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U.S. President Donald Trump launched a scathing attack on Pope Leo XIV on Sunday night, branding the pontiff “weak on crime” and “terrible for foreign policy.” The criticism was posted on Trump’s Truth Social account, where he asserted he does not want a Pope who “criticises the President of the United States.” The outburst appears to be a direct response to recent statements by Pope Leo that condemned the United States’ involvement in the Israel‑Iran conflict. Last week, the Pope issued a rare rebuke of Trump’s threat to eradicate Iranian civilisation, calling the threat “truly unacceptable.” On Sunday, he further urged world leaders to halt ongoing bloodshed, describing the war‑driving mindset as a “delusion of omnipotence.” Trump’s post also referenced the Pope’s earlier questioning of the administration’s hard‑line immigration stance, noting the pontiff’s remark that such policies might not be “pro‑life.” In his response, Trump demanded that Leo “use common sense,” stop “catering to the radical left,” and focus on being a “great Pope, not a politician.” Adding a personal jab, Trump claimed credit for the Vatican’s selection of the first U.S.-born Pope, suggesting the election was intended to curry favour with the White House. “If I wasn’t in the White House, Leo wouldn’t be in the Vatican,” he wrote, before reiterating that he is “not a big fan” of the pontiff, accusing him of “liking crime” and labeling him “very liberal.” The tension echoes past friction between Trump and the Vatican, notably with Pope Francis, who had previously criticized the president’s immigration proposals and questioned his Christian credentials. Despite the diplomatic spat, Pope Leo is scheduled to commence an 11‑day African tour on Monday, beginning with a historic visit to Muslim‑majority Algeria.

Pope Leo XIV arrived in Algeria on Monday, inaugurating the first papal visit to the country and the opening leg of an ambitious 11‑day African tour that includes Cameroon, Angola and Equatorial Guinea. The trip, the longest since his election in May 2025, signals a strategic shift toward the continent.The choice of Africa sends a clear message, according to scholars, that the continent is now a top priority for the Church. Professor Adriaan van Klinken of the University of Leeds notes that Africa now accounts for roughly 20% of the world’s Catholics, making it one of the fastest‑growing Catholic regions, while western Europe’s Catholic numbers are in decline.In the past year, 14 new dioceses have been established across Africa, and the Catholic population has risen by 7 million, according to John Pontifex of Aid to the Church in Need UK. He describes the continent as “coming of age” in Catholicism.Upon landing at Algiers International Airport, Pope Leo was greeted by Algerian President Abdelmadjid Tebboune and later visited the Maqam Echahid, a monument honoring those who died in Algeria’s 1954‑62 war for independence.Father Peter Claver Kogh, rector of the Basilica of Our Lady of Africa, framed the visit as a bridge‑building effort between Christians and Muslims, emphasizing a “climate of peace and tolerance.” He added that the world “needs a fraternal living and harmony” now more than ever.For biographer Austen Ivereigh, the trip continues Pope Francis’s legacy of interfaith dialogue, recalling the 2019 “human fraternity” accord signed with Muslim leaders in the UAE. John Pontifex also highlighted the visit’s timing amid a decline in religious freedom for Christians and liberal Muslims in Algeria.Lucy Esipila of Caritas Africa expects the journey to bolster Catholic communities facing conflict, debt and inequality, describing it as a vivid expression of “synodality” – the Church walking together with peripheral voices.Algeria holds special significance for Pope Leo, the first pontiff from the Augustinian order, as the birthplace of Saint Augustine. Professor Anna Rowlands of Durham University points out that North Africa was a cradle of early Christianity, underscoring the region’s deep theological heritage.The African focus comes as Pope Leo declined an invitation to the United States, opting instead to visit Lampedusa on July 4, a key entry point for migrants crossing the Mediterranean. Historian Dr Miles Pattenden suggests this contrast sends a powerful message to both European leaders and African communities.Father Kogh summed up the atmosphere in Algiers: “It’s a feeling of joy… a message of peace, coexistence and fraternity.”

Colombian officials have authorized a plan to cull up to 80 hippos descended from animals brought to the country by Pablo Escobar in the 1980s. The feral beasts have displaced native species and threatened local villagers, prompting the government to take action.The environment minister, Irene Vélez, stated that other methods to control the population, such as neutering or relocating the hippos to zoos, have been expensive and unsuccessful. Up to 80 hippos will be affected by the measure, although the exact timeline for the culling has not been specified.Colombia is the only country outside Africa with a wild hippo population, which originated from four individuals imported by Escobar as he built a private zoo in Hacienda Nápoles. A study published by Colombia's National University estimated that around 170 hippos were roaming freely in the country in 2022.The hippos pose a threat to villagers who have encountered them in farms and rivers, and compete with local species such as river manatees for food and space. Despite the environmental challenges, the hippos have become a tourist attraction, with residents offering hippo spotting tours and selling hippo-themed souvenirs.Animal welfare activists have opposed the plan to kill the hippos, arguing they deserve to live and that addressing the problem through violence sets a poor example for a country that has experienced decades of internal conflict. Andrea Padilla, a senator and animal rights activist, described the plan as 'cruel' and accused government officials of trying to take the easy way out.

Wisden Cricketers' Almanack has severely criticized England's Test team for their tumultuous Ashes tour, labeling their campaign as 'feckless, reckless and legless'. The criticism comes after England suffered a 4-1 defeat in Australia.The editor of Wisden, Lawrence Booth, expressed his dismay at England's performance, stating it is 'hard to think of a privilege so carelessly squandered, a chance so blithely spurned'. Booth highlighted several factors contributing to the team's downfall, including poor preparation, lurching tactics, and an unprofessional approach off the field.The Ashes tour was marred by incidents such as Harry Brook's altercation with a nightclub bouncer in New Zealand and a mid-series break in Noosa, which drew significant criticism. In contrast, Australian bowler Mitchell Starc was praised for his discipline, choosing to abstain from alcohol during the series, which helped him secure 31 wickets and earn the title of Wisden's leading men's cricketer in the world.The awards section of Wisden showed a strong Indian flavor, with Shubman Gill, Rishabh Pant, Ravindra Jadeja, and Mohammed Siraj recognized for their performances. Haseeb Hameed was the sole Englishman among the five players of the year.

On the closing night of Coachella’s opening weekend, Karol G broke new ground as the festival’s first Latina headliner. Introducing herself in English, the Colombian artist announced, “I am Carolina Giraldo from Medellín, Colombia, and today I am the first Latina woman to headline Coachella,” to a roar of cheers from a crowd waving flags from Mexico, Puerto Rico, Venezuela, Colombia and beyond.The moment echoed Beyoncé’s 2018 ‘Beychella’ debut, reminding fans that representation on this stage can reshape cultural narratives. Karol G’s 90‑minute performance combined dazzling costume changes, high‑energy choreography and a stage that seemed to rise two stories above the desert floor, creating a spectacle that felt both meticulously crafted and effortlessly vibrant.From the opening number “Latina Foreva,” where she strutted in a glittering gold bikini, to the cave‑like rave set that highlighted the “primordial wildness of women,” the show never lost its momentum. Even a half‑hour delay for lighting adjustments was quickly forgiven as the music surged forward, blending hard‑hitting tracks from her 2025 album Tropicoqueta with hits from 2023’s Mañana Será Bonito.Musically, the set was a tour of Latin genres. After a brief interlude, Karol G returned wearing a Carnival‑style feathered headdress for the mambo‑infused “Tropicoqueta.” She then invited an all‑female Mexican mariachi band for “Ese Hombre Es Malo,” followed by a duet with Becky G that mixed Spanish‑language celebration of Mexico and Colombia with a pointed nod to the United States’ immigration debate.Speaking amid the roar of the crowd, the 35‑year‑old artist said, “This is not just about me, this is about the Latina community, the love of my people,” acknowledging the delicate balance of celebrating Latin pride while the U.S. government tightens immigration policies. Her remarks highlighted the symbolic weight of performing such a vibrant, unapologetic Latin set on a stage that reaches millions worldwide.The finale reinforced the message of unity. After a soulful cover of Gloria Estefan’s “Mi Tierra,” Karol G launched into an EDM‑styled version of “Provenza,” complete with rainbow lasers, strobe lights, fireworks and a cascade of confetti. Three false‑ending beat drops and a megawatt smile underscored her point: the victory belongs to the entire Latin community, not just the performer.

Rory McIlroy's sixth major victory at the Masters Tournament has cemented his status as a golfing great, drawing comparisons to Seve Ballesteros and other legends of the sport.McIlroy's achievement is not just about the numbers; it's about the style and excitement he brings to the game. His thrilling performances have captivated audiences, making him a must-watch for fans and a key figure in golf's popularity.The Northern Irish golfer's journey to success has been inspiring, from his humble roots in Belfast to his rise as a global superstar. His relatable personality and dedication to hard work have endeared him to fans worldwide.McIlroy's comeback at the Masters was nothing short of remarkable. Despite struggling with consistency, he managed to secure a dramatic win, showcasing his resilience and creativity on the course.His influence on golf extends beyond his own performances. McIlroy is a key figure in shaping the sport's future, and his involvement in high-profile events like the Ryder Cup has made him a leader in the golfing world.

The 2018 World Cup in Russia served as a high‑profile platform for Vladimir Putin, showcasing his nation and bolstering his personal legitimacy. The tournament was effectively a diplomatic bow to the Kremlin’s ambitions.Fast‑forward to the summer of 2026, and the buildup to the event has taken on a distinctly American flavour, with the competition becoming a backdrop for Donald Trump’s political narrative.The next edition, slated for 2034 in Saudi Arabia, presents a fresh set of challenges. Despite the kingdom’s controversial human‑rights record, the event offers Crown Prince Mohammed bin Salman an opportunity to polish his and the nation’s image. FIFA’s current reluctance to enforce independent oversight of migrant‑worker conditions raises fears that construction could be as deadly as the 2022 Qatar experience.These developments underscore a pressing need to insulate the World Cup from the whims of powerful leaders. One proposed solution is to fragment the tournament—treating it like a monopoly that has become too dominant.Evidence that this approach is feasible already exists: the 2026 World Cup will be co‑hosted by three nations, and the 2030 edition is set to span six countries across three continents (Spain, Portugal, Morocco, Argentina, Paraguay, Uruguay).Building on that, the author suggests a radical redesign: allocate each group stage to a different global city—Paris, Rio de Janeiro, Tokyo, Sydney, Johannesburg, London, the Basque Country, and so on. Knock‑out rounds could be broken into three‑match clusters and scattered worldwide, with the semi‑finals, final, and third‑place match awarded to the highest‑bidding venue.Carbon‑footprint concerns are addressed by noting that teams already travel long distances to a single host nation; distributing groups based on the median distance to participating teams would not significantly increase emissions.Financially, the cost of staging a traditional, single‑host World Cup has ballooned, limiting the pool of viable bidders to those seeking political or economic leverage. A decentralized format would dilute any single leader’s ability—whether Trump, Putin, or the Saudi crown prince—to manipulate the event for personal gain.Decentralisation would still align with FIFA’s stated objectives: expanding the sport’s reach, creating a truly global spectacle, and bringing football closer to fans worldwide.While FIFA claims a fiduciary duty to maximise revenue for its 211 member associations—justifying steep ticket prices and controversial sponsorships—the proposed model could actually enhance revenue by turning each small cluster of matches into premium, high‑value events.Precedent exists in the form of Euro 2020, which, despite being postponed by the pandemic, successfully unfolded across 11 European cities, delivering record‑breaking goal tallies and strong attendance figures.In sum, the most effective way to protect the World Cup’s cultural significance and prevent its exploitation by authoritarian figures may be to deconstruct and disperse it globally, turning a single‑host behemoth into a series of interconnected, locally hosted celebrations of the sport.

Rory McIlroy has revealed that weeks of preparation at 'home course' Augusta National played a crucial role in his successful Masters defence. The Northern Irish golfer spent considerable time at Augusta in the lead-up to the Masters, rather than participating in PGA Tour events, despite struggling with a back injury.McIlroy's preparation involved simulating a tournament by playing with a single ball, a strategy inspired by advice from golf legend Jack Nicklaus. This approach allowed him to feel comfortable with the course and make informed decisions about his shots.After securing his sixth major win, McIlroy expressed his satisfaction with his preparation, stating, “I joked last week that this place feels like my home course”. He emphasized the importance of getting to know the course and being prepared for various situations.McIlroy's victory joins an exclusive group of golfers who have retained the Green Jacket, including Jack Nicklaus, Nick Faldo, and Tiger Woods. With this win, McIlroy believes he can focus on playing his game and increasing his chances of winning more majors.The article also mentions Scottie Scheffler's comments on the course conditions, particularly on Friday afternoon when McIlroy birdied six out of Augusta's closing seven holes. Scheffler suggested that the firmness of the course was not equal on Thursday and Friday, but acknowledged that the weather and wind conditions also played a role.

On a recent weekday evening, a special bus tour whisked art lovers through over twelve galleries and museums that stayed open until midnight, offering a late‑night glimpse of the Abidjan Art Week programme.The after‑hours event, dubbed the Night of the Galleries, was first trialled in January 2024 alongside the Africa Cup of Nations – a tournament that Côte d’Ivoire both hosted and won – and has become a staple of the festival’s third edition, which ran from Tuesday to Sunday.Since its inception, the week has broadened its footprint, moving beyond the city centre to include venues such as the La Rotonde des Arts contemporary‑arts hub in the Plateau district and the Adama Toungara Museum of Contemporary Cultures (MuCAT) in the working‑class neighbourhood of Abobo.Local collectors are emerging in force. MuCAT has hosted the Africa Foto Fair each year since 2022, and the Marché des Arts du Spectacle d’Abidjan – the city’s answer to the Dakar Biennale – is set to launch its 14th edition later this month.A graffiti festival launched two years ago has transformed the perception of street art, with vibrant murals now adorning the façade of the La Pyramide building and several upscale hotels in Plateau.Organisers stress that the festival’s growth should be independent of external validation. This year’s roster featured artists from Cameroon, the Democratic Republic of the Congo and Mali, and the number of participating galleries more than doubled compared with previous editions.Founder Yacouba Konaté, who also directs La Rotonde des Arts, highlighted the festival’s commitment to accessibility, arguing that art should not be seen as an elite pastime.The opening tribute honoured Simone Guirandou‑N’Diaye, a pioneering Ivorian art historian whose legacy lives on through Galerie LouiSimone Guirandou, now run with her daughter Gazelle.Among the week’s highlights, MuCAT presented Murmures d’Archives, a quieter, archival‑focused exhibition that concluded with an artists’ workshop and a DJ set.In the upscale Cocody district, New York‑based artist Ouattara Watts staged a solo show at Galerie Cécile Fakhoury, drawing the Ivorian diaspora into dialogue with the local scene. Watts explained that his work aims to transcend borders, describing it as “a vision that goes beyond any map – it is the cosmos that I paint.”