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Researchers from Stanford, Oxford and UC San Diego have demonstrated a proof‑of‑concept wearable ultrasound patch that can monitor a baby’s heart rate and blood flow continuously, aiming to reduce false alarms and missed complications in pregnancy.A Patch That Turns Ultrasound Into a Wearable SensorThe device, dubbed UPatch, adheres to the abdomen and remains operational for hours, capturing real‑time images of the foetus and umbilical cord. Unlike intermittent hospital scans, the patch records a continuous stream of data, allowing clinicians to establish a personal baseline for each pregnancy and spot deviations instantly.Trial Results Show Near‑Parity With Conventional ScansIn a study published in Nature Biotechnology, the team evaluated the patch in two cohorts:62 pregnant participants – single‑time‑point blood‑flow measurements from UPatch matched those from standard handheld ultrasound.52 women – continuous monitoring revealed dynamic fluctuations in fetal blood flow that brief scans would miss.A pre‑eclamptic case where UPatch detected severe intra‑uterine growth restriction, prompting a timely caesarean delivery and preventing stillbirth.Lead author Tom Park highlighted that the technology captures transient changes without over‑diagnosing, addressing a key limitation of current intermittent methods.Potential Shift in Prenatal Care and Global HealthSenior author Prof Sheng Xu emphasized that continuous monitoring could become a routine part of prenatal visits, especially in low‑resource settings where access to skilled sonographers is limited. Dr Antoniya Georgieva noted the broader impact: reducing stillbirth rates, providing richer data for research, and enabling earlier interventions for conditions like pre‑eclampsia.Roadmap Toward a Fully Wireless Home‑Use SystemThe current prototype is tethered to external electronics for placement, but the team is already engineering a wireless version that patients could wear during daily activities and at home. Their long‑term vision is a seamless, battery‑efficient system that integrates with tele‑health platforms, delivering real‑time alerts to clinicians wherever the mother is.

Lead: NASA’s New Moon‑Base MilestoneNASA revealed that Blue Origin will conduct the first uncrewed lunar lander mission in a series of three scheduled for 2026, marking the agency’s initial move toward a $20 bn moon base. The decision, announced by NASA Administrator Jared Isaacman, places Bezos’s company ahead of SpaceX for this critical early contract.Blue Origin Secures First Uncrewed Moon Base MissionThe award designates Blue Origin’s Endurance cryogenic cargo lander to deliver scientific payloads to the Shackleton‑de Gerlache Ridge at the lunar south pole. The mission, targeted for launch as early as fall 2026, will be the first privately funded lunar lander flight in history.Contract awarded to Blue Origin over competing bids.Mission to test critical capabilities for future human‑landing systems.Part of a broader NASA roadmap that includes more than a dozen additional lunar missions through the decade.Financial Terms and Timeline of the 2026 Lunar MissionsNASA has allocated $230.4 million for each of the first two moon‑base missions, with the agency covering the majority of operational costs.Funding per mission: $230.4 million.2026 schedule: Three uncrewed missions, followed by “more than a dozen” missions in subsequent years.Related contracts: Smaller awards to Lunar Outpost, Firefly Aerospace, and other private firms supporting lunar‑to‑Mars projects.Strategic Implications for U.S. Lunar Ambitions and Private Space CompetitionThe selection underscores the Trump administration’s push to accelerate the Artemis program and establish a permanent lunar presence ahead of China. By leveraging private industry, NASA aims to lower taxpayer costs, stimulate a space‑economy job market, and maintain U.S. leadership in deep‑space exploration.Creates a direct competitive dynamic between Blue Origin and SpaceX for future crewed lander contracts (Artemis III, Artemis IV).Supports the “blueprint for an enduring lunar presence” with a target of operational capability by 2029‑2032.Aligns with national space policy goals of a “golden age of exploration” and a semi‑permanent lunar settlement.What Lies Ahead for NASA’s Moon Base and Commercial Lander DevelopmentFollowing the 2026 uncrewed flights, NASA will evaluate the performance of both Blue Origin’s Blue Moon lander and SpaceX’s Starship HLS during the Artemis III test mission in low‑Earth orbit. Successful demonstrations are expected to pave the way for crewed landings on Artemis IV (planned for 2028) and the eventual construction of Moon Base One.Industry observers anticipate that continued private‑sector involvement will accelerate technology maturation, reduce launch costs, and expand the commercial market for lunar payload services, setting the stage for a sustained human presence on the Moon.

The Rise of AI-generated History Influencers “I have just arrived in Tudor London, 1536,” a young woman in a green puffer jacket tells the camera. “I’m going to check in at my room in the inn, get into the market. Then, later I am meeting the actual king – yep, Henry VIII – in person.” On YouTube and other social platforms, users are flocking to watch AI-generated “history influencers”, characters that vlog their travels to historical settings. The Popularity of Chloe VS History One of the most popular channels is Chloe VS History, with more than 610,000 Instagram followers and 15m views on YouTube. Viewers can watch Chloe try eel pie at a Tudor market, explore the first-class suites on the Titanic and take a plunge in an ancient Roman bath. The format has been replicated by other channels, such as Janella Through Time, Nova VS History and Esmetimetravels. Popular destinations include ancient Rome, Pompeii, the wild west and England during the Black Death. The Creator's Vision The creator of Chloe VS History, 32-year-old Jonathan Laramy, said the goal was to “get younger people more interested” in different periods of history. “History is a very visual experience, but it’s just not taught that way,” he said. “It’s taught via a textbook. And that is not compatible with lots of students. So why not use the technology we have to bring that to life in a really visceral way? The Impact on History Education Adam Smith, a historian at Oxford University, believes the format could “massively enhance” how history is taught to young people. “What these AI [videos] are doing is connecting with that visceral, tangible sense of: ‘Oh my God, that could have been me, that was an earlier version of me.’ It’s quite a deep-seated psychological need in many people, to understand themselves in time.”

Sonny Rollins' Enduring Legacy: 10 Essential Recordings Sonny Rollins, a jazz icon, has left an indelible mark on the music world. With a career spanning over seven decades, Rollins has consistently pushed the boundaries of jazz, showcasing his mastery and innovation. Here are 10 of his greatest recordings: Tenor Madness (released on Craft/OJC, 1956) A 30-year-old Sonny Rollins had already made his unique mark with Miles Davis and Thelonious Monk by the time this 1956 session was cut. Hooking up with his contemporary and admirer John Coltrane happened by chance on the two-tenor blues chase of this album's title. Saxophone Colossus (Prestige, 1957) This writer's first connection with Sonny Rollins' music was occasioned not by music but words: poetic New Yorker writer Whitney Balliett's evocative review of Sonny Rollins' 1957 Saxophone Colossus. Rollins was partnered on this classic set by pianist Tommy Flanagan, bassist Doug Watkins, and bebop-pioneering drummer Max Roach. Way Out West (Contemporary, 1957) When UK jazz musician Courtney Pine was blossoming as a teenage saxophonist in the early 80s, he would recall that Sonny Rollins' 1957 recording Way Out West was a key inspiration. The format was a Rollins favourite in his own early years – the demanding setup of a sax improviser with just bass and drums in support. A Night at the Village Vanguard (Blue Note, 1957) Rollins' live recordings are not as abundant as his genius in open situations deserves, but this music from New York's Village Vanguard makes up a lot of the ground. Freed from the march of chords by the absence of a pianist, he's in storming form in the company of rock-solid bassist Wilbur Ware and soon to be legendary Coltrane drummer Elvin Jones. Freedom Suite (Riverside, 1958) Rollins was never a natural composer – like Miles Davis, he preferred tunes that could be sketched on the back of envelopes. But Freedom Suite was an interesting departure for him, occasioned by the political climate of US race relations and civil rights in the late 1950s. The Bridge (RCA, 1962) Rollins took a creative break between 1959 and 1961, and his return came with The Bridge, named after the eccentric refuge he found: practising alone on New York's Williamsburg Bridge with only passing trains for company. Live at Ronnie Scott's (Gearbox Records; recorded January 1965) Rollins' visits as a solo performer to London's Ronnie Scott's club in the late 50s and early 60s introduced his mesmerising magic to UK audiences, and also helped to galvanise the local scene's confidence at a time when European jazz became increasingly emancipated from the US. Sunny Days, Starry Nights (Milestone, 1984) From the 1980s onwards, Rollins settled into a concert groove that was predictable – by his exacting improvisational standards – and frequently dazzling for audiences new to him. Sunny Days, Starry Nights showcased him with partners who would regularly join him on stage for the rest of his life. This Is What I Do (Milestone, 2000) The best and most affectionately closeup manifestation of Sonny Rollins' genius as he hit his 70s. The saxophonist's later-life partners are present, and so is one of contemporary jazz's greatest drums pioneers in Jack DeJohnette. Without a Song: The 9/11 Concert (Milestone; recorded 2001) Sonny Rollins and his wife, Lucille, lived close to the World Trade Center, witnessed the buildings' collapse on 9/11, and had to evacuate their apartment shortly afterwards. Four days later, the saxophonist performed and recorded this evocative session with his regular sidemen at the Berklee School of Music in Boston.

The Filmmaker's Foray into Documentary Lucrecia Martel, the celebrated director of films like La Ciénaga and The Headless Woman, has expanded her creative horizons with Landmarks, a documentary that scrutinizes a murder trial with far-reaching implications. The film navigates the intricate dynamics between Indigenous communities and the descendants of colonists, set against the backdrop of Argentina's Tucumán province. The Case at the Heart of the Story The documentary centers on the tragic killing of Javier Chocobar, a 68-year-old member of the Indigenous Chuchagasta people. Chocobar was fatally shot during a confrontation with men claiming rights to mine the land. Martel weaves the grainy, shaky footage of the incident into her narrative, juxtaposing it with breathtaking drone shots that capture the vast, poetic landscapes. Exploring Themes of Land and Legacy Martel's concerns extend beyond aesthetics; she places people at the core of her story. Through interviews and personal stories, the film sheds light on Chocobar's life, his family, and the struggles of the Chuchagasta community. A particularly chilling aspect of the documentary reveals how the state and local landowners have attempted to erase the Chuchagasta people, claiming they became extinct in the 19th century. A Quiet yet Powerful Testimony Martel allows the subjects of her film to present their case with quiet dignity, steering clear of strident rhetoric. The documentary is described as beautiful yet occasionally soporific, with a stately pace that allows for deep reflection on the issues presented. What's Next for Landmarks Landmarks is set to screen at Bertha DocHouse in London starting from May 29. This documentary promises to be a significant cultural and cinematic event, offering viewers a chance to engage with pressing social issues through Martel's unique lens.

The Archers Actors on Their Flower Power Stage Show The actors from the popular rural radio drama The Archers are set to take the stage in a special production marking the show's 75th anniversary. Susie Riddell, who plays Tracy Horrobin, Sunny Ormonde, who plays Lilian Bellamy, and Tim Bentinck, who plays David Archer, sat down with The Guardian to discuss their excitement and nerves about performing live. Characters Come to Life The actors discussed how they bring their characters to life, even in a radio drama. Riddell mentioned that she has to be careful not to betray her true levels of excitement when speaking about the show. The actors also talked about the importance of using their imagination to create the world of Ambridge, where the show is set. From Radio to Stage The actors will be performing a specially written episode, set at Ambridge's annual flower and produce show. They discussed their concerns about adapting to a live stage performance, including what to wear and how to interact with the audience. Bentinck joked about trying to look cool on stage, while Riddell expressed her worry about people reacting to her "gurning" on stage. A Community of Fans The actors emphasized the strong connection they feel with the show's fans, who have been listening for decades. They discussed how the show's characters are very much character-led, and that the listeners have a sense of ownership over the characters. The actors are looking forward to performing in front of a live audience and interacting with fans.

The Office of Personnel Management (OPM) released a draft directive that would require all current and former federal employees to sign a non‑disclosure agreement (NDA) before speaking to the press, signaling a new wave of information control from the Donald Trump White House.Proposed NDA Directive Unveiled by OPMThe guideline, announced on Tuesday, states that violations could trigger legal action by the White House. It expands the definition of “confidential” beyond traditional intelligence classifications to cover internal agency operations, personnel matters, procurement processes and any pre‑decisional material not publicly available.Timeline and Procedural Numbers Behind the Rule30‑day public comment period once the rule is published in the Federal Register.Implementation timeline not specified; individual agencies must opt‑in.Agreements would also bind former employees who have signed the NDA.OPM spokesperson McLaurine Pinover framed the move as a response to “unauthorized disclosures” disrupting agency work.Potential Ripple Effects on Government Transparency and Whistleblower ProtectionsCritics argue the blanket NDA could “kneecap” whistleblower safeguards and undermine the First Amendment.The Freedom of the Press Foundation’s Lauren Harper called the policy “dangerously secretive.”Existing federal law already protects employees who report fraud, abuse or misconduct to internal watchdogs or Congress; the draft claims the NDA would not apply to those disclosures.Past White House actions include banning the Associated Press from the press pool and restricting Pentagon media access, moves previously ruled unconstitutional.What Legal and Political Battles May FollowPotential lawsuits from media organizations and civil‑rights groups challenging the rule’s constitutionality.Congressional hearings could pressure the administration to revise or withdraw the directive.Judicial injunctions may arise, similar to prior rulings against White House media restrictions.If upheld, the NDA could set a precedent for broader governmental control over public information.

India Secures 38‑Run Victory in First Women’s T20 International Speedy half‑centuries from Yastika Bhatia and Jemimah Rodrigues propelled India to 188/7, handing England a 38‑run defeat in the historic match on 28 May 2026. Bhatia and Rodrigues Deliver Rapid Half‑Centuries Both openers reached fifty in under 30 balls, setting a formidable total early in the innings. Their partnership of 126 runs was broken in the 14th over by Charlie Dean with a run‑out and a catch. Scorecard Snapshot India Women: 188/7 (20 overs) England Women: 150 all out (19.4 overs) Top scorer for England: Amy Jones 67 off 48 balls Best bowling for England: Lauren Bell 3/34 India’s debutant seamer Nandani Sharma took 3 wickets in 5 balls Implications for England’s World Cup Build‑Up The loss highlights England’s limited bowling depth, with only Lauren Bell delivering consistently and the expensive overs from Issy Wong and Dani Gibson. Injuries to regular captain Nat Sciver‑Brunt further constrain options ahead of the World Cup starting 12 June. Looking Ahead: Next Fixtures and Stakes England have two more matches against India before the World Cup, providing a chance to fine‑tune their attack. India, resting captain Harmanpreet Kaur, will aim to maintain momentum and test squad depth ahead of the tournament.

EU Announces New Sanctions Targeting Extremist Israeli SettlersThe European Union announced on Thursday, 28 May 2026 that it is sanctioning four entities and three individuals it deems “extremist Israeli settlers” for “serious” human‑rights violations against Palestinians in the occupied West Bank.Specific Entities and Individuals Added to the Sanctions ListThe newly listed parties include:Nachala Settlement Movement and its director Daniella Weiss, accused of encouraging forced displacement of Palestinians.Israeli NGO Regavim and its director Meir Deutsch, cited for lobbying the demolition of Palestinian property and an EU‑funded primary school.NGO Hashomer Yosh and its president Avichai Suissa, linked to at least 28 violent outposts and settlements and the recruitment of armed volunteers.The Amana cooperative of the Gush Emunim settler movement, said to have played a key role in initiating, financing, and facilitating at least 30 violent outposts and settlements.Sanctions Scale: Cumulative Figures and Recent AdditionsWith these additions, the EU now sanctions 136 persons and 41 entities under its Global Human Rights Sanctions Regime, which was created in 2020. The regime covers acts such as genocide, crimes against humanity, and other serious violations.The latest round brings the total of newly sanctioned settlers to four entities and three individuals, following an earlier package announced earlier in May that also targeted Israeli settlers and Hamas leaders.Implications for the West Bank Conflict and EU Foreign PolicyThe sanctions mark a long‑awaited shift after a previous veto by Hungary’s illiberal government was lifted following the appointment of Prime Minister Peter Magyar. By targeting settler groups, the EU signals a stronger stance on settlement‑related violence, which has escalated since the start of Israel’s war in Gaza.Israel has condemned the measures, asserting a right to settle in the West Bank despite international‑law violations. The West Bank has seen the highest settlement expansion since 2017, and more than 1,000 Palestinians have been killed there according to UN figures.What May Follow: Potential Shifts in Regional DynamicsAnalysts expect the EU’s action could pressure the Israeli government to curb settler violence and reconsider expansion policies, especially as international scrutiny intensifies. Future EU steps may include further sanctions or diplomatic initiatives aimed at protecting Palestinian rights and stabilising the region.