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The Historical Clean SweepNew South Wales has secured the first whitewash in Women's State of Origin since the series shifted to three matches in 2024, after grinding out a 12-4 victory over Queensland on the Gold Coast in game three. The scoreline flattered the home side, who were clearly second best against the shield holders, and have now lost back-to-back series. But they hung with the Blues until Jayme Fressard's try with 17 minutes to go which proved to be the match-winner.The Decisive MomentThe Blues' fifth-tackle spread looked to be going nowhere, but when the imperious Isabelle Kelly off-loaded to her winger, Fressard capitalised on the Maroons' tired defense. She surged down the inside, slicing up the Queenslanders and sliding across to trigger the Blues' celebrations. The winger told Channel Nine she wanted to make up for an earlier missed opportunity. "I'd seen a few Queenslanders and a big space, and I thought, you know, just back yourself, you've got the speed, so I wasn't bombing that one," Fressard said.Series Statistics and PerformanceThe series result represented an unfortunate opening to the Origin coaching career of Queensland's Nathan Cross, who was brought in this year to replace Tahnee Norris. Despite the 3-0 result, the Maroons were in each contest, and the combined margin across the three matches was just 17 points. Instead, the sweep was another endorsement for John Strange, who has now won five of six matches in the series.Impact on Women's Rugby LeagueEven after Fressard's try pushed the lead to eight, the Blues still had work to do. With seven minutes to go, the Maroons had three successive sets on the Blues line, and both Blues wingers – Fressard and Jaime Chapman – prevented the Maroons from turning grubbers into tries. Though her fellow Blues forward Yasmin Meakes won the player of the series award, lock Olivia Kernick had a night to remember, topping counts for tackles (33) and run metres (199).Future Outlook for Both TeamsDespite the result, the Maroons can have cause for optimism. Five-eighth Chantay Kiria-Ratu only became more confident in her first Origin series, and on Thursday her ball-playing and running began to match her already elite kicking and defense. NSW dominated the first half but took 26 minutes to find the opening try, with Kelly – named player of the match on Thursday – crossing after Southwell ran deep into the Maroons' retreating goalline defense.

The Dance Challenge: A Weekend Immersion As I wait for my first Cuban salsa class to begin, I have the distinct feeling that I am poorly prepared. I'm wearing heavy jeans, a bulky woollen sweater and boots. I have never done a dance class in my life – or any kind of exercise class. I don't know anything about salsa, Cuban or otherwise. Standing alone, I notice that everyone has come with at least one friend, and begin to suspect that it takes two to Cuban salsa. This year, Rising festival – Melbourne's winter arts offering – has consolidated its longstanding dance focus into a mini-festival: the inaugural Australian Dance Biennale, showcasing Australian and international work. There's also a series of dance classes, romantically titled The Land of 1000 Dances, held in the romantically decrepit Flinders Street Ballroom. Running daily until 7 June, with classes costing $29 a pop, the diverse schedule includes Afro-fusion, ballroom, voguing, waltz and K-pop for teens and tweens. From Salsa to Shuffle: A Dancer's Journey As an audience member, I am an avid appreciator of dance; as a participant, I can most kindly be described as "curious" but uncoordinated. What if I went to a bunch of dance classes and then wrote about it? Precisely 24 hours before my first class, the misgivings begin – doing my first dance class while dressed for the show I'm seeing directly afterwards sounds like a bad idea. At the ballroom, I am briefly reassured: the crowd is a diverse mix of ages, genders and bodies, and hardly anyone is wearing dance-appropriate clothing. But the class itself is a blur – sometimes literally – as I try to learn and enact the cucaracha, the guapo and other basic Cuban salsa moves; attempt to locate the beat, my hips, any sense of coordination at all. Every time I feel as though I'm starting to get the hang of something, the instructor adds a new step. Then he corrals us into pairs – and a series of new moves, yelling "change partners!" every three minutes. Going solo, it turns out, is fine: everyone is friendly; many seem as unsure as I am. Some are nailing it but there's a sense of camaraderie: we're all in this together. That said, we're all a bit too sweaty to be holding each other. The Social Dynamics of Dance Classes I move from absolute befuddlement, through occasional moments of triumph, to a sense of quiet despair. A move that involves a 360-degree rotation to an eight-count almost breaks my spirit and I consider quitting. To my surprise, this awakens a latent fighting spirit: screw the rules, I'm doing it my way. I experience brief elation. Then we change partners and I find myself in a cursed duet involving four left feet. The elation shrivels. The class ends and I run to the theatre feeling like a dank, demoralised biohazard. I spend the next hour watching a show by the Irish choreographer Oona Doherty featuring a mix of professional, student and untrained dancers – and I mentally salute them all, with a newfound appreciation for the dark art of dance. Finding Joy in Movement I approach my next class, Melbourne shuffle, with a sense of dread. Not only do I now know how bad I am but I have agreed to be photographed. And I made the choice without knowing anything about the Melbourne shuffle, mistakenly assuming it was somewhere in the ballpark of the city's other great cultural tradition. This feeling I am experiencing, I discover, is known as "endorphins". The physical exertion, the mental focus required, the social connection – it all combines to create a chemical cocktail that makes the experience worthwhile despite the occasional humiliation. By the end of my dance weekend, I haven't become a dancer, but I've gained a profound respect for those who are. The Australian Dance Biennale and The Land of 1000 Dances offer not just entertainment, but an invitation to participate, to challenge oneself, and to discover new dimensions of movement and expression.

The Unplanned Performance La La Land is a much adored homage to Hollywood, where dreamers take chances and seize unexpected moments. On Saturday night at the ICC’s Darling Harbour theatre, that idea became a reality for a 21-year-old university student who was thrust into the spotlight at a live performance of the movie’s score – and saved a concert from derailment. The Keyboardist's Sudden Illness Sterling Nasa was in the audience at La La Land in Concert, a touring production where the movie – which features Ryan Gosling and Emma Stone – is projected on to a screen while a live orchestra plays the musical score in synchronisation with the film. The performance proceeded normally until the interval, which stretched out to 40 minutes. Then the film’s Oscar-winning composer and conductor, Justin Hurwitz, walked out alone to address the audience. The Call for a Pianist The orchestra’s keyboardist had suddenly fallen ill. Was there by any chance a pianist in the house? And one with exceptional sight-reading skills? Nasa, who plays piano and organ and is the bagpipes tutor at his old school, Scots College, hesitated when the call went out. The Impromptu Performance Nasa told the ABC he was thinking the same thing when he saw the complex score. “I saw it on the score and I thought, oh, I don’t know if I’m going to be able to sight-read that in one go,” he said. Like Gosling’s jazz-pianist character Sebastian, the student had to decide whether to stay in the shadows or take a monumental leap of faith. With no time to overthink, he chose to trust his instincts. The Audience's Reaction The gamble paid off, carrying the orchestra through the number – and earning Nasa a resounding ovation from the audience. “He saw it coming up … and he just improvised,” Hurwitz said. “That is a whole other skill on top of sight-reading. To be able to play a really cool solo in the right key, in the right scale, on the fly with no rehearsal – it was remarkable.” The Future Performance While the production team is now scrambling to rehearse new keyboardists for the upcoming Melbourne and Brisbane legs of the tour, Nasa will be heading back to his regular university lectures. La La Land in Concert will play at the ICC Sydney on Monday, at the Brisbane Convention & Exhibition Centre on Wednesday and at the Hamer Hall in Melbourne from Friday 6 to 8 June.

Customer Candidate Accuses Nationwide of Undermining Democratic ProcessJames Sherwin‑Smith, a former Vocalink executive, has launched a campaign to become the first customer elected to Nationwide’s board since 2002. He claims the lender is “unfair” and is deliberately skewing the election by steering members toward a default vote against him.Quick‑Vote Default Set to Block Sherwin‑Smith’s CandidacyNationwide announced it will present all members with a “quick‑vote” option that automatically includes a vote against Sherwin‑Smith at the July annual meeting. The board’s chair, Kevin Parry, stated the candidate lacks the necessary experience, justifying the recommendation.Nationwide holds 17 million members and assets exceeding £377 bn.The quick‑vote system is offered to every member as an easy way to follow board recommendations.Voting Statistics Reveal Scale of Quick‑Vote InfluenceLast year, 87 % of roughly 670,000 votes cast used the quick‑vote system, demonstrating its dominant role in member decisions. This high adoption rate suggests Sherwin‑Smith faces a steep uphill battle to inform members about the alternative voting path.Implications for Mutual Governance and Member RepresentationThe dispute has drawn criticism from Labour MP Navendu Mishra, who warned of “emerging governance issues” across the building‑society sector. If the quick‑vote default is perceived as a tool to entrench incumbent directors, it could erode confidence in member‑owned institutions and prompt regulatory scrutiny.Future Outlook for Member‑Nominated Directors at NationwideSherwin‑Smith’s campaign argues that board diversity and direct member representation are essential for accountability. The outcome of this election will signal whether Nationwide—and potentially other mutuals—will open their boards to external, member‑nominated candidates or maintain the status quo of internally‑selected directors.

The Death of a Prominent Indigenous ActivistBrooklyn Rivera, an Indigenous leader, politician and activist, has died at age 73 after years in Nicaraguan state custody, prompting outcry from rights advocates. Nicaragua's government attributed his cause of death to a bacterial infection that took hold after a bout of COVID-19, but critics have expressed scepticism and outrage, as the announcement came after growing pressure to ascertain his welfare.Controversial Circumstances of CustodySince September 2023, Rivera has been held in state detention, without contact with the outside world. Until recently, there had been no confirmation of his imprisonment, and his family was barred from seeing him. On Wednesday, the Ministry of the Interior confirmed Rivera's detention and published photos of the Indigenous leader intubated in a hospital, describing his condition as "delicate".International CondemnationThe United States "demanded his unconditional release" in a statement posted to social media, blaming Nicaragua's leaders for "their singular role in his cruel treatment". The United Nations Group of Human Rights Experts on Nicaragua also condemned the circumstances, with member Reed Brody stating, "If he is dead, it cannot be said that the cause was illness... The cause would be that he was in government custody in conditions of enforced disappearance for over two years, denied independent medical oversight."Rivera's Legacy and ActivismA member of the Miskito Indigenous group, Rivera has advocated for the protection of his people's ancestral lands along Nicaragua's northeast coast, which has faced pressure from government and business interests seeking to exploit its rich deposits of gold, silver and other resources. Rivera was also involved in the fight against the country's first Sandinista government from 1979 to 1990, as the leader of the Misurasata armed group.Ortega's Crackdown on DissentNicaragua's government – led by spouses Daniel Ortega and Rosario Murillo, who serve as co-presidents – has long been criticised for its hardline rule and record of human rights abuses. Under Ortega and Murillo, dissidents have faced arrest, imprisonment, torture, exile and the revocation of their citizenship. Rivera was among the leaders who spoke out against Ortega's left-wing Sandinista government.Future Implications for Indigenous RightsRivera's death comes amid growing international scrutiny of Nicaragua's human rights record. His case highlights the ongoing struggle for Indigenous rights in Central America and the risks faced by activists who challenge government policies. The international community continues to pressure Nicaragua to release all political prisoners and respect human rights standards.

Lead: Record Bonuses Signal AI‑Fuelled Profit SurgeSamsung Electronics’ memory chip division has struck a landmark profit‑sharing agreement that will deliver average bonuses of £310,000 to its workers, underscoring the massive profit lift from the AI boom.Landmark Profit‑Sharing Deal for Samsung’s Memory Chip Workforce74% of 62,616 union members voted in favour, averting a potential 18‑day strike.The pact, mediated by the South Korean government, allocates 10.5% of the semiconductor division’s operating profit to special bonuses.Bonus amounts vary: Reuters cites a top worker earning a 626 million won bonus (~£310,000), while Bloomberg estimates an average of 513 million won (~£250,000).Financial Scale of Bonuses and Profit AllocationSamsung employs roughly 78,000 staff in its semiconductor arm.At the reported rates, total bonus outlay could exceed 40 billion won (≈£25 million).The deal follows a broader rally: SK Hynix shares jumped >9% and Micron surged 19% after UBS tripled its price target.Implications for South Korea’s Economy and Global Chip SupplySamsung accounts for about 25% of South Korea’s exports; a strike would have hit the national economy hard.Higher bonuses may create internal tension, as workers in consumer‑electronics divisions receive far smaller payouts.Investor groups warn the precedent could embolden other unions to demand similar profit‑sharing schemes.Future Labor Negotiations and AI‑Driven Chip Market OutlookA consumer‑electronics union has already sought a court injunction, hinting at renewed bargaining cycles.Continued AI‑driven demand for memory chips is likely to keep profit margins high, sustaining the incentive for generous worker incentives.Analysts expect the AI trade shift to keep memory‑chip valuations elevated, potentially prompting further profit‑sharing models across the industry.

The Growing Need for Worker Representation in AI ImplementationWorkers urgently need more bargaining power over the way AI is adopted in the workplace to ensure the benefits are fairly shared, according to a TUC-backed report from a leading thinktank. The Institute for Public Policy Research (IPPR) is calling for a package of measures to boost employees' influence at what it calls a "pivotal moment in the history of work".Survey Reveals Mixed Impacts of AI on WorkersThe IPPR report cites survey data showing that while 20% of workers say AI is making their working life better, 21% say it has made it worse – and 4% believe they have already lost a job because of the technology. The thinktank distinguishes between three potential impacts of the technology: augmentation, where it complements human labour; degradation, where it undermines the experience of work; and displacement, where it replaces workers altogether.Call for Statutory Consultation and Worker SupportThe report's recommendations include a statutory duty on employers to consult their workers over the adoption of AI and a "worker support levy," which could be funded by companies or workers themselves. The idea of this levy would be to create a portable "wallet" of benefits that workers could take with them from one job to another – such as union membership, insurance or training – with the broad aim of increasing their bargaining power.Historical Context for Technological TransitionsPaul Nowak, the general secretary of the TUC who has written a foreword to the report, emphasized that "great technological transitions only result in meaningful social progress when they are shaped actively and decisively." He drew parallels to the Industrial Revolution, which saw 50 years of wage stagnation while profits soared, suggesting that "it took the difficult birth of the labour movement to tip technological gains towards workers' interests and broader social wellbeing."Government Stance on AI AdoptionThe government has made clear it is enthusiastic about the adoption of AI in the UK, with Rachel Reeves highlighting it as one of three drivers of stronger economic growth. In her Mais lecture, the chancellor called AI "the defining technology of our era", saying she was determined to "maximise the value added … to the wider economy and the public sector through accelerated adoption."Future Outlook for Worker-AI RelationsAs Labour has already introduced a historic upgrade to workers' rights since coming to power in July 2024, the debate around AI's role in the workplace is likely to intensify. The IPPR's recommendations suggest a growing recognition that technological advancement must be balanced with worker protections and representation to ensure equitable outcomes in the rapidly evolving landscape of work.

New York’s affluent residents are voicing strong opposition to a wave of London‑origin private members’ clubs opening on the Upper East Side, citing concerns over noise, privacy and the character of their neighbourhood.London Clubs Multiply on Manhattan’s Upper East SideIn the past year, several iconic London venues have launched New York outposts. Robin Birley opened Maxime’s on the Upper East Side, while The Twenty Two set up in Grosvenor Square. Annabel’s plans a downtown meat‑packing district location, and the British brand Maison Estelle has applied for a five‑storey venue with a roof terrace between Madison and Fifth avenues.Maxime’s – Upper East Side flagshipThe Twenty Two – Grosvenor Square newcomerAnnabel’s – pending meat‑packing district siteMaison Estelle – licence request for luxury clubLicensing Vote Highlights Community OppositionThe local community board voted 29 to 13 against granting Maison Estelle a liquor licence, with one abstention. Residents argue that a rooftop venue would place 20‑30 patrons just 15 feet from bedroom windows, disrupting the privacy of apartments that sell for a median of $1.7 million (£1.3 million).Vote result: 29 against, 13 for, 1 abstentionMedian apartment price: $1.7 millionProposed rooftop proximity: ~15 ft from windowsImplications for NYC’s Luxury Hospitality LandscapeThe backlash underscores a clash between New York’s traditional residential character and the growing allure of British‑style exclusivity. While British culture—from Arsenal fandom to brands like Barbour—is gaining traction, the influx of clubs raises questions about zoning, noise ordinances, and the capacity of affluent neighbourhoods to absorb high‑volume nightlife.Future Trajectory of British Brands in New YorkIndustry insiders predict that British operators will continue to seek U.S. footholds as London faces rising costs and regulatory pressures. However, success may hinge on navigating community‑board approvals and tailoring concepts to local expectations. Robin Birley remains cautiously optimistic, noting that a club typically needs three years to prove its viability, while others argue that the Upper East Side’s “quiet” atmosphere could be a competitive advantage if managed responsibly.

The Lead007 First Light successfully revitalizes the James Bond video game franchise after years of absence, offering fans an immersive experience that captures both the action and sophistication of the iconic spy. Developer IO Interactive demonstrates their passion for the Bond universe through meticulous attention to detail and creative gameplay mechanics that honor the franchise's legacy.Gameplay Mechanics and DesignGiven how open-ended Hitman is, it's surprising how well IO has taken to linear storytelling. There are still moments of the "social stealth" that defines the studio's other games, but it's been repurposed for cinematic forward thrust, and blended together with plenty of action. It seems lazy to pigeonhole First Light as Hitman meets Uncharted, but when you see Bond leap on to a cliff edge and scurry along rocky handholds, your mind can't help but go there.You are often playing through moments that would be cutscenes in another game. Sometimes that's as simple as a dramatic approach to a level; driving round a bend to reveal a sprawling Slovakian castle, say. More ambitiously, one whole chapter is given over to a glorified training montage that whips you back and forth between getaway driving, stealth and gunplay, all while charting thawing relations between our fledgling 00 candidates. This is on-rails storytelling done right.Character Development and StorytellingWe join young Bond in his pre-00 days, as a petulant, belligerent rule-breaking trainee. Actor Patrick Gibson begins as a cookie-cutter insubordinate, but warms to the role once he's bouncing off M (herself a green leader looking to make her mark), and an enjoyably urbane Q who drops the frustrated quartermaster routine and introduces Bond to the wonders of vinyl. A scene where he teaches our agent to tie a bow tie is a perfect bit of prequelcraft: arriving at an iconic look through a lovely character touch.In contrast to previous Bond games, First Light understands that action is only a part of the Bond fantasy. He's as much schmoozer as bruiser, and there's plenty of the former here, with socialising setpieces at a chess tournament or swanky product launch. The staging and atmosphere of these rooms is exemplary, but the work mostly boils down to eavesdropping on guests to discover a keycard's location, before shooting its keeper with a toxic dart.Technical Execution and VisualsAs Bond himself is learning the ropes, it sometimes feels as if the developers are feeling their way towards something. Guns are enjoyably punchy, but scripted fights always emphasise explosive theatrics over strategy. Gas tanks erupt, walkways tumble, cranes collapse: you enter fights looking for the red barrel that will trigger a chain of collateral damage. Fail to quell numbers this way and you're quickly overwhelmed.Fist fights are more enjoyable – not because they are any more sophisticated, but because of the commitment of their virtual stuntmen. Bond is a barroom brawler, barging bodies into clattering bookshelves and battering enemies with mugs and keyboards lying around. In the same way that waist-high cover always alerts you to an incoming fight in Gears of War, you learn to eye crockery or wine bottles with suspicion here. If it's not stuck down, you'll be smashing it into a mercenary's face within the next two minutes.Fists and guns are what happen when sneaking goes wrong. On this front, IO finds a punchy take on its classic lurking. A hacking watch introduces some Home Alone hijinks as you lure guards towards misbehaving photocopiers, before electrocuting the device with a laser beam. Gadgets let you run circles around enemies – though you have to accept some silliness as you refuel those toys with batteries stolen from TV remotes, or globs of hand sanitiser. It's hard to picture Daniel Craig scavenging for Carex.Legacy and Future of Bond GamesOn a visit to a Mauritanian market and a luxury hotel getaway, however, there is space to roam, and you're reminded how few developers can tap into that aspirational tourist fantasy. Plenty of games have let us be a gun-toting version of Bond, but this is the first opportunity we've had to be a Bond relaxing beside a glittering infinity pool in Vietnam, or a Bond trying to get one over on a shell game hustler. Games are now much more capable of taking us to specific places than they were in the time of GoldenEye on the N64.It's that full Bond immersion that 007 First Light will ultimately be remembered for, more so than the odd wonky setpiece scene. I have no doubt that this was made by excitable Bond geeks throwing "what if" moments at a whiteboard. What if you got to explore Q Lab watching underlings test malfunctioning prototypes? What if you were tied to a torturer's table and had to talk your way out? What if you found yourself at 15,000ft with no parachute? And what if you had access to John Barry's classic scores and could deploy a staggering needle drop out of nowhere?Very few fans get to play in the sandbox of their obsession like IO has here. As far as Bond video games go, nobody has done it better.