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Winsome Pinnock’s latest play, The Authenticator, opens at the Dorfman Theatre, National Theatre, London, and immediately subverts expectations by pairing a serious examination of erased Black histories with a lively, comedic tone.The story follows Fen (Sylvestra Le Touzel), a direct descendant of the 18th‑century enslaver Henry Harford, who discovers a cache of his Jamaican farm diaries. She entrusts the documents to two Black academics – Abi (Rakie Ayola), an Oxford‑educated scholar of Nigerian descent, and her mentee Marva (Cherrelle Skeete), a bright working‑class woman whose grandfather’s mysterious disappearance ties back to the Harford estate.Their investigative partnership feels like a modern Holmes‑Watson dynamic, allowing Pinnock to explore the tangled intersections of class, race, and inherited privilege. Abi’s privileged background and Marva’s grassroots perspective highlight how historical complicity can span generations.While the plot leans on some convenient coincidences reminiscent of an Agatha Christie puzzle, the play’s strength lies in its razor‑sharp dialogue and satirical wit, which keep the narrative brisk and entertaining.Visually, the production leans into a haunted‑house aesthetic: designer Jon Bausor’s set features gilt‑edged frames, trapdoors leading to a cellar of “dirty secrets,” and atmospheric lighting that flickers like candle‑lit torches, underscored by a nervous string quartet.Much of the humour centres on Fen, portrayed as a “tweedy do‑gooder” eager to atone for her family’s sins yet quick to deflect blame. Her self‑portrait as a former Oxford punk adds a layer of absurdity, drawing parallels to the post‑colonial satire of films like Knives Out.Pinnock also skewers the modern aristocracy that monetises heritage properties, illustrated by a grime‑artist filming by the estate’s fountain and a fabricated ghost tour designed to attract tourists.The play does not shy away from genuine hauntings. A Blackamoor statue is hidden away after the 2020 debates over colonial monuments, and missing diary pages hint at violence against an enslaved woman named “Black Sarah.”Director Miranda Cromwell navigates the tonal shifts deftly, ensuring that the humour never eclipses the underlying guilt and pain embedded in the characters’ histories.Ultimately, The Authenticator succeeds by delivering a “lightness of touch” that makes confronting toxic colonial legacies both accessible and thought‑provoking, offering audiences a disarming yet incisive look at how societies reckon with their past.

Friko, the Chicago‑based indie outfit, is gearing up for the launch of their second LP, Something Worth Waiting For, slated for 24 April. The record, described as a “radiant ramble” through modern indie rock, reflects the band’s recent touring experiences and explores themes of yearning, growth, and stability.The lead single, "Choo Choo", bursts with a road‑trip vibe, pairing vocalist‑guitarist Niko Kapetan’s urgent, quavering delivery with guitarist Korgan Robb’s atmospheric riffs. Critics note a vocal timbre reminiscent of Modest Mouse’s Isaac Brock and Sparks’ Russell Mael, while the track’s lyrical nods to classic American road food add a playful, homespun charm.Since their 2024 debut Where We’ve Been, Where We Go From Here, Friko has expanded from a duo (Kapetan and drummer Bailey Minzenberger) to a full four‑piece, adding Robb and touring bassist David Fuller. The new album also benefits from the touch of Grammy‑winning producer John Congleton, known for work with Mannequin Pussy, The Mountain Goats, and St Vincent. His influence shines on the Bowie‑esque chamber‑pop ballad "Seven Degrees", underscoring the group’s evolving sound.In addition to the album news, the Guardian’s weekly Add to Playlist roundup spotlights a curated selection of fresh tracks. Highlights include Wallis’s techno‑laden “Biscuit,” Beth Orton’s intense “The Ground Above,” Toronto pop‑star Chxrry’s catchy “Hall of Fame,” and a collaborative anti‑immigrant‑detention compilation track by Wendy Eisenberg’s trio Darlin’. The list also features Jeff Parker’s hopeful “Like Swimwear (Part One)”, a dubstep‑rap hybrid “Duro” from Skrillex and Young Miko, and Cass McCombs’s garage‑rock anthem “Seeing the Elephant”.Listeners can stream the full playlist on Spotify, Apple Music, Tidal, or other services, ensuring the week’s most inventive indie and electronic releases are just a click away.

Maggie Aderin-Pocock, a space scientist and CEO of Science Innovation Ltd, says the one item she would take to the lunar surface is a hand‑sewn purple‑cloth alien crafted by her daughter during a GCSE textile project. The tiny creature, made on a loom, embodies her child's love and would serve as a reminder of family ties at the farthest point from Earth. Sheila Hancock, acclaimed actor and writer, would use the trip as a cultural boot‑camp. She plans to study the complete works of Shakespeare, the epic novel War and Peace, and the full symphonies of Mahler as interpreted by Claudio Abbado, hoping the immersion will "strengthen her weakening brain" and deepen her appreciation of human genius. Michael Akadiri, a stand‑up comedian and resident doctor, imagines a lighter itinerary: a stack of old birthday cards to revisit heartfelt messages, an old‑school notepad for real‑time reflections, and a handful of puff‑puff (Nigerian doughnuts) – a cheeky nod to his fitness‑obsessed friends. Michael Rosen, children’s author and broadcaster, would bring three nostalgic comforts: giant yellow Chilean raisins from W Martyn’s shop in Muswell Hill, an oval brown pebble from the alleyway of his teenage flat, and the “furry” blanket his wife gave him during his 2020 COVID‑19 ventilator stay, each item a tactile link to his past. Athena Kugblenu, writer and comedian, opts for practicality and humor. She would pack a pair of Crocs for comfort, the guidebook Contact by Carl Sagan as a potential alien‑communication manual, and a jar of shito sauce – a Ghanaian shrimp‑tomato condiment – to introduce extraterrestrials to Ghanaian flavor before they learn English profanity. Nels Abbey, writer and broadcaster, frames his selection as a morale‑boosting toolkit. He would carry excerpts from Gil Scott‑Heron’s "Whitey on the Moon" and stand‑up routines by Paul Mooney, using their cynical wit to cope with the psychological challenges of space travel. Collectively, the panel’s choices illustrate how personal history, artistic heritage and even culinary curiosity can anchor humanity during the most extraordinary voyages. Their whimsical yet heartfelt lists underscore the idea that, even beyond Earth, we remain tethered to the stories, flavors and objects that define us.

The arrival of spring brings a cherished Easter tradition for many – a pilgrimage to witness the breathtaking bloom of pasqueflowers in the Chiltern Hills. Every year, as the days lengthen and the landscape awakens, enthusiasts make their way to the sunny slopes of Church Hill, where approximately 60,000 of these delicate flowers emerge.The pasqueflower, named from the Middle English 'paschal' meaning 'of Easter', is a rare sight in today's landscape. Its felty flower buds, surrounded by plumes of white-haired bracts, push through the shallow soil, and the undersides of the petal-like sepals feel warm and soft to the touch. As the flowers unfurl, they reveal hosts of golden anthers, creating a stunning mosaic of green, white, and violet across the hillside.However, the pasqueflower's presence is a conservation success story. Once found in 130 locations in 1750, changes in grassland management and ploughing have reduced its numbers drastically, leaving only 18 sites, with five locations containing 99.3% of the country's remaining plants. Church Hill, now a local nature reserve and site of special scientific interest, holds over a third of the UK's pasqueflowers, a plant classified as 'vulnerable' on the Great Britain Red List.The sight of these flowers is not just a natural wonder but also a testament to conservation efforts. The hope is that this precious site will continue to protect Hertfordshire's county flower for generations to come, allowing sundry folk to enjoy the beauty of nature rather than commemorating the past.

At least 43 civilians were killed and 44 houses set ablaze during an assault by the Allied Democratic Forces (ADF) in Bafwakoa, located in Mambasa territory of Ituri province, according to the Congolese army.Lieutenant Jules Tshikudi Ngongo, the army’s regional spokesperson, said the attack occurred on Thursday and that the death toll could rise as search operations continue.The ADF, a rebel outfit that pledged allegiance to ISIL, has been increasingly targeting civilians in Ituri and the neighboring North Kivu province, despite joint Congolese‑Ugandan military campaigns launched in 2021.Witnesses reported that victims were killed with machetes, some perished in house fires, and two individuals were abducted, according to local customary official Christian Alimasi.The incident underscores the army’s difficulty in containing the ADF, which operates alongside other insurgent groups such as the Rwandan‑backed M23, responsible for seizing the major eastern city of Goma last year.Data from research firm Insecurity Insight indicates the ADF accounted for roughly 25% of civilian‑targeted violence in eastern DRC between 2020 and 2025, reflecting its significant presence in the region.Last year, the ADF’s attacks resulted in 66 deaths and multiple abductions, signalling a troubling escalation in its campaign against local populations.

The U.S. State Department announced on April 2, 2026 that Iran is "continually" pursuing a nuclear weapon. The declaration reflects Washington’s assessment that Tehran’s nuclear program remains a persistent challenge to regional and global security. This assessment underscores the United States’ ongoing scrutiny of Iran’s nuclear activities and may shape future diplomatic initiatives, sanctions considerations, and coordination with international monitoring bodies. By reiterating the claim, the State Department signals that Iran’s nuclear ambitions continue to be a focal point of U.S. foreign‑policy strategy in the Middle East.

Eight Muslim-majority countries, including Pakistan, Turkey, Egypt, Indonesia, Jordan, Qatar, Saudi Arabia, and the United Arab Emirates, have issued a joint statement strongly condemning Israel's one-sided bill to impose the death penalty on Palestinians convicted of fatal attacks.The countries expressed deep concern over the conditions of Palestinian prisoners in Israeli detention, warning of mounting risks amid reports of ongoing abuses, including torture, inhumane and degrading treatment, starvation, and the denial of basic rights.Israel's parliament, the Knesset, passed the controversial bill on Monday, a one-sided law that will not impose the same penalty on Jewish Israelis convicted of killings. The law has been criticized by the United Nations and the European Union, but Israel's ally, the United States, came out in support of its sovereign right to determine its own laws.The eight countries also cautioned against measures by Israel that risk further inflaming tensions on the ground, stating that these practices reflect a broader pattern of violations against the Palestinian people.

The United States has lifted sanctions against Venezuela's interim President Delcy Rodriguez, following her assumption of power after the abduction and imprisonment of her predecessor, Nicolas Maduro.The US Department of the Treasury updated its website to reflect Rodriguez's removal from the Specially Designated Nationals List, easing restrictions that had been in place since 2018.Rodriguez welcomed the decision, calling it a positive step towards normalizing relations between Venezuela and the US. She also urged the US to lift additional sanctions on Venezuelan entities and individuals.The move is seen as part of a shift in US-Venezuela relations, with Rodriguez taking a conciliatory approach to engage with the US. This includes efforts to open Venezuela's economy to greater outside investment, particularly in the oil and mining sectors.However, critics have raised concerns about the circumstances under which these reforms have progressed, given the US's continued pressure on Venezuela and the international community's concerns about human rights abuses in the country.The US embassy in Caracas has resumed operations after a seven-year closure, and international organizations like the United Nations have highlighted ongoing human rights issues in Venezuela.

Peach PRC, born Shaylee Curnow, has transitioned from her online fame to a more natural, back-to-nature era. Her debut album, Porcelain, reflects this shift, featuring a more subdued tone and exploration of synesthesia, a condition that inspires her songwriting.Having gained popularity on TikTok with over 2.2 million followers, Peach PRC's music often blends humor and earnestness. Her album 'Porcelain' balances fizzy fun with softer, more sincere tracks, showcasing her growth as an artist.Peach PRC came out as a lesbian on social media in 2022 and has been open about her mental health struggles and alcoholism. Her music now reflects a period of comfort and security with her sexuality.The album's lead single, Miss Erotica, is an ode to her four years as a stripper in Adelaide, where she first gained online fame. Peach PRC hopes her album will make listeners feel appreciative to be alive and look for beauty in the world.