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The Ebola Outbreak in DRC At least 80 deaths have been reported in the Democratic Republic of the Congo's (DRC) new Ebola disease outbreak, authorities said, as health workers race to intensify screening and contact tracing to contain the disease. The Strain and Its Implications “The Bundibugyo strain has no vaccine, no specific treatment,” DRC’s Health Minister Samuel-Roger Kamba said on Saturday. “This strain has a very high lethality rate, which can reach 50 percent.” The Outbreak Details The outbreak, the country’s seventeenth, was confirmed on Friday in the northeastern province of Ituri, which borders Uganda and South Sudan. At the time, 65 suspected deaths had been confirmed; the toll was raised to 80 on Saturday. According to Kamba, the suspected patient zero was a nurse who reported to a health facility in the provincial capital, Bunia, on April 24, with symptoms suggesting Ebola. The disease has so far been confirmed in three health zones in Ituri, including Bunia, and the areas of Rwampara and Mongwalu, where the outbreak is concentrated. The International Response Medical aid groups, including Doctors Without Borders, known by its French acronym MSF, and the International Federation of Red Cross and Red Crescent Societies (IFRC), are responding to the outbreak. “The number of cases and deaths we are seeing in such a short timeframe, combined with the spread across several health zones and now across the border, is extremely concerning,” said Trish Newport, MSF emergency programme manager. Jagan Chapagain, secretary-general of the IFRC, said, “The evolving epidemiological situation, and the risk of cross‑border spread, underscore the need for timely, coordinated and sustained action. Engaging with communities and building trust is essential to ensure people seek care early and help stop the epidemic in its tracks.” The Global Context Ebola was first identified in 1976. Three strains of the disease are responsible for the majority of outbreaks in Africa, although a vaccine exists only for the Zaire strain. Without treatment, up to 90 percent of cases can be fatal. The Bundibugyo strain, which is responsible for the current outbreak, was not identified until 2006.

Marine Atlan’s Debut ‘La Gradiva’ Shines at CannesFormer cinematographer Marine Atlan makes a confident entrance into directing with La Gradiva, a debut film that follows a group of French teenagers on a school trip to Pompeii and Naples. The narrative intertwines youthful desire, class dynamics, and a mythic reference to Wilhelm Jensen’s 1902 novella, which fascinated Sigmund Freud.Critical Reception and Festival ExposureThe Guardian’s review highlights the film’s strong visual style, the intelligent performance of Antonia Buresi as teacher Mercier, and the raw chemistry among the newcomer cast. While no box‑office numbers are available yet, the Cannes screening positions the film for international sales and potential awards consideration.Why ‘La Gradiva’ Resonates with Modern AudiencesAuthentic teen voice: The script, co‑written by Atlan and Anne Brouillet, captures the awkwardness and intensity of adolescent relationships.Historical metaphor: The backdrop of Pompeii and the 1980 Irpinia earthquake mirrors the characters’ personal upheavals.Diverse perspectives: Characters like Toni, Suzanne, and Mercier explore themes of sexuality, class, and identity.What Lies Ahead for Atlan and French Teen CinemaIf La Gradiva’s festival momentum continues, Atlan could become a notable new voice in European arthouse cinema, encouraging more stories that blend historical allegory with contemporary teen experiences. Distributors may seek the film for streaming platforms, and the cast’s breakout performances could open doors for further projects.

The LeadFalling seriously ill, like falling in love, can happen all of a sudden – although this film is not exactly about either. Ryusuke Hamaguchi's new movie, co-scripted with the Franco-Japanese screenwriter Léa Le Dimna and his first not set entirely in Japan, is a bold and high-minded if rather pedagogic work that spreads itself over three hours. It's tender and sometimes beautifully made, but also contrived and occasionally features some too-good-to-be-true caring characters. Frankly, it's rather precious.The Film's International VisionHamaguchi and Le Dimna have taken as their starting point the nonfiction book "You and I: The Illness Suddenly Get Worse" by Makiko Miyano and Maho Isono, a meditative correspondence between a philosopher and medical professional on the subjects of love and mortality. Hamaguchi has opened this out to create a drama set in Paris and Kyoto, and it's incidentally hard not to suspect that Hamaguchi, like many a celebrated movie director spending so much time on the international festival circuit, has been led to create an uneasy international mixture.Care Home Dynamics and CharactersMarie-Lou (Virginie Efira) is the director of a private care home in Paris called the Garden of Freedom, where they practise a care technique called "humanitude," a time-consuming patient-centred approach that exasperates old-fashioned nurse Sophie (Marie Bunel). It needs more staffing facilities than the home is prepared to provide and, in any case, Marie-Lou has a bad habit of being patronising to those who question her. For all that, there are some lovely scenes with caregivers and patients, and these observant, unfussily compassionate moments are where the film works best.Cross-Cultural ConnectionsMarie-Lou is stressed and overworked, and her life is upended when she encounters an autistic Japanese teen called Tomoki (Kodai Kurosaki) in the street, apparently lost; he is being looked after by his grandfather, Gorô (Kyōzō Nagatsuka), an actor in town performing in an experimental piece about psychiatric care in which Tomoki is encouraged to take part if he feels like it. The show is directed by Mari (Tao Okamoto), and her stylish calm and intelligence entrances Marie-Lou; they are clearly on the verge of an intense friendship and perhaps more, although the film is reticent on this last point.Philosophical Exchanges and Narrative ConcernsMarie-Lou comes to a performance, stays for the Q&A; afterwards and reveals herself to be fluent in Japanese, asking questions of Mari in that language which touch on Mari's very serious illness. Some in the audience rather plaintively – and understandably – call for the conversation to be in French, though this film comes close to being insufferable when Gorô solemnly tells everyone that their exchange was so intimate and meaningful that the audience should be content with simply sensing that.The Film's Strengths and WeaknessesAll of a Sudden works best entirely outside the exotically overwritten, overthought bond between Mari and Marie-Lou. The realist set pieces are very moving, showing us patients with dementia surrounded by their families, and also showing us, often with photos of their younger selves in demanding jobs, how these patients have changed. The film's high concept is a little self conscious.All of a Sudden screened at the Cannes film festival.

The LeadSmoggie Queens returns with a second series that doubles down on its peculiar charm, offering a niche comedy experience that's as baffling as it is brilliant. Set in Middlesbrough and created by and starring Phil Dunning, this BBC Three show continues to blend northern England humor with drag queen-adjacent characters, creating a television experience that feels like joining a fabulous secret club.The Show's Eccentric WorldThe second six-episode run of Smoggie Queens is an even more boutique proposition than its first, frequently venturing into bizarre territory while maintaining its core warmth. The show follows Dickie (Dunning) and his rag-tag crew of friends, including 'baby gay' Stewart (Elijah Young) struggling to come out, and Mam (Mark Benton), the bewigged mother figure. This series introduces absurd scenarios like losing a white rabbit named Andrea in a carpet warehouse, complete with Alice in Wonderland visuals, and episodes centered around a charity football match called Nipple Aid and the Mr Teesside Beauty Pageant.Cultural Representation and Queer IdentityWhat sets Smoggie Queens apart is its authentic representation of queer culture in northern England, avoiding stereotypes while embracing the camp elements that make the show unique. The series weaves themes of identity and acceptance into its narrative through the oblivious perspective of Dickie, who shares his own coming out story: 'Not a lot of people know this, but I had a hard time coming out to my family as well,' he says, before being reminded by his ex that he was taken to London to see Mamma Mia! by his parents. 'Yes, Harrison,' he concedes. 'But I wanted to see Miss Saigon!'Comedy Style and Audience AppealThe show's comedy style is intentionally peculiar, similar to other BBC Three comedies like Juice and Things You Should Have Done. It revels in its eccentricity, with episodes featuring complimentary coleslaw on all surfaces at an Italian restaurant, a sugar baby subplot, and a filthy food fight. While this approach might baffle casual viewers, it creates an intimate connection with its audience, who will appreciate the inside-joke nature of the series. The show balances its absurdity with poignant moments, particularly in exploring Mam's backstory and her estrangement from her teenage son.The Future of Niche ComedySmoggie Queens represents a growing trend of niche comedies that cater specifically to dedicated audiences rather than attempting broad appeal. Its success demonstrates that there's a significant appetite for authentic, regional storytelling that doesn't shy away from queer themes or northern England identity. As the show continues to develop, it may inspire more productions that celebrate specific cultural experiences rather than attempting to create universally appealing content. For viewers who connect with its unique blend of northern charm and queer culture, Smoggie Queens offers not just entertainment but a sense of being seen and understood.

The Week's Must-See Cinema ReleasesThis week's film offerings range from action thrillers to historical dramas. Normal, directed by Ben Wheatley, stars Bob Odenkirk as an interim sheriff in a small Minnesota town with unexpected secrets involving the yakuza. Also starring Henry Winkler and Lena Headey, this crime thriller promises plenty of intrigue.For horror fans, Obsession offers a literal 'be careful what you wish for' storyline about a music store employee who makes a magical wish for his coworker to love him unconditionally, leading to extreme consequences. Orphan provides a historical drama set in post-revolution Budapest, following a teenager raised on stories of his missing father, while The Christophers is an art world caper from director Steven Soderbergh featuring Ian McKellen and Michaela Coel.Live Music Highlights: From Pop to OperaDoja Cat kicks off her European tour in Dublin, bringing her signature style of 27 songs, high-cut leopard print leotards, and performances inspired by 80s superstars like Prince and Janet Jackson. While her latest album 'Vie' may not have reached the commercial heights of previous work, her live shows remain spectacular.In Sheffield, the Get Together festival features Southend goth overlords the Horrors alongside Welsh-Cornish artist Gwenno and Hot Chip's Alexis Taylor. Other highlights include 'wonk pop' practitioners Lime Garden and London-based noise merchants Factory Floor.For classical music enthusiasts, Glyndebourne opens its summer season with Puccini's Tosca, staged by US director Ted Huffman in the festival's intimate theater. Soprano Caitlin Gotimer leads two rising-star casts under conductor Robin Ticciati.Contemporary Art ExhibitionsIn Colchester, Godfried Donkor presents an exhibition at Firstsite that travels from Colchester to West Africa and the Caribbean. The London-based Ghanaian artist weaves together stories of resistance from Boudicca to Yaa Asantewaa, using collage, painting, and textile to explore how identity, power, and trade shape our world.At the Barbican in London, Colombian installation artist Delcy Morelos presents a major exhibition through July, featuring large-scale muddy installations that challenge perceptions of space and materiality.Stage Performances and Cultural EventsLeeds jazz festival celebrates its fifth year with genre-fluid performances from pianist-organist Kit Downes and sax star Emma Rawicz. The 16-year-old Submotion Orchestra brings their fusion of electronica, jazz, and soulful ambience to the opening night, promising a memorable start to the festival.

The Transformative Night in Blackpool Bronzed, with winged tips and doused in Le Male, I clamped the baby pink GHDs to my hair until they sizzled and singed it. Emerging from a cloud of cheap hairspray, I was ready for the dancefloor. I was 18 and had grown up in Blackpool, a place synonymous with hedonism and fun. I came out in high school at the age of 14 and from 16 I studied performing arts at a local college. Underage, I was smuggled into clubs and in my spare time I watched shows in our many beautiful theatres. The bright lights of the illuminations, the showgirls, the feathers, sequins and rhinestones were intoxicating. Blackpool really was – and still is – extraordinary. When the bar closed, a new adventure would begin. One night, as the sun was coming up (and as was I), a drag queen took me back to her place. I didn't know the significance of what I was about to experience, but I was to receive an education no university course could ever match. The drag queen was a Liza Minnelli tribute act. She knew every beat of every Liza film, every concert, every move of choreography. She performed as Liza in all the bars around town. Now I was ordained by being welcomed into her home. This moment could be the plot of a movie with Blackpool as a beautiful backdrop to my coming out/coming-of-age fantasy The Muppet Show That Changed Everything Was I ready to be indoctrinated? Very. She led me to the living room for a VHS screening of what I was told was one of Liza's finest performances. I was expecting Cabaret, the winner of eight Academy Awards, but not on this occasion. She sat me on the sofa and played Episode 414 of The Muppet Show from 1979, with special guest the one and only Liza Minnelli. The premise works so beautifully for exactly the same reason that The Muppet Christmas Carol is so beloved. In that film, Michael Caine gives the performance of his life in a movie almost entirely populated by felt characters, and in her guest episode Liza matches him in commitment. Take the musical number Copacabana she performs: the curtain goes up and Liza is smoking. She is the narrator, the storyteller, in a Funny Face-esque black polo neck that gives a real sense of gravitas to those Barry Manilow lyrics. Moments later, she is Lola, dancing with human-sized muppets. Or in another scene Liza holds Kermit while they sing A Quiet Thing together. Their connection is pure and tender, a thing of simplicity and gentleness. A Career Born from Inspiration As I reflect on this story nearly 20 years later, I am now 10 years sober and while life might well be a cabaret, the decadence of my early youth is firmly in the past. But I think back to this moment, which could be the plot of a movie with Blackpool as a beautiful cinematic backdrop to my coming out/coming-of-age Technicolor fantasy. I didn't know at the time, but this incident set me on the path to my current profession. Four years later, in 2011, I started making cabaret performances in south London at the famed Royal Vauxhall Tavern at nights such as Duckie, where my turns were packed full of wigs and jockstraps, fake blood and mascot costumes. In 2015, I joined the international circuit when I became part of big touring pieces of variety and circus spectacle, showing off in the US, Australia, New Zealand and London's glittering West End. I once performed a 107-hour durational piece in drag at Glastonbury and at the Adelaide fringe, as a teenage girl who wouldn't leave her bedroom. A Lifelong Dedication to Liza's Legacy Ever since that fateful night back in Blackpool in the 2000s, Liza has been a hero of mine. I saw her live in concert at the Royal Festival Hall in London in 2013. I have a Liza tattoo on my right thigh. Back in 2019, I did an eight-hour performance in an old deconsecrated church in Brighton, dressed as Liza Minnelli, performing her album Results in full, emulating through endurance art Liza's beautiful commitment to performance. Pet Shop Boys, who produced Liza's Results album, even heard about what I was up to and said my performance sounded great. The Enduring Impact of a Single Performance And if you ever see one of my shows, please understand that the technical foundation of my performances isn't drama school training or Stanislavski; it's Liza on The Muppets. Truth be told, I don't know where the drag queen in the story is now. I hope she's OK, but if I did see her I'd say: "Thank you for changing my life." Harry Clayton-Wright's show Mr Blackpool is at the Grand theatre, Blackpool, 20 May.

The Target: A Senior Architect of Iran’s Proxy NetworkThe United States Department of Justice has taken a decisive step in dismantling Iran’s global terror infrastructure by arresting and charging Mohammad Baqer Saad Dawood al-Saadi, a 32-year-old Iraqi national identified as a senior commander of the Iran-backed group Kataib Hezbollah. The operation, executed with precision by the FBI and international partners, marks a significant blow to the group's operational capabilities.Federal prosecutors allege that al-Saadi has been an active member of the group since at least 2017, working closely with Iran’s Islamic Revolutionary Guard Corps (IRGC) to advance its regional operations. Investigators revealed that al-Saadi maintained personal relationships with top-tier military leaders, including the late IRGC-Quds Force commander Qassem Soleimani. The suspect reportedly used social media platforms like Snapchat and Telegram to promote agendas and celebrate bombings, effectively serving as a digital recruiter and strategist.Global Footprint: 18+ Attacks Across Three ContinentsThe scope of al-Saadi’s alleged activities reveals a sophisticated network designed to pressure the US and Israel. According to the criminal complaint unsealed in Manhattan federal court, the suspect is accused of involvement in at least 18 attacks and attempted attacks spanning the US, Canada, and Europe.European Targets: The complaint details a firebombing of a Bank of New York Mellon building in Amsterdam and a thwarted attack on a Bank of America office in Paris, where French police discovered a homemade petrol and firework bomb containing 0.65kg of explosives.North American Targets: Al-Saadi allegedly coordinated a shooting at the US consulate in Toronto and a stabbing in London that wounded an American citizen.Domestic Threats: The plot extended to US soil, where al-Saadi allegedly offered $10,000 in cryptocurrency to launch simultaneous attacks on a New York City synagogue and Jewish centers in California and Arizona.FBI Director Kash Patel confirmed that al-Saadi was arrested overseas and brought to the US, describing him as “another high-value target responsible for mass global terrorism.” Patel praised the operation as a “righteous mission executed brilliantly,” crediting US Ambassador Tom Barrack in Turkiye for leading the joint operation.Strategic Implications for US-Iran RelationsThe arrest underscores the persistent and evolving threat posed by the Iranian regime and its proxies. New York City Police Commissioner Jessica Tisch noted that the case “puts into stark relief the global threats posed by the Iranian regime and its proxies.”The timing of the arrest is particularly sensitive, occurring amidst heightened military conflict between the US, Israel, and Iran. Prosecutors allege that al-Saadi became a central figure in coordinating international retaliation through a front group, frequently utilizing teenage suspects to execute attacks, thereby complicating intelligence and law enforcement efforts.Legal Battle and Future EscalationAl-Saadi appeared in court on Friday, facing a six-count criminal complaint that includes conspiracy to provide material support to foreign terrorist organisations and conspiracy to bomb a place of public use. If convicted on the terrorism and explosives counts, he faces a maximum penalty of life in federal prison.Despite the serious charges, al-Saadi’s defense team has argued that he is a “political prisoner” and a “prisoner of war,” claiming persecution solely due to his ties to Soleimani. His lawyer also highlighted that al-Saadi has been kept in solitary confinement since arriving at a federal jail in Brooklyn, a condition the defense describes as “unusual.” As the legal proceedings unfold, this case is likely to serve as a precedent for future prosecutions of Iranian-backed operatives.

Anti‑tobacco advocates have condemned Philip Morris International’s (PMI) new global advertising push, arguing the “I AM Marlboro” campaign is a thinly veiled attempt to lure a younger audience while the company touts its transition to smoke‑free products.Global “I AM Marlboro” Campaign Sparks Accusations of Youth TargetingThe campaign features billboards, television ads and online videos that portray young adults climbing mountains, playing in rock bands and competing for branded merchandise such as scooters. PMI has filed or owns trademarks for the campaign in roughly 20 countries, including Indonesia, Morocco, Bangladesh and Germany.Roadside stands in the Philippines offer competitions to win a scooter for buying Marlboro packs.An Indonesian TV spot shows youthful adventure scenes tied to the brand.Critics note the slogan “I AM Marlboro” mirrors a previous “Be Marlboro” campaign that was banned in Germany for appealing to teenagers.Financial Snapshot: Smoke‑Free Products Now Dominate PMI’s RevenuePMI’s own spokesperson highlighted that in Q1 2026 43 % of net revenues came from smoke‑free products, a stark contrast to “essentially zero” a decade ago. Over the past ten years the company reports having sold 240 billion fewer cigarettes, while shipments of alternatives have risen annually.Implications for Tobacco Regulation and Youth HealthPublic‑health experts argue the campaign’s focus on identity, belonging and self‑expression directly targets adolescents, a demographic most vulnerable to nicotine addiction. The use of platforms like YouTube, Instagram and TikTok amplifies reach among youth, raising concerns for regulators in markets where the ads are most visible, such as Indonesia and the Philippines.Mark Hurley, vice‑president of the Campaign for Tobacco‑Free Kids, called the effort “doubling down” on cigarette promotion.Jorge Alday of Vital Strategies warned that genuine commitment to ending cigarettes would preclude any tobacco advertising.What the Future Holds for PMI’s Smoke‑Free TransitionIf regulatory bodies act on the alleged youth‑targeting tactics, PMI may face bans similar to the earlier “Be Marlboro” prohibition in Germany. The company’s claim that its marketing is “restricted to adults” will likely be scrutinized against the campaign’s visual and narrative cues that resonate with younger audiences. Continued pressure could accelerate PMI’s shift toward a fully smoke‑free portfolio, but only if it aligns its branding strategies with public‑health expectations.

The annual Jerusalem Day parade turned violent as Israeli ultranationalists chanted hostile slogans such as “Death to Arabs” and “May your villages burn”, prompting widespread shop closures and confrontations with Palestinian residents and volunteers protecting them. Racist Chants Echo Through Jerusalem’s Old City Thousands of participants—many teenagers and young adults—marched through the Old City, celebrating the 1967 “reunification” of Jerusalem. The route passed densely populated Palestinian neighborhoods where many shopkeepers shut their doors, while some volunteers from Standing Together kept a few stores open under protection. Scale of Participation and Business Closures Tens of thousands of Israelis took part in the march. Most Palestinian shopkeepers removed metal shutters and vacated narrow alleyways by late morning. A small number of shops remained open, guarded by volunteers led by co‑director Rula Daoud. Journalists reported being shoved and blocked from filming by march participants. Escalating Sectarian Tensions Amid Ongoing Conflict The chant‑filled march occurred against the backdrop of Israel’s broader war with Iran and a fragile “ceasefire” in Gaza, marked by frequent violations. International bodies, including the United Nations, continue to deem Israel’s annexation of East Jerusalem illegal under international law, a point underscored by the overtly racist rhetoric on the streets. Potential Fallout and Calls for International Scrutiny Human‑rights observers and local activists warn that the increasing violence each year could draw renewed international criticism and pressure on Israeli authorities to enforce stricter policing of hate speech. If unchecked, the pattern may embolden further attacks on Palestinian businesses and journalists, deepening mistrust between communities and complicating any diplomatic efforts toward a lasting ceasefire.