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The Cultural Phenomenon of Northern SoulAlan Byron's film is an absorbing docu-celebration of the northern soul scene that flourished from the late 1960s to the end of the 1970s. It was a fascinating, vernacular youth movement and a kind of regional open secret: a club culture, a zine culture, a music-and-fashion culture which uncynically invented and sustained itself without the need for any svengali figure from London to keep the show on the road. Northern soul fans were passionate about thumpingly sensual mid-60s American soul, a musical style which they kept alive on the all-night dancefloor by doing spectacular spins and drops, while the official voice of the music business decreed that disco or MOR rock or glam or heavy metal was where it was at.The Wigan Casino LegacyDJs would travel to the US to sort through the boxes and mounds of 7-inch vinyl which had been discarded by Motown and the radio stations – basically prospecting for gold – and bring it back to northern English clubs. The principal clearing house was the mighty Wigan Casino which mounted legendary all-nighters from 2am to 8am, attracting soul fans from miles around who knew that this was the only place where certain tracks could be heard. (No Spotify or Apple Music in those days.)Cultural Resistance and RecognitionLicensing laws meant that only Coca-Cola could be served, but dancers took amphetamine, a part of the northern soul scene that has perhaps only recently been acknowledged fully, and is in fact not looked into all that closely here. It carried on through the 1970s, all but ignored by the cultural gatekeepers of the south; that is, until documentarist Tony Palmer brought his cameras and lights into the club to make The Wigan Casino as part of Granada TV's This England strand, an outsider incursion grumblingly resented at the time but now treasured as a unique archive record.Understanding the Movement's IdentityWhat is fascinating about northern soul is the way it survived under the media-cultural radar and appears to resist larger interpretive analysis. It was not overtly political, unlike punk or reggae, and there is no consensus here about the status of the northern soul consumers. Were they unemployed, poor, alienated and angry? Not necessarily. Many here recall having good jobs and apprenticeships of the sort they wouldn't have now.Enduring Influence and MysteriesAs for whether it was revolutionary in any sexual sense, commentator Paul Mason suggests that there was something homoerotic in the male atmosphere. Maybe, yes: but no one here has any first-hand experience to share about that. As for the Wigan Casino itself, the building's lease was terminated by the council at the end of the 70s prior to planned demolition; just when the tenants might have disputed this, the building mysteriously burned to the ground. (Maybe we need David Peace to write a novel about that.) Northern soul was clearly the godfather of the club and rave scenes of the 90s and beyond, but for me, a question remains: what did the American acts themselves think of it? Were they ever tempted (or invited) to play live at the Wigan Casino?

The Unparalleled Experience of CannesNothing prepares you for the shock that is the Cannes film festival: the adrenaline, the fatigue, the elation and the emotion, but also the hunger, the anger, the magic and the ridicule. For young cinephiles, and for almost everybody who works in the film industry, it is the mecca of cinema and has been so for nearly eight decades. Anyone going for the first time this week, as I did 25 years ago, should not listen to the old grognards – Cannes' battle-worn veterans – who will lament that the festival has become an abominable circus and swear this year will be their last. It is a circus, and you can bet they will be back for as long as their knees can take it. For there is nothing quite like it.From Resistance to Global Cinema HubBorn to counteract Benito Mussolini's Venice film festival, its first edition was planned for September 1939, but Adolf Hitler had other plans. The previous year, under pressure from Berlin and Rome, the Venice film festival's top prize, the Coppa Mussolini, was handed to Leni Riefenstahl's propaganda film Olympia, prompting the French, British and American delegates to walk out. Hence Cannes, conceived as the festival of the "free world". More than 80 years later, for all its sins, it has remained faithful to that founding promise.The Expansive Scale of Modern CannesOver the decades, Cannes has mutated into an ever-hungrier mammoth, needing more space, and more venues, as it attracts an increasing number of journalists and professionals. A purpose-built Palais des Festivals had to be erected in the 1980s. "The bunker", as we have come to call it, is not exactly beautiful but brutally efficient at managing Cannes' mind-boggling crowds. This year, about 40,000 accredited festival-goers are descending on the French Riviera from 140 different countries, with dozens of films selected across all sidebars. At the same time, the Marché du Film, running alongside the festival since the late 1960s, is gathering about 16,000 participants, with thousands of films and projects up for sale. Cannes is both a summit for the cinema elite and a giant film bazaar.Three Worlds Colliding at La CroisetteFor 11 days in May, three different worlds lead parallel lives – critics, deal-makers and red-carpet royalty – colliding almost by accident on the seafront boulevard known as La Croisette. Hundreds of critics watch multiple films a day with monastic discipline. When they give in to parties, they bitterly regret it the next morning. You can spot some of us sleeping through entire screenings; how some colleagues manage to review films is a mystery. I remember a well-known French critic who had such vivid dreams in the darkness that he became convinced they were scenes in the films. His reviews were full of brilliant analysis of moments that did not exist.We critics rush between screenings, press conferences, interviews, our desks and the bunker's free espresso machines, often forgetting to eat or even pee. Downstairs, in the bunker's basement, and in hotel suites and rented apartments, the film market runs day and night: buyers juggle numbers, producers charm, directors and screenwriters fight for their vision. Above them floats Cannes' top layer – stars and "talent" spending hours in hair and makeup before climbing the 24 steps of the red carpet in borrowed couture and jewellery. When people in the industry groan, "oh God, it's Cannes again", it is this collision of financial anxiety, choreographed glamour and sheer exhaustion they are bracing themselves for.The Magic and Meaning Behind the GlamourThese worlds sometimes collide in the most poetic or grotesque ways. One morning, rushing to my first screening at 7.30am, I was walking along the Croisette when I saw, coming towards me, slightly dishevelled in a tuxedo, Jack Nicholson on his way back to his hotel after a long night. I smiled, he smiled back. He was alone, no bodyguards, no chaperones. Those were the days. I also shared a lift with Takeshi Kitano in full samurai attire, and I will never forget turning into a hotel corridor and finding myself nose to nose with Max von Sydow – Ingmar Bergman's medieval knight from The Seventh Seal. My cinephile heart skipped a beat.One of my favourite sidebars in Cannes, alongside the competition where you watch the year's best crop of films, is Cannes Classics, showing restored world masterpieces and documentaries about cinema. I always start the festival there: it is the best way to reset and begin afresh. Then I am ready for the 10-day onslaught of motion pictures, and for the magic moment that precedes each Cannes screening – the festival's own jingle, a palm ascending the red carpet from underwater and then into the sky, lifted by the ethereal arpeggios of Camille Saint-Saëns's Carnival of the Animals.Cannes: Enduring Symbol of Cinematic ResistanceIn 1955, Cannes gave its first official Palme d'Or to Delbert Mann's Marty; half a century later I found myself befriending its wonderful star, Betsy Blair, on the Croisette. I had the joy of seeing Ken Loach twice climbing those steps to collect the Palme, escorted by police outriders from Nice airport as if he were a head of state. I watched Iranian directors Jafar Panahi and Mohammad Rasoulof showing films at peril to their lives. For all the craziness of the red carpet and the samurai outfits, Cannes never forgets that it was founded as a gesture of resistance. That, as much as the glamour and the exhaustion, is why we keep going back.

The Announcement of Cleary’s Planned DepartureIvan Cleary confirmed on Wednesday that he will step aside as head coach of the Penrith Panthers at the end of the 2026 season, after 18 months remain on his current contract.Details of the Transition and Advisory RoleCleary said his decision was not taken lightly and that he will remain with the club in an advisory role focused on leadership and culture beyond 2027. His assistant, Peter Wallace, is slated to take over as head coach, giving him a full season to lead the team.Contractual Landscape and Player Off‑Contract Numbers18 months left on Cleary’s contract.Four straight premierships (2021‑2024) under his second stint.Key players—including son Nathan Cleary, captain Isaah Yeo and back‑rower Liam Martin—are off‑contract at the end of next season.Panthers have won 10 of 11 games this season, sitting atop the NRL ladder.Implications for the Panthers’ Dynasty and NRL Power BalanceThe move threatens the collapse of what many consider the most dominant modern‑day NRL dynasty. With several star players facing free‑agency decisions, retaining the core squad will be a major challenge for the club’s hierarchy.Outlook: What Lies Ahead for Penrith and the NRLCleary believes his early announcement provides clarity for contract negotiations and gives Wallace a solid footing. If the Panthers can keep their marquee talent, they may extend their dominance; otherwise, the NRL could see a power shift as rivals vie for the departing stars.

OpenAI CEO Sam Altman testified on Tuesday in an Oakland federal courtroom, confronting allegations from Elon Musk that the company breached its founding agreement by converting to a for‑profit structure.Altman’s Testimony Highlights the For‑Profit Conversion DisputeDuring his appearance, Altman recounted his career and directly addressed Musk’s claims that he “swindled” Musk into co‑founding OpenAI and that the nonprofit was improperly turned into a profit‑driven venture. He emphasized that discussions about a for‑profit arm in 2017 never materialised due to ownership disagreements and that Musk’s demand for total control made him uncomfortable.Financial Stakes: $134 bn Redistribution Claim and $1 tn Valuation Target$134 bn – amount Musk seeks to redistribute to OpenAI’s nonprofit side.$1 tn – valuation OpenAI aims for in its upcoming public offering.Three‑week trial duration, with closing arguments scheduled for Thursday.Implications for OpenAI’s IPO Plans and AI Industry GovernanceThe outcome will shape OpenAI’s ability to proceed with its planned IPO and could set precedents for how hybrid nonprofit‑profit AI entities are regulated. A ruling against OpenAI might force a restructuring that could delay or diminish the $1 tn market debut, while a victory would reinforce the current governance model that separates nonprofit oversight from for‑profit operations.What the Closing Arguments Could Mean for OpenAI’s FutureWith the jury set to deliberate after Thursday’s closing statements, analysts anticipate three possible scenarios: (1) a verdict that upholds OpenAI’s structure, clearing the path for the IPO; (2) a partial ruling requiring financial adjustments but allowing the company to remain operational; or (3) a full reversal that could trigger a major re‑organization or sale. Stakeholders are watching closely as the decision will influence investor confidence across the broader AI sector.

Dimon’s Warning Over the Future of JP Morgan’s £3bn London HQJamie Dimon, chief executive of JP Morgan, told Bloomberg TV in Paris that the bank could abandon its planned £3 billion headquarters in Canary Wharf if a new Labour prime minister proves hostile to banks.Political Trigger: Potential Labour Leadership ChangeThe warning is tied to the uncertainty surrounding Keir Starmer. If Starmer is replaced by a successor who reverses the current “positive business environment” – especially after recent tax concessions – the project could be cancelled.Current plan: 23,000 UK staff, >50% to be housed in the tower.Location: Canary Wharf, London.Timing: announced November 2025, construction slated to start 2027.Financial Stakes: Cost, Tax Burden, and Staffing NumbersEstimated construction cost: £3 billion (≈ $3.8 billion).JP Morgan reported net income of $57 billion (£43 billion) in 2025.Dimon claims the bank has already paid roughly $10 billion in extra UK taxes (bank surcharge and levy).Requested discount on business rates for the tower.Broader Implications for the UK Financial Services SectorA withdrawal would signal to other foreign banks that political risk can outweigh the UK’s market size, potentially derailing planned IPOs and dampening investment banking activity.Investment banking sources warn IPO pipelines could be “derailed”.City stability is linked to consistent fiscal policy and leadership continuity.What Could Happen If a New Prime Minister Targets Banks?Analysts expect three possible scenarios:Renegotiation: JP Morgan seeks further tax relief or guarantees before proceeding.Project suspension: Construction is paused pending political clarity, increasing costs.Cancellation: The tower is scrapped, reducing UK office‑space demand and signaling a shift in foreign investment strategy.Stakeholders will watch the Labour leadership contest closely, as the outcome could reshape the UK’s attractiveness to global banks.

The Incident A lorry has become stuck in a sinkhole on a rural road in Somerset after being sent to fix it. Contractors from a company called Stabilised Pavements were sent to fix holes on Butleigh Drove, near Walton, when the ground gave way. The Lorry's Condition The lorry was left stuck at a near 45-degree angle, forcing the workers to abandon it. A council spokesperson said the lorry was due to be recovered. The Road Network Concerns Lucy Trimmell, an opposition councillor in Somerset, told the Times the council’s approach to road repairs was like “trying to darn a pair of fishnet tights” and the road network was “rapidly deteriorating”. Richard Wilkins, the portfolio holder for transport and waste services, said council contractors had been working to fix the damage caused by Storm Chandra in January, as well as other weather events. The Council's Response A spokesperson for Somerset council said: “Planned highway works are taking place on Butleigh Moor Drove (also known as Butleigh Drove) near Walton, and these works are being delivered by contractors. The road is constructed on peat and has experienced significant movement and rutting. Issues of this nature can occasionally arise when carrying out works in these conditions. A lorry involved in the works is due to be recovered. The site will then be assessed to determine the most appropriate approach to complete the repairs.”

Lead: Dangote’s Next Mega‑Refinery in East AfricaAliko Dangote announced plans to build a new oil refinery in Mombasa, Kenya, following the successful launch of his 650,000 bpd Lagos facility in early 2026. The move comes as African nations scramble for energy security after the Iran‑related closure of the Strait of Hormuz.Dangote’s Plan for a Mombasa RefineryIn an interview with the Financial Times, Dangote said he prefers Kenya over Tanzania because Mombasa offers a larger, deeper port and a bigger domestic market. He indicated that the final decision rests with President William Ruto, who has been championing a joint East African refinery at Tanzania’s Tanga port.Location: Mombasa, Kenya – deep‑water port with higher throughput capacity.Projected start‑up: mid‑2028 (based on typical 2‑year construction timeline for similar projects).Strategic partner: still under discussion; potential involvement of regional governments and private investors.Financial Scale and Capacity MetricsConstruction cost: estimated between $15 bn and $17 bn.Processing capacity: expected to mirror Lagos’s 650,000 bpd, making it one of the largest single‑train refineries on the continent.Regional demand: East Africa currently imports the majority of its refined products; Kenya alone imported 40 million barrels in 2025.Refining gap: Africa refines only about 44 % of its oil consumption, leaving a heavy reliance on Middle‑East imports.Strategic Impact on African Energy SecurityThe Mombasa refinery would reduce East Africa’s vulnerability to geopolitical shocks such as the Hormuz closure, which disrupts roughly 20 % of global oil and gas shipments. Local refining could lower fuel prices, cut transport costs, and provide by‑products like fertilisers and petrochemicals, boosting agriculture and manufacturing.Analysts note that while Dangote’s Lagos plant has already begun exporting jet fuel and diesel to neighboring countries, the East African market presents a more fragmented political landscape that could test the scalability of his model.Outlook: How the Project Could Reshape Regional RefiningIf completed on schedule, the Mombasa refinery could position Kenya as a net exporter of refined products, encouraging similar investments in Uganda, Tanzania and the broader Horn of Africa. Competing projects, such as Angola’s $470 m Cabinda refinery and Uganda’s planned 60,000 bpd plant, suggest a continent‑wide shift toward self‑sufficiency.Ultimately, the success of Dangote’s East African venture will hinge on government policy, financing structures, and the ability to navigate cross‑border logistics. A functional Mombasa refinery could set a precedent that accelerates Africa’s transition from oil importer to regional energy hub.

Executive Overview: Funding and VisionDessn announced a $6 million Series A led by Connect Ventures, with participation from Betaworks and N49P. The startup aims to reshape design workflows by letting teams edit live codebases in the cloud, eliminating the “design‑to‑code” hand‑off.Production‑Centric Design EngineThe platform abstracts away local dependencies, enabling designers to run a full codebase in the cloud without setup cost. By operating directly in the production environment, designers can hand off work to developers instantly. Current adopters include Color (health), Wispr (voice AI), and Mercury (fintech).Financial Snapshot and Pricing ModelFunding round: $6 million (Series A)Lead investor: Connect VenturesParticipating investors: Betaworks, N49PFree tier: one repository + five prompts per weekPaid tier: $39 per user per month (higher prompt limits, public links, opt‑out of AI training)Strategic Implications for the Design‑Tool LandscapeDessn’s focus on production fidelity challenges the prevailing “ideation‑first” model championed by tools like Figma or Vercel’s v0. By avoiding mandatory migration from existing design suites, it reduces switching costs and positions itself as a complementary layer for teams with established codebases. The decision to forgo a Figma integration underscores its commitment to keep teams in the production loop.Outlook: Adoption, Integration Roadmap, and Market PositionAnalysts expect Dessn to attract mid‑stage startups that need rapid UI iteration without rebuilding infrastructure. Planned integrations with Slack and meeting‑note AI such as Granola could unlock workflow automation, while the modest team size (four members) suggests a lean scaling strategy. If the pricing and performance hold, Dessn could become a niche standard for production‑centric design, prompting larger players to reconsider their own code‑aware offerings.

The Labour Party's Economic CrossroadsAn influential group of Labour MPs has issued a stark warning that the party needs an urgent renewal of economic strategy to offer voters "more than better management of decline" before the next general election. This call comes amid mounting pressure on Keir Starmer's leadership, with the prime minister reportedly fighting to ward off a potential challenge.Internal Party Pressure Mounts on StarmerThe essays, published by the soft-left Tribune group, represent a thinly veiled attack on Starmer's leadership direction. Former cabinet minister Louise Haigh and prominent MP Yuan Yang, both contributors to the collection, have been among the first senior figures to openly call for Starmer's resignation. The publication comes after crushing defeats in local elections across Britain, which have intensified internal party tensions.Growing Leadership Challenge NumbersThe political crisis has escalated significantly, with more than 70 Labour MPs now urging Starmer to set out a timetable for his departure. Among those calling for change is Yuan Yang, who despite being a member of the Labour Growth Group once considered loyal to Starmer, has joined the chorus of discontent. The health secretary, Wes Streeting, is reportedly preparing to launch a challenge, while Andy Burnham, the mayor of Greater Manchester, is also seeking a route to parliament to pursue the leadership.Progressive Economic Policy ProposalsThe essay collection contains several bold policy proposals that signal a potential leftward shift for the party. Haigh has called for replacing Rachel Reeves's fiscal rules with a 10-year debt target instead of five years, allowing for more flexible investment approaches. She also proposed scrapping stamp duty in favor of a proportional property tax, increasing capital gains tax rates, and breaking up the Treasury to create a new growth ministry.Meanwhile, Yang has urged Labour to use its response to the Iran war to overhaul cost of living support. His proposals include implementing a free minimum energy guarantee modeled on Austria's system, further cuts to green and social levies on energy bills, and providing free bus fares for under-25s and universal credit recipients.Future Direction for Labour UncertainAs Labour faces this critical juncture, the party's future direction remains uncertain. The Tribune group has insisted their publication was long-planned and independent, aimed at "focusing on ideas not individuals." However, the timing suggests these proposals are part of a broader effort to reshape the party's economic direction amid leadership uncertainty. With potential successors already positioning themselves, Labour faces the challenge of defining its economic identity while navigating a potential leadership transition before the next general election.