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Tourism Revival Amidst Past Security ThreatsAfter years of violence from groups such as Al-Qaeda in the Islamic Maghreb, Mauritania is actively courting tourists again. Local guide Fatima Cheikh Mohammad Bouya now welcomes visitors to the “Eye of Africa,” hoping the renewed interest will sustain her family’s livelihood.From Armed Attacks to Marketing Campaigns: A TurnaroundIn the early 2000s, the country enjoyed a tourism boom, but a series of attacks—including the 2007 killing of four French tourists near Aleg—prompted the relocation of the Dakar Rally and the suspension of charter flights. The government responded by deploying elite forces, tightening religious school oversight, and expanding social registers for vulnerable households. Recent marketing drives and the endorsement of travel expert Sean Connolly have begun to reshape Mauritania’s image as a safe desert destination.Visitor Numbers Surge After Visa Cuts and Security GainsKey policy changes have produced measurable results:Visa fees reduced from 120 euros to 40 euros, slashing costs by two‑thirds.Tourist arrivals rose 166 % between 2018 and 2019, adding roughly 4,000 visitors that season.Current year estimates indicate about 7,000 tourists have arrived so far.Historical baseline: 30,000 annual visitors before the security crisis.While still modest compared with the pre‑crisis peak, the upward trend signals renewed confidence.Economic and Social Ripple Effects of Growing TourismTourism now contributes an increasingly important share of income in a nation where roughly one‑third of the 5.5 million population lives in poverty. New revenue streams support local entrepreneurs like Bouya, who rents tents, sells handcrafted stones, and serves traditional drinks such as zrig and ataya. The opening of the first international hotel chain, Sheraton, in Nouakchott marks the beginning of higher‑end accommodation options, potentially attracting longer‑stay visitors and boosting ancillary services.Future Outlook: Infrastructure, Luxury Hotels, and Regional StabilityExperts anticipate that continued security stability, coupled with infrastructure upgrades—better roads, expanded electricity, and reliable mobile networks—will further lift tourism’s ceiling. If Mauritania can address visitor concerns about site protection and comfort, demand from European and North‑American markets could expand. However, lingering border volatility in neighboring Mali remains a risk factor that could affect spill‑over security dynamics.

The LeadIn a significant shift to UK nutrition policy, bran flakes and other breakfast cereals may be reclassified as junk food under new government guidelines designed to promote healthier eating. The proposed changes to the UK Nutrient Profiling Model (NPM) would include naturally occurring "free sugars" alongside refined sugar when determining food classifications, potentially affecting products long considered healthy breakfast options.The New Nutrient Profiling ModelBritish officials are updating the UK Nutrient Profiling Model (NPM), a system used to determine which foods can be advertised to children and promoted in stores. The key change involves including naturally occurring "free sugars" from ingredients like corn or wheat starch in the assessment, alongside refined sugars. This means that bran flakes, which typically contain added glucose from natural ingredients to enhance palatability, would likely be deemed "high in fat, salt or sugar" (HFSS) under the new system.Industry Response and DataThe food industry has expressed concern about the potential impact of these changes. Dean O'Brien, managing director of Kellanova (formerly Kellogg Company), warned that the proposed plans had "the potential to unintentionally undo years of work and investment by food companies to encourage healthier choices." He highlighted that Kellogg's has reduced sugar by 27% and salt by 22% in its cereals over the past decade, and under current regulations, all of their children's cereal and four of their five bestsellers are deemed healthy.O'Brien emphasized that breakfast cereals are "nutritionally dense" and Kellogg's products are "fortified with vitamins and iron." He expressed concern that cereals like bran flakes, which are high in fiber and low in saturated fat, would be reclassified as less healthy under the new guidelines.Public Health ImpactA government spokesperson defended the changes, noting that previous nutrition rules were 20 years old and did not "reflect the latest dietary advice." They explained that "the new model shifts the focus from total sugars to free sugars and promotes diets higher in fiber." The spokesperson emphasized that "obesity and poor diets rob children of the best possible start in life," and the changes are intended to "support parents to raise the healthiest generation of children by restricting the advertising and promotion of junk food." The government is currently consulting on applying the new model to advertising and promotions restrictions.Historical ContextThis isn't the first time popular breakfast cereals have faced scrutiny from nutrition experts. In 2009, a survey by consumers' organization Which? of 100 cereals found that typical portions of some contained more sugar than a Cadbury chocolate Flake, despite manufacturers' claims to be reducing unhealthy ingredients. At that time, many brands perceived as healthy, including Kellogg's All Bran, Bran Flakes, and Special K, were found to have high levels of sugar.Future OutlookThe proposed changes represent a significant shift in how the UK classifies healthy foods and could have far-reaching implications for the food industry, particularly breakfast cereal manufacturers. If implemented, the new guidelines would likely lead to restrictions on advertising and promotions for products like bran flakes, potentially affecting consumer purchasing habits and product formulations. The government is currently accepting feedback on the proposed changes, and the final implementation timeline remains uncertain. Food manufacturers may need to reformulate products or adjust marketing strategies to comply with the new regulations, potentially leading to a new generation of healthier breakfast options.

HERE WE GOHappy GWC Day everyone! The 23rd edition of the Geopolitics World Cup kicks off on Thursday when co-hosts Mexico face South Africa at the Azteca Stadium, a venue that is a World Cup Proustian rush all on its own. The two greatest players of all time, Pelé and Diego Maradona, both won the World Cup in that stadium. Kylian Mbappé, Cristiano Ronaldo, Lamine Yamal and the other modern greats won't be able to do that this year, as the final is being played in the USA USA USA. As you may have read, that country is currently run by a disinfectant-peddling despot, and its approach to inclusivity has been one of many controversies heading into the tournament.Fifa overlord Gianni Infantino addressed those controversies at a press conference on Wednesday. "We don't live on the moon, we live on planet Earth," he mimed. "We have to respect that we are not kings of the world, who can rule over governments and police forces. We are a sports organisation that does as much as we can. It's important sometimes to chill, relax. Sometimes screaming and shouting does not find a solution." Chill, relax. If you break both legs walking the dog today, remember to chill, relax. If you're denied the chance to make history as the first Somali referee at a World Cup, then linked to "terror organisations" by a spokesparrot for the government of the world's most powerful country? Chill, relax.The Expanded Tournament LandscapeIn fairness, Infantino has created plenty of opportunities for football fans to chill, relax, wake up on the sofa wondering what day it is over the next five weeks. His bumper 48-team tournament includes 72 group matches, which is eight more than the entire GWC in Qatar. Excluding added time, drinks breaks, emergency stoppages for extreme weather conditions that are in no way related to the climate crisis, those 72 games will produce 108 hours of football. In the same time you could watch every episode of The Sopranos and still have 22 hours to spare; better still, you could watch Das Boot (1997 Director's Cut) 31 times and have a few minutes left over to check whether the press have turned on Thomas Tuchel.The beauty of the GWC is that, when it's at its best, those like Infantino are still powerless to ruin it. Sure, some of the group games will turn us into a kind of sedentary Sisyphus, ploughing on into the wee hours around the world to watch another 0-0 draw. But there will also be dozens of moments in the next five weeks when we are lost in euphoria, wonder, shock, anger or despair – like the final in Qatar last time round, or any of the stunning moments featured in these pages over the years. Most of them don't even need a description - they all have names, or just a name. The Hand of God; the Maracanazo; the Cruyff Turn; the Disgrace of Gijón; Saipan; Josimar.Broadcasting and Viewing StatisticsThe Brobdingnagian nature of the GWC is both a weakness – 2am BST, 22 June: New Zealand v Egypt – and a strength. Cape Verde, Curaçao, Jordan and Uzbekistan are World Cup debutants, while Scotland, Haiti, Norway, DR Congo and Iraq are playing for the first time in the 21st century. Their presence should infuse the tournament with some of the wide-eyed innocence of old. Wales, Iceland and others enriched Euro 2016 in similar circumstances; Georgia went out in the last 16 of Euro 2024 but left an impression on the soul of neutrals, and not only because of their ice-staking genius Khvicha Kvaratskhelia. When those newbies have exited the stage, the heavyweights – and outsiders-who-shouldn't-really-be-outsiders like Senegal and Japan – will fight to get their hands on Jules Rimet II. Whoever wins this competition may not be as good a team as Paris Saint-Germain, but the World Cup remains the ultimate prize.New Nations, New StoriesJohn Brewin will steer home the GWC news blog until 6pm BST (1pm EDT) before Daniel Harris leaps into the hot seat for minute-by-minute coverage of Mexico 2-0 South Africa in the opening game at 8pm BST (3pm EDT). And then Jonathan Howcroft picks up the baton for the Friday 3am BST (10pm EDT) encounter when South Korea get the better of Czechia 1-0. If you haven't played the Bracketology game, what have you been doing? Oh. Anyway, there's still time for you to get your GWC ducks in a row and set out who you think is going to win the whole darn thing."I can't wait to walk around there the next time I go to Rockefeller Center or Radio City Music Hall" – Thierry Henry reacts to the renaming of a street in Manhattan as "Thierry Henry Way", with an intersection in Queens also changed in tribute to Pelé. TV companies are now worried about how long half-time entertainment will last at the GWC. Why not just have a concert and halfway through have a 30-minute game of football? The way things are going, that's what Fifa will probably end up planning for in the future anyway.The Road to GloryCan I be the first of 1,057 to point out that in response to Callum Taylor, if there's one thing the GWC most definitely isn't short of, it's moving goalposts. Bottle of water anyone? The tournament promises to be a spectacle of football excellence, political intrigue, and human drama. As the expanded format brings new nations to the global stage, the World Cup continues to evolve while maintaining its status as the ultimate prize in football. Whether you're watching at 2am BST or during prime time, the next five weeks will deliver moments that will be remembered for decades to come.

Lead: Punk’s Flash‑In‑The‑Pan and the Vanishing Pre‑SceneIn January 1976 the NME cover showed a bomb‑damaged room instead of a musician, signalling a crisis in rock that would soon be overtaken by punk. Writer Mick Farren lamented a “neo‑Las Vegas” music world, and within months the Sex Pistols, The Clash and Buzzcocks would dominate the headlines, pushing countless contemporaries into obscurity.Unearthing the 1976 Music Press: The Pre‑Punk LandscapeResearch at Rock’s Backpages uncovered a vibrant but overlooked roster of artists:Bruce Springsteen – hyped in the UK with the slogan “Finally, London is ready for Bruce Springsteen”, yet his records sold poorly.Nils Lofgren – touted as the next global star after his second solo album Cry Tough.Jess Roden Band, Nasty Pop, Cate Brothers, Elephunt – regular features in NME, Melody Maker and Sounds.City Boy and Mr Big – labelled “future of British punk” despite sounding like mainstream pop‑rock.Alberto y Lost Trios Paranoias and Supercharge – comedy‑rock acts that sparked a press rivalry.These names appeared alongside the era’s giants – Elton John, Paul McCartney, Queen – but were quickly forgotten as punk mythologised its own origins.Ticket Prices and Press Coverage: Numbers from 1976The music press also highlighted economic details that sound quaint today:Rolling Stones spring‑tour tickets cost £3 (about £30 in 2024 money).By contrast, a 2022 Hyde Park show by the Stones would charge around £186 for a similar experience.Such figures illustrate how the industry’s pricing landscape has shifted dramatically over five decades.How the Punk Revolution Erased Its PredecessorsPunk’s rapid rise created a cultural amnesia: the press stopped mentioning the very bands it had covered just months earlier. The movement’s DIY ethos and anti‑establishment narrative framed everything that came before as irrelevant, turning 1976 into a mythic “golden age” that excludes its own context.Consequently, modern retrospectives often overlook the diversity of 1976’s rock scene, focusing solely on the handful of acts that survived the punk purge.What the Forgotten Bands Teach Us About Future Music RevivalsAs streaming platforms resurrect obscure catalogues, the same pattern may repeat: a new genre will dominate headlines while the surrounding ecosystem fades from collective memory. Recognising the breadth of the pre‑punk era reminds curators, journalists and fans to preserve a fuller musical history, ensuring tomorrow’s “revolution” doesn’t erase today’s diversity.

The Life and Art of Bettina Bettina, a reclusive artist known for her prolific output, has left an indelible mark on the art world. Her works, which span over four decades, are now on display at the Glasgow International festival of contemporary art. The Chelsea Hotel Years Bettina's journey as an artist began in the 1950s, but it wasn't until she moved into New York's iconic Chelsea Hotel in 1972 that her creative impulse truly flourished. Room 503 became her sanctuary and workshop, where she produced an astonishing array of artworks, including Xeroxed word art, graphic reproductions of geometric sculptures, photographs, and sculptural forms in brass, marble, and wood. The Artistic Process Bettina's artistic process was fueled by a desire to tap into a fourth dimension, a concept inspired by the esoteric Russian philosopher Peter Ouspensky. Her works often featured intricate patterns, geometric shapes, and distorted reflections, which she believed held the key to understanding the invisible web of relations that governed the universe. The Exhibition The exhibition, titled Bettina: Finite Structures, features a selection of her works, including industrially cut marble sculptures, a newly digitized 8mm animation, and photographic works. One of her notable works, Phenomenological New York, showcases distorted reflections in the glass and steel skyscrapers of Wall Street, while her Rencontres Psychic series draws connections between these distortions and the contours of the female body. A Life of Obsession Bettina's life was marked by obsession and a singular focus on her art. She slept in her hallway on a lawn chair, surrounded by her works, and became increasingly estranged from her family and friends. Her art was her world, and she devoted herself to it with unrelenting passion. The Legacy Bettina's art is a testament to the power of creativity and the human spirit. Her works continue to inspire and intrigue, offering a glimpse into a world that is both familiar and unknown. As her art takes center stage at the Glasgow International festival, it is clear that Bettina's legacy will endure for generations to come.

The LeadIn 1969, two teenage students at the Paris Conservatoire recorded Olivier Messiaen's formidable Visions de l'Amen under the composer's supervision. Fifty-five years later, Katia and Marielle Labèque's musical curiosity is undimmed as this handsome three-disc tribute set demonstrates.A Musical Journey Through GenresA mix of new recordings and classics, the album reveals the extent of the Labèque sisters' omnivorous appetites, from 20th-century modernism to minimalism and jazz. Although best known as a two-piano duo, there's plenty of four-hands repertoire here, including an iridescent new recording of Le Jardin Féerique from Ravel's Ma Mère l'Oye alongside music by Bizet, Fauré (two movements from his Dolly Suite) and a finger-shredding Dance of the Earth from Stravinsky's Rite of Spring. Works by Gershwin, Bernstein and De Falla are among other highlights.French Music and Female ComposersFrench music is foregrounded with a boisterous account of Debussy's Fêtes as transcribed by Ravel and a poised Clair de Lune in Dutilleux's two-piano transcription. Music by female composers, much of it newly recorded, is also welcome, including by Fanny Mendelssohn and Lili Boulanger, but also tangy miniatures from Polish composer Grażyna Bacewicz, a haunting Nocturne by the marvellous Croatian composer Dora Pejačević and a boogie-woogie spiritual by Margaret Bonds.New Music and Career RetrospectiveNew music was their first love, however, and there's a feast of it here, from 20th-century iconoclasts such as Berio and Cage to meditative Arvo Pärt, film music by Philip Glass, whose work they've long championed, and Bryce Dessner, whose Basque-inspired Goiza Larrunen is a standout. Ending where they began, Messiaen's barnstorming Amen de la Consommation rounds off a thoughtfully curated compilation that celebrates the Labèque sisters' extraordinary 55-year journey in music.

The Unapologetic Voice of Chile's Pop Scene Mon Laferte, Chile's biggest pop star, sat down with The Guardian to discuss her music, feminism, and personal life. With a career spanning over two decades, Laferte holds more Latin Grammys than any other Chilean singer and is the country's biggest female streaming star, with more than 18 million monthly listeners. Embracing Taboos and Feminism Laferte is known for embracing taboos, particularly in her music and public appearances. In 2019, she appeared on the Latin Grammys red carpet in a green bandanna, a symbol of abortion rights and reproductive freedom in Latin America, with a message written on her bare chest: 'In Chile they torture, rape and kill.' This act drew heavy criticism from local press, but Laferte believes it was an important moment for her career and for feminism. The Femme Fatale Era Laferte's latest albums, Femme Fatale and Femme Fatale Vol 2, mark a new era in her music. The jazz-inspired albums see her step into a vampy alter ego, exploring themes of feminism, capitalism, and personal vulnerability. Laferte describes the albums as 'wholly feminist, without planning to make a feminist album.' Personal Life and Inspiration Laferte's personal life has also been a source of inspiration for her music. She has been open about her struggles with bipolar disorder and her experiences as a mother. Her music often reflects her emotional vulnerability, and she believes that this vulnerability is what makes her music so powerful. The Future of Chilean Music As Chile's biggest pop star, Laferte is paving the way for a new generation of Chilean musicians. Her unapologetic voice and commitment to feminism have made her a role model for young women in Chile and around the world. With her music and message, Laferte is inspiring a new era of Chilean music and culture.

The Blueprint of a Phenomenon Baz Luhrmann's 1992 debut feature, Strictly Ballroom, is currently enjoying a 4K restoration and re-release in 2026. This cinematic event serves as a reminder of the film's foundational role in establishing the 'Strictly Come Dancing' format and its enduring status as a cult classic. Reigniting the Dance Floor Passion The film centers on Scott Hastings, a brilliant dancer who rebels against the rigid rules of the Australian Dancing Federation. His partnership with the shy, talented Fran revitalizes his career and introduces a new level of passion to the sport. Defining the Luhrmann Aesthetic Critics note that this movie laid the groundwork for Luhrmann's future visual style, characterized by zooms, garish closeups, and exaggerated expressions. It shares DNA with early Wes Anderson films in its distinct visual storytelling. Why the Film Remains Relevant Even decades later, the themes of individuality versus conformity and the romanticization of dance continue to resonate with new audiences.

The Dual Debut TriumphVirginia Evans has been announced as the winner of the 2026 Women's Prize for Fiction, while BBC Chief International Correspondent Lyse Doucet secured the newly established nonfiction award. Both winners are debuting authors, marking a significant moment for fresh voices in British literature.Winning Works and Critical ReceptionEvans’s The Correspondent is a novel composed of letters written by an irascible 73-year-old woman confronting her past as she loses her sight. The book has been described as a "paean to the art of correspondence" and is currently being adapted into a film starring Oscar-winning actress Jane Fonda.Lyse Doucet’s The Finest Hotel in Kabul places the Intercontinental Hotel at the center of a "people’s history" of modern Afghanistan. Judges praised it as a "perfect work of narrative nonfiction" that succeeds in using the hotel as a frame for a sweeping social history.Financial and Statistical ContextEach winner received a prize of £30,000, a substantial financial boost for debut authors. The nonfiction category was launched in 2023 in response to research indicating that only 35.5% of winners across seven major UK nonfiction awards were women over the previous decade.Shifting the Literary LandscapeThe judging panels, chaired by former Australian Prime Minister Julia Gillard and former Labour MP Thangam Debbonaire, emphasized the accessibility and excellence of the winning works. The selection of two debut authors suggests a growing appetite in the literary market for intimate, character-driven narratives that bridge personal and political histories.Future Outlook for Debut AuthorsThe wins for Evans and Doucet signal a lucrative and prestigious path for debut writers. With Evans’ novel already in production for film and Doucet’s work garnering critical acclaim for its unique perspective on conflict zones, these awards are likely to drive significant sales and international interest in the coming years.