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Iran has strongly condemned YouTube's decision to ban a pro-Iranian group, Explosive Media, which creates Lego-style artificial intelligence videos. The group was suspended for allegedly posting 'violent content', specifically a video mocking US President Donald Trump and declaring 'Iran won' after a recent ceasefire agreement. The ban has sparked outrage from Iran's Ministry of Foreign Affairs, with spokesman Esmaeil Baghaei accusing YouTube of trying to suppress the truth about the US-Israel war on Iran. Baghaei questioned the ban, highlighting that YouTube hosts content from major animation studios like Pixar, DreamWorks Animation, and The Walt Disney Company. Explosive Media's videos often use US popular culture to portray Trump as isolated and prone to childish tantrums. One video depicted Trump with an oversized yellow head and a flaming backside, holding a sign that read: 'VICTORY! I am a loser'. The group describes itself as independent but is widely suspected of having ties to the Iranian government. The ban has been seen as an attempt to shield the American administration's false narrative from competing voices. Iran's Foreign Ministry has expressed concern that such actions could limit the free flow of information and perspectives on the ongoing conflict.

Swiss ice‑hockey head coach Patrick Fischer has publicly acknowledged that he travelled to Beijing for the 2022 Winter Olympics using a fabricated COVID‑19 vaccination certificate. In a statement, Fischer described the act as a “serious mistake” and expressed regret for disappointing fans and officials. Fischer explained that he was caught in a personal dilemma, refusing vaccination yet unwilling to let his team miss the Games. "I was in an extraordinary personal crisis because I didn’t want to be vaccinated," he said, adding that he did not want to let his squad down. Swiss public broadcaster SRF presented evidence that Fischer had been fined nearly 39,000 Swiss francs (about $50,000) in 2023 for document forgery after purchasing the counterfeit certificate on social media. The coach disclosed his admission shortly after SRF’s confrontation. Despite the controversy, Fischer remains at the helm of the Swiss national team until after the World Championship scheduled next month, after which he is set to step down. The Swiss Ice Hockey Federation has stated that it considers the matter closed. Fischer, who has led the team since 2015, is among Switzerland’s most successful hockey coaches, guiding the squad to three Olympic appearances and securing three silver medals at the World Championships. Under his leadership, Switzerland reached the quarterfinals at the 2022 Olympics, a tournament that required strict COVID‑19 testing and saw the NHL abstain due to pandemic concerns. China imposed some of the world’s toughest COVID‑19 protocols for the Beijing Games, mandating vaccination or a three‑week quarantine for all athletes—a rule that Swiss snowboarder Patrizia Kummer chose to follow. The International Olympic Committee has not yet commented on the incident.

U.S. Defense Secretary Pete Hegseth announced a "major defence cooperation partnership" with Indonesia during a ceremony at the Pentagon, describing it as a boost to regional stability in the Asia‑Pacific. Indonesian Defence Minister Sjafrie Sjamsoeddin signed the agreement alongside Hegseth, highlighting the depth of the bilateral security relationship. The partnership commits both nations to co‑develop sophisticated asymmetric capabilities and to pioneer next‑generation defence technologies in the maritime, subsurface and autonomous‑systems domains, while also enhancing operational readiness. According to the U.S. Department of Defense, the two armed forces already conduct more than 170 joint exercises each year, a figure that underscores an "active and growing" security tie. Minister Sjafrie expressed enthusiasm, stating that the cooperation should be "enduring for our next generation" and serve the "mutual respect and benefit" of both nations. One day after the signing, Indonesian media reported that Washington is seeking "blanket" overflight access for its military aircraft through Indonesian airspace, a proposal reportedly approved by President Prabowo Subianto. The Indonesian Defence Ministry clarified that discussions are limited to a non‑binding Letter of Intent and that any final agreement must respect Indonesia’s sovereign control over its airspace. Rico Ricardo Sirait, the minister’s spokesperson, emphasized that "authority, control, and oversight over Indonesian airspace rest entirely in our country" and that any regulation will guarantee Indonesia’s right to approve or reject such activities. President Prabowo is slated to meet French President Emmanuel Macron in Paris, following recent talks with Russian President Vladimir Putin on oil matters. Earlier this month, his administration introduced fuel‑rationing measures and a work‑from‑home policy for civil servants to conserve energy amid rising global oil prices. Analysts view the new defence pact as a strategic move to strengthen deterrence against potential regional threats while balancing Indonesia’s insistence on maintaining full sovereignty over its airspace. The outcome of the overflight negotiations will likely shape the future scope of U.S. military operations in Southeast Asia.

The Victoria & Albert Museum has acceded to a Chinese printer’s demand to excise several maps and photographs from recent exhibition catalogues, illustrating how Beijing’s censorship apparatus can reach even Western cultural publications. According to documents obtained by The Guardian through freedom‑of‑information requests, the Chinese company C&C Offset Printing flagged a 1930s British‑empire trade‑route map as non‑compliant with the standards of the General Administration of Press and Publication (GAPP). The printer instructed the museum to either delete the page or replace it with an approved image. Faced with the request, V&A; staff approved the change, acknowledging that the map’s depiction of China’s borders triggered the rejection. An internal email noted the delay caused by the edit, stating that the catalogue’s production was paused while the offending page was revised. Cost considerations lie at the heart of the decision. Like the British Museum, Tate and the British Library, the V&A; routinely commissions Chinese printers because they can deliver catalogues at roughly half the price of European firms. This financial incentive, however, comes with the implicit obligation to obey Chinese content restrictions covering topics such as Buddhism, Taiwan, Tibet, Tiananmen Square and other subjects deemed politically sensitive. The museum’s compliance extended beyond the map issue. For a catalogue accompanying the 2021 Fabergé exhibition, the V&A; also removed a photograph of Lenin after the printer warned that the image could be considered “sensitive” by Chinese authorities. V&A; spokespersons described the alterations as “minor” and asserted that the institution maintains “close editorial oversight” when printing abroad. They emphasized that any change that would compromise the narrative would be rejected, and that the museum would relocate production if necessary. Other cultural bodies have responded differently. The British Museum declined to comment on how it handles similar censorship requests for at least eight publications printed in China, while the British Library claimed it has never encountered such issues. Tate Publishing, meanwhile, confirmed that Chinese printers have produced several of its children’s books but insisted that no content has ever been altered at a printer’s behest. A UK publisher who preferred anonymity highlighted the trade‑off: Chinese printing is markedly cheaper, yet the process introduces delays while materials are screened for politically sensitive content, especially references to Tibet or disputed borders. Former employee of C&C Offset Printing remarked that complying with Chinese government directives is standard practice for domestic firms, underscoring the systemic nature of the censorship. These revelations raise broader questions about the ethical implications of cost‑driven outsourcing for publicly funded institutions and the extent to which they are willing to compromise editorial independence to meet budgetary targets.

Gordon Ramsay's latest reality TV venture, Secret Service, has taken the Kitchen Nightmares formula to new heights by sending the famously fiery chef undercover to expose the horrific conditions at a struggling Washington DC restaurant, Parthenon. Ramsay arrived at the Parthenon in the early hours of the morning, donning a baseball cap and driving a SUV. He had been contacted by a whistleblower from within the restaurant, who arranged for him to break in overnight to investigate the kitchen's state. Upon entering, Ramsay was met with a scene that looked like the aftermath of a crime, with fatty burnt-orange goo covering the prep surfaces and a black light scan revealing a kitchen in a shocking state of disarray. The kitchen's condition was so bad that Ramsay predicted "rats the size of my grandmother's cat" could be present. He then descended into the sticky horror of the basement, where he found a bandsaw used to slice racks of lamb with fleshy residue on it, and a plastic bag of raw chicken sitting in bloody ice-water. A bacteria expert later confirmed the presence of tiny things wriggling in the samples. The next day, Ramsay sat in a broadcast truck, monitoring the restaurant's service via a wall of monitors and headphones. He directed the filming, barking orders and reacting to the listeria-flavoured fiasco unfolding before him. The footage was then edited with special spy effects, including a green light blinking in the corner and the name of the room displayed at the top of the screen. Ramsay's team also sent in two young chef pals to pose as diners, wearing body-mounted cameras to gather evidence. When they ordered the bandsaw lamb, Ramsay shouted into their earpieces, "Don't eat those lamb chops!", before bursting into the restaurant to confront the staff. The intervention led to a dramatic showdown with the restaurant's owner, Pete, and his family. Ramsay's tough love approach and emotional truths helped to bring about a watershed moment in their lives. The restaurant was subsequently refitted and a new menu implemented, with Pete's son Mikey taking charge. The show's mix of kitchen reality and cheesy espionage did not detract from the emotional impact of the transformation, as Pete tearfully thanked Ramsay for his intervention. The identity of the secret insider who contacted Ramsay was also revealed, adding a gripping mystery to the episode.

Paris Saint-Germain cruised into the Champions League semi-finals with a convincing 4-0 win over Liverpool, ousting the English side from the competition. The French champions, led by Luis Enrique, proved too strong for Arne Slot's Liverpool, who were seeking a comeback after a 3-0 deficit from the first leg.The match began with a somber moment of silence to honor the 97 fans unlawfully killed at Hillsborough, with both teams wearing black armbands. Liverpool started strong, with Alexander Isak heading an early chance straight at PSG goalkeeper Matvey Safonov. However, their momentum was disrupted when Hugo Ekitiké suffered a potentially serious injury, and Mohamed Salah's introduction couldn't immediately change the tide.Ousmane Dembélé, who had been wasteful in the first leg, broke the deadlock with a clinical finish to puncture Liverpool's hopes of a famous comeback. His second goal in stoppage time, assisted by Khvicha Kvaratskhelia and Bradley Barcola, sealed the win and highlighted PSG's class.Liverpool's pressing game was effective, causing PSG to make loose passes, but they couldn't capitalize on their chances. A controversial penalty decision was overturned after VAR intervention, further denting Liverpool's hopes. Despite increased attacking pressure in the second half, Liverpool were ultimately punished on the counterattack, with Dembélé's goals securing a routine victory for PSG.

Andoni Iraola has formally notified AFC Bournemouth that he will step down when his contract runs out at the close of the 2025‑26 campaign. The 43‑year‑old manager is expected to explore other Premier League opportunities over the summer.While a move back to his boyhood club Athletic Bilbao remains a possibility, the club’s preferred candidate to replace Ernesto Valverde appears to be former Borussia Dortmund boss Edin Terzic.At Bournemouth, the race to replace Iraola is already heating up. Marco Rose, who succeeded Terzic at Dortmund and most recently managed RB Leipzig, is widely tipped as the leading candidate. Kieran McKenna of Ipswich Town, despite being under contract until 2028, is also generating interest.Players were informed of Iraola’s impending exit after a Tuesday training session, ending months of speculation that kept his staff in the dark. The manager maintained regular contact with director of football Tiago Pinto and technical director Simon Francis throughout the 15‑month negotiation period.In a club‑issued statement, Iraola said, "I feel this is the right moment for me to step away, but I will always carry fantastic memories of this club." Bill Foley, Bournemouth’s owner and chair, praised Iraola’s impact, noting he brought “intensity, innovation, and a clear philosophy that elevated AFC Bournemouth both on and off the pitch.”Despite a recent victory over Arsenal and a push for the club’s best Premier League finish, Bournemouth accepted that retaining Iraola was unlikely. The board is now accelerating the search for a successor, with a new appointment expected within the next fortnight.Iraola’s tenure has been marked by historic achievements: last season he guided Bournemouth to a record points total, matching the ninth‑place finish recorded by Eddie Howe in 2016‑17. He also oversaw the sale of key players – Dean Huijsen, Illia Zabarnyi, Milos Kerkez, Dango Ouattara, and Antoine Semenyo – for a combined fee exceeding £250 million, demonstrating his ability to balance on‑field success with financial prudence.A former Athletic Bilbao full‑back with 510 appearances, Iraola has long expressed affection for the Basque side, though he has hinted he would prefer to preserve his legacy after a 12‑year playing career there.Crystal Palace publicly lauded Iraola after confirming manager Oliver Glasner’s departure, but most analysts agree the former will attract interest from larger clubs.Earlier this season, Iraola hinted to the Guardian that the campaign could be his last at Bournemouth, saying, "Sometimes there is a moment after some seasons where you feel maybe the message does not go the same way to the players."Bournemouth’s next fixture is against Newcastle United at St James’ Park, where manager Eddie Howe has yet to defeat his former club.

The head of the United Kingdom’s Royal Ballet and Opera publicly thanked Hollywood actor Timothée Chalamet for inadvertently driving a surge in ticket sales after his candid remarks about the art forms during a March interview promoting his upcoming film.Chalamet, whose family has ballet ties, quipped that he was relieved to work in cinema rather than “opera or ballet, where it’s like, ‘Hey, keep this thing alive, even though no one cares about this any more.’” The comment sparked swift backlash from fellow actors and cultural institutions, but also ignited a wave of public interest.Speaking to the Times, RBO chief Alex Beard described the reaction as “just fantastic” and highlighted the organisation’s measured response. “We chose not to issue a hoity‑to‑ity reply,” Beard said. “Instead we invited people to see what we’re doing – for example, the fact that the largest slice of our audience is aged 20‑30.”Beard revealed that a single Instagram post about the controversy generated 2.5 million engagements and 500,000 shares, translating into an immediate lift in ticket sales. “So cheers, Timmy!” he added, acknowledging the actor’s unintended promotional impact.Other cultural bodies quickly turned the spotlight into a marketing opportunity. The Seattle Opera launched a ticket discount for its production of Carmen using the code “TIMOTHEE,” directly leveraging the buzz.Chalamet’s director, Luca Guadagnino, defended the actor in an interview with Italy’s La Stampa, calling the public outcry “disproportionate.” Guadagnino argued that a single comment should not become a “planetary polemic” and urged unity across artistic disciplines, emphasizing that “every form of imagination should be nurtured.”

The Royal Opera House is set to unveil its new season, featuring a range of classic and new productions, including a new Parsifal and Un Ballo in Maschera. The season will also see the return of Richard Jones's acclaimed production of Janáček's Kát'a Kabanová.However, the company is facing challenges due to aggressive Arts Council England cuts, which have affected the national opera scene. Glyndebourne and Welsh National Opera are touring less, and English National Opera has been semi-removed from London to Greater Manchester.The Royal Opera House is committed to nurturing emerging talent, with recent successes including Philip Venables' 4.48 Psychosis and Oliver Leith's Last Days. The company is also investing in research and development to find new works that will have "audiences on the edge of their seats".The company has faced controversy in the past, including an incident where a performer unfurled a Palestinian flag during an opera curtain call. The company's director, Oliver Mears, has defended his reaction to the incident, stating that "the curtain call is not a place for an impromptu personal political protest".The Royal Opera House has also faced criticism for its decision to host Russian soprano Anna Netrebko, who has received honours from Russian President Vladimir Putin and has been photographed holding a flag of "Novorossiya", an emblem used by Russian-backed separatists.Mears has emphasized the company's commitment to being "as impartial as we can" in its approach to difficult matters, while also highlighting the importance of "big emotions and huge stories" in opera.