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Olivia Rodrigo returns with “Drop Dead,” a single that instantly grabs listeners with a razor‑sharp lyric about online stalking and instant infatuation. The opening couplet—“One night I was bored in bed / And stalked you on the internet”—sets a tone of modern romance that feels both playful and unnervingly catchy.The 23‑year‑old, who burst onto the global stage in 2021 after a Disney Channel stint, has built a reputation for “acute, obsessive” love songs that balance self‑awareness with raw emotion. Her debut “Drivers License” cemented her as a heartbreak anthem, while the pop‑punk edge of her first album Sour and the riot‑grrrl‑infused follow‑up Guts displayed her versatility.“Drop Dead” marks a decisive pivot from the punk‑kiss‑off expectations that surrounded her recent breakup. Instead of a straightforward revenge track, the song delivers a “gorgeous rush of romantic intensity,” aiming to freeze a fleeting moment before plunging back into it with relentless momentum.The track’s production, helmed by longtime collaborator Dan Nigro, layers lush strings and bright power‑pop guitars, creating a sound that feels “one bauble short of festive.” Critics note a vocal delivery that stays in Rodrigo’s highest register throughout the chorus, with melodic bends that echo both Chappell Roan’s maximalism and Taylor Swift’s signature style.Visually, the music video—directed by Petra Collins and filmed at the Palace of Versailles—portrays Rodrigo as a runaway figure reminiscent of Sofia Coppola’s “Marie Antoinette” and Emma Corrin’s Diana in “The Crown.” The lavish setting amplifies the song’s theatricality.Adding a rock pedigree, the single includes a subtle nod to Rodrigo’s friendship with The Cure’s Robert Smith, referencing his classic “Just Like Heaven.” Their rapport, highlighted in a recent Vogue cover story, underscores Rodrigo’s expanding artistic circle.Overall, “Drop Dead” blends maximalist pop production, romantic lyricism, and rock‑infused credibility, delivering a track that feels both instantly addictive and deliberately chaotic—mirroring the messy emotions it portrays.

A Senate vote on Wednesday failed to block a proposed sale of military bulldozers to Israel, with the measure losing 40‑59. Only seven Democrats crossed party lines to side with the Republican majority, underscoring a notable, though limited, shift in congressional sentiment.Progressive Senator Bernie Sanders introduced the bill amid mounting outrage over Israel’s use of bulldozers to raze villages in Gaza and Lebanon—actions described by rights groups as ethnic cleansing. While the resolution did not pass, 36 Democratic senators also backed a separate effort to stop 1,000‑lb bombs from reaching Israel, more than double the support such measures received last year.Advocacy organizations seized on the vote as a historic moment. Hassan el‑Tayyab of the Friends Committee on National Legislation said the tally shows a majority of Senate Democrats now oppose unconditional aid, aligning with broader American opinion. A recent Pew Research Center poll found 60 % of U.S. adults hold unfavorable views of Israel, with even higher negativity among voters under 50.Republican senators remained uniformly opposed. Senator Rick Scott accused the Democratic supporters of siding with terrorism, arguing that the blocked sales would have helped allies confront threats. The partisan divide highlights the political risk for Republicans who break with former President Donald Trump on Israel policy.Prominent lobbying groups also weighed in. The pro‑Israel lobby AIPAC warned that curbing arms sales would jeopardize Israel’s security, while liberal Zionist organization J Street welcomed the growing willingness to question unconditional assistance. Jewish Voice for Peace’s political director Beth Miller called the vote an "inflection point," suggesting it reveals "massive cracks" in the long‑standing U.S.–Israel alliance.Within the Democratic caucus, Senate Majority Leader Chuck Schumer faced criticism for voting against the resolution, prompting calls from progressive lawmakers like Rep. Ro Khanna for his resignation. Demonstrators outside Schumer’s and Sen. Kirsten Gillibrand’s offices demanded they support the bill, reflecting intensified grassroots pressure.The episode signals a potential realignment in U.S. foreign‑policy calculations. As public fatigue with the Gaza war, the Lebanon conflict, and the stalled Iran confrontation grows, lawmakers appear increasingly wary of using American tax dollars to fund overseas military operations that could entangle U.S. troops and erode domestic support.

Former Arsenal goalkeeper Alex Manninger has died at the age of 48 in a car accident in Austria. Manninger, who helped Arsenal win the Double in 1998, was capped 33 times by Austria and played for several clubs including Red Bull Salzburg, Espanyol, and Liverpool.The accident occurred at around 8:20am local time when Manninger's car was hit by a railcar while crossing a railway crossing. Despite efforts to resuscitate him, Manninger was pronounced dead at the scene.Manninger's former clubs and teammates paid tribute to him, with Arsenal posting: “All our thoughts are with his family and loved ones at this incredibly sad time. Rest in peace, Alex.” Liverpool FC also expressed their sadness, stating: “Liverpool FC is deeply saddened by the passing of former goalkeeper Alex Manninger at the age of 48. The thoughts of everyone at LFC are with Alex’s family and friends at this difficult time.”The Austrian Football Association mourned his death, describing him as an “outstanding” servant to Austrian football. Its sporting director, Peter Schöttel, said: “Alexander Manninger was an outstanding ambassador of Austrian football on and off the pitch. With his international career, he has set standards and inspired and shaped many young goalkeepers.”Former Italy keeper Gigi Buffon, who played alongside Manninger, paid his own tribute on Instagram, writing: “Dear Alex. Every word is superfluous. Every tear would be just another for the loss of a friend and someone I’ve always admired. You chose to remain independent from the addiction of the world of football, seeking your happiness in the simple things: a healthy life in the woods, fishing, nature, family. This was your credo.”

In a bid to regain control over their digital lives, people are attending 'cybersecurity disguised as a party' events, where they learn how to mitigate their vulnerability to surveillance through major tech services.Imani Thompson, a 26-year-old cybersecurity organizer, leads these events, which include activities like DJ sets and dancing, to make learning about digital security more approachable and fun. The events, organized by groups like the New York City-based tech organizing coalition Cypurr Collective, aim to help attendees understand how to protect their personal data and break free from the grip of big tech companies.61% of Americans are concerned about their digital security, but only 33% are actively doing something about it, according to a YouGov poll. These tech privacy-focused conferences, workshops, and meetups are giving people the support and agency to protect their information without giving up the tech that underpins modern life.The services people rely on to message their friends, shop, or navigate a new city can make our lives easier and more connected, but they also leave us extraordinarily exposed. The data that tech companies sweep up from our online activities allows them to infer precise details about us, which is then broadcast to thousands of companies worldwide through real-time bidding auctions.To combat this, activists are teaching communities how to regain agency over their digital lives by using more secure, transparently run platforms or even building their own digital tools. Organizations like Resist Tech Monopolies (RTM) in Seattle and Co-op Cloud, an international tech federation, are part of this movement.RTM has seen an explosion of interest recently, with a growing number of people from political and grassroots groups wanting to train their members or community on digital security. The group offers community events like book clubs, movie nights, and open office hours, as well as regular 'discover tech' events that introduce community members to tech concepts.By using libre software and open-source projects, people can contribute to building and sharing tools that are democratically designed and communally maintained. This approach not only protects users from surveillance but also allows them to collaborate on new tools that are transparent, sustainable, and free from corporate control.

Big Mood returns for a second season on Channel 4, aiming to blend a serious look at bipolar disorder with broad‑scale comedy. Lead actress Nicola Coughlan reprises Maggie, now emerging from a harrowing episode of lithium poisoning that left her hallucinating and confused. The debut series introduced Maggie in the throes of a manic episode, followed by a depressive crash after she stopped her medication to protect her creative output. While the first season earned praise for its insightful depiction of mental illness, the new installment quickly pivots toward slapstick scenarios – from a militant maid of honour to a secret‑husband extortion plot – that dilute the original emotional weight. Central to the drama is Maggie’s strained bond with best friend Eddie, played by Lydia West. Their friendship, already intense in season one, becomes increasingly implausible as Eddie abandons London for California without explanation. In season two, Eddie resurfaces under the control of a dubious wellness guru named Whitney, who has siphoned her finances and seeks to erase any lingering connection with Maggie. Rather than deepening the exploration of mental health, the series now focuses on a far‑cical showdown between the two women. Maggie, now in a “stable girl” routine of retinol and Hello Fresh meals, obsessively attempts to expose Whitney as a fraud, enlisting Eddie’s friend Will – a character described as “incorrigibly nice” yet treated with contempt by both protagonists. The tonal shift raises questions about the show’s core ambition. While Coughlan delivers an empathetic performance that captures Maggie’s inner turmoil, the surrounding plotlines feel disjointed and at times toxic, especially in the portrayal of the once‑intoxicating platonic romance that now appears more destructive than supportive. Humor, inherently subjective, may still resonate with viewers who appreciate the series’ millennial‑centric chaos. However, the blend of “knockabout farce” with moments of genuine drama feels uneven, suggesting that the show’s initial promise of a heartfelt, realistic bipolar narrative has been eclipsed by over‑reaching comedic contrivances. In conclusion, Big Mood season two struggles to reconcile its dual aims. The ambitious premise that once offered a nuanced look at mental illness now feels buried beneath a barrage of gimmicks, leaving audiences to wonder whether it’s time for the characters – and perhaps the series itself – to move on.

For the first time, two preliminary pencil sketches by E.H. Shepard for the beloved children's book Winnie-the-Pooh have been made public. These unseen drawings were created before the book's publication in 1926 and showcase Shepard's early thoughts on bringing A.A. Milne's iconic character to life.The sketches, shared by Shepard's family to mark the centenary of the book, provide insight into the artist's creative process. One drawing, captioned 'Climbing very cautiously up the stream,' depicts Pooh and his friends Christopher Robin, Piglet, and Owl. It was intended for Chapter VIII, where Christopher Robin leads an expedition to the North Pole.The sketch shows Pooh, Christopher Robin, Piglet, and Owl on an adventure. Photograph: Courtesy of Peter HarringtonThe other sketch is a delicate study for Chapter III, where Pooh and Piglet go hunting and nearly catch a Woozle. According to Philip W Errington, a senior specialist at Peter Harrington Rare Books, these drawings showcase Shepard's 'absolute, vibrant creativity' and exceptional skill in rendering movement.The drawings will be exhibited at Peter Harrington Rare Books in London as part of a special exhibition starting on April 17. Errington noted that it is 'extraordinarily rare to encounter preliminary drawings of Winnie-the-Pooh that capture what might be called the first moment of inspiration.'

Rebuilding opens on a bleak, charred horizon, introducing Dusty (Josh O’Connor), a Colorado rancher whose ancestral land has been reduced to ash by a recent wildfire. A bank official’s blunt refusal to extend a loan underscores the decade‑long bleak outlook for the barren property.Stripped of his home, Dusty relocates to a spartan, government‑funded trailer camp and takes a humbling highway‑maintenance job. The film deepens his personal stakes through interactions with his ex‑wife Ruby (Meghann Fahy), their ten‑year‑old daughter Callie‑Rose (Lily LaTorre), and his ailing mother‑in‑law Bess, portrayed by Oscar‑winner Amy Madigan. A poignant scene shows Dusty ferrying Callie‑Rose to the local library, where they share a shaky Wi‑Fi connection for her schoolwork.Amid the trailer community, Dusty forms a tentative bond with the resilient Mali (Kali Reis), hinting at a potential romance beyond mere friendship. Their collective moments around a campfire evoke the tone of Chloé Zhao’s Nomadland, positioning the film within a growing genre of American stories about displacement and survival.Notably, the narrative avoids direct references to climate change or governmental responsibility, presenting the wildfire as an isolated tragedy rather than a symptom of a broader environmental crisis. This omission mirrors a recurring pattern in U.S. cinema, where the focus remains on personal resilience rather than systemic solutions.O’Connor delivers a nuanced performance, channeling the restrained British sensibility of his earlier work into Dusty’s quiet strength and vulnerability. His portrayal anchors the film’s emotional core, while the supporting cast—particularly Madigan’s compassionate Bess and Reis’s tough‑yet‑tender Mali—adds depth to the community portrait.Rebuilding arrives in UK cinemas on 17 April, offering audiences a contemplative look at loss, renewal, and the fragile ties that bind families and strangers alike.

The Sea of Azov, once a cherished destination for Ukrainians, has become a casualty of the ongoing conflict between Ukraine and Russia. The 2022 invasion resulted in Russia seizing the entire sea, creating a 'land bridge' to safeguard its control of Crimea. For Ukrainians like Mariya Bubnova, the sea holds fond memories of sailing and family traditions.Bubnova, a displaced person and mother of two, recalls the warm and barely salty waters of the Azov, where she and her friends would rent sailboats. However, the Russian invasion destroyed her family's business, and they were forced to flee to the Netherlands. The loss of Azov has had a devastating impact on Ukraine's economy, with estimated losses of 10-12% of its GDP and $12.4 trillion in resources, including coal mines, metals, and rare earth minerals.While Russia has gained control of Azov, the victory is considered a Pyrrhic one, with destroyed industrial assets and infrastructure rendering the area largely unusable. The steel plants of Mariupol, once a major industrial hub, lie in ruins, and the seawater is polluted due to the destroyed sewage system and shelling. Furthermore, Russia's gains in terms of industrial assets are estimated to be 'almost zero', as Moscow can only utilize the industrial area of the city of Melitopol.The conflict has also led to a significant brain drain, with refugees from the area settling in other parts of Ukraine or in the West. Bubnova and her family have had to adapt to a new life in Slavutych, a former company town north of Kyiv. Despite the challenges, she and her husband have started a new company to produce canned soups, and her daughter has developed a new recipe for borscht.A possible development that could dramatically boost Azov's geopolitical status is the proposed canal between Azov and the Caspian Sea, which would give Caspian nations access to the Black Sea and the Mediterranean. However, this project would rival the Suez Canal and bolster Russia's role in the region, potentially working against China, Türkiye, and Iran.

Donald Trump publicly rebuked Italy’s Prime Minister Giorgia Meloni, claiming she showed no courage for refusing to support a U.S. strike on Iran. The remarks were made during an interview with Italy’s Corriere della Sera, where Trump said, “I’m shocked at her. I thought she had courage, but I was wrong.”Meloni’s stance follows her government’s decision to suspend the automatic renewal of the defence cooperation memorandum with Israel, citing the “current situation” as justification. The move marks the first time Italy has halted the agreement, which had been in place since 2016 and facilitated military exchanges and technology sharing.Trump escalated the dispute, stating, “Giorgia Meloni doesn’t want to help us in the war… Does she like it? I can’t imagine.” He also linked his criticism to broader frustrations with European allies, accusing them of “abandoning” the United States and urging them to “go get your own oil.”Relations between Washington and Rome have already been strained after Trump’s earlier attacks on Pope Francis, whom he described as “not doing a very good job” and urged to stop “catering to the radical left.” Meloni condemned those comments as “unacceptable,” emphasizing that religious leaders should not be forced to follow political directives.Amid the diplomatic fallout, Italy is grappling with domestic challenges. A recent justice referendum, backed by the government, was defeated, a result analysts interpret as a broader vote of no confidence in Meloni’s leadership. Economic anxieties are rising as the ongoing Iran‑Israel conflict threatens global energy supplies, with the Strait of Hormuz blockade contributing to a sharp increase in diesel prices across Europe.Political historian Lorenzo Castellani of Luiss University described the situation as a “repositioning,” noting that Meloni may be wary of alienating centre‑right voters who are increasingly critical of Trump, Israeli Prime Minister Netanyahu, and the war’s economic repercussions.Despite the tension, Meloni reiterated that Washington remains a “priority ally,” adding that true alliances require candour: “When you are friends, particularly strategic allies, you must also have the courage to say when you disagree.”Trump’s remarks also targeted other NATO members, suggesting that countries like Spain could face troop withdrawals and accusing the United Kingdom of failing to “step up.” His comments underscore growing fractures within the alliance as the Iran conflict escalates.In parallel, Italy’s diplomatic ties with Israel are under pressure. The suspension of the defence memorandum follows a series of incidents, including Israeli airstrikes that have caused thousands of casualties in Lebanon and a near‑miss involving Italian UN peacekeepers in southern Lebanon. Italy’s ambassador to Israel was summoned after Foreign Minister Antonio Tajani condemned the Israeli raids during a visit to Beirut.The confluence of these diplomatic disputes—Trump’s criticism of Meloni, the halted Israel‑Italy defence pact, and broader NATO tensions—highlights a volatile period for European‑U.S. relations amid an intensifying Middle‑East conflict.