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The Lead: From Sheffield Pub to Hollywood Film ScoreLast year, Jim Ghedi was having a chicken dinner at his mother's house in Sheffield when he checked his phone. A director had started following him on Instagram, and as a joke, Ghedi messaged him saying he wanted to do his next film score. To his surprise, the director, Michael Sarnoski, responded immediately, offering him the job to score the forthcoming A24 production "The Death of Robin Hood," starring Hugh Jackman and Jodie Comer.The Breakthrough: A Working-Class Folk Musician's Unexpected Hollywood OpportunityDespite having never scored a film before, Ghedi was given the gig. He bonded instantly with Sarnoski through video calls and a shared love of Steeleye Span, and ended up writing the songs and score. He describes the finished material as "quite doomy, earthy and dark" but also "quite light and orchestrated." Ghedi was invited out to LA to work on the project there, but instead chose to stay rooted in Sheffield. Even so, he had moments of impostor syndrome, acknowledging that "it's very rare for someone like me, and where I'm from, to get those kinds of opportunities."The Musical Journey: From Hip-Hop to Folk with Working-Class RootsGhedi, 35, was given a guitar when he was eight and quickly became a skilled player, but his teenage years were lit up by hip-hop and punk. The lyrical output of hip-hop proved formative for him. "Hearing people talk about being raised by a single mum was like, whoa," he recalls. "Here's someone artistically talking about something that I'm also experiencing in my life." Then came the revelatory discovery of Bert Jansch. "It was the first time I'd heard someone who played an acoustic guitar and it was not pretty," he says. "It was really heavy and aggressive."The Class Divide: Folk Music's Middle-Class DominanceWhile Ghedi favours metaphor and nuance rather than state-of-the-nation-style delivery, class is central to his music and ethos. "When I was younger, I was really naive and I tried to assimilate," he recalls. "But I realised: I need to own where I'm from. I'm not trying to be a spokesperson, but the folk scene is very middle class. The divide and the drop-off is huge, and in some ways, the disparity is worse now than when I started."The Future Outlook: Authenticity Over Commercial SuccessGhedi's trajectory to landing a huge project such as "The Death of Robin Hood" is a rare but heartening one. Despite having a memorable time working on the film, with a team on whom he heaps praise, he appears resolutely unmoved by the idea that he now needs to play any kind of game. "As long as I stick to focusing on creativity, nothing else matters," he says. "Whether I'm playing to 10 people in a room or 1,000, it's the same for me."

Weekly Overview: Ceasefires Mask Intensified Israeli OperationsIsrael has signed ceasefires in Gaza, Lebanon and Iran, yet Israeli forces and settlers expanded their presence in the occupied West Bank, deepened incursions in Gaza and intensified actions in East Jerusalem during the week of April 20‑27, 2026.Escalation of Israeli Military Actions Across Gaza, West Bank, and East JerusalemIn Gaza, drone and air strikes killed 40 Palestinians, including three police officers and three children.In the West Bank, settler‑linked shootings and vehicle attacks resulted in the deaths of teenagers in al‑Mughayyir, Hebron, Nablus and Deir Dibwan.In East Jerusalem, demolition of 17 homes in Silwan’s al‑Bustan neighbourhood accelerated, targeting a total of 115 homes by October.Municipal elections were held for the first time in Gaza since 2006, with a 23 % turnout in Deir el‑Balah.Casualty and Displacement Statistics for the WeekTotal Palestinian deaths in Gaza since the October 11 ceasefire: 817; injured: 2,200+.Cumulative Gaza death toll since October 7, 2023: 72,593.Movement obstacles recorded by OCHA: 925, the highest in 20 years (43 % above the two‑decade average).Displacement incidents: demolition of a school and homes in Hammamat al‑Maleh, displacing the last three households.Political Ramifications and Settlement Expansion Amidst CeasefiresThe week coincided with the formation of a Naftali Bennett‑Yair Lapid alliance that will challenge Benjamin Netanyahu in the upcoming October elections, while the alliance’s leader has ruled out Arab parties in any future coalition. Settler violence surged, with coordinated calls to “cancel Oslo with your feet” and attacks in multiple Area A and B locales, underscoring a strategic push to reshape facts on the ground before any political settlement.Outlook: Prospects for De‑escalation and Regional StabilityGiven the pattern of using ceasefires as a cover for intensified operations, humanitarian aid inflows remain insufficient despite the reopening of the Zikim crossing. Unless diplomatic pressure curtails settlement expansion and protects civilian infrastructure, the cycle of violence and displacement is likely to continue, further complicating any ceasefire‑based peace initiatives.

The Review’s Core VerdictThe Guardian concludes that Kae Tempest’s Having Spent Life Seeking is an intensely earnest work that oscillates between lyrical beauty and exhausting melodrama. The novel’s raw honesty about trauma and gender transition is commendable, but its relentless intensity and occasional verse‑like prose leave many readers yearning for more nuanced interiority.Tempest’s Narrative Choices and Prose StyleSet in the stark seaside town of Edgecliff, the story follows Rothko Taylor, a recently released prisoner navigating homelessness, addiction, and a gender transition. Tempest structures the narrative around a long flashback that interweaves past abuse, a teenage romance with Dionne, and present‑day struggles. The prose is deliberately lyrical, often bordering on verse, which the reviewer argues can feel both beautiful and glib, especially when describing gritty realities such as jail life or self‑harm.Flashback‑driven structure links past trauma to present identity.Lyrical language aims to “wrest beauty from the jaws of gritty realism”.Critique: the verse‑like style sometimes undermines emotional depth.Pricing, Publication, and Market PositionThe novel is published by Jonathan Cape and retails at £18.99. Positioned as a “heart‑breaking, soul‑building” debut, the book targets both literary‑fiction readers and those seeking authentic trans narratives. Its price places it within the mid‑range of contemporary literary releases, suggesting a modest commercial expectation rather than a bestseller push.Implications for Trans Representation in Contemporary FictionTempest’s work adds to a growing, though still limited, catalogue of trans‑authored novels that foreground gender transition as a central theme. By foregrounding Rothko’s struggle for bodily autonomy and emotional connection, the novel challenges mainstream publishing’s often tokenistic treatment of trans stories. However, the review notes that the reliance on trauma tropes risks reinforcing a narrow view of trans lives as primarily defined by suffering.What Readers Can Expect from Future Trans NarrativesThe review suggests that while Having Spent Life Seeking may not be a flawless literary achievement, it signals a demand for more nuanced, varied trans perspectives. Future works are likely to move beyond trauma‑centric plots toward richer character development, diverse genre experimentation, and deeper explorations of everyday trans experiences.

Flagg Clinches Rookie of the Year Over Former RoommateCooper Flagg secured the NBA Rookie of the Year award, narrowly surpassing his former Duke roommate Jabari Knueppel. At 19 years old, Flagg becomes the second‑youngest winner in league history, trailing only LeBron James.Historic Rookie Season: Leading Team in All Major CategoriesFlagg is the first rookie since Michael Jordan (1984‑85) to lead his team in points, rebounds, assists and steals. The achievement underscores a rare all‑around impact for a first‑year player.Statistical Edge: Numbers That Swung the Vote96 points across two games on the penultimate weekend helped tip the scales.51‑point performance against the Dallas Mavericks marked the first time a teenager scored 50+ in the NBA.273 three‑pointers for Knueppel made him the first rookie to lead the league in that category.Knueppel averaged 18.5 points, 5.3 rebounds, 3.4 assists while shooting 42.5% from three‑point range, joining Larry Bird and Paul Pierce as the only rookies with 15+ points, 5+ rebounds and >40% three‑point shooting.The final ballot was razor‑thin: only 26 points separated Flagg and Knueppel.Impact on NBA Youth Development and Draft StrategiesThe duel between two former college teammates highlights the growing emphasis on early‑career versatility. Teams may prioritize drafting players who can contribute across the stat sheet, rather than specialists, as Flagg’s all‑around game proved award‑winning value.Looking Ahead: Flagg’s Role with the Mavericks and Future ProspectsSelected No. 1 overall by the Dallas Mavericks, Flagg now faces the challenge of translating rookie success into sustained playoff contention. With veteran stars like Kyrie Irving sidelined and roster turnover, Flagg’s development will be a key factor in the Mavericks’ rebuild trajectory.Analysts expect his confidence‑building performances to attract more offensive responsibilities, while his defensive growth will determine whether he can evolve into a franchise cornerstone.

The Legacy of Nedra Talley Ross and The Ronettes Nedra Talley Ross, a key figure in the formation and success of The Ronettes, has died. When she turned 18 in January 1964, her birthday celebration was attended by George Harrison, highlighting her early fame. Alongside her cousins Veronica and Estelle Bennett, Ross was part of the group from 1963 to 1967, during which they produced some of the most iconic pop records of all time, including 'Be My Baby', 'Walking in the Rain', and 'Sleigh Ride'. The Ronettes' Impact on Pop Music The Ronettes, under the production of Phil Spector, became the epitome of a girl group. Their music embodied teenage emotional extremity set to soaring, symphonic pop. Despite her later feelings towards Spector, describing him as arrogant, Ross's contributions to these timeless tracks remain invaluable. The group's magnificent beehive hairstyles and style made them the coolest looking group in pop history. Life After The Ronettes After stepping away from pop stardom, Ross found a second act in the Christian circuit with her husband Scott Ross. They became famous for their unique church services, which included music with a rock 'n' roll feel. Their daughter, Heather, shared insights into her mother's life, revealing that even in her later years, Ross maintained her sex appeal and stage presence. The Enduring Legacy of The Ronettes Though Nedra Talley Ross may not have prioritized legacy in her later years, her voice and the group's music continue to be celebrated worldwide, especially during Christmas. Their contributions to 'A Christmas Gift for You from Phil Spector' remain a staple of holiday playlists. Ross took pride in the personal connections fans shared with her and the group, often making autographs very personal. A Lasting Tribute The Ronettes will forever be remembered as the platonic ideal of a girl group. Their records, made over 60 years ago, continue to bring joy to listeners around the world. As we remember their music, we also honor the incredible young women who created it, ensuring their legacy lives on through the timeless sound of The Ronettes.

Smith’s Confession: A Turn Toward Women’s WritingZadie Smith told a Cambridge audience that she "doesn’t know when I read men any more," explaining that as she ages she feels "enormously impatient with anything other than other older women." She now reads chiefly Helen Garner and other female authors, citing a need for wisdom.What “Dead and Alive” Reveals About Contemporary Female ArtistsThe essay collection Dead and Alive explores a range of female creators, from Joan Didion to Kara Walker and Celia Paul. Smith said the post‑1975 surge in women’s art is "cheering and extraordinary," prompting her to document it.Highlights essays on female writers and visual artists.Contrasts past limited visibility (e.g., AS Byatt, Margaret Drabble, Toni Morrison) with today’s broader recognition.No Hard Numbers, but Qualitative ShiftsThe interview provides no sales figures or readership statistics, but the qualitative shift is clear: Smith’s personal reading list now skews heavily female, and she recommends works like David Szalay’s Flesh alongside classic male essayists such as John Berger and James Baldwin.Implications for the Literary Landscape and Gender Reading HabitsSmith’s admission signals a broader cultural moment where established authors re‑evaluate their influences. By foregrounding women’s voices, she challenges the lingering myth of the "death of the male novelist" and encourages publishers to spotlight diverse perspectives.What This Means for Future Essays and NovelsSmith hinted that her next project—a novel about teenagers in the 1990s—will "shock people" by juxtaposing past possibilities with today’s constraints. The shift in her reading habits may inform the novel’s themes, emphasizing generational change and economic inclusivity.

The Return of Tony SchumacherFour years after the critically acclaimed *The Responder*, Tony Schumacher returns with *The Cage*. While the premise suggests a standard casino heist thriller, the show quickly reveals itself to be a deeply moving state-of-the-nation piece that uses a gripping narrative to dissect the crushing weight of poverty, addiction, and familial duty.Beyond the Heist: A Deconstruction of Modern DespairThe story follows Leanne (Sheridan Smith) and Matty (Michael Socha), two casino employees who turn to robbery to escape their circumstances. However, Schumacher uses this narrative frame to explore the systemic failures trapping ordinary people.Leanne's Burden: A widowed mother caring for her grandmother with dementia, facing imminent eviction.Matty's Struggle: A recovering addict and gambling addict, estranged from his teenage daughter.Performance Analysis: Sheridan Smith and Michael SochaThe review highlights the chemistry and depth of the cast. Michael Socha is described as "phenomenal," excelling in a role that requires navigating humor, sorrow, and redemption. Sheridan Smith provides an infinitely credible performance as a woman standing on the edge of a precipice yet unable to step away due to her responsibilities.A State-of-the-Nation NarrativeUnlike *The Responder*, which focused on police, *The Cage* gives voice to the "whack-a-moles in trackie bottoms"—the victims of the system. It is a companion piece that empathizes more with the marginalized than with those attempting to corral them.Future OutlookThe show is currently available on BBC One and iPlayer, with strong indications of awards potential for the supporting cast, particularly Mona Goodwin, whose performance is noted for its depth despite limited screen time.

The Absurdist Bridge Between ErasJulian Radlmaier's 'Phantoms of July' is an absurdist comedy-drama that connects the 18th-century rebellion of a maid with the modern struggles of a cleaner and an influencer. The film opens with a lingering image of Friedrich von Hardenberg (Novalis) in a chamber pot, setting a tone of irreverence that permeates the narrative.Interlocking Narratives in SangerhausenThe film uses a non-linear structure in the scenic German town of Sangerhausen, weaving together the stories of four distinct characters who feel trapped in their lives.Lotte (18th Century): A rebellious teenage maid inspired by the French Revolution who embarks on a Bonnie and Clyde adventure.Ursula (21st Century): A cleaner and waitress working two jobs, whose life is shaped by a single moment of pregnancy at age 18.Neda (Modern Day): An aspiring travel influencer from Iran who faces snide comments and anti-immigrant nationalism while filming.Sung-nam: A tour guide whose character arc completes the film's dreamlike structure.The Persistence of Class BarriersDespite the century gap, the film highlights the continuity of social oppression. While Lotte attempts a rebellion against aristocracy, Ursula and Neda navigate a world of gender and class discrimination. The film suggests that the longing for 'more' is a universal human experience, transcending time and geography.Quirky Cinema as Social CommentaryBy blending visual gags with a serious political point, Radlmaier creates a film that is both funny and bittersweet. The film proves that quirky storytelling can effectively address uncomfortable truths about society, making 'Phantoms of July' a relevant piece of cultural commentary in the current socio-political climate.

The End of an Era: Nedra Talley Ross Passes Away at 80Nedra Talley Ross, the final surviving member of the legendary 1960s pop group The Ronettes, has died at the age of 80. Announced by her daughter on social media, Talley Ross passed away at her home on Sunday morning, leaving behind a void in the history of American pop music. As the third member of the trio alongside Ronnie Spector and Estelle Bennett, her voice was instrumental in shaping the sound of the 1960s.The Ronettes' Rise to Fame and the 'Wall of Sound'Born in Manhattan in 1946, Talley Ross began performing with her cousins during their teenage years. The group formed in 1957, but their breakthrough came in 1963 when Estelle Bennett cold-called the office of producer Phil Spector. According to Ronnie Spector's memoir, Spector was so captivated by their rendition of 'Why Do Fools Fall In Love' that he exclaimed, 'That's the voice I've been looking for!' This meeting launched The Ronettes into the stratosphere of pop culture.1963: The trio signs with Phil Spector and achieves massive commercial success.1966: The Ronettes join The Beatles on their final world tour.1967: The group officially splits.The Economic Legacy of a 'Wall of Sound' LegendDespite their immense cultural footprint, the financial reality for the group was stark. The Ronettes launched a long legal battle in the 2000s to recover unpaid royalties, revealing in New York's State court of appeals that they had earned less than $15,000 from their massive catalog of hits. However, the economic value of their contribution to music history is immeasurable. BMI once calculated that their signature song, 'Be My Baby,' had been played in 3.9m feature presentations since 1963, an equivalent of 17 years of continuous radio play.Reshaping the Landscape of 1960s PopThe Ronettes were more than just a girl group; they were a defining force of the era. Their hits, including 'Walking in the Rain' and 'Baby, I Love You,' became staples of the 'Wall of Sound' production technique. Their influence extended far beyond their discography. Keith Richards of The Rolling Stones famously described their ability to 'sing all their way right through a wall of sound,' a sentiment that highlighted their vocal power. The group also shared stages with the biggest acts of the time, including The Beatles on their final world tour in 1966.The Lasting Echo of a Musical RevolutionAs the final member of the original lineup passes, The Ronettes' legacy moves from a living history to a permanent archive of American pop culture. Their contributions have been immortalized in films such as Mean Streets and Dirty Dancing. While the trio is now complete in spirit, the music they created continues to resonate, proving that the 'Wall of Sound' is an enduring pillar of musical history.