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The weekend's sports action kicks off with FA Cup quarter-final matches and the start of the county cricket season. In the FA Cup, Manchester City hosts Liverpool at the Etihad, with both teams seeking to advance to the semi-finals. Chelsea takes on Port Vale at Stamford Bridge, while Southampton faces Arsenal at St Mary's. In county cricket, Nottinghamshire begins their title defense against Somerset at Taunton. The season's early rounds will also see Surrey, the 2022, 2023, and 2024 champions, in action with a strong lineup including Alec Stewart, Ollie Pope, and Jamie Smith. Additionally, the 197-year-old Boat Races on the Thames between Oxford and Cambridge will take place, with the women's race followed by the men's. This event has moved to a new TV home on Channel 4 as part of a five-year broadcast deal. On Sunday, a bumper Easter Sunday schedule features multiple FA Cup matches, including West Ham vs Leeds and Livingston vs Hearts in the Scottish Premiership.

According to a new United Nations Food and Agriculture Organization (FAO) briefing, the global food commodity price index climbed 2.4% in March, marking the second straight monthly increase and the first rise in five months for the broader basket of grains, meat, dairy, vegetable oils and sugar.The surge is largely attributed to the escalating conflict in the Middle East, which has pushed up energy prices and freight rates worldwide. The report highlighted that vegetable oil prices jumped 5% and sugar rose 7% during the month.Analysts warn that the war could trigger a broader wave of food inflation, as higher fuel, fertiliser and electricity costs increase the expense of transporting, processing and cooking food. About one‑third of global fertiliser production passes through the Strait of Hormuz, a key shipping lane that has been effectively closed since hostilities began.UN projections suggest that, if the crisis endures, global food prices could be 15%–20% higher in the first half of 2026 than pre‑conflict levels. The FAO noted that “price indices across all commodity groups rose to varying degrees, reflecting both market fundamentals and responses to higher energy prices linked to the conflict escalation in the Near East.”Specific commodity trends showed global wheat prices up 4.3% in March, driven by deteriorating crop conditions and drought concerns in the United States, as well as reduced planting in Australia due to soaring fertiliser costs. Better weather in Europe and strong export competition provided some offset.In the United Kingdom, the Food and Drink Federation – representing 12,000 manufacturers – now forecasts a **minimum 9% rise in food prices by the end of 2026**, a sharp increase from the 3.2% forecast made before the Middle East conflict. This outlook assumes the Strait of Hormuz reopens within weeks and that major energy facilities return to normal within a year – both uncertain outcomes.British producers are already feeling the pressure. The British Tomato Growers’ Association warned that consumers could see higher prices for tomatoes, peppers and cucumbers within six weeks as gas‑heated glasshouses become more expensive to run.Chancellor Rachel Reeves recently met with leaders of major retailers—including Tesco, Sainsbury’s, Morrisons, Marks & Spencer, Aldi and Lidl—to discuss measures that could ease the cost‑of‑living squeeze and strengthen supply chains.Nevertheless, a Bank of England survey of over 2,000 chief financial officers revealed that firms expect to raise their prices by an average of 3.7% over the next year, up from 3.4% in February. Expectations for overall economy‑wide inflation also rose from 3% to 3.5%.

The BBC Philharmonic, under the baton of John Storgårds, has released an album featuring Dmitri Shostakovich's Symphonies No 2 and 5. This pairing brings together one of the composer's most familiar works with one of his lesser-known pieces.The Symphony No 2, commissioned as propaganda for the 10th anniversary of the October Revolution, is an early experiment by the 21-year-old Shostakovich. It begins with eerie, foggy strings that slide up and down in an intangible, almost pitchless way, more akin to a sound effect than music. As it builds, the symphony becomes a perpetual motion melee, culminating in a celebratory chorus singing 'October, the Commune and Lenin'.In contrast, the Symphony No 5, written a decade later, showcases a more mature composer. Storgårds' interpretation doesn't quite capture the depth of darkness in the first movement, but his warmth in the harmonies brings the music to life. The third movement has a compelling stillness, while the finale expertly increases tension through small tempo changes.This album review highlights the stark contrast between Shostakovich's early experimentation and his later mastery. The performance by the BBC Philharmonic and John Storgårds is effective, making this album a valuable addition to any classical music collection.

Winsome Pinnock’s latest play, The Authenticator, opens at the Dorfman Theatre, National Theatre, London, and immediately subverts expectations by pairing a serious examination of erased Black histories with a lively, comedic tone.The story follows Fen (Sylvestra Le Touzel), a direct descendant of the 18th‑century enslaver Henry Harford, who discovers a cache of his Jamaican farm diaries. She entrusts the documents to two Black academics – Abi (Rakie Ayola), an Oxford‑educated scholar of Nigerian descent, and her mentee Marva (Cherrelle Skeete), a bright working‑class woman whose grandfather’s mysterious disappearance ties back to the Harford estate.Their investigative partnership feels like a modern Holmes‑Watson dynamic, allowing Pinnock to explore the tangled intersections of class, race, and inherited privilege. Abi’s privileged background and Marva’s grassroots perspective highlight how historical complicity can span generations.While the plot leans on some convenient coincidences reminiscent of an Agatha Christie puzzle, the play’s strength lies in its razor‑sharp dialogue and satirical wit, which keep the narrative brisk and entertaining.Visually, the production leans into a haunted‑house aesthetic: designer Jon Bausor’s set features gilt‑edged frames, trapdoors leading to a cellar of “dirty secrets,” and atmospheric lighting that flickers like candle‑lit torches, underscored by a nervous string quartet.Much of the humour centres on Fen, portrayed as a “tweedy do‑gooder” eager to atone for her family’s sins yet quick to deflect blame. Her self‑portrait as a former Oxford punk adds a layer of absurdity, drawing parallels to the post‑colonial satire of films like Knives Out.Pinnock also skewers the modern aristocracy that monetises heritage properties, illustrated by a grime‑artist filming by the estate’s fountain and a fabricated ghost tour designed to attract tourists.The play does not shy away from genuine hauntings. A Blackamoor statue is hidden away after the 2020 debates over colonial monuments, and missing diary pages hint at violence against an enslaved woman named “Black Sarah.”Director Miranda Cromwell navigates the tonal shifts deftly, ensuring that the humour never eclipses the underlying guilt and pain embedded in the characters’ histories.Ultimately, The Authenticator succeeds by delivering a “lightness of touch” that makes confronting toxic colonial legacies both accessible and thought‑provoking, offering audiences a disarming yet incisive look at how societies reckon with their past.

The highly anticipated fifth season of the Cork-set comedy The Young Offenders premieres on BBC One at 9:30pm. The new season kicks off with Jock, played by Chris Walley, breaking out of a Colombian prison and reuniting with Conor, played by Alex Murphy, back in Ireland. Their adventures quickly take a turn as they find themselves in a hostage situation with an elderly couple while wearing floral dresses.Elsewhere on television, Rob Beckett brings his unique brand of humor to Sky One with his show Giraffe at 9pm. The comedian takes viewers on a stream-of-consciousness journey through topics like poshness, parenting, and pubes, often pushing the envelope with his audience.On Channel 4, The Last Leg continues its 34th series at 10pm, featuring presenters Adam Hills, Josh Widdicombe, and Alex Brooker. This week's guests include Josh Pugh, Lorraine Kelly, and Steve Bracknall.In addition to these shows, BBC One also airs Extraordinary Portraits With Bill Bailey at 7:30pm, highlighting the story of Eddie, the 'Iron Gran', who became the oldest British woman to complete an Ironman triathlon at 72. Meanwhile, Beyond Paradise airs at 8pm, with Humphrey solving a series of burglaries in Shipton Abbott.For film enthusiasts, The Wolf of Wall Street, directed by Martin Scorsese and starring Leonardo DiCaprio, is broadcast on BBC Two at 10pm. This financial crime caper is based on the memoir of stockbroker Jordan Belfort and features memorable performances from Matthew McConaughey and Margot Robbie.

Phil Foden must seize his chance as Manchester City face Liverpool on Saturday at 12:45 pm BST. After two lacklustre starts for England under Thomas Tuchel, the 25‑year‑old has recorded only one assist in his last 22 outings for club and country. Dropped below Rayan Cherki in Pep Guardiola’s hierarchy and yet to complete a full 90 minutes since January, Foden’s performance in the FA Cup could determine his future at both City and the national team.Manchester City v Liverpool – Saturday 12:45 pm BSTEstêvão Willian offers Chelsea a welcome boost. Following a Champions League exit at the hands of Paris Saint‑Germain and a heavy defeat to Everton, manager Liam Rosenior faces a must‑win against Port Vale at 5:15 pm BST. The 18‑year‑old Brazilian winger, who impressed as a substitute against Everton, could inject the speed and unpredictability Chelsea need to lift a disgruntled crowd and revive a faltering season.Chelsea v Port Vale – Saturday 5:15 pm BSTKepa Arrizabalaga gets a second chance ahead of Arsenal’s trip to Southampton. The former Athletic Bilbao keeper was at fault for the decisive goal in the Carabao Cup final, yet manager Mikel Arteta has kept him as the starting goalkeeper for the FA Cup tie. A solid performance could cement Arrizabalaga’s status as Arsenal’s long‑term No 2, while a repeat error may see him lose the role to David Raya.Southampton v Arsenal – Saturday 8:00 pm BSTWest Ham’s cup run doubles as a survival rehearsal. The Hammers host Leeds United on Sunday at 4:30 pm BST, a match that could swing the relegation battle. Despite a recent victory over Brentford, injuries – notably to winger Crysencio Summerville – threaten to undermine their league campaign. Manager Nuno Espírito Santo must balance the morale boost from the cup with the need to keep key players fit for the Premier League’s final stretch.West Ham v Leeds – Sunday 4:30 pm BST

The arrival of spring brings a cherished Easter tradition for many – a pilgrimage to witness the breathtaking bloom of pasqueflowers in the Chiltern Hills. Every year, as the days lengthen and the landscape awakens, enthusiasts make their way to the sunny slopes of Church Hill, where approximately 60,000 of these delicate flowers emerge.The pasqueflower, named from the Middle English 'paschal' meaning 'of Easter', is a rare sight in today's landscape. Its felty flower buds, surrounded by plumes of white-haired bracts, push through the shallow soil, and the undersides of the petal-like sepals feel warm and soft to the touch. As the flowers unfurl, they reveal hosts of golden anthers, creating a stunning mosaic of green, white, and violet across the hillside.However, the pasqueflower's presence is a conservation success story. Once found in 130 locations in 1750, changes in grassland management and ploughing have reduced its numbers drastically, leaving only 18 sites, with five locations containing 99.3% of the country's remaining plants. Church Hill, now a local nature reserve and site of special scientific interest, holds over a third of the UK's pasqueflowers, a plant classified as 'vulnerable' on the Great Britain Red List.The sight of these flowers is not just a natural wonder but also a testament to conservation efforts. The hope is that this precious site will continue to protect Hertfordshire's county flower for generations to come, allowing sundry folk to enjoy the beauty of nature rather than commemorating the past.

Alana King’s leg‑spin dismantled the West Indies in St Kitts, delivering a decisive 5 for 19 from 10 overs and guiding Australia to a commanding nine‑wicket win.The hosts were bowled out for just 136 runs in the third and final ODI, ending a bright start with a collapse that left them 78 for five. King’s spell, her second‑best ODI figures after a 7 for 18 at last year’s World Cup, was pivotal in restricting the Caribbean side.Australia chased the modest target in under 20 overs, thanks to an explosive innings from opener Phoebe Litchfield (68* off 56 balls) and a steady contribution by veteran Ellyse Perry (33* not out). The pair steered the tourists home with ease, sealing a 3‑0 series sweep.Speaking after the match, King highlighted the team’s discipline: “We were very clinical, we nailed our lengths, and we really owned that.” She praised the collective effort of the bowling unit for holding a “very destructive” West Indian side to just about 140 runs.West Indies won the toss and elected to bat, with opener Deandra Dottin (22) and captain Hayley Matthews (34) putting on a 38‑run opening partnership. However, King struck early, catching Matthews off a sliced drive, and soon after, Jannillea Glasgow fell for a duck, leaving the visitors reeling at 78 for five.Middle‑order contributions from Chinelle Henry (40* not out) and Realeanna Grimmond (20) added some resistance, but King completed her third ODI five‑wicket haul, dismissing Afy Fletcher and Karishma Ramharack, while off‑spinner Ash Gardner chipped in with 2 for 29.Australia’s chase was swift; after reaching the target inside nine overs, the result was never in doubt. Perry accelerated the scoring alongside Litchfield, ensuring the tourists cruised to a sixth consecutive white‑ball win on the tour.With the ODI series wrapped up, Australia now turn their focus to the upcoming 2026 T20 World Cup in England, scheduling three preparatory T20s against South Africa before the tournament.

The United States has reaffirmed that it is still prepared to engage Tehran in diplomatic talks, despite the ongoing US‑Israel war against Iran and President Donald Trump’s renewed threats to target the country’s civilian infrastructure. State Department spokesperson Tommy Pigott told Al Jazeera that President Trump had pursued negotiations with Iran before the conflict erupted, but accused the Iranian regime of persisting in its quest for a nuclear weapon. "The president is always open to diplomacy, but he’s also clear that we will see our objectives fulfilled here," Pigott said, underscoring the administration’s dual track of diplomatic engagement and military pressure. In a primetime address aired on Wednesday, Trump echoed his earlier claims that the United States is winning the war, yet offered no concrete roadmap for ending the hostilities or reopening the Strait of Hormuz – a chokepoint whose closure by Tehran has driven global energy prices higher. The conflict began on February 28, shortly after a round of Geneva talks that Omani mediators and Iranian officials described as “positive.” Last year, Israel struck Iran’s three primary nuclear facilities in an operation the White House dubbed “Midnight Hammer.” Iran continues to deny any intention to develop a nuclear weapon, while Israel is widely believed to possess an undeclared nuclear arsenal. Former intelligence chief Tulsi Gabbard testified to Congress that Iran was not rebuilding enrichment capacity before the June 2025 attacks, and later reiterated that there have been no efforts to restore its nuclear program since the strikes. Nevertheless, Tehran insists on the right to enrich uranium domestically and has ruled out negotiations over its missile program and support for groups such as Hezbollah and Hamas. Pigott emphasized that the United States is maintaining high‑level diplomatic contacts across the region, stating, "We see diplomatic engagement at the highest levels of this administration, with our partners in the region, to pursue our interests and explore what can happen here." The spokesperson also accused Iran of targeting civilians and civilian infrastructure, describing the threat of a nuclear‑armed Tehran as "intolerable." In response, Iran has launched missile and drone attacks against U.S. and Israeli assets, as well as energy facilities, hotels, and airports throughout the Middle East. Trump later posted footage of a U.S. strike on a major Iranian bridge, warning that similar attacks could follow. He wrote on social media, "IT IS TIME FOR IRAN TO MAKE A DEAL BEFORE IT IS TOO LATE, and there is nothing left of what could become a great country." In the same speech, he threatened to destroy Iran’s power plants and, earlier in the week, suggested the United States could also target water desalination stations – actions that legal experts say would constitute collective punishment under international law. Barbara Slavin, a distinguished fellow at the Stimson Center, told Al Jazeera that Trump appears to be "scrambling" to intensify the war in hopes of forcing a resolution before the conflict turns into a definitive failure.