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The Incident at Alain Prost's Swiss Home Swiss police are investigating an alleged robbery amid reports that the four-times Formula 1 world champion Alain Prost was injured during a home invasion. Details of the Robbery The Swiss tabloid Blick reported late on Friday that the 71-year-old Frenchman sustained a head injury from intruders who forced his son to open a safe during the incident on Tuesday morning. The perpetrators entered the residence while the occupants were present, threatened them, and forced one family member to open a safe before fleeing with stolen goods. The police, who did not name the victim, said "several" balaclava-wearing intruders "broke into the house. Once inside, they threatened the occupants and inflicted minor head injuries upon one family member, under circumstances that remain to be established. The Impact on Alain Prost Blick reported that Prost, who won four world championships between 1985-1993, was "visibly shaken by this brutal intrusion" and that he has left the home in Nyon beside Lake Geneva in the Swiss canton of Vaud. The Investigation The public prosecutor's office said, "Despite the extensive search operation launched, the perpetrators have not yet been apprehended at this stage." The police are still investigating the incident and compiling a precise inventory of stolen items.

Haiti’s national team is set to play its first World Cup matches in the United States since 1974, yet prohibitive ticket prices and a travel ban are leaving many Haitian supporters unable to attend.Haiti’s Historic Return to the 2026 World CupDrawn in Group C, Haiti will face Scotland on June 13 in Foxborough, Brazil on June 19 in Philadelphia, and Morocco on June 24 in Atlanta.Boston hosts the opening match against Scotland at Gillette Stadium (68,000 capacity).The Haitian community in Massachusetts numbers roughly 87,000 people.Ticket Prices and Ancillary Costs Strain Haitian FansFIFA listed single tickets for the Scotland game at $2,100. Additional expenses include:Parking: $150 for the stadium lot, with satellite lots $50‑plus.Round‑trip train fare from Boston’s South Station: $80.Estimated total cost per fan exceeds $2,300, far above the community’s typical budget of $200‑$1,000 for such events.Community Outcry Highlights Socio‑Economic BarriersLocal voices, including Julio Midy of Radio Concorde and Boston City Councillor Ruthzee Louijeune, describe the situation as “cost‑prohibitive” and “fundamentally wrong.” An informal survey at the May 15 Haiti Flag Day ceremony found no attendees possessed a ticket.Senator Edward J. Markey echoed the concern, urging solutions to ensure the diaspora can support the team.Potential Paths to Greater InclusionStakeholders are exploring options such as:Community‑sponsored ticket pools or sponsorships to lower costs.Negotiations with FIFA for a limited allocation of low‑price or complimentary tickets for diaspora groups.Local nonprofit initiatives (e.g., Hoops for Haiti) seeking funding for transportation and tickets for youth.Outlook for Haitian Support in 2026If affordable access is not secured, the Haitian diaspora’s presence at matches may remain minimal, reducing the cultural impact of Haiti’s historic return. Conversely, coordinated community action and possible concessions from organizers could set a precedent for more inclusive ticketing at future global sporting events.

The Expanding Footprint of the Bundibugyo StrainUganda’s Ministry of Health has confirmed three new infections, bringing the total number of cases in the country to five. The new cases include a driver who transported the country's first confirmed patient and a health worker exposed while caring for that patient. The third case involves a woman from the DRC who crossed into Uganda, initially improved, returned to the DRC, and was later identified as positive after a tip-off from a pilot involved in her transport.Confirmed Case 1: Driver of the index patient.Confirmed Case 2: Health worker treating the index patient.Confirmed Case 3: DRC national who crossed the border and later tested positive.The DRC Crisis: Supply Shortages and Aid CutsThe situation in neighboring Democratic Republic of the Congo (DRC) remains dire, with nearly 750 suspected cases and 177 suspected deaths recorded. First responders report a critical lack of basic supplies, a situation exacerbated by a historic decline in foreign aid, particularly from the United States, which has slashed humanitarian funding to $2 billion.Border Closures and Public Health VigilanceIn response to the confirmed infections involving Congolese nationals, Uganda has suspended all public transport to the DRC. The WHO emphasizes that the outbreak's spread is fueled by late detection, the absence of a specific vaccine for this strain, and high population mobility.Containment Challenges Amidst Regional InstabilityWith armed violence and limited resources hampering efforts in the DRC, the risk of cross-border transmission remains a primary concern. Experts predict that without immediate international support to replenish supplies and stabilize the DRC response, the virus could spread further into Uganda, necessitating sustained vigilance and rapid contact tracing.

The Lead The shadow of Joseph McCarthy's "red scare" loomed over this year's Cannes film festival as Canal+, France's leading media group, announced an effective ban on over 600 French cinema professionals who signed an open letter denouncing the growing influence of conservative tycoon Vincent Bolloré. The blacklist includes renowned actors like Juliette Binoche and acclaimed directors such as Jean-Pascal Zadi and Arthur Harari, raising profound questions about media consolidation, artistic freedom, and the future of French cultural expression. The Media Consolidation Crisis Over the past decade, Vincent Bolloré has consolidated control over a significant portion of France's news and entertainment media. His acquisitions span from the Fox News-like CNews to the Journal du Dimanche, Europe 1 radio, and the publisher Fayard. Critics accuse Bolloré of shifting the editorial line of these acquisitions toward a right-wing ideological project reminiscent of Rupert Murdoch's media empire. His recent firing of the CEO of literary publisher Grasset sparked a walkout by more than 100 authors across the political spectrum, from philosopher Bernard-Henri Lévy to feminist novelist Virginie Despentes. The Economic Impact on French Cinema Canal+'s decision to blacklist cinema professionals carries significant economic consequences for the industry. The company represents more than 40% of all private funding that flows into French broadcasting, streaming, and cinema. Given the typical co-financing structure of French productions involving both public and private funds, Canal+'s influence likely understates its critical importance to French cultural production. From international successes like "Mulholland Drive" to recent hits like "Paddington in Peru," few European producers match Studio Canal's global reach. The Ideological Battle for Cultural Control The protest letter signed by cinema professionals warns that "By leaving French cinema in the hands of a far-right owner, we risk not only the standardisation of films but a fascist takeover of the collective imagination." This reflects a broader concern about whether a single individual or small group should be able to meaningfully impact a nation's cultural output based on their desire to control political speech. The situation echoes historical tensions between artistic freedom and ideological control, raising questions about appropriate government intervention in media ownership. The Path to Media Independence The article suggests that strengthening public funding for journalism and the arts offers a potential solution. Democracy tends to be healthier where public media funding is robust, with 69% of French people expressing confidence in public media despite general dissatisfaction with public services. However, the structure of public funding matters significantly. The proposal suggests moving from annual, discretionary budgets to public media endowment funds governed independently across multiple electoral cycles. Such a "meta-endowment" at the EU level could provide supplementary funding for national, regional, and local public service media, journalism, publishing, and cinema across Europe, creating an additional layer of independence from both billionaire owners and political pressures.

The Rise of 'AI Face' Plastic surgeons are increasingly concerned about the rise of “AI face”, as more and more clients arrive in their offices with unrealistic AI-generated visions of what they want to look like. The Unrealistic Expectations Clients are coming to surgeons with photos of themselves beautified by AI and a false expectation that those results are achievable with surgery. Dr. Nora Nugent, a cosmetic surgeon from Tunbridge Wells, has seen this first hand and says many colleagues are having similar experiences. The Impact of AI on Beauty Standards AI-generated images are creating unattainable beauty standards, with clients demanding flawless skin, sharply sculpted cheekbones, refined noses, and near-perfect symmetry. Surgeons warn that these standards are too time-consuming, prohibitively expensive, and in many cases, physically unattainable. The Risks of Cosmetic Procedures Surgeons emphasize that cosmetic surgery outcomes are far from guaranteed, and that patients must understand the risks and limitations of procedures. Dr. Alex Karidis, a surgeon based in west London, notes that AI can control every single pixel, but surgery does not work on that microscopic level. The Future of Cosmetic Surgery As AI technology continues to advance, plastic surgeons are bracing for an increase in clients with unrealistic expectations. Dr. Nugent predicts that the trend will only continue, given the rate AI has been incorporated into every aspect of life.

Lead: Auckland FC lifts the A-League Men trophy in a historic showdown Auckland FC secured their first league championship by defeating Sydney FC 1‑0 at Go Media Stadium, witnessed by a record‑breaking 28,374 fans. Auckland FC Secures First A-League Men Crown with 1‑0 Victory The decisive moment arrived in the 60th minute when club‑first signing Cameron Howieson slotted home the only goal, giving the Black Knights a 1‑0 lead that they defended for the remainder of the match. Key tactical notes: Both sides entered as the league’s most defensively solid teams, with Sydney conceding the fewest goals in the regular season. Auckland’s physical press neutralised Sydney’s possession‑based approach, limiting the Sky Blues to a single shot in the first half. Goalkeeper Harrison Devenish‑Meares earned the highest broadcast rating at halftime, underscoring his impact. Attendance Figures and Goal Statistics Highlight Growing Interest Record crowd: 28,374 spectators – the highest ever for an A‑League final in New Zealand. First‑time host: Auckland became the inaugural New Zealand club to stage the grand final. Goal tally: 1 goal (Howieson, 60') – the match featured limited clear‑cut chances, reflecting the defensive emphasis. Golden Boot holder Sam Cosgrove was effectively contained by Auckland’s centre‑backs. Implications for New Zealand Football and the A‑League Landscape The victory cements Auckland FC’s rapid rise, having won the premiership plate in their debut season and now adding the championship. It also underscores the expanding appetite for professional football across the Tasman, demonstrated by the sell‑out crowd. Coach Steve Corica became the first manager to claim three A‑League titles, further enhancing his legacy and highlighting the competitive edge of experienced Australian coaches in the trans‑national league. Future Outlook: Auckland’s Momentum and Sydney’s Rebuilding Path Looking ahead, Auckland FC is poised to leverage this triumph to attract higher‑profile talent and solidify its brand in both New Zealand and the broader A‑League market. Conversely, Sydney FC faces a rebuilding phase under newly appointed coach Patrick Kisnorbo, who will look to translate the recent unbeaten run into a more potent attacking setup for the next season.

The acting Navy secretary Hung Cao told a Senate committee that the United States is temporarily pausing a $14 bn arms sale to Taiwan to ensure sufficient munitions for the Iran operation dubbed Epic Fury. The disclosure, coupled with a Washington Post report on interceptor usage, has sparked concerns that the U.S. may be exhausting its strategic missile stockpiles faster than they can be replenished. Senate Hearing Highlights $14 bn Taiwan Sale Pause and Iran‑War Munitions Demand During the hearing, Cao emphasized that the pause is a precaution, not a sign of a critical shortage, stating the U.S. has “plenty” of munitions for Epic Fury. Yet his own remarks underscored a broader tension: while officials publicly project confidence, internal data suggest a rapid drawdown of high‑value weapons used against Iran. Interceptors and Tomahawks: The Scale of US Depletion THAAD interceptors: >200 launched – roughly 50% of the U.S. inventory. SM‑3/SM‑6 missiles: >100 deployed. Tomahawk cruise missiles: >1,000 used out of an estimated 3,100. Overall, seven critical munitions saw more than half of their pre‑war stockpiles expended, according to a CSIS report dated April 21. Strategic Ripple Effects for Allies and Future Theaters The depletion has immediate implications for U.S. partners. Japan and South Korea, which rely on American missile‑defence systems, face heightened risk if the supply chain cannot keep pace. Gulf allies also worry about reduced availability of Patriot and THAAD systems should the Iran conflict reignite. Moreover, the same interceptors are needed for potential Indo‑Pacific contingencies involving China, amplifying the strategic stakes. Rebuilding the Arsenal: Timeline and Policy Choices Analysts from the International Institute for Strategic Studies and CSIS warn that restoring pre‑war levels for the seven most‑depleted munitions will require “one to four years” as production pipelines catch up. Factors such as supply‑chain bottlenecks, skilled‑labor shortages, and rare‑earth material constraints slow the ramp‑up. Until capacity improves, U.S. planners must factor stockpile depth into escalation calculations, potentially limiting the frequency or intensity of future strikes.

Executive Summary: Reeves' Bid to Remain ChancellorRachel Reeves is mobilising backbench support to keep her chancellorship if Keir Starmer is replaced, arguing her credibility with bond markets is essential for the UK’s fiscal stability.Backbench Lobbying Intensifies as Labour Leadership ShiftsLabour MPs are being urged to back Reeves in the event that Andy Burnham wins the Makerfield by‑election and succeeds Starmer as prime minister. Allies warn that a switch to Ed Miliband would unsettle the bond market.Reeves’ supporters claim she is the only candidate who can safeguard the country’s finances.Burnham is reportedly considering Miliband for chancellor.MPs express concern over a “double change” in leadership.Economic Indicators Strengthen Reeves' PositionRecent data provide a factual backdrop to the political maneuvering:International Monetary Fund raised its UK growth forecast to 1% for 2026, up from 0.8%.Inflation fell to 2.8%, outpacing expectations.Government borrowing in April exceeded forecasts, highlighting fiscal pressure.Political Ramifications and Market PerceptionThe chancellor’s lobbying has sparked debate within Labour:Supporters stress the importance of fiscal predictability for bond‑market confidence.Critics argue Reeves bears responsibility for unpopular policies such as cuts to winter fuel payments.Analysts note her “Great British Summer Savings” plan and surprise VAT cut on family attractions as attempts to bolster public support.Bond‑market observers warn that a sudden leadership change could raise borrowing costs, while unions fear a shift toward a less market‑friendly chancellor.Looking Ahead: Scenarios for the TreasuryIf Burnham ascends to the premiership, the chancellor’s seat could become a focal point of intra‑party negotiation. Potential outcomes include:Reeves retains the role, providing continuity for markets.Ed Miliband is appointed, prompting a reassessment of fiscal strategy.A prolonged leadership contest that stalls key economic reforms.Analysts suggest that Reeves’ ability to navigate both economic data and internal party dynamics will determine whether the Treasury maintains its current course or pivots toward a new fiscal direction.

The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.