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Five‑Day Berlin Blackout: A Sabotage UnveiledOn 3 January 2026, a fire set on five high‑voltage cables under a bridge over the Teltow Canal plunged large parts of Berlin into darkness for five days, marking the longest outage since World War II. The attack was claimed by a self‑styled “Volcano Group”, linking the sabotage to broader anti‑fossil‑fuel activism. Arson on High‑Voltage Cables Triggers Citywide OutageApproximately 12 km from the Immanuel Hospital, the cables—each 10 cm thick and supplying power to about 45,000 homes, 2,200 businesses and four hospitals—were set ablaze. The fire was captured on video by Stromnetz Berlin, the city’s state‑owned grid operator, showing the cables burning above a pile of debris. Scale of the Outage: Numbers and Immediate Consequences10,000 homes restored electricity by the next day.35,000 homes remained without power for the full five days.Hospitals relied on emergency generators; Immanuel Hospital’s diesel tank held 3,000 L and burned ≈550 L/day.Hospitals faced cancelled surgeries, heating failures, and patient evacuations. Human Toll and Hospital Operations Under StrainTechnicians at Immanuel Hospital rerouted power to gas pumps, averting a heating crisis. At the nearby Hubertus Hospital, director Michael Schmidt evacuated 150 patients and postponed operations. Residents endured a “dystopian” atmosphere, with makeshift community support emerging around hospital canteens. Future Security Measures and Threat LandscapeThe confession, posted on left‑wing platforms, framed the act as “shutting down fossil fuel power stations”. The Volcano Group has a history of at least seven attacks since 2011, often referencing Icelandic volcanoes. Authorities now face pressure to harden vulnerable infrastructure points—especially above‑ground crossings like the Teltow Canal bridge—and to monitor anonymous activist channels for similar threats.

The Brilliance of 'Two Weeks in August' Hell is other people, but a fortnight's summer holiday in a Greek island villa with three pals you have known since university, the young second wife of one of them, your depressive husband and the mulish French nanny the second wife has hired to look after her foul child, is surely the innermost circle of it. The Flawless Performance of Jessica Raine Zoe, played by Jessica Raine, is a comprehensive school teacher managing life with more grace under pressure than most of us do. A natural carer and conciliator, she signed her family up for the trip partly because of friends' expectations, but also because a fortnight away in the sun sounded like a pleasure. The Intricate Web of Relationships Making up the rest of the island gang are glamorous Nat (Leila Farzad) whose nose is put out of joint when the casual boyfriend of her gay best friend, Jacob (Hugh Skinner) turns up at the villa, not-quite-at-the-moment-working actor Solomon (Nicholas Pinnock) and the younger wife, Jess (Antonia Thomas) – she has bagged the best bedroom and avoids as much outlay of money or effort as she can, usually by exploiting Zoe. A Standout Performance The show delivers a touch of wry social commentary (in Jacob and his gen Z boyfriend's differing reactions to the infidelity, in the HR complaint raised against Nat at work) without breaking the mood. It even manages to fold in a mythological element that does exactly what it should – makes the story feel only more authentic, eternal, universal – instead of seeming like a jarring supernatural bolt-on. A Holiday from Mediocre Dramas Two Weeks in August is in itself like a holiday – a holiday from dramas made up of meretricious moments and unearned payoffs, or which let the beautiful scenery instead of beautifully written scenes do the work. I feel restored after eight hours basking in its brilliance.

The Lead 'Ponies' is a weirdly joyful and bizarrely endearing espionage thriller cum female buddy caper set in 1970s Moscow. The series, starring Emilia Clarke and Haley Lu Richardson as two widows turned spies, has been praised for its unique blend of modern feminist sensibility and 70s movie aesthetics. The Event Details The show's setup is almost embarrassingly absurd: the wives of two dead CIA agents persuade their husbands' boss to take them on as spies, on the grounds that the KGB will never suspect that women have been recruited. The series follows their adventures as they navigate the world of espionage, using their unique skills and personalities to overcome challenges. The Character Dynamics Clarke and Richardson play Bea, a Wellesley-educated daughter of Belarussian emigrants who speaks fluent Russian, and Twila, a brash, blue-collar American. Their chemistry makes them greater than the sum of their parts, and their odd couple dynamic is a highlight of the show. The Impact Analysis 'Ponies' is a mashup of genres and tropes, but it is its own thing too – and an unexpected treat at that. The show's blend of humor, action, and heart makes it a standout in the espionage thriller genre. The Prediction With its unique blend of style, humor, and heart, 'Ponies' is likely to appeal to fans of espionage thrillers and female buddy comedies alike. The show's success could pave the way for more innovative and genre-bending series in the future.

The LeadIn an era of digital distractions, renowned authors and public figures have come together to share their most compelling book recommendations, aiming to reignite readers' passion for literature. From Nobel laureates to best-selling authors, these selections offer diverse perspectives and captivating stories designed to rekindle the joy of reading.The Literary SelectionsMalala Yousafzai, the activist and Nobel laureate, recommends Enter Ghost by Isabella Hammad. This British-Palestinian novel follows an actor who travels to the West Bank and becomes involved in a local production of Hamlet. Yousafzai was particularly moved by the rehearsal scenes that explore "arguments over translations, personal relationships, the question of whether a performance is even possible under Israeli occupation." She believes Hammad demonstrates that "theatre is capable of carrying weight that other art forms cannot hold."David Miliband, CEO of the International Rescue Committee, suggests Free: Coming of Age at the End of History by Lea Ypi. This memoir chronicles growing up in Albania, the last Stalinist country in Europe. Miliband describes the book as "at once hilarious and serious, appalling in its description of the lies and tentacles of the regime of Enver Hoxha and touching in its humanity." He notes that the author's journey from "Young Pioneer" in the Albanian Communist party to professor in the UK makes the book "more than a work of memory or history. It is also an engagement with the challenges of the present."Katherine Rundell, acclaimed author, enthusiastically recommends Luke Kennard's Black Bag. She admits to laughing "aloud dozens and dozens of times" while reading this novel about a young actor who takes a job dressing in a black bag during psychology lectures to gauge students' reactions to strangeness. Based on a real 1967 experiment, Rundell praises its "brilliant" and "inventive originality," calling it "a triumph of a book" that is "very powerfully worth your time."Jack Thorne, screenwriter, revisits Susan Cooper's classic The Dark Is Rising. As someone who identifies as "quite a weird kid," Thorne found that the book "found that weirdness and twisted it." He's holding off sharing it with his 10-year-old until the "perfect age" of 11, praising its exploration of "the battle between the Dark and the Light" that "weaves myth and history into a glorious concoction that uses language as a weapon."Margaret Busby, publisher and president of English PEN, recommends CLR James's The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution. First published in 1938, this historical work documents "the only successful revolt of the enslaved in history." Busby, who had a personal connection to the author (her father was James's friend from schooldays in Trinidad), calls it an "uplifting example of how the personal and political connect" and notes its continuing relevance as "a defiant call to resisting oppression."The Reader ImpactThese diverse recommendations offer readers a pathway back to literary engagement by providing books that are not only entertaining but also intellectually stimulating. Each selection offers a unique perspective that can challenge readers' thinking while providing the pleasure of immersive storytelling. The variety of genres and styles represented ensures that there's something for every type of reader, whether they prefer contemporary fiction, historical accounts, or fantasy.The Cultural SignificanceIn an increasingly fragmented media landscape, these recommendations highlight the enduring power of books to connect us to different experiences and perspectives. The selections reflect both timeless themes and contemporary concerns, demonstrating how literature continues to evolve while addressing fundamental human questions. The fact that these recommendations come from diverse figures—activists, politicians, writers, and scholars—underscores the broad cultural relevance of reading across different professions and backgrounds.The Future of ReadingAs digital distractions continue to compete for our attention, curated recommendations from trusted voices may become increasingly important in guiding readers back to literature. These selections suggest a trend toward books that offer both entertainment and substance—works that can make us laugh while making us think. The enduring appeal of physical books, as evidenced by the care taken in describing these specific editions, indicates that despite digital alternatives, many readers still value the tangible experience of reading a well-crafted book.

The Familiar FinalYou could be forgiven for having a sense of deja vu before a fourth Champions League final between the Spanish champions, Barcelona, and French champions, Lyonnes, on Saturday evening.The three-time champions and eight-time champions played each other in the final of Europe's premier competition three times in six years between 2019 and 2024, with Lyonnes earning a 4-1 win over the Catalan giants in 2019 and a 3-1 win in 2022 before Barcelona delivered a 2-0 defeat of the French side in 2024.However, predicting the outcome could not be harder and Barcelona's talismanic No 11, Alexia Putellas, said there is little that can be discerned from those previous meetings. "We can't compare seasons and we can't compare finals," said the two-time Ballon d'Or winner. "Our squad has evolved a lot, so previous finals don't have an influence on the final we are playing tomorrow."The Tactical Chess MatchA lot has changed. Most notably, Lyonnes are now managed by Jonatan Giráldez, who was a coach at Barcelona as they claimed their maiden UWCL title and at the helm for their second and third. Few managers are better equipped to return Lyonnes to the top of European football after a three-year hiatus than the man who understands the way Barça work and exactly how they ended the domination of the French side.As a result, the tactical approach of those on the sidelines is perhaps the most interesting piece of the puzzle in Oslo's Ullevaal Stadion.Giráldez said of Barça's development since he left: "They have some different players but their identity remains the same; this will to dominate and apply pressure. Not thinking about the result as much as about the show and the performance, that's their identity. I feel privileged to face Barcelona as I'm grateful for the experience I had there and I wish them the best – except when we have to win!"Master and ApprenticeOne of Giráldez's two assistants, Pere Romeu, replaced him when he departed for Washington Spirit in June 2024. "We are the two teams that have done the most in this competition to reach the final in recent years," said Romeu. "Tomorrow is going to be a very demanding match. Tomorrow is going to be a match with a lot of quality from both teams. Tomorrow is going to be a match that, as in all finals, is going to be decided by small details. We are going to try to take care of and control it to the maximum."The 32-year-old Barcelona manager won a domestic treble in his first season in charge, but fell short in the Champions League final last season as Arsenal delivered a shock defeat."I see a team that is more mature than last season," said Romeu. "I see a team with greater capacity to change things during the game than last season and I think we have reached a good point."Putellas described Romeu as a "complete coach", before the showdown on Saturday. "We've been working together for several seasons now and he has always tried to help me evolve as a player, which I'm very grateful for," she said. "He's the most complete coach. This season I've tried to do the best I possibly can without forgetting my own qualities in order to help the team."Romeu is relishing the master-apprentice battle in such a significant game. "I, as a coach, am super-excited to be able to face this match against a former coach of the club in Jonatan," he said. "I'm sure we'll both do everything we can to keep our teams' identities and keep doing the best we can to win."Dominate DomesticallyBarcelona secured another domestic treble on Saturday with a 3-1 Copa de la Reina final win over Atlético Madrid in their final game before travelling to Norway. Meanwhile, Lyonnes are one game away from their own domestic treble, having dispatched Nantes with an emphatic 8-0 win in the semi-final of the Premiere Ligue play-offs, with the final between the holders and Paris FC, taking place next Friday.The Lyonnes midfielder Lily Yohannes told Uefa that the club "just have so much hunger in us," after their three-year European dry spell. "We have so much fight. No matter what happens, we stick together, we rise above the challenges, and we just have such a winning mentality in the group."The 35-year-old centre-back Wendie Renard, who has been involved in each of the club's record eight Champions League wins, similarly spoke about a togetherness and desire in the team after a disappointing European run last season."If I had to sum up our journey this season: dedication," she told Uefa. "A Champions League campaign never comes easy, from one game to another. We've also had doubts and fears at times, but the squad has remained strong, and we've kept focusing on work and humility and performed well together."The Midfield BattleThe midfield battle will be key, with the impact of Melchie Dumornay, who was the difference maker in their semi-final fightback against Arsenal, critical for Lyonnes and Barcelona unsure of the readiness of the three-time Ballon d'Or winner Aitana Bonmatí, who is "feeling better every day", according to Romeu, but has not played 90 minutes for the team since November and only played 18 minutes of the Copa de la Reina final.Contrasting StylesThe Champions League final will ultimately be a contest between two different ways of playing, Barcelona's slick tiki-taka football and the more aggressive way Lyonnes play. Both cannot dominate possession in this game, one will have to cede it and find a different way to win. That is what makes it an enthralling fixture.

The Churchill Exhibition: War Leader's Artistic EscapeBritain's eloquent war leader kept himself sane by puffing on cigars, swilling brandy – and painting the world around him. The Wallace Collection in London is hosting "Winston Churchill: The Painter" from 23 May to 29 November, offering a rare glimpse into the artistic side of the historical figure.New Voices in Contemporary ArtThe London art scene is buzzing with new exhibitions featuring contemporary artists:Kira Freije presents hollow metal people at Modern Art Oxford, showing shadows of Berlin Dada in her work. The exhibition runs from 23 May to 16 August.Miriam Elia, known for her witty take on Ladybird books, turns her eye towards Moses in this exhibition for Jewish Cultural Month at JW3, until 30 June.Liam Young offers futuristic but lo-fi worlds you can walk through at the Barbican, until 6 September, with installations finding hope for our planet.Zsuzsi Ujj presents her first UK solo show at Arcadia Missa, from 22 May until 18 July, establishing her presence from Hungary's dissident art and underground music scenes.Remembering Valie ExportThe art world mourns the passing of Austrian feminist artist and film-maker Valie Export, who died this week. Her 1968 performance piece "Tapp und Tastkinema" (Tap and Touch Cinema) is highlighted as typically provocative but playful, giving people the opportunity to interact with and appraise a real female body: her own. Export's fearless approach to challenging beauty standards continues to influence contemporary artists.Notable Art News and DevelopmentsThe week brought several significant stories from the art world:Taiba Akhuetie makes wild creations out of hair – Rihanna and Cate Blanchett are fansWhistler should have used better paint to capture his motherNina Simone's chewing gum is going on show in a new exhibition celebrating the superfanChristo made the invisible visibleGrayson Perry's life story is to be made into a musicalFlorentina Holzinger rocked this year's Venice Biennale with naked jetskiers, human bells and urine diversGen Z can't get enough of the king of colour, Mark RothkoSanya Kantarovsky's paintings of Christian iconography and children will haunt youMasterpiece of the Week: The Judgement of ParisJoachim Wtewael's "The Judgement of Paris" (1615) stands as this week's masterpiece. The painting depicts the moment when Trojan prince Paris foolishly rates the beauty of Minerva, Venus, and Juno, giving the prize to Venus in return for her helping him seduce Helen. This decision sparked the Trojan War, with the Greeks supported by the furious Juno. Wtewael's mannerist style, with its bony, angular forms and deliberate distortions, creates an overabundance that presages doom, reflecting the war-torn Europe of the 1600s. The painting is on display at the National Gallery in London.

The Lead: Tuchel's Bold World Cup Squad SelectionThomas Tuchel has announced England's 2026 World Cup squad with several high-profile exclusions and surprising inclusions, marking a significant shift in the national team's approach as they aim to end their 60-year wait for a major international trophy.The Event Details: Shock Omissions and Surprise InclusionsIn a squad announcement that has sent shockwaves through English football, manager Thomas Tuchel has left out star players Phil Foden and Cole Palmer despite their crucial roles in England's run to the Euro 2024 final. The decision appears to be based on the players' underwhelming club seasons, with Foden and Palmer failing to maintain the form that propelled them to international prominence.Real Madrid's Trent Alexander-Arnold was another notable exclusion, while Saudi-based Al Ahli striker Ivan Toney emerged as the surprise inclusion. Toney, who has played only two minutes of international football since his impact off the bench at the Euros two years ago, has been rewarded for his club performances despite playing in Saudi Arabia.Other significant omissions include Manchester United's Harry Maguire and Luke Shaw, who expressed his shock at not being selected. Maguire stated he was "gutted" by the decision despite believing he could have played a major part after his season with Manchester United.The Tactical Shift: Tuchel's Risk Selection StrategyTuchel's squad selection reflects a clear tactical philosophy that prioritizes current form over reputation and past achievements. The former Chelsea and Bayern Munich boss has taken significant risks, including center-back John Stones despite his limited involvement at Manchester City due to an injury-hit season.Conversely, veteran midfielder Jordan Henderson has been included at the expense of Crystal Palace's Adam Wharton, suggesting Tuchel values experience and leadership in certain positions. Nottingham Forest's Morgan Gibbs-White and Leeds striker Dominic Calvert-Lewin, despite being among the highest-scoring Englishmen in the Premier League this season, were overlooked.The Impact Analysis: Changing Dynamics in English FootballTuchel's selections signal a potential changing of the guard in English football, with established stars making way for newer faces and those performing consistently at club level. The exclusion of Foden and Palmer, who were instrumental in England's recent success, indicates a ruthless approach from Tuchel as he seeks to break the 60-year trophy drought.The inclusion of Toney, despite his limited international minutes and move to Saudi Arabia, demonstrates Tuchel's willingness to look beyond traditional football metrics and consider intangible factors like mentality and adaptability. This approach could either revolutionize England's chances or backfire spectacularly if the team underperforms.The squad also shows a balance between youth and experience, with established leaders like Harry Kane and Jordan Henderson complemented by emerging talents like Kobbie Mainoo and Nico O'Reilly. This blend suggests Tuchel is building for both the immediate World Cup campaign and future tournaments.The Prediction: England's World Cup Prospects Under TuchelWith Tuchel's appointment and now this bold squad selection, England enters the 2026 World Cup with a clear mandate: deliver silverware after decades of near misses. The manager's Champions League pedigree and tactical acumen could be the missing piece in England's quest for international glory.The team's World Cup campaign begins against Croatia in Dallas on June 17, followed by matches against Ghana and Panama. While the group stage appears manageable, England's true test will come in the knockout rounds, where Tuchel's selections will face intense scrutiny.Should this squad succeed, it could mark a new era for English football, with Tuchel's ruthless approach becoming the blueprint for future selections. However, if the team falls short, the manager's bold decisions—particularly the exclusion of Foden and Palmer—will be heavily criticized, potentially setting back England's progress in international tournaments.

The Democratic Autopsy Report: Incomplete and InconclusiveThe Democratic Party in the United States has released its long-awaited report examining why former Vice President Kamala Harris failed to beat Donald Trump in the 2024 presidential election. However, the so-called autopsy document was incomplete and inconclusive – riddled with factual mistakes and annotations questioning its assertions. DNC Chair Ken Martin acknowledged the report's shortcomings, stating that transparency was paramount and releasing it in its current state was better than withholding it entirely.The Omission of Gaza: A Critical OversightLeading up to the 2024 vote, Israel's genocidal war on Gaza was one of the most contentious and divisive issues for the Democrats and Harris. The Biden-Harris administration provided nearly $18bn to fund Israel's assault on Gaza and vetoed several UN Security Council resolutions calling for a ceasefire. This uncompromising pro-Israel policy caused some segments of the Democratic base to turn against Harris. Yet, there are zero mentions of Gaza and Israel in the 192 pages of the autopsy report, despite polls suggesting it was a top issue for voters who abandoned Harris.The Report's Flaws: Missing Sections and Factual ErrorsThe DNC released the report in its unvarnished format, revealing significant problems. Several sections – including the executive summary and conclusion – were entirely missing, replaced with the word 'pending' and the annotation 'this section was not provided by author.' The document also makes numerous questionable and false assertions, with annotations such as 'claim contradicts public reporting' and 'data appears to be inaccurate and contradicts public reporting.' Basic facts were wrong, including the number of gubernatorial races Democrats won in 2024.Campaign Strategy Failures: Insufficient Support and Negative MessagingThe report highlighted several strategic failures in the Harris campaign. It criticized the Biden administration for not adequately supporting Harris, noting that polling was done for how Jill Biden could support Joe Biden, but no similar research was done for Harris. The audit also faulted the White House for assigning Harris immigration responsibilities without adequate political training. Additionally, the campaign's 'not Trump' approach failed to effectively define Harris beyond her opposition to Trump, and when negative messaging was used against Trump, it did not highlight his flaws effectively.The Transgender Ad: A Campaign-Defining MomentOne of the most memorable commercials of the campaign season – an ad featuring Harris saying she supports access to sex change surgeries for 'every transgender inmate' – proved particularly damaging. The commercial played video of Harris making that statement and concluded with a narrator saying, 'Kamala is for they/them'; President Trump is for you.' Pollsters recognized the attack as very effective, leaving the campaign 'boxed' with no effective response. The report noted that given the stakes and timing, the focus needed to be on attacking Trump rather than defending on this issue.Future Implications for Democrats: Lessons from a Flawed AnalysisDespite its flaws, the autopsy report offers some insights for the Democratic Party as it looks ahead to future elections. The DNC chair acknowledged that the report did not meet his standards and that actionable takeaways were lacking. The absence of a substantive analysis on key issues like Gaza suggests the party may still be grappling with how to address divisive topics within its base. Moving forward, Democrats will need to develop more positive messaging, better support for candidates, and more effective strategies for addressing controversial issues that alienate key segments of their potential voting coalition.

Tinie Tempah and Skye Newman used their Ivor Novello Awards platform to flag a growing class divide in British music, urging the industry to protect small venues and create pathways for artists from disadvantaged backgrounds.Tinie Tempah and Skye Newman Warn of a Growing Class Divide in UK MusicSpeaking on the red carpet, Tempah said the lack of diverse scenes across the country makes the industry “not representative.” Newman, who grew up on council estates in south‑east London, described the structural barriers that make it harder for working‑class artists to break through.The Economic Toll of Venue Closures on Emerging TalentSmall venues act as “training grounds” where artists can log the 10,000‑hour practice myth, testing material in front of live audiences.Loss of these spaces reduces “soft power” – the cultural influence the UK wields globally through music.Without dedicated programmes, talent from under‑served areas remains undiscovered, limiting future revenue streams for the industry.Why Excluding Working‑Class Artists Threatens the UK's Musical InnovationThe duo highlighted that many breakthrough genres – grime, UK garage, drill – originated in grassroots scenes. If those ecosystems shrink, the UK risks missing the next wave that could dominate charts worldwide.What the Future Holds for Inclusive Music PolicyTempah has joined the Save Our Scene campaign, calling for government and industry support to protect venues and fund talent‑search programmes. Newman urges “more programmes to find talent in places where they’re struggling,” suggesting a coordinated effort between charities, local councils, and record labels could reverse the trend.