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Cavaliers Overcome Pistons in Overtime to Grab 3‑2 Series EdgeThe game swung back and forth until overtime, when the Cleveland Cavaliers scored nine of the first 11 points to build a 112‑105 lead. James Harden finished with 30 points, eight rebounds and six assists, while Donovan Mitchell contributed 21 points, seven of them in the extra period. Evan Mobley added a near‑triple‑double with 19 points, eight rebounds and eight assists, and Jarrett Allen posted a double‑double (16 points, 10 boards). The win snapped Cleveland’s five‑game road playoff losing streak.Stat Sheet: Scoring Leaders and Key NumbersJames Harden: 30 points, 8 rebounds, 6 assistsDonovan Mitchell: 21 points (7 in OT)Evan Mobley: 19 points, 8 rebounds, 8 assistsMax Strus: 20 points, 8 reboundsCade Cunningham (DET): 39 points, 9 rebounds, 7 assistsDaniss Jenkins (DET): 19 pointsWhat This Win Means for the Eastern Conference PlayoffsBy taking a 3‑2 lead, the Cavaliers are now one victory away from the Eastern Conference Finals, where they would meet the New York Knicks. Detroit, facing its fourth elimination loss of the postseason, must win Game 6 on the road to force a decisive Game 7 at Little Caesars Arena.Looking Ahead: Game 6 in Cleveland and Potential PathsGame 6 is scheduled for Friday in Cleveland. A Cavs win clinches a spot in the conference finals; a Pistons victory forces a Game 7 on Sunday in Detroit. Both coaches emphasized adjustments: Kenny Atkinson praised his team’s resilience, while Pistons coach JB Bickerstaff noted the need to protect Cade Cunningham’s ball and improve defensive rotations.

Smithsonian's Monumental Celebration of America's 250 Years To paraphrase the musical Rent, 131,487,300 minutes – how do you measure, measure 250 years? Especially in a country navigating an election year fraught with divisions and disagreements over basic facts? That is the challenge facing the Smithsonian National Museum of American History in Washington DC as it marks the semiquincentennial of US independence. The museum's answer is with 250 objects that tell the American story, ranging from a revolutionary war-era gunboat to gloves worn by a "Miracle on Ice" hockey player, from Thomas Jefferson's desk to a Donald Trump fan's "Make America great again" hat. A Museum-Wide Journey Through American History Opening on 14 May, "In Pursuit of Life, Liberty & Happiness" will display 250 objects encompassing 250,000 sq ft across all three floors of the museum. They range from old to new, from big to small and from sublime to mundane. Seventy-six of them – many rarely or never seen by the public – will be concentrated in cases lining the entry halls, while the remainder will be embedded throughout the museum's existing galleries, connected by a "ribbon" design to guide visitors on a historical treasure hunt. Each is paired with an action verb to underscore the view of democracy as a "highly participatory sport." Among the star attractions is the Philadelphia, a 53ft, flat-bottomed wooden gunboat constructed in the chaotic, sweltering summer of 1776. On a recent preview tour, visitors stepped into a climate-controlled enclosure at the museum where the air was thick with the scent of 100% acetone. Behind viewing windows that allow the public to see the work in progress, two conservators clad in headlamps and respirators were meticulously wielding soft and stiff bristle brushes, dental picks and wooden dowel rods to strip away decades of accumulated lacquer from a rusted iron cannon and its surrounding timber. By the Numbers: The Scale of the Exhibition The exhibition features 250 objects spread across 250,000 square feet of museum space. Seventy-six of these objects – many rarely or never seen by the public – will be concentrated in cases lining the entry halls. The Philadelphia gunboat itself weighs 16,000 pounds and was constructed in 1776. The wreck languished underwater for 159 years before being salvaged in 1935, fully intact with its armament and hundreds of artifacts scattered across its deck. When raised, the boat revealed about 600 to 800 items, including cannons, carriages, wheels, a stew pot, a melting pot for pitch, shoe leather, buttons from regimental coats, and even a leather button that was probably from someone's breeches. Reframing America's Complex Narrative "How do you structure a commemoration, celebration and time for reflection?" asks Anthea Hartig, the museum's director. "What we landed on were those moments where individuals or communities had fought for recognition and advocated for their own sense of identity and self in their role in creating and becoming a part of the United States. But we also wanted to do the playful." Hartig describes the US as "amazing, beautiful, complicated", and cites the African American writer James Baldwin's celebrated observation: "American history is longer, larger, more various, more beautiful, and more terrible than anything anyone has ever said about it." The exhibition captures both the monumental and the intimate aspects of American history. Alongside iconic items like Thomas Jefferson's portable desk on which he drafted the Declaration of Independence, the Star-Spangled Banner that inspired the national anthem, and George Washington's military uniform, are personal artifacts like a faux-pearl necklace worn by Abigail Adams in the mid-18th century. The Future of Historical Commemoration Hartig adds: "We believe that this anniversary is so important not only to the nation but the world, and that our past 250 years are filled with so much history that it takes an entire museum to do it justice." The exhibition also incorporates modern technology to enhance the visitor experience, including a virtual reality experience that transports visitors back to the Philadelphia's construction 250 years ago. As the museum continues to preserve and interpret America's complex past, the exhibition represents a new approach to historical commemoration – one that embraces the full spectrum of American experiences, from the revolutionary to the contemporary, and from the sublime to the mundane.

England have announced a 15‑man squad for the opening Test against New Zealand at Lord’s on 4 June, inserting three uncapped players – Emilio Gay, James Rew and Sonny Baker – and recalling fast‑bowler Ollie Robinson after a two‑year absence.Uncapped Trio Earn Spots in England’s First Test SquadThe selections reflect a post‑Ashes clean‑up and a clear intent to reward strong county performances. Gay, a Durham batsman, averages 92 this season; Rew, a 22‑year‑old Somerset wicket‑keeper‑batter, has already amassed 12 centuries in first‑class cricket; and Baker, a 22‑year‑old Hampshire seam‑bowler, has taken 14 wickets at 26.21 this summer.Statistical Snapshot: Performances that Secured SelectionEmilio Gay – 92 average in Durham’s Division Two campaign.James Rew – 12 first‑class centuries; recent opening debut yielded 4 and 0.Sonny Baker – 14 wickets at 26.21 for Hampshire.Ollie Robinson – 76 Test wickets at an average of 22 before being dropped in 2024.Strategic Shift: County Form and New Selector InfluenceEngland’s newly appointed selector Marcus North – former Durham director of cricket – emphasised “the strength and depth of talent across the domestic system”. His appointment coincides with a pledge to “pay more attention to county form”, explaining why players with standout domestic numbers have been fast‑tracked.Veteran Ben Duckett retains his place, while Zak Crawley is omitted after a poor start to the season. The seam‑bowling department now features a competition between Baker, Jacob Bethell, Gus Atkinson and the returning Robinson.Looking Ahead: How the Squad Might Shape the Lord’s TestWith a 15‑man roster, head coach Brendon McCullum and captain Ben Stokes have flexibility to experiment. If Robinson and Atkinson take the new‑ball duties, England could gain extra pace depth. The open‑ers slot remains contested; Duckett’s form will be tested against the possibility of promoting a newcomer.Should the uncapped trio translate their county success to the international stage, England could signal a broader generational shift, reinforcing the link between domestic performance and Test selection.

The Unlikely Entourage Member Brett Ratner, the director behind the Rush Hour movies and a documentary on Melania Trump, is accompanying Donald Trump to China for his summit with Xi Jinping. Ratner was among the group of CEOs and top executives from major US tech and finance firms, including Apple’s Tim Cook, Tesla’s Elon Musk and BlackRock’s Larry Fink, who boarded Air Force One. Scouting for Rush Hour 4 Locations Trump’s spokesperson, Victoria Palmer-Moore, said he would use the trip to scout for filming locations for the latest instalment of the Rush Hour franchise. She added that Ratner plans to shoot “a lot” of Rush Hour 4 in China. The Rush Hour Franchise Revival The original Rush Hour was an instant hit in 1998, topping the US box office charts upon its release. Its sequel Rush Hour 2 was also a huge commercial success in 2001, before Ratner’s critically and commercially disappointing Rush Hour 3 was released in 2007. Despite rumours of a fourth film circulating for almost two decades, with Chan suggesting in 2017 that he and Tucker had agreed upon a new script, development had stalled until Trump intervened in late 2025. Ratner's Comeback Trump’s support has allowed Ratner to make a comeback in Hollywood after being sidelined after accusations of sexual misconduct during the #MeToo movement in 2017. Ratner denies all of the allegations. In 2026, Ratner released Amazon-backed documentary Melania, which followed the first lady during the 20 days before Trump’s second inauguration. The China Connection The president is reportedly a huge fan of Rush Hour, which revolves around detectives James Carter and Yan Naing Lee – played by Chris Tucker and Jackie Chan respectively – as they navigate their cultural differences and investigate crimes in Hong Kong, Paris and Los Angeles. Last November, Trump encouraged billionaire Larry Ellison, the primary financial force behind Paramount Skydance, to bring back the franchise once Paramount went through with its controversial purchase of Warner Bros.

Southampton Secure Wembley Spot with 116th‑Minute HeroicsSouthampton advanced to the Championship playoff final after a roller‑coaster semi‑final that stretched beyond 130 minutes of play. A late extra‑time goal from Shea Charles sent the Saints to Wembley, while lingering allegations of misconduct hover over the club. Shea Charles' Extra‑Time Strike Decides the Semi‑FinalWith the tie poised for a penalty shoot‑out, Charles, operating on the right flank, delivered a left‑footed cross that slipped past defender Dael Fry and found the back post for the decisive goal in the 116th minute. The midfielder, already famed for clutch moments in the FA Cup and Premier League, added another highlight to his résumé. Match Statistics Highlight Southampton’s ResilienceTotal playing time: 130+ minutes (including extra time)Middlesbrough shots: 21 (5 on target)Southampton shots on target: 0 in the first leg, but increased pressure in extra timeKey goals: Riley McGree (4’), Morgan Whittaker (10’), James Bree free‑kick leading to equaliser, Ross Stewart header Spygate Allegations Cast Shadow Over Southampton’s TriumphOn the eve of the first leg, the English Football League charged Southampton with two counts of misconduct linked to a “spygate 2.0” subplot. Phil Parsons, the club’s chief executive, announced an internal review while the disciplinary commission awaits their response. The controversy intensified with on‑field incidents, including alleged discriminatory remarks and a ball‑boy dispute. What the Final Against Hull City Could Mean for Both ClubsIf the disciplinary outcome proves unfavorable, Southampton may face sanctions that could impact squad availability for the final against Hull City. Conversely, a clean resolution would allow the Saints to focus on a high‑stakes showdown, while Hull City prepares to capitalize on any potential disruption.

The Lead: Spurs’ Survival Hangs on a Thin MarginTottenham Hotspur failed to secure three points against Leeds United, leaving them two points ahead of West Ham with two games remaining. Errors, a penalty concession and a contentious VAR ruling underscored the club’s ongoing struggle to avoid relegation.Match Recap: Leeds’ Relentless Pressure Unravels TottenhamMathys Tel scored a spectacular goal for Spurs but later gave away a penalty with an ill‑advised overhead kick.Leeds equalised from the spot and almost clinched victory before Antonín Kinský produced a dramatic added‑time save.Roberto De Zerbi admitted “too many mistakes” after the 1‑1 draw.Tactical Errors and Mental Fatigue: The Roots of Self‑SabotageSpurs’ inability to retain possession and their defensive lapses allowed Leeds to contest every ball. Mid‑fielder James Maddison described a “tough year” mentally, hinting at broader confidence issues that have plagued the side throughout the season.Survival Stakes: Points Required and Upcoming FixturesTottenham need four points from their final two matches to guarantee safety.Next up: Chelsea – a venue where Spurs have won only once in 32 attempts.Final game: Everton – a ground where Tottenham have failed to win in ten league meetings since December.Looking Ahead: What Must Change for Tottenham to Stay Up?De Zerbi emphasised reducing errors and improving mental resilience. The team must convert chances, tighten defensive organisation and avoid costly VAR setbacks if they are to secure the required points and end the season above the drop zone.

The LeadThe latest developments in county cricket see Warwickshire in record-breaking form, Sussex pushing for a top spot, and Glamorgan securing consecutive wins. Atkinson's Concussion ConcernsSurrey and England bowler Gus Atkinson was struck twice by Josh Tongue, leading to concerns over concussion protocols. Despite passing the protocols, Atkinson was later withdrawn, highlighting the risks associated with delayed concussion. Bears Maul TykesWarwickshire thrashed Yorkshire by 377 runs, with Sam Hain scoring an undefeated 164 and Oliver Hannon-Dalby taking 7 for 71. This victory propels Warwickshire to second place, while Yorkshire flirt with the relegation zone. Hove is Where the Heart IsNew Sussex captain Ollie Robinson inspired his team to another win, with Daniel Hughes and John Simpson making significant contributions. The victory showcases Sussex's strong team performance. Norton Packs a PunchGlamorgan secured a second consecutive win, with Ryan Hadley taking five wickets and scoring an undefeated 50. This win places Glamorgan in the top half of the table. Durham Beating the Promotion Drum AlreadyDurham opened up a 23-point gap at the top of Division Two after defeating Worcestershire. Ben Stokes and Ben Raine were key contributors, with Emilio Gay also impressing with a half-century. James Taylor's Got New FriendsKent secured a second consecutive win, with James Taylor taking 10 wickets on his debut. The loan signing from Surrey proved pivotal in Kent's victory over Gloucestershire.

LeBron James admits uncertainty after Lakers’ playoff exitLeBron James told reporters following the Lakers’ 115‑110 loss that "what my future holds, I don’t know." The comment came after the Los Angeles Lakers were eliminated in a sweep by the Oklahoma City Thunder in the Western Conference semifinals.Playoff sweep highlights and individual performancesThunder won the series 4‑0, closing the final game 115‑110.James posted 24 points and a game‑high 12 rebounds in the decisive loss.Season‑long scoring leaders for the Lakers were Luka Dončić (33.5 ppg) and Austin Reaves (23.3 ppg); James averaged 20.9 ppg, 7.2 assists and 6.1 rebounds.In the postseason James averaged 23.2 points, 7.3 assists and 6.7 rebounds.Statistical snapshot of the Lakers’ season and playoffsThe 2025‑26 campaign marked James’s record‑setting 23rd NBA season. Key numbers from the article:James: 20.9 ppg, 7.2 apg, 6.1 rpg (regular season); 23.2 ppg, 7.3 apg, 6.7 rpg (playoffs).Dončić: 33.5 ppg (league‑leading) – missed all playoff games due to a hamstring injury.Reaves: 23.3 ppg (regular season) – missed final five regular‑season games and first four playoff games because of oblique strains; holds a $14.9 m player option he is expected to decline.Implications for the Lakers’ roster and free‑agency landscapeJames is heading into unrestricted free agency after the sweep, leaving the Lakers without a clear veteran anchor. The team also faces the loss of Austin Reaves, who is likely to become a free agent. With Luka Dončić unavailable for the postseason and Reaves sidelined, the Lakers must evaluate how to replace scoring, playmaking, and leadership before the 2026‑27 season.What might come next for James and the franchiseJames indicated he will spend time with his family before making a decision, suggesting a short deliberation window. Potential outcomes include:Re‑signing with the Lakers if the front office can assemble a competitive roster around him.Exploring offers from other contenders seeking a veteran leader.Possibly joining a team that can accommodate his desire for a defined role after years of positional shifts.Regardless of the destination, James’s next contract will shape the NBA’s free‑agency market and influence the Lakers’ strategic planning for the upcoming season.

The Art Revolution That Started in a Car Park It's hard to imagine now, but there was a time when rooftop bars weren't really a thing. A time before pop-ups and contemporary outdoor sculpture parks. A time even, if you can bear to think of it, before immersive art. Way back in 2007, there was none of that – the UK was an experiential art wasteland. And then Bold Tendencies showed up, chucked a whole load of sculptures in a multi-storey Peckham car park, painted a staircase bright pink, built a cocktail bar on the roof, and changed everything. Two Decades of Transformative Art Now going into its 20th summer season, Bold Tendencies is celebrating two decades of sometimes sun-drenched, often windswept and drizzly arts programming. In that time, it has welcomed more than 3 million visitors into its concrete edifice behind Peckhamplex cinema, commissioned dozens of new artworks, hosted countless recitals and performances, built an auditorium and a concert hall, and drawn the roadmap for countless art experiences that have come in its wake. The Artistic Legacy And the art's not been too bad, either. Anthea Hamilton built a doorway to heaven through a man's splayed legs in 2010. Jess Flood-Paddock parked Del Boy's three-wheeled van on the roof in 2011. James Bridle flew a black balloon filled with wifi routers from the roof in 2014. Adam Farah-Saad installed a decorative retro water fountain in 2024. There have been piles of raw pigment, fluttering flags, wobbly walkways, heads on spikes. Almost all newly commissioned, and all free to see. Transforming the Cultural Landscape You can't overstate just how different, not only Peckham was in 2007, but the whole cultural landscape of the country. This was years before the likes of The Vinyl Factory or Frameless, and long before the Hayward and Tate were racing to the bottom to find the most TikTok-ready, Instagram-friendly exhibitions possible. The only large-scale sculptural commissions around back then were the fourth plinth and the Tate's annual Turbine Hall and Duveen projects. There wasn't really anywhere else to see new sculptural work by young artists. The Peckham Effect There also wasn't a lot going on in Peckham at the time. But what the area did have was a handful of project spaces, a single dive bar called Bar Story, seriously cheap rents and – thanks to being squeezed between Camberwell College of Arts and Goldsmiths – a lot of artists. Combined with a relative sense of isolation in the days before the London Overground, it boasted a fairly unique set of circumstances. "I found it to be a place of great possibility," says Barry. "And it still feels like that." The Visionary Behind the Movement Barry had been putting on exhibitions in a semi-derelict house on nearby Lyndhurst Way, and struck up a relationship with the people responsible for property in Southwark council. The council realised that artists could act as caretakers of empty, derelict buildings awaiting redevelopment, and Barry figured that those buildings could be used for art exhibitions. It's a model still followed today by other cultural charities, one that some consider the forward battalion in a wave of gentrification that has engulfed the city ever since. The Future of Public Art "Part of our responsibility in doing a project like this is to offer up the joy of feeling welcome to as many people as possible," says Hannah Barry, the driving force behind Bold Tendencies and owner of Peckham's longstanding Hannah Barry Gallery. "People come here for all sorts of different reasons and they may stay for a short time or stay for a long time. What matters is that they're curious enough to come." As Bold Tendencies enters its third decade, it continues to push boundaries and redefine what public art can be, proving that sometimes the most revolutionary ideas come from the most unexpected places.