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The Rise of a Provocative Comedy StarOnce in a while, you get to see a legend at the absolute top of their game," booms a voice at the beginning of Robby Hoffman's Netflix special, Wake Up, welcoming her to the stage. High praise indeed – especially since the voice is that of the leading US comedian John Mulaney, who directed the special, and who clearly thinks this 36-year-old New Yorker is one of the hottest talents around.Over the last year, Hoffman's star has risen at a stunning pace. She is currently on TV in Rooster, a college campus comedy starring Steve Carell, as well as the fifth season of the critically acclaimed sitcom Hacks. This is only her second season as talent agency assistant Randi, but last year the role earned her an Emmy nomination.From Religious Upbringing to Hollywood Success"Last week, I was a Hassidic Lubavitch Jew living in Crown Heights, New York," was Hoffman's first line as Randi. "Now I'm in LA, I'm gay and probably an atheist." Hoffman's own life has taken a similar about-turn after being thrust into the spotlight. Randi, a role that was created for her by writers Lucia Aniello, Paul W Downs and Jen Statsky and draws on Hoffman's own background, has been "a life-changing part," she says on a video call from the home in Los Angeles that she shares with her wife, the reality TV star Gabby Windey.Home life in Montreal was chaotic, living in a house that was "so packed with so many people," Hoffman says. She would frequently get into physical fights with her brothers and "cried every single day … sometimes I was kicking and screaming on the floor." She got out as soon as she could, at 17, when she began renting a place of her own, taking on a part-time job to support herself through her Cégep, a type of pre-university college unique to Quebec.Awards, Recognition, and Controversial Comedy StyleAlthough Hoffman insists she isn't trying to offend ("I do think that a lot of my jokes are misinterpreted"), she also doesn't think being offended is the worst thing: "Being poor is." She's speaking from experience: she grew up in a family that relied on welfare payments, the seventh of 10 children.Wake Up includes gags about "disgusting" women ("always the hottest ones are sickest") and abortion ("we raise the age of abortion till 10, we got a lot of well-fucking-behaved kids on our hands"). Not to mention the jokes about paedophilia. But although her punchlines make some audience members bristle, "I just don't get to choose my thoughts," the comedian says. "I'm just sharing it with you. I wish I didn't know some of these things. I truly wish paedophilia was not something that I was introduced to or heard about. I think it's more democratic that I joke about everything, you know?"The Changing Landscape of ComedyThe comedian's proclivity for referring to women, including herself and her mother, as "bitches" is an aspect of her onstage coarseness that carries over into our call, in which she is otherwise much more mellow and thoughtful. Sure, she doesn't follow the typical Hollywood script of simpering self-deprecation, instead unapologetically backing herself and frequently talking about how great it is to be rich. But you get the impression that this is self-conscious gaucheness, a send-up of convention rather than outright rudeness."I come in hot," Hoffman admits – especially on stage. But she is not pretending to be something she's not – unlike, she says, supposedly "kind and nice" figures such as Will Smith, who was banned from the Oscars after slapping the comedian Chris Rock, or Ellen DeGeneres, whose talk show was cancelled after allegations that junior staff had been bullied.Future Prospects and Industry ImpactHoffman is endearingly grateful for her success. "Am I not living one of the greatest lives you've heard about?" she said during her recent appearance on Late Night With Seth Meyers. "I really do feel that," she says. When she started out in comedy, it felt like "such a risk" to pursue a career with no promise of financial stability: "It's becoming harder and harder to go from no money to money, so when we get one of our guys in, it always feels miraculous."She wishes it wasn't so miraculous – Hoffman is a Bernie Sanders supporter and believes "everybody's entitled to dignity." She resents being an example of someone who "did it" – got herself out of poverty via talent and determination. "You shouldn't have to be this special, you shouldn't have to be this talented," she says. Throughout her adolescence, she was "so sick of being poor," so focused on working hard at the Jewish private school for which her grandfather had helped her win a scholarship, then pursuing a degree in accounting.

Lead: A Diverse Evening of History, Competition and DramaThis Thursday’s schedule offers a poignant look back at World War II, the climax of a beloved cooking contest, and fresh twists on reality and scripted series across BBC, Channel 4 and Sky One.The Blitz Documentary Illuminates Wartime Childhood9 pm, BBC Two – “Children of the Blitz” gathers first‑hand testimony from those who endured London’s night raids without evacuation. The film weaves terror, loss, humour and love, anchored by the comforting words of a Liverpool father: “Don’t worry … we’ve got big strong slates on our roof.”MasterChef’s High‑Stakes Final Week8 pm, BBC One – The competition heats up with seafood chowder, a delicate fillet steak, an extravagant toastie, two intricate puddings and a crowd‑pleasing lamb dish. Six chefs battle for the coveted title as judges weigh risk against reward.Channel 4’s ‘The Dog House’ Returns with New Canine Romances8 pm, Channel 4 – In series 6, hopeful owners meet dogs like Zeus the shih tzu and Wolf the malamute, while nervous retriever Pipet confronts his fireworks phobia.BBC One’s ‘Mint’ Offers Off‑beat Drama9 pm, BBC One – The series follows the evolving relationship between Arran and Shannon against the backdrop of a crumbling bond between Cat and Dylan, all framed by modern‑dance‑inspired visuals.‘Virgin Island’ Pushes Boundaries with S&M; Themes9 pm, Channel 4 – Shelby guides participants through bondage, dominance and submission exercises, while Will, Ed and Bertie explore their evolving desires.Sky One’s ‘Rooster’ Concludes with Steve Carell’s Farewell10 pm, Sky One – Steve Carell stars as author Greg, delivering a bittersweet finale where his daughter Katie asserts independence, leaving Greg’s future uncertain.Film Choice: ‘Sisu’ Brings Finnish WWII Action to Film49.30 pm, Film4 – Jalmari Helander’s 2022 thriller follows gold‑prospector Aatami Korpi (the “Immortal”) as he battles retreating German forces in 1944 Lapland, delivering relentless, propulsive violence.Tonight’s Schedule at a GlanceBBC Two 9 pm – Children of the Blitz (documentary)BBC One 8 pm – MasterChef (reality competition)Channel 4 8 pm – The Dog House (reality)BBC One 9 pm – Mint (drama)Channel 4 9 pm – Virgin Island (reality)Sky One 10 pm – Rooster (comedy‑drama)Film4 9.30 pm – Sisu (feature film)Why the Blitz Documentary Resonates NowMarking the 85th anniversary of the Blitz’s end, the programme taps into renewed public interest in personal wartime narratives, offering younger audiences a humanised glimpse of history that contrasts with textbook accounts.What to Expect from Tomorrow’s Line‑upGiven the strong viewership of reality‑cooking shows and the appetite for historical documentaries, broadcasters are likely to schedule more personal‑history features and competition finales in the coming weeks, while niche dramas like “Mint” will continue to experiment with visual style.

The LeadBarcelona has officially reclaimed the throne of Spanish football, securing their 29th La Liga title with a commanding 2-0 victory over arch-rivals Real Madrid. The Catalan giants clinched the championship with three games remaining, capitalizing on a chaotic season for their opponents to secure the trophy at the Camp Nou.Decisive El Clasico VictoryThe match was a masterclass in tactical discipline and clinical finishing. Marcus Rashford opened the scoring with a spectacular free-kick, curling the ball into the top corner just 18 minutes in. Ferran Torres doubled the lead shortly after, finishing off a clever assist from Dani Olmo to put the game out of reach.Final Score: Barcelona 2 - 0 Real MadridChampionship Status: Clinched with 3 games remainingLead Margin: 14 points over second-placed MadridHistorical SignificanceThis victory holds a unique place in football history. It marks only the second time in La Liga's existence that the title has been decided directly by the result of an El Clasico, mirroring the 1932 season. For Barcelona, this adds to a legacy of dominance, while Real Madrid faces the ignominy of a trophy-less season.Season of ContrastsThe atmosphere was defined by stark contrasts between the two camps. While Barcelona celebrated unity and resilience, Real Madrid was embroiled in internal turmoil, including a training ground scuffle between Fede Valverde and Aurelien Tchouameni. Coach Hansi Flick led the team despite the tragic loss of his father, praising his squad for their "fantastic" performance.Outlook for the Camp NouWith the league secured, Barcelona's focus now shifts to European glory. Frenkie de Jong emphasized the desire to win the Champions League next year. Conversely, Real Madrid faces a critical summer of transition, with reports linking former coach Jose Mourinho to a potential return as the club seeks to rebuild after a disappointing campaign.

The LeadThe Wardrobe Ensemble's new production, 'Party Season', offers a visceral, albeit chaotic, exploration of the modern parental experience, specifically the high-pressure social ritual of children's birthday parties. The play plunges the audience into the "E-number-addled tantrumscape" of a weekend spent shuttling a five-year-old to three separate birthday bashes, capturing the sheer exhaustion and anxiety inherent in the role.The Surreal Landscape of Birthday ChaosSet against a backdrop of fluid, expressionist staging, the production draws clear comparisons to the sitcom Motherland, focusing on competitive parenting and sleeplessness. The narrative follows Xander, a 34-year-old reluctantly reconnecting with old friends in Bristol, as he navigates 48 hours of musical statues, puppet shows, and small talk. The play employs a bold vision where adults become children and vice versa, creating a disorienting but insightful metaphor for the loss of control parents feel.The Financial and Emotional Cost of 'Party Season'While the play is a theatrical piece, it meticulously dissects the economic and emotional burden placed on modern parents. The narrative highlights the "burden" of maintaining social standing through gift-giving and hosting. Key observations include:The pressure of structure: The play satirizes "spoilt brats" whose parents get anxious without rigid schedules.Social media stress: The staging of a "neighbourhood WhatsApp pile-on" illustrates how digital communication amplifies parental anxiety.Generational trauma: The plot intertwines the immediate stress of parenting with unresolved grief regarding a late father, suggesting that parental anxiety is often inherited.Why 'Party Season' Resonates in Modern CultureThe production arrives at a time when the "competitive parenting" trope is under intense scrutiny. By validating the "traumatising" aspects of birthday season, the Wardrobe Ensemble taps into a universal experience of parental burnout. The show moves beyond simple comedy; it explores the "metamorphic marvels" of reproduction, showing how parents reel at the transformation of their bodies and lives into vessels for their children.The Future of Parenting Satire on StageThe critical reception suggests a strong appetite for theatre that tackles the "messy" reality of family life rather than the idealized version. As 'Party Season' tours to major venues like The Lowry and Bristol Old Vic, it sets a precedent for future productions to explore the darker, more anxious corners of domestic life with the same level of artistic boldness.

The Thrilling Comeback VictoryBrighton fought back from 2-0 down away against Liverpool to win a classic Women's FA Cup semi-final and book a place at Wembley for the first time in their women's team's history. The substitute Nadine Noordam's 95th-minute winner sparked wild celebrations for Brighton, who had been on top throughout the second half before her last-ditch strike made it 3-2 and left Liverpool with a feeling of despair, as they had been 2-0 up and looking in control early in the first half.Match Turning PointsIt was a case of third time lucky for the Sussex club as this was their third semi-final in six seasons, after a 3-2 loss at Manchester United in 2023 and a 3-0 loss at Arsenal in 2021. Liverpool began the game with real purpose and deservedly opened the scoring in the 11th minute when an unmarked Ceri Holland whipped over a dangerous cross from the left and Denise O'Sullivan's angled header found the far corner.The hosts continued to play with good intensity and doubled their lead 11 minutes later when Brighton were punished for failing to clear the ball from their own penalty area and Beata Olsson ruthlessly capitalised, getting to the loose ball and lashing in on the turn. Alejandra Bernabé also struck the crossbar for Gareth Taylor's side.Second Half DominationBrighton were let back into the game when some loose Liverpool defending at a corner allowed Manuela Vanegas to halve the deficit from close range and, from thereon, the away side had by the far the better of the tie, especially in the second half, when they applied significant pressure on the Liverpool goal. Fran Kirby went close to equalising shortly after the break but her near-post effort struck the woodwork. They eventually levelled when Kiko Seike's hanging cross from the right was met at the far post by Madison Haley, who nodded in.Aurélie Csillag then spurned a great chance for Liverpool at the other end but, in general, Brighton were dominating and their pressure finally told deep into stoppage time when Noordam fired in.Historic SignificanceThe joy of reaching the final comes in a poignant season for Brighton and their head coach, Dario Vidosic, whose father, Rado – who was working at the club as head of coaching for women and girls – died of cancer in January. It was an emotional victory for the away side, who celebrated in front of their travelling supporters in the corner of the pitch upon hearing the full-time whistle.Final OutlookBrighton had arrived in St Helens in a great run of form, enjoying a six-match unbeaten streak in all competitions beforehand, which had included wins over Arsenal – away in the quarter-finals – and Manchester City, as well as draws with Manchester United and Arsenal in the league. They will face either Chelsea or Manchester City on 31 May in what will be their first Women's FA Cup final appearance in the club's history.

The Lead Manchester City executed their gameplan to secure a 2-0 victory over Brentford, keeping the pressure on Arsenal in the Premier League title race. Jérémy Doku Sparks the Breakthrough Jérémy Doku scored the opening goal on the hour, his solo effort cutting inward and curving beyond Caoimhín Kelleher to kiss the far left of the net. The Belgian winger dedicated his goal to his father, David, on his 60th birthday. The Data Analysis Manchester City have played 35 matches, two points behind Arsenal who have also played 35 matches. Erling Haaland scored his 26th Premier League goal of the season. Jérémy Doku's goal was his first in the Premier League. The Impact Analysis The win keeps Manchester City in the running for the Premier League title, with Arsenal still leading by two points. City's manager, Pep Guardiola, urged West Ham to beat Arsenal, saying 'Come on you Irons'. The deficit could be reduced to zero if West Ham, Burnley, and Crystal Palace are beaten. The Prediction Manchester City will look to continue their winning form and hope that Arsenal slip up in their upcoming matches. The Premier League title race is heating up, and City's victory over Brentford has kept them in the running.

The Lead: Football as Survival in War-Torn GazaSixteen-year-old Mohammed Eyad Azzam was a "pampered" child before an Israeli air attack in Gaza killed his immediate family, leaving him as the sole provider for his elderly grandmother. On October 11, 2024, Mohammed was at home with his parents and siblings in the Jabalia refugee camp when an Israeli warplane struck, bringing their multistorey building down on top of them. Buried under the rubble for about 10 minutes, Mohammed survived by a miracle when his grandmother dug him out. Overnight, the teenager was thrust into adulthood, and amid all the challenges, he has found one escape from his daily turmoil: football.The Event Details: From Tragedy to the PitchBefore the war, Mohammed was a promising player for the Khadamat Jabalia football club. However, following Israel's war on Gaza, the club no longer functioned, pitches were destroyed, and many of his former teammates were killed. Against all odds, the Palestinian Football Association recently organised a tournament for players born in 2009 at one of the last remaining patches of land in Gaza suitable for hosting a football match. For Mohammed, lacing up his boots is one of the few ways he can fend off the despair of life without his parents and siblings."It removes the boredom and releases our negative energy," he explained. "Most of my teammates have their brothers and fathers there to motivate and encourage them. I have no one to cheer for me now, I miss them so much – as much as the sea and its fish."The Data Analysis: Devastation of Palestinian SportsMohammed's heartbreak is emblematic of Israel's systematic destruction of sports infrastructure in Gaza. The statistics are staggering. According to the Palestinian Football Association, the Israeli offensive has killed 1,113 people affiliated with the sports sector, including more than 560 football players, coaches and administrators. Additionally, 265 sports facilities have been destroyed or damaged over the past two-and-a-half years, while all 56 football clubs in Gaza – from Beit Hanoon in the north to Rafah in the south – have been severely affected.Mohammed's club, Khadamat Jabalia, was also destroyed, and the space was temporarily turned into a detention and interrogation centre by Israeli forces during the invasion of Gaza.The Impact Analysis: Navigating Danger to PlayWith main stadiums either bombed into ruins or converted into shelters for displaced families, the Palestinian Football Association is now organising youth tournaments on just three small pitches that remain – Palestine Stadium in Gaza City, Khadamat Nuseirat and Ittihad Shabab Deir al-Balah. However, getting to these games is still a life-threatening ordeal for young footballers."We walk 3-4km through tents and rubble to reach the pitch," Mohammed said. "It drains you psychologically before you even step onto the field."The security situation remains extremely dangerous. A player walking from his tent to the pitch is exposed to the risk of sudden air strikes, but the determination of the players and the association pushes them to resume activities. "It sends a message to the world that Palestinian youth are capable of rising from the rubble," said Mustafa Siyam, head of the media department at the Palestinian Football Association.The Prediction: Seeking Justice and Continuing DreamsWhile the football community in Gaza is struggling to survive, Palestinian sports officials have expressed deep frustration with the international community, particularly FIFA, over a lack of support or solidarity. Siyam highlighted glaring double standards when FIFA moved swiftly to suspend Russia and ban its clubs following Moscow's 2022 invasion of Ukraine, but took no action against Israel."When it comes to Palestine, unfortunately, there are no decisions; FIFA's position is very weak," he said. Despite the targeted killing of prominent athletes, such as national team player Suleiman Obaid, and Israeli settlement clubs competing on occupied Palestinian land, FIFA has failed to impose any sanctions on the Israeli Football Association.With a lack of action from FIFA, the Palestinian Football Association is now seeking justice via international sports tribunals. While they wait for a permanent ceasefire to rebuild Gaza's battered sporting infrastructure and for Israel to open the enclave's borders to allow local talent to join Palestine's national teams, young players such as Mohammed are clinging to the game to keep their loved ones' memories alive."My dream now is to become a famous, professional football player," the 16-year-old said softly. "Because that was my dream, and it was the dream of my mother and my father, may God have mercy on them. My dad is the one who registered me in the club, and my mom was the one who always cheered me on."

The Ultimate Wizard Showdown When asked who would win a fight between Gandalf and Dumbledore, the iconic actor who portrayed both legendary wizards didn't hesitate with his answer. "Why on earth would they be fighting? But Gandy, of course, would win. The original wizard," McKellen declared, settling the debate that has captivated fantasy fans for years. A Life in Theater Reflecting on his more than six decades in acting, McKellen lamented the decline of repertory theater in the UK. "My first job, in 1961, was at the Belgrade theatre in Coventry," he recalled. "Every city of similar size had a repertory company, presenting a new production every two weeks, and crucially providing employment for tyro actors in need of a prolonged apprenticeship." Today, he noted, there is not a single rep company in the UK, a system he credits with helping develop new talent. Personal Reflections McKellen shared insights into his personal beliefs, explaining that while he was raised with gospel stories, he stopped worshipping in his teens. "Since then, Quakers are the religious society I most admire, for their adherence to the sixth commandment and for being the first Christians to support gay rights in the UK." He also discussed how his father's preaching style influenced him, though it was actors who first captivated him rather than religious figures. Behind the Scenes of Middle-earth The actor revealed that Peter Jackson never confirmed which stars turned down the role of Gandalf in Lord of the Rings. "I've never managed to persuade Peter to confirm who turned down the wizard part of a lifetime," McKellen shared. He speculated that David Bowie's striking looks and voice might have emphasized the supernatural side of Gandalf rather than the character's humanity that attracted him to the role. Beyond Middle-earth Beyond his iconic fantasy roles, McKellen discussed his appreciation for pantomime as a uniquely theatrical art form. "Pantomime uses every possible theatrical device to tell its moral tales – slapstick, sentiment, song, dance, verse, cross-dressing, community singing, extravagant costumes and scenery, audience participation," he explained. "My patriotism is rooted in Shakespeare and panto." He also mentioned his recent Glastonbury performance with the Scissor Sisters, describing the experience as "heady stuff, parading in front of a band's enthusiastic fans."

The Emergence of Literary Nepo Babies The phenomenon of children of famous novelists becoming writers themselves is on the rise. Historically, there have been instances of literary families, such as Alexandre Dumas père and fils, Fanny and Anthony Trollope, and Arthur and Evelyn Waugh. However, the current trend seems to be gaining momentum. Following in the Footsteps of Famous Parents Kazuo Ishiguro's daughter, Naomi, is set to publish the first in her new fantasy series. Margaret Atwood's daughter, Jess Gibson, has published her fiction debut, and Patrick Charnley, son of poet and novelist Helen Dunmore, has published his first novel to critical acclaim. The Influence of Growing Up in a Writer's Household Nick Harkaway, son of John le Carré, shares his experience of growing up in a writer's household. He recalls that his father's work was ubiquitous, but he didn't realize the unusual nature of his childhood until later in life. Deborah Moggach, whose parents were both authors, notes that she thinks everyone must have writer parents, as it was all she knew. The Role of Parental Influence and Expectations Children of writers often have a unique perspective on their parents' work. Amanda Craig's daughter, Leon, notes that her mother's writing seemed like a way of life, and she didn't feel like she had a choice but to write. Aidan Cottrell-Boyce, son of Frank Cottrell-Boyce, didn't tell his father about his writing until it was discovered by someone else. The Future of Literary Dynasties As more children of famous novelists embark on writing careers, it's clear that the trend of literary nepo babies is here to stay. Whether this trend will lead to a new generation of talented writers or simply perpetuate a cycle of privilege remains to be seen.