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England Test captain Ben Stokes has revealed that he feels fortunate to be alive after undergoing surgery for a broken cheekbone sustained during a cricket training session. The incident occurred when Stokes, 34, was hit in the face by a cricket ball while coaching young players at his domestic county side Durham in February.Stokes required major facial surgery to repair the damage and has since expressed his gratitude for a positive outcome, acknowledging that the situation could have been much worse. He mentioned that if he hadn't turned his head at the right moment, the consequences could have been fatal.“I copped one straight in the face,” Stokes told the England and Wales Cricket Board. “Pretty nasty but, funnily, probably the best result of a bad situation, to be honest. Just a couple of inches one way or the other, I might not be here doing this interview, if I didn’t turn my head round.”Stokes is set to return to action in two first-class County Championship games next month and is expected to lead England in their home Test series against New Zealand starting on June 4. The team is looking to bounce back from a 4-1 Ashes defeat in Australia.In addition to his injury update, Stokes also downplayed reports of a rift with England coach Brendon McCullum, emphasizing their shared goal of achieving success with the team. Stokes and McCullum have implemented an aggressive style of play known as “Bazball,” which has been under scrutiny following England’s recent performance.

The Portland Trail Blazers have ended a four-year playoff drought with a thrilling 114-110 victory over the Phoenix Suns in an NBA play-in game. Deni Avdija led the charge with a career-high 41 points, including the decisive three-point play with 16.1 seconds remaining to cap a remarkable comeback from an 11-point fourth-quarter deficit.The Trail Blazers will now face the No. 2 seed San Antonio Spurs in a best-of-seven Western Conference playoff series starting on Sunday. Meanwhile, the Suns will have another chance to secure a playoff spot on Friday against the winner of the Golden State Warriors and Los Angeles Clippers play-in game.Avdija's impressive performance included 12 assists and seven rebounds, while Jrue Holiday added 21 points and Jerami Grant contributed 16 points, including crucial three-pointers down the stretch. For the Suns, Jalen Green scored 35 points, Devin Booker had 22 points, and Dillon Brooks added 20 points.In another play-in game, the Charlotte Hornets edged the Miami Heat 127-126 in overtime, with LaMelo Ball hitting a go-ahead layup with 4.7 seconds left and Miles Bridges blocking Davion Mitchell's shot at the buzzer.

South Africa has appointed Roelf Meyer, a seasoned negotiator who played a crucial role in ending white minority rule in the 1990s, as its next ambassador to the United States. This move is seen as an attempt to strengthen ties with Washington following a challenging year in bilateral relations.Meyer's appointment comes at a time when South Africa has been without diplomatic representation in Washington, DC, since March 2025, when US President Donald Trump expelled Ambassador Ebrahim Rasool over criticism of the Make America Great Again (MAGA) movement. Trump's administration had also frozen most foreign assistance to South Africa and launched a refugee program for white South Africans, citing alleged persecution.Meyer, 78, is a well-known figure in South African politics, having served as a minister under the apartheid Nationalist Party government. He was a key negotiator in the talks that led to the country's first democratic elections in 1994. Meyer later joined the African National Congress (ANC) in 2006 and has a history of working with South African President Cyril Ramaphosa, who was then an ANC negotiator.The new ambassador is set to take up his post in Washington, DC, once all protocols are complete. His appointment is viewed as a strategic move to improve relations with the US and marks a significant development in South Africa's diplomatic efforts.

Israeli military forces have launched a series of strikes across the Gaza Strip, resulting in the deaths of at least 11 Palestinians, including two children, a three-year-old and a 14-year-old. These attacks occurred despite a ceasefire agreement between Israel and Hamas that came into effect on October 10 last year.The violence escalated in the northern part of the Gaza enclave on Tuesday, with Gaza's Civil Defence authorities and the Reuters news agency confirming the deaths. Mahmoud Basal, spokesman for Gaza's Civil Defence, reported that four people were killed, including the three-year-old, in a strike targeting a police vehicle in Gaza City. The Ministry of Interior stated that Israeli warplanes had targeted the police vehicle, causing several deaths and injuries, with a police officer among those killed and at least nine bystanders wounded, some critically.Further violence was reported in the northern Beit Lahiya area, where another person was killed by Israeli fire earlier in the day. Later on Tuesday evening, Civil Defence reported that another Israeli strike killed several people near an intersection in the Shati refugee camp in Gaza City. Medics at Al-Shifa Hospital confirmed receiving five bodies from an Israeli drone bombing involving two missiles that hit a group of people in the Shati refugee camp.Despite the ceasefire, Israeli forces continue to carry out daily strikes on Gaza, resulting in almost 760 Palestinians killed since the truce was agreed upon. The Gaza Ministry of Health reported that an additional 2,111 Palestinians have been injured in Israeli attacks since the ceasefire was announced, while a total of 72,336 people have been killed by Israeli forces since the start of Israel's war on the territory on October 7, 2023.

In a landmark decision, a Manhattan federal jury determined that Live Nation and its Ticketmaster subsidiary wield a monopolistic grip on major concert venues across the United States. The four‑day deliberation ended Wednesday with a finding that the ticket‑selling platform had overcharged buyers by $1.72 per ticket, a figure that will now be used by a judge to calculate total damages. The case, originally spearheaded by the federal government and later joined by dozens of states, accused Live Nation of leveraging its extensive venue network to stifle competition. Plaintiffs argued that the company barred venues from using alternative ticket sellers and retaliated against those that attempted to do so. Attorney Jeffrey Kessler, representing the states, called Live Nation a “monopolistic bully” that inflates prices for concertgoers. He cited the company’s control of 86% of the concert‑ticket market and 73% of the combined concert‑and‑sports market, underscoring the breadth of its influence. Live Nation, which reported over $22 billion in annual revenue, rejected the monopoly label, insisting that pricing decisions rest with artists, sports teams, and venue owners. Company counsel argued that the firm’s size reflects “excellence and effort,” not antitrust violations. The jury’s finding arrives amid a broader regulatory push. In 2024, the Federal Trade Commission required Ticketmaster to disclose ticket fees up front, prompting the company to eliminate a post‑checkout processing charge. However, a recent Guardian investigation revealed that Ticketmaster introduced alternative fees to offset lost revenue, raising questions about compliance with FTC rules. Earlier, the Department of Justice settled with Live Nation under the Trump administration, creating a $280 million settlement fund for participating states. The agreement also imposed caps on service fees at select amphitheaters and opened the door—though not the obligation—for venues to work with Ticketmaster rivals such as SeatGeek and AXS. More than 30 states declined the settlement and pursued the trial, arguing that the federal government’s concessions were insufficient. During the proceedings, Live Nation CEO Michael Rapino testified, including about the 2022 Taylor Swift ticket fiasco, which he attributed to a cyber‑attack. Internal communications from Live Nation executive Benjamin Baker surfaced, in which he described certain pricing practices as “outrageous” and disparaged customers as “so stupid,” later apologizing for the “very immature and unacceptable” remarks. Live Nation has announced its intention to appeal the verdict, stating confidence that the ultimate outcome will align with the original DOJ settlement framework. The case continues to spotlight the tension between dominant market players and antitrust enforcement in the live‑entertainment industry.

Wall Street climbed to a fresh all‑time high on Wednesday as investor confidence rose on the prospect that the US‑Israel war with Iran could soon end.The benchmark S&P 500 closed at 7,022.95, breaking the 7,000‑point barrier for the first time and posting a 0.8% gain. The tech‑heavy Nasdaq surged 1.6% to 24,016.02, also a record, while the Dow Jones Industrial Average remained broadly flat.This rally has erased the steep losses recorded during the early weeks of the conflict, buoyed by the two‑week cease‑fire deal announced last week between the United States and Iran.In a Wednesday interview, former President Donald Trump told Fox Business the war was “very close to over,” a statement that lifted trader sentiment.The White House later clarified it had not requested an extension to the cease‑fire, which is set to expire on 22 April, but said negotiations were “productive and ongoing.”Quarterly earnings from Bank of America and Morgan Stanley beat market estimates, reinforcing confidence in the economy. Bank of America CEO Brian Moynihan highlighted strong consumer spending, improving credit quality, and increased corporate line usage.Despite reports that the United States is preparing a naval blockade of the Strait of Hormuz—a chokepoint for roughly a fifth of the world’s oil and gas shipments—the markets stayed upbeat. The Pentagon has deployed 15 warships and thousands of service members to enforce the restriction.Oil markets reacted positively to the cease‑fire news, with Brent crude falling about 10% to around $95 a barrel, though this price remains roughly 35% above pre‑conflict levels.

Madonna has confirmed the arrival of her 15th studio album, "Confessions II," positioned as a direct follow‑up to the 2005 disco‑infused masterpiece Confessions on a Dance Floor. The new record is scheduled to drop on 3 July 2026 and reunites the pop icon with British producer Stuart Price, who helmed the original. In a candid statement, Madonna framed the project as a manifesto for dance: "We must dance, celebrate, and pray with our bodies… the dance floor is a ritualistic space where we connect with our wounds and fragility." She emphasized that rave culture is an art form that reshapes perception through sound, light, and vibration. The artist also quoted lyrics from a forthcoming track, One Step Away, underscoring the theme: "People think that dance music is superficial, but they’ve got it all wrong. The dancefloor is not just a place, it’s a threshold—a ritualistic space where movement replaces language." Accompanying the announcement, Madonna posted a YouTube teaser featuring a deep‑house groove layered with a spoken soliloquy: “Thanks for coming… on the dancefloor I feel so free.” The video, embedded below, offers the first audible glimpse of the album’s direction. Critics anticipate that Confessions II will revive the nightclub‑centric sound that powered hits such as Vogue, Music and the Abba‑sampled lead single Hung Up. Those tracks cemented Madonna’s return to global mega‑pop status after the lukewarm reception of 2003’s American Life. Since the original Confessions, Madonna has explored a variety of styles—pop, R&B, hip‑hop on Hard Candy, MDNA, and Rebel Heart, then the eclectic, Portuguese‑fado‑infused Madame X. She has also revisited her back catalogue with releases like Veronica Electronica (remixes from the Ray of Light era) and the EP Bedtime Stories: The Untold Chapter, which unearthed demos from 1994. Stuart Price, known for projects such as Les Rythmes Digitales, Zoot Woman and Thin White Duke, previously helped shape Confessions on a Dance Floor into a chart‑topping phenomenon—"Hung Up" reached No. 1 in 41 countries, and its follow‑up single "Sorry" topped the UK charts. Madonna’s recent collaborations include the track Popular with The Weeknd and Playboi Carti for the TV series The Idol, as well as a partnership with Christine and the Queens, signaling her continued relevance across genres. After surviving a severe bacterial infection in 2023 that required a medically induced coma, she launched the expansive Celebration tour, culminating in a historic concert for 1.6 million fans in Rio de Janeiro. The upcoming album therefore arrives at a moment when Madonna’s live presence and cultural influence are at a peak.

Moya Brennan's voice was a remarkable instrument that captivated audiences worldwide, particularly with Clannad's hit song Theme from Harry's Game, which reached No 5 in the charts in 1982, sung in Irish Gaelic.Her distinctive voice, described as light as a leaf, provided a sacred counterpoint to the band's layered harmonies and Prophet 5 synthesiser sounds, guiding them to new musical territories.Brennan's impact extended beyond music, influencing the transportive possibilities of traditional music in film and TV soundtracks, including Robin of Sherwood, Titanic, and the King Arthur film adaptation.Her singing and harp-playing, nurtured in her parents' remote tavern in County Donegal, formed the foundation of Clannad's unique sound, characterised by 'blood harmony' with her siblings and uncles.Brennan's legacy paved the way for global success of artists like Enya and influenced Kate Bush's The Ninth Wave and The Beloved's The Sun Rising.Throughout her career, Brennan collaborated with various artists, including Bono, Bruce Hornsby, and the Blue Nile, and continued to perform and record music until her terminal diagnosis with pulmonary fibrosis.Her final performance, an a cappella rendition of Clannad's Gaoth Barra Na dTonn on a RTÉ show, was profoundly moving, showcasing her enduring spirit and vocal talent.

The UK government's goal to build 1.5m homes in England during this parliament has hit a major obstacle. Barratt, the country's largest housebuilder, has scaled back its land purchases, citing a 'less certain backdrop' due to the Iran war. This move is expected to result in the acquisition of between 7,000 and 9,000 plots, down from the previously anticipated 10,000 to 12,000 plots.The reduction in land purchases translates to approximately £100m less in spending, out of a budget of £800m-£900m. While Barratt's 'disciplined approach' is not a complete halt, it is a significant scaling back. This development comes as the government's target already seemed out of reach, with 208,600 new houses built in 2024-25, down 6% from the previous year and well below the required annual average of 300,000.The government's ambitious target was always dependent on big housebuilders like Barratt to drive growth. However, with interest rates and mortgage rates not expected to fall this year, and energy costs rising, the market conditions are becoming increasingly challenging. The industry is proposing more support for housebuyers, but the Treasury is likely to be cautious about the potential inflationary effects.In conclusion, the government's 1.5m housebuilding target is facing significant headwinds, and it is likely that the goal will be missed. The reforms to planning and the reintroduction of hard targets for local authorities are steps in the right direction, but the impact of the Iran war and economic uncertainty will likely act as a further brake on progress.