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UConn's shock win over No 1 seed Duke on Sunday night to advance to the Final Four connected two disparate eras of college basketball. The game produced one of the greatest endings in NCAA Tournament history, with freshman Braylon Mullins's three-point heave from well beyond the arc sealing the 73-72 victory.The final 10 seconds of Sunday night's game evoked some of the greatest endings in tournament history, with Mullins and Silas Demary Jr's swarming of Cayden Boozer conjuring memories of UCLA's stunning 2006 comeback against Gonzaga and Villanova's 2016 national title win.UConn coach Dan Hurley praised his team's resilience, saying, 'We fought, we clawed, put ourselves in position to take advantage of a mistake that they made.' Mullins's game-winning shot will forever torment Duke fans, as the Blue Devils had led by 19 points in the first-half and No 1 seeds had been 134-0 when leading by 15 or more points in NCAA Tournament history.The win proved that recruiting and continuity still dictate success in college basketball, with UConn's senior Tarris Reed Jr. named the game's Most Outstanding Player after finishing with 26 points, nine rebounds, four blocks, and two steals. Reed's performance reminded fans of the era of dominant post players like Patrick Ewing and Dwight Howard.UConn's victory, coupled with their previous wins over Michigan State and St John's, showed that traditional powers can still thrive in an era of unlimited transfers and Name, Image and Likeness deals. Hurley's adaptability and UConn's roster, which included transfers Malachi Smith and Silas Demary Jr, demonstrated that an old-school approach can still yield success in modern college basketball.

A sexual assault survivor has spoken out against Travelodge's decision to cancel a meeting with MPs, calling it 'shocking'. The meeting was intended to discuss the hotel chain's security processes and procedures that allowed the assault to occur.The survivor, who was attacked by Kyran Smith in December 2022, expressed her disappointment and frustration with Travelodge's handling of the incident. More than 20 MPs had demanded the meeting to discuss the matter, including details of the chain's security processes and procedures that led to it offering the victim an 'insulting' £30 refund after the incident.Prime Minister Keir Starmer had written to Travelodge's CEO, Jo Boydell, saying he was 'very concerned' about the meeting's cancellation. He pressed the hotel chain to 'seriously engage' with MPs over the 'utterly appalling' assault.The survivor told ITV's Good Morning Britain: 'I think if you are the CEO of a company, then you have a responsibility to answer these questions and engage in that situation, and say how you're going to now improve.' She also expressed her skepticism about Boydell's claims that the hotel rooms had deadbolts, saying it was 'deflection'.Boydell has apologized to the survivor and said the company had made immediate changes to its door key policy. However, the survivor is taking legal action against the hotel chain.

The tradwife phenomenon has taken the world by storm, with influencers like Hannah Neeleman and Nara Smith showcasing their seemingly perfect lives on social media. But beneath the surface of this curated world lies a complex web of gender politics and societal expectations.The term 'tradwife' was originally coined in online 'incel' forums, where men discussed their ideal vision of a wife who would manage the household, give birth to children, and submit to their partners' demands. However, the mainstream media coverage of tradwives has been largely feminized, with many articles written by women.The tradwife is often associated with a nostalgic vision of the 1950s housewife, but with a significant difference: she is not just a submissive figure, but also a consenting participant in her own submission. This distinction makes the tradwife a more complex and nuanced character than her predecessors.The rise of the tradwife has been linked to the decline of feminist resistance and the lack of a coherent symbol of feminist resistance. The article suggests that the tradwife is an advertisement for a curated performance of womanhood, with a link in bio for purchases, reminding women of their true purpose: serve, smile, procreate, and purchase.The tradwife phenomenon has also been tied to the childcare crisis and the wage gap, with many women feeling forced to leave the workforce due to caregiving responsibilities. The article argues that the purpose of the tradwife movement is not to empower women, but to remind them of their place in society and to encourage them to relent to their own disappearance.

Kimberly Belflower's revisionist take on Arthur Miller's classic The Crucible re-spins the witch-hunts for the #MeToo generation. Set in 2018, the play follows a classroom of teenagers—mostly girls—as they attempt to establish a feminist club, an effort seemingly sparked by contemporary news headlines. This original approach addresses adolescent girlhood in the direct aftermath of the Harvey Weinstein scandal, though the production takes time to build momentum.The narrative centers on Beth (Holly Howden Gilchrist), the class academic; Ivy (Clare Hughes), whose father faces workplace misconduct allegations; Nell (Lauryn Ajufo), the new student; and Raelynn (Miya James), a pastor's daughter dealing with relationship betrayal. Shelby (Sadie Soverall), though absent for much of the play, plays a crucial role in the unfolding drama.Set in a small-town Georgia high school, the feminist club concept initially proves controversial until a charismatic teacher, Carter Smith (Dónal Finn), suggests expanding it to include boys. Directed by Danya Taymor and performed continuously in under two hours, the script pivots around the students' study of Miller's play alongside their developing understanding of intersectional feminism.The production captures the girls' internalization of societal micro-aggressions with humor and pathos, incorporating pop music tributes to artists like Lorde, Taylor Swift, and Beyoncé. While the dialogue authentically portrays adolescent female relationships, the review notes these connections are sometimes flattened by their cuteness rather than reflecting the sharp edges typical of this transitional life stage.A significant parallel emerges between Miller's John Proctor—a morally complex character who ultimately maintains his principles—and the predatory male figure in the contemporary narrative. The review suggests a false equivalence between these characters, as the modern figure is portrayed as a serial abuser rather than a morally conflicted individual.The play concludes with an emotional climax as students reinterpret scenes from The Crucible through interpretive dance, symbolizing their liberation while acknowledging that the predator remains in their midst. This ending, while thematically resonant, is described as feeling neat and easy despite its powerful emotional impact.Despite these criticisms, the production effectively captures the zeitgeist of 2018 for a generation of girls coming of age in the shadow of the Weinstein scandal and the #MeToo movement, raising questions about the movement's lasting impact and current relevance.

Saracens host Northampton Saints at Tottenham Hotspur Stadium in a crucial Premiership Rugby match, with Saracens' director of rugby Mark McCall stressing that defeat is not an option for his team to stay in contention for the playoffs.The match pits two top coaches against each other, with McCall's Saracens, currently sixth in the table, eight points behind fourth-placed Exeter, looking to bounce back from a 62-15 thrashing by Bath last weekend. Northampton, table-topping and on a five-match winning streak, aims to maintain their lead.Maro Itoje and Rhys Carré return to Saracens' starting lineup, while Elliot Daly makes his 100th appearance. Northampton's director of rugby, Phil Dowson, has his team well-prepared, with players like Fin Smith, Tommy Freeman, and Henry Pollock in the starting XV.Dowson praised his team's heart and passion in their recent win against Newcastle, achieved without some key players. He emphasized the importance of team spirit and togetherness as they look to continue their momentum.McCall expressed confidence in his team's character to respond to the previous defeat, highlighting Itoje's great form and the need to manage his workload carefully. The match promises to be an intense and crucial encounter in the Premiership Rugby title race.

Raoul Peck's documentary about George Orwell and his enduring relevance takes as its keynote the heretical masterpiece Nineteen Eighty-Four and its famous scene about the state compelling people to believe whatever it says is the truth: that two and two make five. This Orwellian anti-arithmetic of tyranny has become a political meme often repeated in social media debates.The simple experience of hearing Orwell's prose, both from his published work and letters and diaries, read aloud by Damian Lewis, is invigorating and refreshing. There's an interesting emphasis on Orwell's physical frailty, with him effectively composing his masterwork in the shadow of death. Peck amusingly juxtaposes Orwell's sickness with Winston Smith being made to do exercises and the infatuation of tyrannical regimes with public displays of physical fitness.Peck cites various movie and TV adaptations of Nineteen Eighty-Four and includes footage of Jura, where Orwell went to live, and archive photo records of Orwell's childhood and early working life as a policeman in Burma. The film also shows how Orwell predicted the rise of AI in propaganda and in soulless bread-and-circuses for the masses.The film falls down in not focusing on actual theocracies of the present day and the Orwellian qualities of Isis and Hamas. The question of how far Orwell renounced his own earlier antisemitic tendencies is not entirely addressed in this film.Orwell was disliked by some on the left for daring to write Nineteen Eighty-Four and disliked still more with the revelation 30 years ago that in 1949 he had handed over to British authorities the names of 38 public figures he considered 'crypto-communists' – a fact from which this film averts its eyes. But Orwell's complications don't compromise his genius for truth-telling.

UK Prime Minister Keir Starmer has written to Travelodge's CEO, Jo Boydell, to express his concerns over the hotel chain's safety protocols following a recent sexual assault incident. The incident involved a 29-year-old man, Kyran Smith, who was given the victim's room number and key card by staff at the Maidenhead branch of Travelodge.Starmer's letter, released by Downing Street, emphasizes the need for Travelodge to 'seriously engage' with MPs and the government to address concerns around best-practice interventions for prevention, staff training, and the company's response to the incident. The Prime Minister views tackling violence against women and girls as a 'personal mission' and expects Travelodge to play its part in this effort.The incident has raised 'deeply concerning' questions about Travelodge's security processes and procedures. More than 20 MPs had demanded a meeting with Boydell to discuss the case, including the company's offer of an 'insulting' £30 refund to the victim. Starmer has welcomed Travelodge's decision to launch an independent investigation into its room security policies and urged the company to proceed with the review at pace.Travelodge has apologized to the victim for the way the incident was handled, stating that it adopts industry-standard security procedures. However, the company has faced criticism for its response to the incident, and Starmer's letter underscores the need for improved safety measures to prevent similar incidents in the future.

The amount of AI-generated child sexual abuse material found online surged by 14% in 2025, according to the Internet Watch Foundation (IWF). The watchdog identified 8,029 AI-made images and videos of realistic child sexual abuse material (CSAM) last year.The IWF reported a 260-fold increase in videos, with 65% of the 3,443 videos classified as category A, the most severe type under UK law. This is compared to 43% of non-AI videos. Kerry Smith, IWF chief executive, emphasized that advances in technology should not come at the expense of a child's safety and wellbeing.The IWF also found that offenders are discussing the potential of AI systems to create more realistic and violent content, including adding audio to videos or manipulating imagery of real children. The UK government has announced plans to test AI tools to prevent CSAM and introduced legislation to ban AI models designed to generate child sexual abuse material.Eight out of 10 UK adults want the government to introduce legislation ensuring AI systems are developed with safety as a priority. The IWF operates a hotline and has a global remit to monitor child sexual abuse content.

Surrender to It is a film that seems to have been made without regard for the clichés that have been established by similar movies in the past. Writer-director Tim Bryn Smith appears to have ignored the criticism that greeted films like Peter's Friends back in 1992, which featured a similar premise of actors reuniting.The story revolves around a group of former thespians who met at a drama workshop and are now reuniting for a hiking weekend. The cast includes Daemian Greaves, Melissa May Smith, Fletcher Graham, and Chantelle Lee, among others. However, their performances are marred by stiff gestural quality and amateur production values.The script, credited to Bryn Smith and Chris Wetton, feels disjointed and like it was cobbled together from improv exercises and random suggestions. The film tries to balance maudlin tones with comic subplots, but the result is a mess. One subplot involves a bereaved couple mourning their dead son, while another focuses on a movie star recovering from a scandal.The film's production values are also lacking, with scissorhand editing and poorly executed plot twists. Despite its flaws, Surrender to It will be available on digital platforms from 30 March.