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The Erasure of a Scholar's LegacyWhen Donald Trump returned to office in January last year, one of his first acts was to sign an executive order intended to cut federal funding for any school teaching what the administration defined as "critical race theory." A raft of other orders mandated the termination of DEI (diversity, equity and inclusion) personnel, offices and training across the federal government. Federal agencies began flagging hundreds of words to avoid or eliminate, including "intersectional" and "intersectionality." All of which has amounted to 40 years of Kimberlé Crenshaw's work being literally and deliberately erased.The Architect of IntersectionalityFor decades, the 66-year-old legal scholar has been naming things that powerful people would prefer remain unnamed. In 1989, she coined the term intersectionality to describe the way race and gender overlap to shape lived experience, often in ways the law fails to recognize. Around the same time, she was one of a group of African American scholars who created the framework that came to be known as "critical race theory," which sought to examine how racism is embedded in legal systems rather than simply enacted through individual prejudice. Now, Crenshaw's ideas are being contested like never before.The Political Weaponization of Academic Concepts"Unfortunately, I did see this coming," she tells me over a video call from the California offices of the African American Policy Forum, the thinktank she co-founded. We are calling to discuss Crenshaw's new memoir, Backtalker, but the conversation soon shifts. "The fact that they are targeting this … it is because they understand the power of these ideas, the power of this history." Behind her, posters reading "History repeats when we forget" and "The freedom to learn is the freedom to live" hang alongside shelves of critical race theory texts and Black history books the likes of which have, in some states, become politically radioactive.The Cultural War Over "Woke" IdeologyWhat makes the intensity of this backlash striking is how recently Crenshaw's work entered mainstream public consciousness. Until a few years ago, ideas such as intersectionality and critical race theory remained largely within the domain of legal scholarship, academic debate and activist vernacular. It wasn't until 2020, when a loose coalition of conservative activists, media figures and politicians began elevating them as political flashpoints, that they were thrust into the centre of the culture wars. In the ensuing five years, this snowballed into all-out war against "woke," with critical race theory as its ultimate bogeyman. It became a byword for liberal overreach, a catch-all for everything that was wrong with the US in the eyes of the conservative right.The Fascist Narrative and American Democracy"Trump jumped on a bandwagon started by a few rightwing propagandists, claiming that intersectionality and critical race theory were anti-white, anti-male and anti-American," she says. "Fox News amplified this, and within weeks, these ideas were mentioned more than they had been in the previous four decades."Crenshaw, true to form, is not shy about naming what she considers to be the problem. "One of the keys of fascism is control of the nation's narrative," she says. "That, alongside creating a group of people that are legitimate targets of exclusion – an us and them – allows for the autocrat to be seen as the embodiment of the essential nation. And in the United States, we come prefabricated for that dimension of fascism to set into our politics."Why is it that so many white Americans are willing to continue to vote for a president that is demolishing democracy, so long as he's willing to affirm them effectively as true Americans?" she continues. "Because of the idea that those over there are different from us. They don't really belong. That is the way fascism works."From Childhood Inequality to Intellectual FrameworkIt is clearly in Crenshaw's DNA to confront injustice, as is evidenced in Backtalker, which chronicles her journey from witnessing inequality as a child to challenging entrenched power structures in law, academia and politics. "Being a backtalker is like being lactose intolerant," she writes. "There is BS that I cannot digest. To accept anything close to second-class status as the price of belonging sickens me."Born in Ohio in 1959, on the verge of the civil rights movement, Crenshaw grew up at a time of expanding yet restricted possibilities. She watched that tension unfolding in real time, in the speeches of Malcolm X and Martin Luther King Jr on television, and in discussions around the kitchen table, where her parents, dedicated anti-racist activists, treated politics as a daily practice. "As a Black child, I had early inklings that differences would matter in my life, even if I couldn't name them," she says.The Making of an Intersectional ConsciousnessOne such inkling came when her family moved to the predominantly white suburb of Canton, Ohio. "When we arrived, there were children playing everywhere," she remembers. "I was excited." But almost overnight, the children vanished. Neighbours treated the new family as intruders and shouted slurs when they walked by; an estate agent knocked on their door urging a quick sale.Perhaps the most formative incident came when she was five years old, and was the only girl in her all-white class who was not given the opportunity to play the princess, Thorn Rosa, in a school performance. "Thorn Rosa marks the stirring of my nascent awareness that my colour and my girlness were linked," she writes."You push that doubt down until something happens that forces it open," she tells me. "You realize that how others see you will shape your experiences. And that realization is traumatic."The Trauma of Loss and the Birth of ActivismWhat mattered, she says, was that those moments were not dismissed. "I credit my parents for taking them seriously," she says. "They refused to minimize what I experienced, even as a young child. That affirmation was freeing, it told me my feelings were grounded in reality and gave me permission to understand them."It was tragedy that would, in many ways, become the making of the young Crenshaw. She was eight years old when Martin Luther King Jr was assassinated in 1968 – a before-and-after moment in her life. The following day, young Black activists in Canton directed schoolchildren to the local church for a hastily organized memorial service. Crowded into pews, everyone was silent when the activists asked if anyone had anything to say about Dr. King. No one moved. It was Crenshaw who broke the silence, exhorting the crowd not to let his death be the end of the freedom struggle. "We pick up where he left off," she recalls saying. "We continue to walk in his footsteps. They can't kill his dream for us – not if we won't let them."Further devastation followed. A year later, her father, an apparently healthy 34-year-old, died suddenly, leaving the family reeling. Not long after, her older brother Mantel was shot and killed while at university. The circumstances were never fully explained, and justice never came. She writes of that period with unflinching candor: "Happiness was dead." These losses left an indelible mark, sharpening her awareness of the unevenness of justice in a world already structured by racial and social inequities.The Complexity of Solidarity and the Limits of "We"Crenshaw arrived at Cornell University in 1978, to a campus shaped by the afterlives of civil rights struggle and Black student organizing. It was there that she entered into a relationship with a fellow student that became physically abusive. In one incident, he beat her and tried to throw her from the window of her 10th-floor dorm room."We were eye-to-eye when he threw the first punch," she writes in Backtalker. "Pressed out of denial, I woke to the fact that he was going to beat the daylights out of me."What followed unsettled her understanding of community more profoundly than the violence itself. Rather than rallying around her, many of her peers – fellow Black students and friends – closed ranks around him. To involve authorities, they told her, would be to expose a Black man to a system already predisposed against him. The implication was that her suffering as a woman should be subordinated to a broader racial solidarity."The way that sexual violence against Black women has long been justified – framing us as unlikely ever to say no to any sexual encounter – you can know this historically, but then when you experience it interpersonally, you have to grapple with the fact that more people in your own community will come to the defense of your abuser than you," she says. "It really presses the question of 'what is solidarity supposed to look like?' she continues. "What does it mean to defend the 'we', when that 'we' often excludes me?"The Birth of Intersectionality in Legal TheoryCrenshaw returns to that question – of the instability of "we"– again and again. From arriving at Harvard Law School and being called the N-word on her first day, to being directed to enter the university's exclusive Fly Club through the back door because she was a woman – the Black male friends she was with, rather than challenge the slight, urged her not to make a scene. What she would later call "asymmetrical solidarities" revealed themselves in practice: loyalty expected but not returned. "I cannot bring myself to ride or die for a politics that won't ride or die for me," she writes of the incident.In legal terms, the problem came into focus when Crenshaw came across a 1976 case in which an African American woman was denied the ability to bring a discrimination claim against her employer on the grounds that the law could recognize race or gender, but not both at once. Her experience – specifically of being discriminated against as a Black woman – fell through the cracks and the case was thrown out of court. In 1989, Crenshaw identified this form of compound discrimination and gave it a name: intersectionality. Around the same time, she was part of a group of scholars developing what would become critical race theory, a broader attempt to understand how racism is a structural part of the legal system.The Promise and Limits of Political RepresentationIt is a lesson that would resurface, years later, in a very different arena. When Barack Obama was elected president in 2008, the language of "we" returned with renewed force – this time, as a promise. For many, Obama's election felt like a rupture with the past. But for Crenshaw, it quickly raised a familiar question."I didn't think it would happen in my lifetime," she says, of that initial hope after Obama's victory. "It felt like a miracle. My mother and I celebrated together on the phone – I was dancing on a table at Stanford and she was doing the same in her retirement facility. For her especially, it was a dream come true."But symbolism, Crenshaw suggests, has limits, particularly when it is used as a substitute for structural change. She found his reticence to address racial injustice head-on frustrating. Very quickly, the terms of Obama's political viability became clear."He had been framed as post-racial, beyond these issues," she says. "And that framing became a constraint on what he could say and how directly he could address racial injustice."Even when Obama did address racial inequality more explicitly in his second term – most notably after the killing of 17-year-old Trayvon Martin in 2012 – the focus, she felt, remained narrow, failing to address the systemic nature of the problem.The Future of Racial Justice in AmericaAs Crenshaw reflects on her life's work and the current political climate, she remains committed to the struggle for racial justice, even as her ideas face unprecedented opposition. "If speaking out means being at odds with people I love, well, so be it," she writes. "I still love them. I hope they still love me."Looking ahead, Crenshaw sees both challenges and opportunities in the fight for racial justice. The backlash against critical race theory and intersectionality, she argues, is a sign of the power these ideas hold to transform American society. "There's a long history in this country of using the threat of violence to keep people under heel," she observes. "But the resistance has always been there too, and it's getting stronger."As America continues to grapple with its racial legacy, Crenshaw's work – and the concept of intersectionality she pioneered – offers a framework for understanding the complex ways race, gender, and other identities intersect to shape experiences of discrimination and privilege. Whether this framework will survive the current political assault remains to be seen, but Crenshaw's decades of scholarship and activism have already left an indelible mark on American discourse and law.

The UK's Inheritance Tax Expansion: A New Era for Pensions Many of us are still getting our heads around the price increases and tax tweaks that took effect this month, but you might want to give some thought to next April. Some big changes to pensions, savings and investments are coming down the track, and there are things you can do now and in the coming months to get ready for them. One change that is very much front of mind for a lot of older people – and is keeping financial advisers and wealth planners very busy – is Rachel Reeves's "inheritance tax raid" on unspent pension money that takes effect in just under a year's time. This has prompted many people to take action to avoid being landed with a bill that, for some, could run into five or six figures. Bringing unused pension pots within the scope of inheritance tax means that what was once seen as a tax on only the wealthiest "is now firmly a middle-income issue," says Rachael Griffin at the investment firm Quilter. Nicholas Nesbitt, a partner at the accountancy firm Forvis Mazars, says that for families, "the time for planning is now. We're seeing clients shifting their planning strategies, increasing retirement spending and accelerating gifting to cut the tax bill". The Technical Breakdown: How Inheritance Tax Will Apply to Pensions At the moment, pension savings are not normally part of someone's estate for inheritance tax (IHT) purposes. But from April 2027, money left in a defined contribution (AKA money purchase) pension after your death will be pulled into the IHT net. Most workplace pensions and all private pensions are this type. IHT is a tax paid on someone's assets after they die if they leave enough to go above a certain threshold. The standard IHT rate is 40%, and it is charged only on the part of the estate that is above the tax-free threshold, which is £325,000. (There is an extra allowance for homes.) The change means "unused" pension savings could be taxed as part of someone's estate if they help take the total value of the estate over the IHT threshold. Unused savings are money that hasn't been used to claim an income, such as by buying an annuity. The IHT exemption for spouses or civil partners will continue to apply, so everything can be left to them without a bill. But other beneficiaries could face tax. Financial Implications: The Cost of Inaction The potential tax bills could be substantial for many families. With the standard IHT rate at 40%, any pension savings that push an estate above the £325,000 threshold could result in significant tax liabilities. For those with substantial pension savings that remain unused, this could mean bills running into five or six figures. This change has already impacted the financial products market. Sales of annuities have soared: 2025 was a "record-breaking" year, and they now offer better value than they used to. This week, a 65-year-old who uses £100,000 of their pension savings to buy a basic single life level annuity could secure an annual income of about £7,800, rising to about £8,500 and £9,700 respectively at age 70 and 75. Shifting Financial Planning Landscape: The New Normal for Retirement The inclusion of pensions in inheritance tax calculations represents a fundamental shift in how families approach retirement planning. What was once a straightforward inheritance strategy has become more complex, requiring careful consideration of multiple factors. Financial advisers report being exceptionally busy as clients seek to understand their options and implement strategies before the April 2027 deadline. The change has prompted many people to take action to avoid being landed with a bill that, for some, could run into five or six figures. Bringing unused pension pots within the scope of inheritance tax means that what was once seen as a tax on only the wealthiest "is now firmly a middle-income issue," says Rachael Griffin at the investment firm Quilter. Nicholas Nesbitt, a partner at the accountancy firm Forvis Mazars, says that for families, "the time for planning is now. We're seeing clients shifting their planning strategies, increasing retirement spending and accelerating gifting to cut the tax bill". Future Outlook: Planning for the New Pension Tax Regime As we approach the April 2027 implementation date, we can expect continued growth in financial advisory services focused on inheritance tax planning. The pension industry may also develop new products specifically designed to help individuals navigate the changed tax landscape. Long-term, this policy change could influence how people approach retirement savings and spending patterns. Those with substantial pension savings may be encouraged to spend more during their lifetime rather than preserving assets for inheritance, potentially changing consumer behavior across multiple sectors. For younger generations, understanding these changes will be crucial as they plan their own retirement strategies and consider how their parents' financial decisions might impact their inheritance.

Local Elections Proceed Under Israeli RestrictionsOn 25 April 2026, Palestinians voted in municipal elections across the West Bank and Gaza despite a legal framework that leaves the territories under Israeli military control. The elections, organized by the Palestinian Central Elections Commission, were conducted without the ability to set independent electoral districts or guarantee security without Israeli coordination.Voting took place in 120 municipalities in the West Bank and 15 in Gaza.Israeli authorities retained final approval over candidate lists and polling station locations.Turnout Figures Reveal Public SentimentPreliminary results show a turnout of roughly 38% in the West Bank and 42% in Gaza, marking a decline from the 2019 municipal elections. The low participation is attributed to voter fatigue, skepticism about the efficacy of local councils, and restrictions on campaigning.Urban centers like Ramallah recorded a turnout of 31%, while smaller towns such as Qalqilya saw 45%.Hamas secured control of 9 Gaza municipalities, whereas the Palestinian Authority (PA) won 6 in the West Bank.Implications for Palestinian Authority and Hamas RivalryThe fragmented outcomes deepen the power struggle between the PA, led by Mahmoud Abbas, and Hamas, headed by Ismail Haniyeh. While the PA hopes to use the results to claim a mandate for renewed negotiations with Israel, Hamas views the elections as a platform to expand its governance footprint.International donors expressed concern that the lack of a unified Palestinian leadership could stall upcoming aid packages.Israel’s continued control over the electoral process limits the legitimacy of any elected body in the eyes of the global community.Future Scenarios for Palestinian Self‑GovernanceAnalysts predict three possible trajectories: (1) a gradual convergence of PA and Hamas policies leading to a unified front in future peace talks; (2) continued fragmentation, which could invite further Israeli intervention and undermine any prospect of statehood; or (3) a grassroots push for reform that pressures both factions to prioritize internal governance over external negotiations.Short‑term: Expect renewed calls from the United Nations for a transparent, internationally monitored election cycle.Mid‑term: Potential escalation of intra‑Palestinian tensions if service delivery by local councils remains hampered.Long‑term: The viability of a sovereign Palestinian state remains contingent on lifting Israeli restrictions that currently nullify electoral sovereignty.

The Lead Héctor Bellerín struck deep into stoppage time to earn Real Betis a 1-1 draw against Real Madrid on Friday, dealing another blow to the visitors' fading title hopes. The dramatic late equalizer came after Madrid appeared on course for a narrow win, with Vinícius Júnior giving them the lead in the 17th minute. Madrid's Missed Opportunity Álvaro Arbeloa's side took the lead through Vinícius Júnior after Federico Valverde's shot was parried by Betis goalkeeper Álvaro Valles. Jude Bellingham nearly made it 2-0 soon after, but Betis gradually grew into the contest. Madrid's wastefulness in front of cost them dearly, with Kylian Mbappé enduring a frustrating evening, blazing over from a Trent Alexander-Arnold pass and later seeing a goal ruled out for offside. Bellerín's Late Heroics The decisive moment came in the 93rd minute when Ferland Mendy lost possession to Antony inside the box and the ball broke kindly for Bellerín, who drove a low effort through a forest of legs and into the net. "In situations like this, there's not much to think about. I'm not one for shooting from distance; I look for the cross. Amidst all the legs, it went in," Bellerín told Dazn. Madrid's Title Hopes Fade Real Madrid now sit eight points behind leaders Barcelona, who could stretch their advantage to 11 points with victory over Getafe on Saturday. Barça could seal back-to-back titles against their bitter rivals in the clásico at Camp Nou on 10 May, making Madrid's task of retaining their crown increasingly difficult. Leipzig's Victory Over Union Berlin RB Leipzig defeated Union Berlin 3-1 in the Bundesliga on Friday, handing coach Marie-Louise Eta her second defeat in as many games in charge. Max Finkgräfe, Romulo and Ridle Baku scored as Leipzig earned a fifth straight victory, in a game overshadowed by sexism allegations over a social media post. Controversy Surrounding Eta Eta, who is the first female coach in the Bundesliga, has been the subject of a torrent of sexist abuse on social media. Leipzig were accused of joining in on Thursday when they responded to a post on X from Union saying it was a "nice city." Leipzig's account posted photos of Eta posing with former Leipzig coach Marco Rose and former players, with a caption reading: "Your head coach didn't just find the city pretty nice..." Lens's Remarkable Comeback In Ligue 1, Lens came back from 3-0 down at mid-table Brest to rescue a 3-3 draw, but still handed reigning champions Paris Saint-Germain an advantage in the title race. Pierre Sage's side gave themselves an even bigger mountain to climb after Daouda Guindo, Lucas Tousart and Junior Dina Ebimbe put Brest 3-0 up at halftime. Lens's Resilience Pays Off Substitute Florian Thauvin pulled Lens back into the game on the hour mark, Abdallah Sima added a second four minutes later, and Allan Saint-Maximin completed the comeback in stoppage time when he curled in a dramatic equaliser. Despite the draw, PSG hold a three-point advantage over Lens with a game in hand; the two sides meet at Stade Bollaert-Delelis in a delayed title showdown on 13 May. Napoli's Comfortable Victory Napoli cruised to a 4-0 win at home to Cremonese on Friday, a result which means Serie A leaders Inter will have to wait another week to secure the title. Scott McTominay opened the scoring early on, collecting Kevin De Bruyne's pass and taking a touch before rifling a low shot into the bottom corner of the net for his ninth league goal of the season. Inter's Title Delay Napoli doubled their lead on the stroke of half-time with an own goal, Rasmus Højlund's shot deflecting in off Filippo Terracciano. Antonio Conte's side finished the game off in first-half stoppage time, with McTominay making an acrobatic pullback from the byline before De Bruyne drilled his shot beyond Audero. Alisson Santos added a fourth in the 52nd minute, finishing from the edge of the area after a long solo run.

Lead: Spurs eye a morale‑driven win at WolvesTottenham Hotspur manager Roberto De Zerbi has signalled that James Maddison will sit on the bench to “bring the vibes” for the club’s must‑win Premier League match against Wolves on Saturday, as the team battles a 15‑game winless streak and a looming relegation threat.De Zerbi declares James Maddison the “vibes” man for the Wolves showdownDuring the pre‑match press conference De Zerbi admitted Maddison is still recovering from an anterior cruciate ligament rupture and “felt pain” this week, but insisted his presence on the bench is vital for team spirit. He said:“If he plays or not, it doesn’t matter. It’s better if he plays, for sure, but as a guy, as a leader, he is positive.”Injury status: Maddison “not available yet” for full match minutes.Role: Bench‑player to boost morale and act as a “spirit animal”.Previous move: Maddison was also named among substitutes in the 2‑2 draw with Brighton despite being unable to warm up.Injury list leaves Spurs short of eight first‑team playersDe Zerbi confirmed that eight players are unavailable for the Wolves game, tightening squad options.Destiny Udogie – short‑term muscle problem.Guglielmo Vicario – hernia.Pape Matar Sarr – shoulder injury.Six additional squad members sidelined (details not disclosed).Psychological lift vs relegation battle: why morale matters for TottenhamThe Spurs have not won in 15 league matches and sit perilously close to the relegation zone. A win at Wolves would prevent them from matching their all‑time record of 16 consecutive defeats set in 1934‑35. De Zerbi believes that removing “psychological obstacles” and fostering positivity can unlock the talent already present in the squad.Current winless streak: 15 games.Potential record‑tying loss streak avoided: 16 games.De Zerbi’s motivational tools: videos, personal anecdotes, occasional red wine or beer.What a win at Wolves could mean for Spurs’ survival hopesIf Tottenham secure three points, they move out of the bottom three and force a late‑season scramble for safety. Conversely, a defeat would cement a 16‑game winless run and likely trigger a relegation battle in the final weeks. De Zerbi’s gamble on Maddison’s morale impact underscores the fine line between tactical decisions and psychological engineering in a do‑or‑die scenario.

The Shocking Upset at the Caja MagicaIn a stunning turn of events at the Madrid Open, Australian tennis star Alex de Minaur was emphatically defeated by 19-year-old Spanish wildcard Rafael Jodar. The match, which lasted just 75 minutes, saw Jodar dismantle the fifth-seeded Australian 6-3 6-1, marking his first victory over a top-10 opponent. The loss comes at a critical time for de Minaur, just a month before the French Open, as he continues to struggle with form that has seen him crash out of six tournaments since February.Jodar's Meteoric Rise and Dominant DisplayThe Madrid local showcased why he has shot up from No. 687 in the world to No. 42 in just 12 months with a performance that left de Minaur powerless. Jodar slammed 15 winners past the Australian while breaking his serve six times, compared to de Minaur's paltry couple of winners and 26 unforced errors. The young Spaniard's power and precision were too much for the 27-year-old Australian to handle, with the match concluding with a glorious inside-out forehand that seemed almost merciful for the struggling de Minaur."It was crazy. Crazy feelings. I'm super happy to get my second win here in Madrid at my home tournament, where I used to come when I was a kid, and I used to watch all these top players in the," said Jodar, a Real Madrid fan playing on center court at the Manolo Santana Stadium.De Minaur's Alarming Decline in FormThis defeat continues a concerning trend for de Minaur, who has won only four of his last 10 matches since capturing the Rotterdam Open in February. The Australian had climbed to an equal career-high ranking of world No. 6 during that successful run but has since slipped back to No. 8. His recent form includes early exits from multiple tournaments, raising questions about his ability to compete against the emerging generation of power players on the ATP tour.The timing of this loss is particularly problematic, coming just weeks before the French Open, where de Minaur will need to regain his competitive edge if he hopes to make a significant impact at Roland Garros.The Changing Landscape of Men's TennisJodar's victory is part of a broader shift in men's tennis, with a new generation of young players challenging the established order. The Spaniard joins Brazilian teenager Joao Fonseca as just the second man born in 2006 or later to record a top-10 win, signaling a changing of the guard in the sport.World No. 1 Jannik Sinner was watching from courtside, surely recognizing that the new breed of power players like Jodar represents a growing threat to the current hierarchy. With Carlos Alcaraz already withdrawing from the French Open due to injury, the emergence of Jodar adds another name to the list of young talents ready to capitalize on any opportunity.What Lies Ahead for Both PlayersFor Jodar, this victory is just the latest in a remarkable rise that includes capturing his maiden ATP Tour title in Marrakech earlier this month and reaching the semi-finals of the Barcelona Open. His next challenge comes against fellow 19-year-old Brazilian Joao Fonseca in a match that will pit the two youngest players inside the world's top-100 against each other.For de Minaur, the immediate focus will be on regaining confidence before the French Open. With only one Australian remaining in either draw (Adam Walton), the pressure is mounting on de Minaur to rediscover the form that propelled him to his career-high ranking earlier this year. The question now is whether this latest setback is merely a temporary blip or a sign that the 27-year-old may struggle to adapt to the evolving style of play dominating the ATP tour.

The Legacy of a Groundbreaking PerformerWhen Michael Patrick became the first actor in Ireland's theatrical history to portray Richard III as a wheelchair user, he was determined that neither his nor his character's disability be seen as part of the play's inherent tragedy. Instead, as he explained in an interview with the Guardian at the time, he used his still recent diagnosis of motor neurone disease to inform a new understanding of one of the greatest plays in the canon. "It's less about the disability being the tragedy, and it's more about people's reaction to the disability being a tragedy, if that makes sense. Because, you know, in an ideal world, Richard could be in a wheelchair and he could still do all the things he wants to do," he told me ahead of opening night.A Revolutionary Theatrical VisionThe adaptation, staged in 2024 at the Lyric theatre, Belfast, was a huge success and earned Patrick the judges' award at the Stage awards in 2025. The production came about thanks to a half-joking comment Patrick made on social media in July 2023 when he first shared his MND diagnosis: he listed parts he wanted to be cast for, now that "my limp is really authentic", and one was Richard (another more sarcastic suggestion was Dickens' Tiny Tim).A Career Forged in CollaborationPatrick, who has died aged 35, was a well-known figure in the Irish drama world, having had roles with the Royal Shakespeare Company in productions of The Taming of the Shrew and Measure for Measure in the 2019-20 season, as well as several BBC shows including Blue Lights (2023) and This Town (2024), and others for the Irish broadcaster RTÉ. He also appeared in an episode of the sixth season of Game of Thrones in 2016.The Creative Partnership That Defined His WorkHis career was shaped by his long-term creative partnership with the writer and director Oisín Kearney. They were also great friends. The two met at Cambridge University, where Patrick was in the middle of a physics degree at Churchill College when he realised he wanted to be an actor; he later went to drama school at the Mountview Academy of Theatre Arts in London.Political Theatre and Personal StorytellingTogether they put on several plays at Cambridge, including Frank McGuinness's Someone Who'll Watch Over Me and Samuel Beckett's Play, and jointly led the university's Irish society. Working together, Patrick and Kearney would go on to write, direct and act in many productions for stage and screen. The Alternative, a play that reimagined the Irish Republic as part of the United Kingdom and dramatised a fictitious referendum on breaking up the country, was selected over hundreds of scripts to win Fishamble theatre company's competition looking for "a play for Ireland", with an acclaimed touring production in 2019.From Personal Health to Artistic TriumphFor one of their first projects together, the pair wrote a one-man show, My Left Nut, about a testicular condition Patrick developed as a teenager, in which Patrick played himself and other characters. They premiered it at the Dublin fringe festival in 2017 and took it to Edinburgh the following year. Although it dealt with heavy themes, such as shame and the grief a young Patrick experienced when he lost his father, the Guardian described it as "wincingly funny", and it was later adapted for the screen by the BBC.A Final Performance of Profound ResonanceOne-man plays about body parts would prove the bookends of his acting career. Last year, he and Kearney wrote My Right Foot, a deeply personal production about living with a progressive, terminal condition. Patrick, by then using a powerchair, performed it at the Dublin theatre festival. The Stage called the show "funny, warm and incredibly moving".A Life Shaped by Loss and LovePatrick's off-stage name was Michael Campbell, and he was known to friends and family as Mick. Born in Belfast, the son of Mickey, a computer engineer, and Pauline (nee Hughes), a priest's housekeeper, he went to Rathmore grammar school in the south of the city. He was introduced to Shakespeare by a drama teacher, Gwyneth Murdock, as a teenager, and developed a lifelong love of the playwright's work.The Impact of Motor Neurone Disease on His ArtWhen Michael was eight his father also died of MND at the age of 47. Later, he credited his mum with bringing up him and his three siblings while raising £100,000 for an MND charity. When My Left Nut was broadcast, he told the BBC it had been good to have the opportunity to talk about his dad, saying: "He's been a lot more present in our lives recently, which has been really nice."A Legacy of Determination and HumorSpeaking after his friend's death, Kearney said: "His diagnosis didn't stop him from working. He performed onstage six months before his passing and he was still writing up to the moment he went into a hospice. He was as determined as ever to make work with honesty and a sense of humour."Remembering a Life Cut ShortPatrick is survived by his wife, Naomi (nee Sheehan), whom he married in 2023, and by Pauline and his siblings, Kate, Hannah and Maurice.

The LeadComfyUI, a startup that helps creators control image, video, and audio outputs from diffusion models with a node-based workflow, has raised a $30 million funding round at a $500 million valuation. The round was led by Craft Ventures, with participation from other investors including Pace Capital, Chemistry, and TruArrow.The Evolution of Creative Control in AIComfyUI was started as an open-source project in 2023 shortly after the introduction of diffusion models. At that time, models like Midjourney and OpenAI's DALL-E were barely functional, frequently making major mistakes, such as adding extra fingers to hands. To address these limitations, the project founders developed a modular framework that gives creators granular control over every step of the generation process.Their tool gained such significant traction among creative professionals that it eventually evolved into a formal startup. In late 2024, ComfyUI raised $19 million in Series A financing from investors including Chemistry Ventures, Cursor Capital, and Guillermo Rauch, founder of Vercel.The Financial Growth TrajectoryAlthough the latest diffusion models have come a long way from adding a sixth digit to hands, the need for the granular precision that ComfyUI offers has only grown. The company's latest $30 million funding round at a $500 million valuation demonstrates strong investor confidence in the startup's approach to solving persistent problems in AI-generated content creation.ComfyUI's co-founder and CEO, Yoland Yan, highlighted the limitations of prompt-based solutions: "If you think about your typical prompt-based solution, like Midjourney or ChatGPT, you ask for something, it [gets only] 60% – 80% there. But to change that remaining 20%, you have to try this slot machine."Industry Transformation in Creative WorkflowsComfyUI's node-based interface allows creators to link specific components of the generation process, giving them full control over the quality of their final output. This approach contrasts sharply with traditional prompt-based systems where small changes can result in completely different outputs.Creators seem to agree, as ComfyUI claims to have over 4 million users. The tool is being used by creative professionals for visual effects, animation, advertising, and even industrial design. The startup says its offering has become such a necessary tool of the trade for technical artists and other creatives that it is not uncommon to see "ComfyUI artist or engineer" listed as a job title on studio job boards.The Future of AI Content CreationAlthough video and image foundational models continue to improve, Yan claims that they are far from perfect, and a tool like ComfyUI will continue to be in high demand. "In the world where AI slop is going to be everywhere, the Comfy version of human-in-the-loop approach is going to win out most of the eyeballs in the end," he said.ComfyUI's competitors include Weavy, a startup that was acquired by Figma last year, suggesting that the market for AI creative tools with granular control is attracting significant attention from major players in the tech industry.

The Lead TikTok and Visa have launched a debit card for content creators in the UK that will allow people to quickly access their earnings from the platform. The new service addresses a significant pain point for creators who often face delays in receiving payments from their work on TikTok Live. The Event Details The creator card is designed specifically for the growing number of people making money through TikTok Live, a live streaming feature where creators receive virtual gifts from viewers that are later converted into cash. The virtual debit card links directly to a user's creator account on TikTok, enabling faster access to funds. Launched in 2020, TikTok Live has become a significant income stream for creators, allowing users to broadcast in real time while earning an income. During livestreams, viewers can buy TikTok coins in-app, which are then used to send virtual gifts as a token of appreciation to creators. The card is available to users aged 18 and over with no sign-up fee. Creators can apply through the TikTok app and use the card for payments via digital wallets. While the account linked to the card is not a business bank account, it can be used for creators' other earnings, including from brand partnerships. The Data Analysis According to TikTok, more than 15 million people broadcasted via its platform in Europe in 2025. Visa-commissioned research reveals that 49% of creators have experienced late or inconsistent payments that have affected their ability to run their business, while 41% have had to turn down work owing to cashflow issues. The creator economy, which this new product aims to support, is estimated to be made up of 200 million people globally and could be worth $500bn (£370bn) by 2027, according to Visa's projections. The Impact Analysis The launch of this debit card reflects growing efforts across digital platforms such as YouTube, Twitch and Patreon to formalize how creators are paid for audience engagement. It represents a significant step toward building proper financial infrastructure around the creator economy, which has traditionally been characterized by irregular payment schedules and limited financial tools. For creators, the card offers a solution to a fundamental business challenge: cash flow management. By reducing the time between earning and accessing funds, creators can better manage their finances, invest in their content, and potentially grow their businesses more effectively. The move also demonstrates TikTok's commitment to supporting its creator community and diversifying its revenue streams beyond advertising. By addressing practical financial challenges, TikTok aims to increase creator loyalty and attract more professional content creators to its platform. The Prediction This partnership between TikTok and Visa is likely to be the first of many similar initiatives as the creator economy continues to mature. We can expect other social media platforms to follow suit with their own financial products designed specifically for creators. Over the next few years, we may see the emergence of specialized financial services tailored to the unique needs of content creators, including business banking solutions, tax preparation services, and investment tools designed for irregular income streams. The success of this debit card in the UK market could lead to its expansion to other countries, potentially accelerating the professionalization of the creator economy globally and establishing new standards for digital payment systems in the content industry.