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The Chancellor's Tax Cut Rachel Reeves, the chancellor, announced a temporary reduction in VAT on the children’s menu in restaurants from 20% to 5% between June and September, in order to help families with the cost of living crisis and offer a boost to the hospitality sector. Restaurateurs' Skepticism Restaurateurs have questioned the impact of the tax cut, with Will Murray, the owner of London restaurant Fallow, saying it's a 'small soundbite that won't make any difference.' Murray noted that most kids' food is already discounted at the cost of the restaurant anyway, and the VAT cut wouldn’t even make up that shortfall. The Data Analysis The UK's VAT rate for restaurants is 20%, one of the highest in Europe, with the European average being around 12%. In Italy, for example, VAT on food sold in restaurants is set at 10%. Some restaurateurs, like Tim Martin, the founder and chair of the Wetherspoons pub chain, plan to cut the cost of kids' meals during the summer, while others see the measure as merely 'symbolic.' The Impact Analysis The hospitality sector has long called for VAT rates on food and drink to be cut in line with other European countries. UKHospitality, the lobbying group for the industry, said it was likely that restaurants would cut costs on the menu for children after direction from government but that it was 'up to individual operators.' The Prediction Kate Nicholls, the chair of UKHospitality, urged the government to be bold and cut VAT for the entire hospitality sector, stating that VAT is the single biggest lever it can pull to lower prices, tackle inflation, drive demand, boost spending, generate growth, and create new jobs.

Lead: Historic Triumph on South Korean SoilIn a landmark match at Suwon’s stadium, Naegohyang Women’s FC lifted the Asian Women’s Champions League trophy, defeating Tokyo Verdy Beleza 1‑0. The win marks the first time a North Korean sports team has visited the South in eight years and returned with a continental title.Naegohyang Women’s FC Secures Historic 1‑0 Victory Over Tokyo Verdy BelezaThe decisive goal came from captain Kim Kyong Yong just before half‑time, after a swift counter‑attack orchestrated by Jong Kum. Coach Ri Yu Il celebrated on the bench, and the players embraced at the final whistle, underscoring the emotional significance of the triumph.Attendance Figures and Rankings Highlight Growing Interest7,087 general‑admission tickets for the semifinal sold out within hours.Final‑match tickets remained partially unsold, leaving visible gaps in the stands.North Korea is currently ranked 11th in the FIFA women’s world ranking, far above its men’s team (ranked 118th).Tokyo Verdy Beleza entered the final as former Asian champions (2019).Sporting Diplomacy Boosts Inter‑Korean Relations Amid Ongoing TensionsSouth Korean NGO director Cheong Wook‑sik described the visit as “emotionally overwhelming,” noting the potential for football to ease decades‑long hostility. About 3,000 spectators from civic groups, backed by Seoul’s Ministry of Unification, attended, while North Korean supporters were absent due to travel restrictions.Future Prospects: Naegohyang’s Path to the 2027 FIFA Women’s Champions CupThe victory guarantees Naegohyang a place in next year’s FIFA Women’s Champions Cup, where they will face elite clubs from around the globe. Continued success could cement North Korea’s reputation in women’s football and further open channels for cultural exchange between the two Koreas.

The Evacuation Order About 40,000 people in Southern California have been ordered to evacuate their homes as emergency responders race to prevent a large tank containing hazardous chemicals from leaking or exploding. The Chemical Tank Failure Residents in six Orange County cities were told to leave their homes on Friday after a storage tank containing up to 7,000 gallons (26,500 litres) of methyl methacrylate – a highly flammable chemical used in the production of plastics – began to fail the previous evening. The Risks and Response The tank is one of three located at GKN Aerospace in Garden Grove, about 49km (30 miles) from Los Angeles. GKN Aerospace manufactures parts for several aviation companies, including Airbus and Boeing. Orange County Fire Authority Division Chief Craig Covey said the tank could either rupture, causing its contents to spill onto the ground and create a plume, or explode. The Evacuation and School Closures Firefighters were able to reduce the tank’s temperature from a safe distance, buying crews more time to stabilise the situation. Garden Grove Police Chief Amir El-Farra said more than 4,000 people had refused to evacuate. Local mayor Stephanie Klopfenstein urged those still in the area to leave immediately. More than a dozen schools have also been closed, with officials warning they don’t know how long the evacuation order will remain in place.

The Lead The Birthday Party, a film by Léa Mysius, brings a change of pace to the Cannes competition with its home-invasion suspense thriller. Adapted from Laurent Mauvignier's French bestseller Histoires de la Nuit, the film has its moments but falters in the third act. The Film's Dark Atmosphere Set in a remote French village, the story revolves around Thomas (Bastien Bouillon), a dairy farmer struggling with money woes. His family, including his wife Nora (Hafsia Herzi) and their daughter Ida, face a sinister threat when three tough guys, played by Benoît Magimel, Paul Hamy, and Alane Delhaye, invade their home on Nora's 40th birthday. The Performance Highlights Benoît Magimel stands out with a ripe turn, embodying a menacing character. The film also features Monica Bellucci as an elegant artist living next door, adding to the tense atmosphere. Despite some narrative shortcomings, the film manages to deliver a claustrophobic and bizarre experience. The Impact Analysis The film's screening at the Cannes film festival highlights its significance in the current cinematic landscape. While it may not fully absorb all plot twists, the tension is capably managed, making it a grimly compulsive watch. The Prediction As a contribution to the thriller genre, The Birthday Party will likely appeal to fans of rural suspense stories. Despite some flaws, Léa Mysius's direction and the performances, particularly by Benoît Magimel, make it a noteworthy entry in this year's festival lineup.

The Lead 'Ponies' is a weirdly joyful and bizarrely endearing espionage thriller cum female buddy caper set in 1970s Moscow. The series, starring Emilia Clarke and Haley Lu Richardson as two widows turned spies, has been praised for its unique blend of modern feminist sensibility and 70s movie aesthetics. The Event Details The show's setup is almost embarrassingly absurd: the wives of two dead CIA agents persuade their husbands' boss to take them on as spies, on the grounds that the KGB will never suspect that women have been recruited. The series follows their adventures as they navigate the world of espionage, using their unique skills and personalities to overcome challenges. The Character Dynamics Clarke and Richardson play Bea, a Wellesley-educated daughter of Belarussian emigrants who speaks fluent Russian, and Twila, a brash, blue-collar American. Their chemistry makes them greater than the sum of their parts, and their odd couple dynamic is a highlight of the show. The Impact Analysis 'Ponies' is a mashup of genres and tropes, but it is its own thing too – and an unexpected treat at that. The show's blend of humor, action, and heart makes it a standout in the espionage thriller genre. The Prediction With its unique blend of style, humor, and heart, 'Ponies' is likely to appeal to fans of espionage thrillers and female buddy comedies alike. The show's success could pave the way for more innovative and genre-bending series in the future.

Lead: From On‑Screen Heroine to Real‑World SurvivorIn a candid Guardian interview, Hannah Murray reflects on the paradox of feeling liberated after quitting acting, only to be drawn into a high‑priced wellness cult that jeopardised her mental health. The experience culminated in a psychotic break, a brief hospitalisation, and a subsequent bipolar diagnosis.The cult’s promise and Murray’s descent into its underbellyAt 27, Murray joined an organisation that marketed “wisdom and specialness” for a fee running into thousands of pounds. The group’s charismatic leader, identifiable by a symbolic necklace and a giant Starbucks cup, offered a quick fix for the emptiness Murray felt after years of fame‑driven validation.Initial attraction: desire for lasting “specialness” beyond acting roles.Practices: meditation, gratitude diaries, and “spiritual” workshops.Cost: substantial financial outlay combined with escalating mental strain.The hidden price tag and mental‑health falloutThe cult’s financial demands were matched by a severe psychological toll. Murray experienced a catastrophic psychotic episode, leading to a brief stay in an acute mental‑health unit where she was diagnosed with bipolar disorder.Impact: What Murray’s story reveals about the wellness industry’s lure for young creativesHer narrative underscores a broader vulnerability: young, high‑profile individuals often seek quick‑fix solutions to the pressures of fame, making them prime targets for exploitative “wellness” enterprises. Murray notes a lack of critical scrutiny surrounding the industry’s promises, which are frequently presented as universally benign.Future outlook: Growing calls for accountability and mental‑health advocacyAs more public figures share similar experiences, the wellness sector may face increased regulatory attention and a push for transparent, evidence‑based practices. Murray’s memoir adds momentum to a cultural conversation about protecting vulnerable talent from predatory self‑help movements.

The LeadGame of Thrones actress Hannah Murray shares her experience of being sectioned in a psychiatric hospital in her new memoir "The Make-Believe: A Memoir of Magic and Madness." The actress describes her mental health journey and the experience of being involuntarily admitted under the Mental Health Act.The Hospital ExperienceThe door to the room opens. A man enters the room. He is a Black man, bald and overweight. He is dressed in uniform. Blue uniform, a blue lanyard that reads "NHS". But I know Steve, the leader of the organisation that introduced me to magic, is a magician. I know he can appear in disguise.I approach the man and try to kiss him.He does not let me kiss him. Then no. It is not Steve.The man has brought me a plate of toast. He has brought me a cup of tea. I add sugar to the tea, which I would never have done in my former life, but a spoonful of sugar helps the medicine go down!I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive … I will never need to eat again. I survive on liquids and air and lightI do not eat the toast. I drink the tea. I am alone in the room again and I urinate into the cup and drink that too.I am a Ritual Master. And this, drinking my own urine, is a powerful ritual. This is all I need now to survive. It is the most potent of potions I can drink. I am a self-contained, utterly self-sufficient being. I will never need to eat again. I survive on liquids and air and light.I decide to explore outside the room. Outside my sanctuary. He has not come. So maybe I need to go searching for him …The Phone CallTime jumps. I am in a corridor lit by overhead strip lights. The electric light is pale yellow in tone. I am sat on one of three chairs in a row against the wall. The chairs are purple, curved plastic. I am still waiting for him to appear.There are two doors in front of me. One is the door to the blue room with the blue sofa and chair. Behind the other door is an office of some kind, and there is a woman in there, shuffling papers and talking on the phone.The woman comes out of the office. She is holding out my phone. My only possession now – the one artefact from my previous life. There is someone she wants me to speak to.Him.When I hold the phone to my ear, I hear a voice I recognise.But the voice belongs to my mother."Hannah?" she says. "Where are you? What's going on?"There is distress in her voice. Her voice is trembling with pain and anxiety.I do not want to hear it.This is a test. A horrible test, certainly, but one that I can pass. They are trying to tempt me back into the human. They are trying to lure me back into the past.I hang up the phone.But, after a moment, it starts to ring. The word Mum lights up the screen."Talk to her," says the woman.I answer the call.My mother sounds different now. Calmer. She asks again what's going on but gently, even cheerfully. I tell her everything's OK. That I'm fine. I tell her not to worry. I'm in a good place.This is the last time I will ever hear her voice, I think. This is the way I say goodbye.The DiagnosisThey tell me I am being sectioned.The words jar with my beliefs."Section 2 … the Mental Health Act … 28 days … right to appeal … "I cock my head.This does not fit at all. It does not fit in the world of Steve, of Ritual Master, of Shambhala and the invention of magic.I am not concerned. I am concerned only with the energy I can feel spiralling up through my body and the voices I can hear in my head.I pace the hospital corridors, delivering a tearful monologue, delivering the greatest performance of my life. A phrase comes to me. The Girl With All the Gifts. The title of a post-apocalyptic horror film released in 2016, starring Gemma Arterton.I am a magician. I am an actress. I am a writer. I have superhuman strength. I can fly. Anything that can be imagined, I can perform it. Every skill and every ability is mine.The film came out as a warning, and a prophecy.And because of me, the apocalypse has been averted.I am the saviour of the planet. I am the girl with all the gifts.The Journey to RecoveryIt was very hard, the journey to get here. It took 27 years. The path was twisting and full of setbacks, there were challenges and so much pain. There were times I wanted to give up. It was very hard. Everyone will have to make their own journey, and their journeys will be their own, unique as snowflakes or fingerprints. That is the beauty of it, the joy of it. Everyone has to figure it out for themselves.But I have laid the groundwork. I have walked the path. It starts with the energy healing, and it goes on and on through the seven dimensions, through increasingly magical planes. It goes on and on until you meet your soulmate, like I met mine.I was in a TV show called Game of Thrones, hidden in plain sight in the midst of a cultural phenomenon. I, the key to the world's salvation, wore the face of a character called Gilly, but really I played every role. Then I worked on a film called Detroit in Boston. David Benioff and Dan Weiss and Kathryn Bigelow were the four horsemen of the apocalypse. Numbers are irrelevant. Three counts as four. David and Dan and Kathryn cast me in the roles that brought about my destiny. The end and beginning of the world.I am the Ur-actress. I am every actress. Every performance ever given has been animated by my energy, my talent, by the gestures and facial expressions I am performing here and now.The Memoir and BeyondThis is an edited extract from The Make-Believe: A Memoir of Magic and Madness by Hannah Murray, published by Cornerstone (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.Hannah Murray will be in conversation with Jessie Cave at Kings Place in London on 5 June.

The LeadIn an era of digital distractions, renowned authors and public figures have come together to share their most compelling book recommendations, aiming to reignite readers' passion for literature. From Nobel laureates to best-selling authors, these selections offer diverse perspectives and captivating stories designed to rekindle the joy of reading.The Literary SelectionsMalala Yousafzai, the activist and Nobel laureate, recommends Enter Ghost by Isabella Hammad. This British-Palestinian novel follows an actor who travels to the West Bank and becomes involved in a local production of Hamlet. Yousafzai was particularly moved by the rehearsal scenes that explore "arguments over translations, personal relationships, the question of whether a performance is even possible under Israeli occupation." She believes Hammad demonstrates that "theatre is capable of carrying weight that other art forms cannot hold."David Miliband, CEO of the International Rescue Committee, suggests Free: Coming of Age at the End of History by Lea Ypi. This memoir chronicles growing up in Albania, the last Stalinist country in Europe. Miliband describes the book as "at once hilarious and serious, appalling in its description of the lies and tentacles of the regime of Enver Hoxha and touching in its humanity." He notes that the author's journey from "Young Pioneer" in the Albanian Communist party to professor in the UK makes the book "more than a work of memory or history. It is also an engagement with the challenges of the present."Katherine Rundell, acclaimed author, enthusiastically recommends Luke Kennard's Black Bag. She admits to laughing "aloud dozens and dozens of times" while reading this novel about a young actor who takes a job dressing in a black bag during psychology lectures to gauge students' reactions to strangeness. Based on a real 1967 experiment, Rundell praises its "brilliant" and "inventive originality," calling it "a triumph of a book" that is "very powerfully worth your time."Jack Thorne, screenwriter, revisits Susan Cooper's classic The Dark Is Rising. As someone who identifies as "quite a weird kid," Thorne found that the book "found that weirdness and twisted it." He's holding off sharing it with his 10-year-old until the "perfect age" of 11, praising its exploration of "the battle between the Dark and the Light" that "weaves myth and history into a glorious concoction that uses language as a weapon."Margaret Busby, publisher and president of English PEN, recommends CLR James's The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution. First published in 1938, this historical work documents "the only successful revolt of the enslaved in history." Busby, who had a personal connection to the author (her father was James's friend from schooldays in Trinidad), calls it an "uplifting example of how the personal and political connect" and notes its continuing relevance as "a defiant call to resisting oppression."The Reader ImpactThese diverse recommendations offer readers a pathway back to literary engagement by providing books that are not only entertaining but also intellectually stimulating. Each selection offers a unique perspective that can challenge readers' thinking while providing the pleasure of immersive storytelling. The variety of genres and styles represented ensures that there's something for every type of reader, whether they prefer contemporary fiction, historical accounts, or fantasy.The Cultural SignificanceIn an increasingly fragmented media landscape, these recommendations highlight the enduring power of books to connect us to different experiences and perspectives. The selections reflect both timeless themes and contemporary concerns, demonstrating how literature continues to evolve while addressing fundamental human questions. The fact that these recommendations come from diverse figures—activists, politicians, writers, and scholars—underscores the broad cultural relevance of reading across different professions and backgrounds.The Future of ReadingAs digital distractions continue to compete for our attention, curated recommendations from trusted voices may become increasingly important in guiding readers back to literature. These selections suggest a trend toward books that offer both entertainment and substance—works that can make us laugh while making us think. The enduring appeal of physical books, as evidenced by the care taken in describing these specific editions, indicates that despite digital alternatives, many readers still value the tangible experience of reading a well-crafted book.

Deadly Blast at Liushenyu Mine Shuts Down Operations State media Xinhua reported that a gas explosion ripped through the Liushenyu mine in Qinyuan county, Shanxi province on Friday, killing at least 90 people. The blast struck while 247 workers were underground, making it the deadliest mining disaster in China in more than a decade. Casualties, Workforce and Production Figures Highlight Scale Deaths confirmed: 90 Workers on shift at time of explosion: 247 Shanxi’s 2025 coal output: > 1 billion tonnes (≈ one‑third of national production) China’s share of global coal consumption: > 50% The province accounts for almost a third of China’s total coal extraction, meaning any shutdown reverberates through national energy supplies. Safety Lapses and Environmental Stakes Prompt Nationwide Scrutiny China’s coal mines have long been labeled among the world’s deadliest due to weak regulation, corruption, and inadequate safety standards. The explosion followed a carbon‑monoxide alert that reportedly indicated gas levels exceeding safe limits. CGTN confirmed the mine’s overseer has been arrested, and President Xi Jinping ordered all regions to intensify accident‑prevention measures. Beyond the human toll, the incident raises concerns about China’s ability to balance its status as the world’s largest coal producer with its commitments to reduce greenhouse‑gas emissions. The disaster could accelerate calls for a faster transition to renewable energy sources. Tightened Oversight Likely to Reshape China’s Coal Sector Analysts expect the central government will impose stricter safety inspections and possibly limit production at high‑risk mines. Potential outcomes include: Increased funding for modern monitoring equipment to detect hazardous gases. Revised penalties for safety violations, aiming to deter corruption. Accelerated investment in clean‑energy projects as part of China’s carbon‑neutrality roadmap. While short‑term coal output may dip, the long‑term effect could be a more regulated, safer industry that aligns with global climate goals.