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Michael Valgren surged to victory on the 17th stage of the Giro d’Italia, out‑sprinting the remnants of a late breakaway in Andalo. His win comes as Jonas Vingegaard consolidates his pink jersey, maintaining a four‑minute cushion over Felix Gall and keeping his Giro‑Tour double ambitions alive.Stage 17 Victory Highlights Valgren’s Late AttackValgren timed his move perfectly, launching an attack with about a kilometre left on the undulating 202km route from Cassano d’Adda to Andalo. After a small group broke away, he powered ahead on the final Andalo‑Lever climb, holding off a brief chase from Einer Rubio before the pair were reeled in by the peloton.Numbers Behind the Win: 202km Route, Heat and Time GapsStage distance: 202km of rolling terrain.Finish: Valgren crossed the line ~5 seconds ahead of the main peloton.General classification gap: Vingegaard remains 4:00 ahead of Gall.Intermediate sprint: Jhonatan Narváez claimed the points jersey from Paul Magnier, who now trails by 10 points.Strategic Implications for the Giro General ClassificationVingegaard’s ability to stay with the peloton on a hilly finish reinforces his dominance and forces rivals to chase aggressively in the remaining stages. Valgren’s win, his second of the season after Tirreno‑Adriatico, showcases EF Education‑EasyPost’s depth, but the team’s focus remains on protecting Vingegaard’s lead.Looking Ahead: Vingegaard’s Path to a Giro‑Tour DoubleThe next stage, a 171km hilly route from Fai della Paganella to Pieve di Soligo, will test Vingegaard’s stamina. If he can navigate the climbs without losing time, his four‑minute buffer positions him strongly for a historic Giro victory and a potential Tour de France double later this season.

The Lead: McCullum’s firm‑grip promise after winter tour errorsEngland head coach Brendon McCullum has pledged to use a “firm grip” to address alcohol‑related and attitude problems that surfaced during the team’s disappointing winter tours of New Zealand and Australia.Winter tour setbacks and on‑field failuresThe side struggled in the away Ashes series, losing 4‑1, and McCullum admitted “mistakes were made” by players under pressure.Loss in Ashes: 4‑1 defeatMcCullum’s age: 44Captain Ben Stokes’ morale “may have waned” in AustraliaMcCullum’s cultural reset: firm grip and open dialogueIn an ECB interview, McCullum said the squad’s core culture is “really good” but occasional lapses require “a firm grip” to prevent repeat mistakes. He emphasized that differences of opinion with captain Ben Stokes are healthy and that no “clear‑the‑air” talk was needed because “there was nothing to clear the air about”.Impact on upcoming summer Tests and squad selectionMcCullum is confident the team can improve against New Zealand, Pakistan, and future series versus India and Australia. He highlighted the return of Jacob Bethell, pending a finger injury from the IPL, as a potential boost.First Test vs New Zealand at Lord’s – next ThursdayKey players: Ben Stokes, Jacob BethellFuture outlook: aiming for a feared, adaptable England sideMcCullum envisions a side that can “play brave when it needs to, play smart when it needs to” and handle pressure in any condition. If England can sharpen its decision‑making and maintain discipline, McCullum believes “the ultimate success” is within reach.

The Long-Awaited Return Falls ShortAfter 13 years of silence, Boards of Canada has released "Inferno," their first album since 2013's Tomorrow's Harvest. The Scottish duo, consisting of brothers Mike Sandison and Marcus Eoin, has been a significant influence in electronic music, known for their distinctive blend of hip-hop beats, ambient soundscapes, and nostalgic samples. However, the new album has been met with disappointment, with critics finding the duo stuck in their past while more nimble electronic contemporaries have moved forward.A Familiar Sound, Diminished Impact"Inferno" opens with the characteristic Boards of Canada sound—analog synths rising and falling like sound effects from a forgotten 1960s radio play. The album continues the duo's exploration of spectral ambient vistas and vintage samples, looking back at the mid-20th century's utopian promise while teasing out its latent kitsch and creepiness. However, the review suggests that while the duo has expanded their range with the addition of guitars and new influences, the core elements that made their earlier work compelling feel diminished.The Legacy of InfluenceSince their 1995 debut EP "Twoism," Boards of Canada has become hugely influential on various music scenes, from the US cloud-rap to the UK's "hauntological" Ghost Box label. Their music has resonated with filmmakers like Adam Curtis and Ben Wheatley, who appreciate their history-sampling approach. The band's ability to create distinctive soundscapes using heavy hip-hop beats and vintage samples has earned them a dedicated following. However, "Inferno" fails to capture the innovative spirit that made their earlier work so influential.Themes and Musical DirectionThe album's title suggests Dante's hell, with the duo exploring spiritual deliverance and damnation. Tracks like "Father and Son" and "The Word Becomes Flesh" use samples of people having crises of faith and educational videos about human embryo development, respectively. However, the review criticizes these approaches as "callow" and potentially offensive, particularly in their treatment of Eastern religious elements. Musically, the album attempts various styles—from country-influenced tracks recalling Mogwai to dream pop and instrumental pieces—but often falls flat with "wretchedly pedestrian" beats.Bright Spots in a Diminished ReturnDespite the overall negative assessment, "Inferno" does contain moments that recall the duo's earlier brilliance. The beatless tracks, such as "Age of Capricorn" and "The Process," offer glimpses of the innovative sound that made Boards of Canada influential. These tracks showcase the duo's ability to create compelling ambient soundscapes and intriguing juxtapositions of sounds. However, these moments are described as "fleeting" across the album's 70-minute runtime, leaving the impression that the band's creative peak may be behind them.The Future of a Once-Innovative Duo"Inferno" presents a challenging moment for Boards of Canada, raising questions about their ability to evolve creatively while maintaining their signature sound. For die-hard fans, the album may still hold value as a continuation of the duo's distinctive aesthetic. However, for listeners expecting the innovation that defined their earlier work, the album may feel like a missed opportunity. As electronic music continues to evolve rapidly, the duo will need to decide whether to embrace new approaches or risk becoming a nostalgic act revered more for their past achievements than their present contributions.

The Explicit RoleNot many actors are relieved when they have to film an eye-poppingly explicit sex scene, but that was the case with Jamie Bell on Half Man. His role involved chemsex in saunas, dogging in car parks and illicit quickies in library loos. "Honestly, I was so grateful to be shooting that stuff and not fucking 16-page dialogue scenes, where you're emoting and it's so intense," says Bell. "On days when my character had to have sex with random people, I'd think: 'Thank God!' Frankly, it came as a welcome reprieve."The Creative PartnershipRichard Gadd's first TV show since the Emmy-gobbling global Netflix hit Baby Reindeer, Half Man chronicles the combustible, codependent relationship between two "brothers from another lover". Niall (Bell) is bookish, bullied and closeted. Ruben (Gadd) is the swaggeringly violent ex-con son of his mother's girlfriend. The six-part drama – which reaches its devastating finale next week – traces the inseparable duo's toxic relationship across three decades.The role of Niall was written specifically for Bell. "I didn't realise that when I initially read the scripts," says Bell. "But later, when I met Richard in Los Angeles to discuss it, he said he wrote it with me in mind. I was incredibly flattered … It's a sensory experience reading Richard's material. He truly takes you to those places in your own life. It probes experiences you've kept hidden away somewhere and chosen to forget."Character ComplexityHe was drawn to his Half Man character's complexity. "I thought: 'Woah, this man is on such a destructive downward spiral …' He's got everything he wanted in life but still can't accept who he is. Niall is living as several different people and he's not comfortable with any of them."Bell really empathised with gentle Niall being drawn to such an aggressive alpha male. "Ruben is this disaster of a man. A bull in a china shop, destroying everything and everyone in his wake. Why doesn't Niall step away? Partly self-preservation. Niall feels vulnerable whereas Ruben is intimidatingly powerful. He can be Niall's protector. People fear him. Because of that, Niall latches on to him almost parasitically. Ruben becomes his life support system. I understood that 100%."I grew up in an all-female household and did ballet, so I used to attach myself to tough, troubled guys too. Not my kind of crowd at all but I'd rather have them on my team than not."Themes of Toxic MasculinityNiall struggles with his sexuality to the extent that he undergoes conversion therapy. As a straight man, Bell felt an acute sense of responsibility portraying that. "It's the centre of the character," he says. "The basis of all his issues. I took that very seriously. Niall's self-hate goes beyond shame or societal pressure. Somehow, his own sexuality doesn't sit right within his worldview. That, to me, is beyond sad. 'Be yourself' is the simplest advice yet at times, the hardest to adhere to." As a result of his turmoil, Niall goes to some dark places sexually. "Because of his repression, everything is guarded and hidden. That becomes the excitement. It's an addiction. He gets a kick from dangerous sex."With its portrayal of male rage and damaged antiheroes, Half Man taps into debates about toxic masculinity. Does Bell believe his gender is in crisis? "Look at who are the majority transgressors in this world," he says. "It's men, on all fronts – not just misogyny but conflict, crime, everything. It's important to shine a light on that. The conversation is ongoing. Hopefully this show adds something."The ImpactIt's no-holds-barred TV, full of sex, violence and gut-punch plot twists. "It's a brutal, beastly thing that Richard has created," says Bell. "I'd be lying if I said it was easy or fun to make." Yet the show represents a significant moment in television, pushing boundaries in its depiction of complex male relationships and sexuality. Bell's performance as Niall, combined with Gadd's writing and performance as Ruben, creates a character study that resonates with contemporary discussions about identity, self-acceptance, and the destructive patterns that can emerge from unresolved trauma.

The Exhibition of a Rock Legend's Private WorldA vast archive of previously unseen Jimi Hendrix materials is set to be exhibited for the first time at 23 Brook Street in Mayfair, London – the Georgian building where the legendary guitarist lived in the late 1960s. The collection includes personal receipts, contracts, diaries, and other documents that provide intimate insights into the life of the music icon behind his public rock star persona.The Hendrix London Experience: A Bohemian LifeWhen Jimi Hendrix resided in the Mayflat building between 1968 and 1969, he had little use for his kitchen as he regularly ordered meals from Mr Love, a trendy restaurant on the ground floor. While celebrities dined at heart-shaped tables served by waitresses in hot pants, Hendix enjoyed steaks and hamburgers sent up to his flat. One bill covering food over several months totalled £32/16s/6d, equivalent to approximately £485 today. The American-born musician was particularly fond of Mr Love's American menu, once criticizing English food for its excessive use of mashed potatoes.The Personal Archive: A Hidden Treasure TroveThe exhibition features materials from the corporate records of Anim Records, the company that managed the Jimi Hendrix Experience and other acts. These documents include contracts, calendars, recording details, flight information, and invoices for music equipment that shaped Hendrix's revolutionary sound. Many of these items were preserved by Hendrix's personal assistant, Patricia 'Trixie' Sullivan, who collected material that bailiffs had left behind after entering Mike Jeffery's (Hendrix's manager) London office after his death in 1973. Sullivan kept everything in four plastic trunks under her bed in Spain for decades before the material was properly archived.The Domestic Side of a Rock StarThe exhibition reveals a more private side of Hendrix, who described his Brook Street flat as the only place he felt truly at home. To furnish the space, he purchased high-end Persian rugs worth approximately £30,000 in today's money. The collection also includes dry cleaning tickets for his distinctive psychedelic wardrobe, including a striped suit and gold jacket. Phone bills from the period show tens of thousands of pounds in charges, reflecting his global lifestyle as a touring musician. Sullivan's diaries offer firsthand accounts of Hendrix's tours, including a note about a 1969 gig in Munster where the crowd "nearly rioted" and caused $250 in damage.The Exhibition Details: A Journey Through Hendrix's LondonThe exhibition opens on 19 June at the Handel Hendrix House, a museum that occupies both 23 Brook Street (Hendrix's former home) and 25 Brook Street (the former residence of composer George Frideric Handel). The flat has been meticulously recreated to reflect how Hendrix shared it with his girlfriend Kathy Etchingham. The materials reveal that Sullivan was "the absolute epicentre of everything that Hendrix and the Experience were doing," and that Hendrix himself was "quite introverted" and self-doubting, often playing his guitar when Sullivan visited. The exhibition, supported by the National Lottery Heritage Fund, offers visitors a rare opportunity to see the personal side of one of rock music's most influential figures.

The Birth of Backrooms Chewetel Ejiofor has been on numerous movie sets, but 'Backrooms' was a unique experience. The film's set was a massive 30,000 sq ft labyrinth of corridors and chambers, all carpeted, fluorescent lit, and decorated with the same sickly yellow wallpaper. The Event Details The origin of 'Backrooms' began with a single photograph posted on a 4chan message board in 2019, inviting users to submit 'disquieting images that just feel 'off''. The image, of a vacant shop space in Oshkosh, Wisconsin, took on a life of its own in the 'creepypasta' realm, with people writing stories and expanding the imaginary realm into a universe of unsettling yet mundane 'liminal space'. The Data Analysis The 'Backrooms' YouTube shorts have garnered significant attention, with the first short uploaded in 2022 rapidly gathering a 'scariest video on the internet' buzz, reaching 20m views within two weeks and nearly 80m today. The r/Backrooms subreddit now has over 350,000 members, and a backrooms wiki catalogues reams of fan fiction, 100 different levels, and an index of 'entities' inhabiting them. The Impact Analysis 'Backrooms' challenges traditional horror movie norms, with its inhuman, depopulated soullessness. Parsons' unconventional approach and youth have been assets, allowing him to bring a fresh perspective to the genre. The film's success has also highlighted the power of online platforms in discovering new talent and fostering creative communities. The Prediction As the film industry continues to evolve, 'Backrooms' may signal a new wave of horror movies that leverage online platforms and tap into the creative potential of young, unconventional filmmakers. With Parsons' unique vision and approach, it's likely that 'Backrooms' will leave a lasting impact on the horror genre.

The LeadAdam Root’s invention represents a tangible shift in consumer technology designed to mitigate ocean pollution. By installing a compact device above a standard washing machine, homeowners can now intercept billions of microfibres before they enter the water system. The technology, developed by Root’s Bristol-based company Matter Industries, has already proven its efficacy in the field, capturing a surprising amount of waste that often resembles a "dinner-plateful" after just a few weeks of use.From Garage Prototype to Global Solution: The Matter Industries BreakthroughThe core of this innovation is a filtration system that claims to capture 97% of microfibres. What distinguishes Root’s device from previous iterations is its self-cleaning mechanism; after each wash cycle, the filter rinses itself to prevent blockage, ensuring continuous flow and efficiency. This breakthrough was born from humble beginnings. Root, a former mechanical engineer and product innovator at Dyson, began the project with a mere £250 investment on a wet garage floor. After several precarious attempts with a broom handle and a temperamental machine, he successfully demonstrated the capture of microfibres. The invention has since gained significant traction, earning Matter Industries a runner-up position in the oceans category of the Earthshot Prize in 2025.Origin Story: Started with £250 investment on a garage floor.Key Feature: Self-cleaning mesh that rinses after each cycle.Recognition: Runner-up in the Earthshot Prize 2025 (Oceans category).Availability: Currently sold in more than 30 European markets and the UK.Quantifying the Invisible Threat: The Scale of Microfiber PollutionThe necessity for such technology is underscored by alarming statistics regarding textile shedding. An estimated 69% of all clothing contains fossil fuel-based plastic textiles like polyester, nylon, and acrylic. These synthetic materials shed billions of fibres during every wash cycle. In the UK alone, domestic washing machines discharge between 6,000 and 87,000 tonnes of clothing fibres into rivers and oceans annually. The impact is profound: microfibres are the most ubiquitous type of microplastic in the environment, constituting more than 90% of the microplastics marine animals consume. Furthermore, these fibres are not just plastic; they carry chemical dyes and additives that pose additional environmental risks.Rethinking the Supply Chain and PolicyThe industry is beginning to recognize that filtration must happen at multiple stages. Anja Brandon, director of plastics policy at Ocean Conservancy, notes that the filter captures not only plastic fibres but also other textiles laden with chemicals and colorants. Currently, Matter Industries is targeting the consumer market, but Root has a broader vision for systemic change. The company is actively campaigning for legislation to mandate microfibre filters in all washing machines within the UK. This move would transition the solution from a voluntary consumer choice to a regulatory standard, ensuring that the burden of pollution reduction falls on manufacturers and policymakers rather than individual households.The Future of Textile FiltrationLooking ahead, the trajectory for microplastic filtration is moving toward municipal infrastructure. Root aims to see his filters integrated into wastewater treatment plants to capture fibres before they ever reach the sea. Simultaneously, the company is preparing to expand its footprint into the US market, capitalizing on the country's larger population and higher frequency of washing. As the global community moves toward a comprehensive plastics treaty, the success of Matter Industries suggests that the next generation of environmental solutions will likely be small, high-tech devices integrated into everyday household appliances.

Visiting Banishanta: A Personal Encounter with Bangladesh’s Hidden BrothelsThe author travels to Banishanta, a state‑licensed brothel on a mud‑lined island in southern Bangladesh, confronting the stark reality of women’s bodies commodified for meager sums.Location: Southern Bangladesh, island of BanishantaObservation: Dilapidated huts, soft mud, limited resourcesKey figures encountered: Farzana, Asha, KomolaLiterary Lineage of Female Revolt: From Gilead to LadylandThe piece situates contemporary feminist imagination within a canon that includes Margaret Atwood's Gilead, Naomi Alderman's The Power, and Miriam Toews's Women Talking, culminating in the author’s own fictional island inspired by Rokeya Sakhawat Hossain's 1908 utopia Ladyland.Classic examples: Gilead (The Handmaid’s Tale), The Power, Women TalkingHistorical precedent: Aristophanes’ Lysistrata (411 BC)Modern inspiration: Tahmima Anam's upcoming novel UprisingHistorical Strikes and Modern Movements: Numbers Behind the ProtestsWhile the essay is largely narrative, it references quantifiable movements that illustrate the scale of female dissent.Aristophanes’ fictional strike: women of Sparta and Athens withholding sex, leading to a cease‑fire after two decades of war.South Korea’s 4B movement: rejects four pillars of patriarchy—dating, marriage, sex, child‑bearing—gaining traction among thousands of young women.1980s “dirty protest” at Armagh prison: women joined 400 men in a protest that intensified the overall pressure on the prison system.Why These Narratives Reshape Feminist DiscourseBy weaving together ancient comedy, modern dystopia, and lived experience on Banishanta, the essay argues that imagined revolts provide a template for real‑world agency.Creates mental space for alternative social orders.Highlights the link between bodily autonomy and political power.Encourages collective action beyond individual protest.Imagining Future Utopias: The Path Forward for Feminist FictionThe author concludes that speculative fiction—whether through a sex‑refusing strike or a women‑ruled Ladyland—can catalyze tangible change, urging writers to craft more “manuals for survival” that inspire activism.Potential rise of more novels centered on collective female resistance.Increased visibility for stories from marginalized regions like Bangladesh.Broader cultural shift toward valuing feminist speculative narratives.

Deadly Train Bomb in Balochistan Kills DozensAt least 24 people were killed and more than 50 injured when a suicide car bomb detonated on a train carrying soldiers in Quetta, capital of the southwestern Pakistani province of Balochistan. The attack occurred during Pakistan's Prime Minister Shehbaz Sharif's four-day visit to China, just before his meeting with China's President Xi Jinping to mark 75 years of diplomatic ties between the two nations.Sunday's Devastating Attack on Military TrainAccording to reports from the scene, several houses and buildings adjacent to the railway line were severely damaged in the blast, which caused train carriages to overturn and catch fire. A state of emergency was declared at public hospitals in Quetta, with doctors and medical staff ordered to remain on duty. Footage shared online showed charred vehicles and train carriages lying on their sides, with thick plumes of black smoke rising into the sky.Pakistan's Prime Minister Sharif condemned the attack in a post on X, stating: "Such cowardly acts of terrorism cannot weaken the resolve of the people of Pakistan. We remain steadfast in our determination to eliminate terrorism in all its forms and manifestations."Escalating Violence: Statistics on Balochistan ConflictResearch from the Pakistan Institute for Peace Studies indicates Balochistan recorded at least 254 attacks in 2025 – roughly 26 percent more than in 2024. A December 2025 report by ACLED found that separatists had intensified attacks, with the number of attacks using improvised explosive devices (IEDs) and grenades growing by more than 65 percent in the first 11 months of 2025 compared to the same period in 2024.The Global Terrorism Index report for 2026 found increased Baloch armed group activity in Pakistan, with the BLA responsible for Pakistan's largest terror attack of 2025 – the hijacking of the Jaffar Express train in March, which resulted in six military personnel killed and hundreds of passengers taken hostage.Who Are the BLA and Major Baloch Armed Groups?The Balochistan Liberation Army (BLA), which has a suicide squad called the Majeed Brigade, is the largest of several ethnic separatist groups fighting the federal government. It says it is fighting for the independence of Balochistan, Pakistan's poorest region despite its wealth of natural resources. The BLA often targets infrastructure and security forces but has also struck in other areas, including Karachi.The BLA has deployed women suicide bombers and was designated a "foreign terrorist organisation" by the United States in August 2025. The group was also at the center of tit-for-tat strikes in 2024 between Iran and Pakistan, bringing the neighbors to the brink of war.The Baloch Cause: Resources and MarginalizationHome to about 15 million of Pakistan's roughly 240 million people, Balochistan is the country's poorest region despite its wealth of natural resources, including coal, gold, copper, and gas. These resources generate significant revenue for the federal government – unfairly, according to the BLA, which wants Balochistan's natural wealth to belong to its people.The province is home to one of Pakistan's major deep-sea ports at Gwadar, a crucial trade corridor for China's $65 billion investment in the China-Pakistan Economic Corridor (CPEC), a wing of President Xi Jinping's Belt and Road initiative. It also contains key mining projects, including Reko Diq, believed to be one of the world's largest gold and copper mines.Regional Stability and International Investment at RiskThe attack comes as Pakistan attempts to strengthen economic and security cooperation with China – something the BLA strongly opposes. The movement poses a challenge to Pakistan's efforts to retain Chinese and American investment, potentially revealing deeper instability in the region."The persistence of insurgency has had implications for Pakistan's wider political system," explained Yunas Samad, an emeritus professor of South Asian Studies. "Security concerns in Balochistan have increasingly shaped governance and political discourse, strengthening the role of the military and security establishment in national affairs and undermining the democratisation process."Internationally, the issue matters because Pakistan remains a nuclear-armed state of enormous strategic importance. Any significant escalation in internal instability in a country with nuclear capabilities inevitably attracts international concern.Rare-Earth Minerals and Geopolitical CompetitionAnother major issue is that geological assessments suggest Balochistan contains 12 of the 17 rare-earth minerals on the periodic table. Rare earths are critical minerals used to manufacture a vast array of modern items, including batteries, military hardware, smartphones, and semiconductors.Since the start of his second term, US President Donald Trump has pushed plans to diversify Washington's stockpile of critical minerals to reduce reliance on China, which currently dominates the supply and processing of the world's rare-earth minerals. In December 2025, the US announced a $1.25 billion investment in critical minerals mining at Reko Diq to drive "economic growth in Balochistan."Future Outlook for Balochistan's ConflictWhether the current surge in attacks constitutes an entirely "new phase" of the conflict remains unclear. However, it does appear to indicate a degree of resurgence in militant capability and confidence among sections of the Baloch insurgency."The fact that this latest incident nevertheless occurred may suggest that militant groups retain a significant operational capability despite security efforts," noted Samad. "Whether this constitutes an entirely 'new phase' is perhaps too strong a conclusion at present. However, it does appear to indicate a degree of resurgence in militant capability and confidence among sections of the Baloch insurgency."The Baloch separatist movement remains one of the major unresolved questions over Pakistan's statehood, serving as a constant reminder of the challenges the Pakistani state faces in maintaining unity and stability in the region.