characters’ yearning for freedom.The ensemble, led by Giles Terera’s refined Dale Harding, adds subtle layers of tension through nuanced tics and gestures. Dyer bookends the show with a reference to Congo Square in New Orleans, a historic site of Black and Indigenous resistance, framing the play’s cruelty through a lens of cultural resilience—though the production remains largely filtered through a male gaze.The production runs at the Old Vic until 23 May 2026, offering London audiences a bold, politically charged reinterpretation of a classic American drama.

The UK economy demonstrated resilience with a 0.5% growth in February, surpassing the 0.1% forecast by economists. This growth was primarily fueled by a strong performance from the services sector and manufacturing, both of which posted 0.5% growth, and a recovery in construction output, which was up 1%.The Office for National Statistics (ONS) reported that the economy had been gaining momentum before the Iran war dashed hopes of recovery. The growth in the three months to February was 0.5%, up from 0.3% in the three months to January, indicating strengthening growth.Grant Fitzner, the ONS chief economist, noted that growth was driven by broad-based increases across services, with wholesaling, market research, hospitality, and publishing performing well. The recovery of Jaguar Land Rover from a cyber-attack also contributed to the improving three-monthly picture.However, economists have downgraded forecasts for UK growth in 2026 due to soaring oil and gas prices resulting from the Iran war. Business and consumer confidence have declined sharply, and investors believe interest rates may have to rise to restrain the inflationary impact of the war.Martin Beck, chief economist at WPI Strategy, warned that February's growth might be the calm before the storm, with the conflict in the Middle East likely to drag overall Q1 growth down. Suren Thiru, chief economist at the ICAEW, also predicted that March would see a decline in economic activity due to skyrocketing fuel prices and supply chain chaos.

Marwan Barghouti, a prominent Palestinian leader and senior figure in President Mahmoud Abbas' Fatah movement, has been subjected to a series of violent assaults while serving a life sentence in Israeli prisons since 2002.According to his lawyer, Ben Marmarelli, Barghouti experienced three assaults over March and April, indicating a pattern of escalating violations. On April 8, he was severely beaten in Ganot Prison, left to bleed, and denied medical attention.On March 25, Barghouti was assaulted while being transferred from Megiddo Prison to Ganot. A day earlier, guards stormed his cell with a dog, forcing him to lie on the floor, and then the dog repeatedly attacked him.The conditions of his captivity have been described as harsh and inhumane, with Marmarelli and Barghouti forced to communicate through a glass partition. Despite this, Barghouti remains sharp-minded, focused, and fully engaged in following events outside the prison.Barghouti, regarded as a likely key player in the creation of a Palestinian state due to his ability to unite various political factions, is serving five life sentences for alleged attacks during the second Intifada.His treatment has raised concerns, particularly with a new Israeli law approving the one-sided use of the death penalty targeting Palestinians, which has sparked fears of a mass execution of captives held on 'terror' charges.

Haiti has entered a period of national mourning following a tragic stampede at the historic Citadelle Laferriere in the northern part of the country. At least 25 people lost their lives in the chaos that erupted at the entrance of the citadel on Saturday, as a mix of visitors attempted to exit and enter the site.The Ministry of Culture and Communication has taken swift action, firing two government officials in the aftermath of the disaster. One, a director at the Institute for the Preservation of National Heritage, was accused of 'serious negligence,' while the other, a Ministry employee, was criticized for 'biased passivity.'The government has stated that it believes the tragedy was the result of administrative negligence and has vowed to 'fully assume its responsibilities.' The event has sparked widespread outrage and highlights the multiple crises facing the Haitian government ahead of its general elections later this year.The stampede was exacerbated by stormy weather conditions, with heavy rain battering northern Haiti and prompting event participants to seek shelter. The inclement weather also caused flooding in other parts of the country, resulting in approximately 12 additional deaths and 900 homes being inundated.This tragedy is the latest challenge for Haiti, which has been grappling with gang violence and political instability, particularly since the assassination of President Jovenel Moise in 2021. The situation has led to 16,000 deaths and 1.5 million displaced since 2022, according to UN reports.

The Al-Aqsa Mosque compound in Jerusalem reopened on April 9, allowing over 100,000 Muslim worshippers to perform Friday prayers for the first time since the conflict began on February 28. However, the celebrations were marred by an overwhelming Israeli security presence and police violently detaining Palestinian Christian scouts during processions.Israeli National Security Minister Itamar Ben-Gvir stormed the Al-Aqsa compound under police protection on April 7 and 12, performing Jewish religious rituals and declaring himself the 'master of the house.' This move was condemned by Jordan's Foreign Ministry as a violation of the site's status quo.In the Gaza Strip, Israeli air strikes and artillery fire continued despite the Iran ceasefire. On April 8, Israeli forces killed Al Jazeera journalist Mohammed Wishah in a drone strike, bringing the total number of Palestinian media workers killed since October 2023 to at least 262.The Gaza Ministry of Health reported that 754 Palestinians have been killed and over 2,100 injured since the October ceasefire, with a cumulative official death toll of 72,333 since October 7, 2023. The humanitarian crisis deepens with long bread lines and insufficient aid, while the Nasser Medical Complex faces fuel shortages and rationed electricity.Diplomatic efforts continue, with Hamas discussing the implementation of the ceasefire's second phase with the Board of Peace envoy in Cairo. However, settler violence and Israeli military actions persist, with 34 new settlements approved across the West Bank, bringing the total to 102 under the current government.