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Democrats Face a Gaza‑Driven Identity Crisis Ahead of 2028The Democratic Party is wrestling with a deepening rift over its stance on the Israel‑Gaza conflict, a division that threatens to reshape its electoral prospects as Kamala Harris contemplates a bid for the 2028 presidency.The Gaza Debate Splits the Democratic PartyRecent internal polling and a new analytical report indicate that the party’s position on the war in Gaza has alienated portions of its traditional coalition. Critics argue that the leadership’s perceived alignment with Israel has driven progressive voters toward independent or third‑party candidates.Polling Shows Potential Vote Loss Tied to Israel PolicyIn the 2024 midterm elections, districts with higher concentrations of young and minority voters saw a 3‑5% dip in Democratic turnout where pro‑Israel messaging was strongest.A post‑election analysis attributes up to 1.2 million lost votes to the party’s Gaza stance.Voter sentiment surveys reveal that 68% of Democratic respondents consider foreign‑policy alignment a top issue for the upcoming 2028 race.Shifting Base Demands a New Foreign‑Policy NarrativeThe Democratic electorate is evolving: younger voters, Black and Latino communities, and progressive activists are demanding a more balanced approach to the Israel‑Palestine conflict. Failure to adapt could push these groups toward rival candidates or diminish turnout, jeopardizing the party’s ability to secure the White House.Progressive caucus leaders are calling for a “human‑rights‑first” framework.Party strategists warn that ignoring the issue may erode fundraising pipelines tied to activist networks.Future Scenarios for the 2028 Presidential ContestAnalysts outline three plausible paths:Recalibration: The party adopts a nuanced Gaza policy, re‑engaging disaffected voters and positioning Harris as a unifying figure.Fragmentation: Continued division fuels primary challenges, potentially handing the nomination to a candidate with a clearer stance on the conflict.Realignment: A significant portion of the base migrates to third‑party or independent tickets, reshaping the electoral map and forcing Democrats to form new coalition strategies.How the Democratic Party navigates this foreign‑policy fault line will be a decisive factor in the 2028 election landscape.

The Birth of a Classic George Thorogood, songwriter, vocalist, and guitarist, recalls the creation of his iconic song 'Bad to the Bone'. Before the song's release, Thorogood's band played obscure blues songs, but they wanted to create an original hit. The Inspiration Behind 'Bad to the Bone' Thorogood explains that the song is a male fantasy, where every guy wants to be 'bad'. He drew inspiration from Hollywood movies, tough guys like Bernardo from West Side Story, and Howlin' Wolf, whom his band opened for in 1974. The Songwriting Process Thorogood followed Johnny Cash's advice for songwriters: writing down rhyming words and working around them. He started with 'bone' and incorporated 'bad', which meant 'cool' in his neighborhood. The Song's Early Days The band shopped the song to Muddy Waters, but his manager rejected it, saying Muddy wouldn't record a blues song by a white guy. Thorogood and his band rehearsed the song to make recording efficient and minimize costs. The Rise to Fame 'Bad to the Bone' took off when classic rock radio stations began playing it, placing it alongside songs by Led Zeppelin, Steve Miller, and The Rolling Stones. Young listeners considered it a classic. Terminator 2 and Arnold Schwarzenegger The song gained further popularity when it appeared in Terminator 2. Arnold Schwarzenegger called Thorogood, saying in his Terminator voice: 'Your song. Give it to me. Now.' The Legacy of 'Bad to the Bone' Thorogood reflects on the song's impact, stating it's an over-masculine chuckle and not to be taken seriously. The song brings out the 'lion in the mouse', and its popularity endures to this day. Jeff Simon's Perspective Jeff Simon, the band's drummer, shares his experience of recording 'Bad to the Bone'. He recalls George working on the song and the band's blues influences.

Lead: Arsenal’s comeback and a young star’s confidenceMyles Lewis‑Skelly reflected on Arsenal’s 1‑0 victory over West Ham, crediting a decisive VAR decision and his own mental resilience as the team edges closer to the Premier League title.VAR Overturn Gives Arsenal Crucial Win Over West HamReferee Chris Kavanagh disallowed West Ham’s late equaliser after a foul on goalkeeper David Raya, awarding Arsenal a direct free‑kick and preserving the win.Goal disallowed in the 95th minuteIan Wright described the decision as “the sweetest words since Martin Luther King’s ‘I have a dream’”Arsenal now sit five points clear of Manchester CityPremier League Table Shift: Arsenal Extend LeadThe result leaves Arsenal five points ahead of Manchester City with two games remaining (Burnley at home, Crystal Palace away). City have a game in hand.Arsenal: 5‑point lead, 2 matches leftManchester City: 1 game in hand, fixtures vs Palace (home), Bournemouth (away), Aston Villa (home)Lewis‑Skelly’s Rise Signals Arsenal’s Midfield EvolutionAfter a season of limited minutes, the 19‑year‑old has made 15 Premier League starts, scored his first Arsenal goal in the 5‑1 win over Manchester City, and impressed in the Champions League quarter‑final against Real Madrid.First England senior goal vs AlbaniaKey performance in 3‑0 win over Fulham, playing in his original midfield roleManager Mikel Arteta praised his “gut‑feeling” selection and mental strengthWhat Lies Ahead for Arsenal and the Young MidfielderArsenal must maintain focus in the final league fixtures and the upcoming Champions League semi‑final against Paris Saint‑Germain. Lewis‑Skelly’s ability to handle pressure could determine whether he becomes a permanent midfield option.Potential to cement a starting role under ArtetaTitle race hinges on results against Burnley and Crystal PalaceSuccess in Europe could boost both player confidence and club prestige

The Collapse of a European GiantThere were more than seven minutes left to play in a crucial end-of-season match, yet San Siro was already half empty. Milan's Ultras had deserted the Curva Sud to prepare a post-game protest, but even the more forgiving parts of the club's fanbase could not be bothered to stay until the end of another humiliating defeat. Their team was losing 3-0, at home, to Atalanta, and it hardly even felt a surprise.With this loss, inevitable as it now appeared, the Rossoneri had collected just seven points from their last eight games. Only three teams in Serie A had done worse over the same stretch. Two of those – Verona, and Pisa – have been relegated. The third, Lecce, are perilously close to joining them.The Maldini Factor and Management DecisionsWatching their beleaguered team struggle to get the ball out from the back against Atalanta's persistent press, fans started to sing for Paolo Maldini. One of the all-time great defenders, he won seven Serie A titles and five Champions Leagues as a player, extending the legacy of success begun by his father, Cesare.Appointed as a director for sporting strategy and development by Milan's then owners, Elliott Management, in 2018, Maldini was promoted to technical director a year later. He played a central role in player recruitment, helping build the team that won Serie A in 2021-22 – the club's first Scudetto for 11 years.Maldini's position was initially confirmed after RedBird Capital bought Milan in 2022. But he was fired one year later, despite having just overseen a fourth-place finish. The Rossoneri had just finished fourth, and Maldini spoke about a need for further squad investment to stay competitive at the highest level. But Milan's most expensive signing of the previous summer, Charles De Ketelaere, had been a flop, and their new CEO Giorgio Furlani said the objective given to him by RedBird was to get the club "living within our means."The Summer Investment and Early PromiseThe appointment of Massimiliano Allegri this summer was supposed to get things back on track. Here was a man defined by Italy's sporting press as a "guarantee" of Champions League football. An aggressive summer transfer window followed, headlined by the arrival of Luka Modric, and featuring significant outlays on the likes of Christopher Nkunku, Ardon Jashari, Samuele Ricci, Koni De Winter, Adrien Rabiot and Pervis Estupiñán.With no European distractions, Milan looked well equipped for a strong domestic campaign. Up until March, they delivered. The performance to beat Inter was classic Allegri, controlling the game while surrendering possession. Estupiñán scored before half-time, and Milan barely gave their opponents a sniff after that. This had been the mode all season: just win, it does not need to be pretty.The Tactical Breakdown and Player IssuesBut the problem with focusing always on the outcome is that you have nothing to fall back on once that part goes wrong. Milan's form early this season was built on the performances of talented individuals – Modric, certainly, but also Rabiot and especially Christian Pulisic, who had eight goals and two assists in the league, despite missing five games, by the end of December.Allegri's innovation was to move the American inside to operate as a centre-forward. He pulled the same trick with Rafael Leão after the Portuguese returned from a calf injury. Both thrived at first, but as their goals tailed off, Milan have struggled to replace them. Too many square pegs forced into round holes? Or is the picture a little more nuanced? Both Pulisic and Leão have been affected by physical issues as the season progressed.Atalanta were excellent, pressing selectively and executing ruthlessly. Giacomo Raspadori, signed from Atlético Madrid in January, brought a typically high-energy bustle behind the attack and it was his blocked shot that rebounded to Éderson inside the box for the opener. Nikola Krstovic, in the No 9 role, pinned his man expertly before laying the ball off to Davide Zappacosta to make it 2-0 before half-time.Fan Protests and Management ResponseWhat stood out in these moments was the clarity of purpose: each player performing the role they are best suited to and understanding what was required. The contrast with Milan's disjointed assembly of talents was stark. Absent the injured Modric, there was no glue to bind them together.Ultras had already made their feelings known before kick-off with a protest outside the ground then a choreography in the Curva Sud, using their bodies and mobile phone flashlights to spell out the letters "G.F. OUT" – Furlani's initials. Reporters saw a pair of fans attempt a protest, holding up shirts with Maldini's name on the back in front of the section where executives sit, but stewards ushered them away.By leaving early, they almost missed an improbable turnaround. Milan pulled a goal back in the 88th minute, Strahinja Pavlovic heading home from a Ricci free-kick. Nkunku, on as a second-half substitute, then won and converted a penalty. Suddenly the deficit was down to one goal. In the seventh minute of injury time, Matteo Gabbia almost equalised, flashing a header wide from another set-piece.Uncertain Future for Italian Football's PowerhouseMilan exist in a different orbit, still fourth in the table, even if their grip on a Champions League spot looks very loose indeed. It feels absurd to say it now, but before this miserable run they were the team keeping the Serie A title race alive. They were the last team to beat Inter, since crowned as champions, on 8 March. The gap between them, with mocking symmetry, was seven points.The layers to these decisions are complex, each party with their own version of how working relationships grew strained. But Maldini's assessment resonated with fans who want to see their team fight for trophies. Milan finished second in 2023-24 but fell all the way to eighth last season, and now find themselves once again struggling to maintain their position among Europe's elite.With the season approaching its conclusion, the question remains whether this is merely a temporary setback or a sign of deeper structural issues at the club. The contrast between the clear, purposeful football of Atalanta and Milan's disjointed performance suggests that tactical clarity may be as much a problem as player quality or management decisions.

The Lead: Awards Show Turns ControversialAlan Cumming, host of this year's Bafta film awards, has launched a scathing attack on the ceremony's organizers, describing them as 'bad people who weren't doing their jobs properly' after an incident involving Tourette activist John Davidson resulted in the N-word being broadcast during the live ceremony.The Event Details: N-Word Outburst at Prestigious CeremonyDuring the February Bafta ceremony, Davidson, who was nominated for multiple awards for his film 'I Swear' based on his life story with Tourette syndrome, shouted the N-word twice, as well as a slur aimed at Cumming himself. The BBC's broadcast of the incident remained on BBC iPlayer overnight before being taken down. Both the BBC and Bafta subsequently issued apologies for the broadcast.Cumming, who was unaware of the full extent of what had transpired during the ceremony, described the event as a 'shitshow.' He explained that he had a device in his ear that made it difficult to hear specific details and suggested that other presenters like Delroy Lindo and Michael B Jordan likely didn't hear the actual slur either.The Impact Analysis: Personal and Professional FalloutThe incident has had significant personal consequences for both Cumming and Davidson. Cumming revealed that he had no plans to host the Baftas again, telling his agent right before the ceremony began, 'Remind me, I never want to do this again.' He described the hosting role as a 'tough gig' where he had to fight against the 'generic, middle-of-the-road' expectations of the audience while trying to bring his 'quirky personality' to the event.For Davidson, the incident led to international media attention and personal distress. In an interview with Variety, he expressed being 'upset and distraught' as the impact of the incident sank in. Davidson emphasized that his tics are 'involuntary neurological misfires' that have 'absolutely nothing to do with what I think, feel or believe,' stating that 'my tics are not an intention, not a choice and not a reflection of my values.'The Aftermath: Apologies and ExplanationsCumming had apologized during the ceremony itself, stating: 'Tourette syndrome is a disability ... we apologise if you are offended tonight.' However, he told the Sunday Times that neither he nor the audience had been warned by Bafta that Davidson might shout offensive slurs. 'They just said, 'There'll be noise,'' Cumming explained, adding that Bafta 'clearly did' know about the potential for offensive language since Davidson had apparently used the N-word at a party the day before.The incident escalated when Davidson gave an interview claiming, 'I'm not a racist. I called Alan Cumming a paedophile too,' which Cumming described as making his name and 'paedophile' appear together in sentences worldwide.The Future Outlook: Rebuilding Trust in Awards CeremoniesThe controversy has raised questions about how awards shows handle guests with medical conditions that might result in unpredictable behavior. Bafta has been contacted for a response to Cumming's criticisms, but the incident has already damaged the organization's reputation for preparedness and sensitivity.As the entertainment industry continues to grapple with issues of inclusion and appropriate representation, this incident serves as a cautionary tale about the importance of proper preparation and communication when hosting events featuring individuals with complex medical conditions. The challenge for Bafta will be to implement changes that prevent similar incidents while maintaining an inclusive environment for all participants.

The Legacy of a Journalistic IconShireen Abu Akleh was more than just a journalist; she was an icon who anchored the Palestinian cause firmly in the Arab conscience. For many Palestinians, including the author of this piece, her voice was a constant in an ever-shifting landscape. She began reporting on pivotal events in Palestine even before the author was born, documenting the second Intifada and the battle for Jenin in 2002. In 2005, she made history as the first Arab journalist to gain access to Ashqelon prison to interview Palestinian prisoners held there for years.During the 2014 war on Gaza, her presence on screen projected hope and resilience despite the anguish she conveyed about the situation. Shireen was loved and respected by all Palestinians, regardless of their faith or political affiliation, for her courage, moral clarity, and unwavering commitment to making Palestinian voices heard.The Assassination That Changed EverythingOn May 11, 2022, the shocking news of Shireen Abu Akleh's killing arrived. Footage showed her lying on the ground, with journalist Shatha Hanaysha by her side, as someone behind the camera desperately shouted for an ambulance. Israeli fire hampered rescue efforts, leaving Shireen bleeding on the ground as colleagues were unable to pull her to safety.The assassination in broad daylight of one of Palestine's top journalists was not just a shocking crime. It was a harbinger of what was to come. A year and a half later, Israel began a campaign of systematic targeting of Palestinian journalists in Gaza. As of today, at least 260 media workers have been killed, with Israel now recognized as the "biggest killer of journalists."A New Generation of Journalists EmergesDespite the assassinations of Shireen and other journalists—including Anas al-Sharif, Fadi al-Wahidi and Mariam Abu Daqqa—there has been no silencing effect. Instead, their deaths have motivated young people to pick up the camera, the microphone, and the pen to continue their work.The author, who was studying English literature before Shireen's killing, shifted their focus from literary fiction to the real world. They realized that while literature preserves culture, journalism defends present truth. This realization led them to enroll in journalism classes and develop new skills, even as the genocide in Gaza made journalism a deadly profession.Bearing Witness in the Face of AtrocityAs a resident of Gaza City, the author became a firsthand witness to the horrors that rained down on the north. They survived numerous Israeli attacks and were forced to flee with their family multiple times. They began journaling about the experience of genocide, often thinking of what Shireen would have said in the face of such atrocities.Remembering Shireen's words—"I chose journalism to be close to the people. It might not be easy to change reality, but at least I was able to bring that voice to the world."—the author started writing about the situation in northern Gaza, documenting the harrowing details of life and death they had witnessed through several sieges and a famine.The Siege of Silence and Breaking ThroughDue to internet blackouts, the author could not connect to the rest of the world for an extended period. After a temporary truce in January 2025 restored some connectivity, they published their first piece, "Surviving war in north Gaza," documenting the untold details of life and death they had witnessed.While this achievement brought pride and satisfaction, it also brought fear for the author's family, who worried that they too could become targets. Nevertheless, the author continued writing even as Israel was killing journalists weekly and the world failed to stop it.The Torch Continues to BurnToday, despite supposed "ceasefires," the murders of journalists have not ceased. Just last month, Israel killed Mohammed Wishah, who worked as a correspondent for Al Jazeera Mubasher. Yet, there are still so many young Palestinians who insist on writing, documenting, and screaming through their words in the face of horror and injustice.They have picked up the torch from Shireen, and they carry it forward. As the author states, "Palestine will not be silenced." Despite the extreme danger, a new generation of Palestinian journalists continues to bear witness to their reality, ensuring that the world cannot ignore their truth.

The Detective's Discovery: A Nazi-Looted Masterpiece ResurfacesArt detective Arthur Brand has uncovered what he describes as the "most bizarre case" of his career: a painting looted by the Nazis from the renowned Goudstikker collection has resurfaced in the home of descendants of a notorious Dutch SS collaborator.The Provenance Puzzle: From Göring to the Family HallwayThe artwork, Portrait of a Young Girl by Dutch artist Toon Kelder, was found hanging in the hallway of Hendrik Seyffardt’s granddaughter. Brand identified the piece by a Goudstikker label on the back and the number "92" carved into the frame, matching an item sold at a 1940 auction.1940: Hermann Göring loots the entire Goudstikker collection as the Jewish dealer flees to England.1940: Hendrik Seyffardt acquires the painting at the Nazi-sanctioned auction.2026: Arthur Brand investigates after a relative confesses the family secret.The Legal and Ethical Implications: The Limits of RestitutionThe discovery highlights the fragility of legal frameworks regarding Nazi-looted art. While the family member expressed shame and a desire to return the painting to the Goudstikker heirs, the police are powerless to act because the theft has passed the statute of limitations.A Global Pattern: The Persistence of Nazi-Looted ArtThis case mirrors a 2025 global headline where an 18th-century portrait from the same Goudstikker collection was recovered in Argentina. It underscores the ongoing challenge of tracking art through generations and the reliance on public exposure rather than legal compulsion to achieve justice.

The Triumphant ReturnIn the gloom of an underlit Barrowlands stage, a man in black is holding a large inflatable phone to his ear and chanting these words: "SFA OK. SFA OK." The man is Gruff Rhys. The band is Super Furry Animals. And the song, Wherever I Lay My Phone (That's My Home), allows them to reintroduce themselves at this, their second gig after 10 years away.Not that they need much introducing. This Glasgow date sold out fast, mostly thanks to fans – going by the age of the crowd – who loved them first time around. Signed to Creation, the label flush with Oasis money, they came to prominence in the mid-90s goldrush.The Britpop OutsidersAlan McGee thought he had found his own version of Blur, but their Welshness and weirdness put them at odds with Britpop orthodoxy. That madcap reputation has tended to obscure what they really are: a formidable songwriting force.Confirmation of their immense skill and range comes when they perform Run! Christian, Run! followed by Juxtapozed with U. The former is 70s-style country rock, the latter an immaculately crafted soul tune. Both are wonderful.The Vocal MasteryIt doesn't get said enough that Rhys is a beautiful singer. Live performance makes this clear. His voice is essentially mournful, but the songs are so sweet with melody that the impression is of Eeyore transcendent – becoming Tigger through the transforming power of pop.He's not much of a showman. Likewise the rest of the band. Mostly they let the songs sell themselves. Yet they have their moments. At the noisy climax of Receptacle for the Respectable, Rhys, Huw Bunford and Guto Pryce gather centre stage, guitars aloft, and press the necks together. It's a bit Status Quo, a bit rutting giraffe, more than a bit thrilling.The Epic PerformanceAs the two-hour show builds to its peak, they lean into epics: Mountain People, Slow Life and, of course, traditional set-closer The Man Don't Give A Fuck, extended tonight to 12 minutes. A singalong protest song against whatever evils of the world you want it to be about, it has lost none of its cathartic anger and vulgar cheer.The Road AheadThe Super Furry Animals have announced additional dates following their successful Glasgow return. Fans can catch them at Venue Cymru, Llandudno, 14 and 15 May; before they continue touring the UK. This reunion not only satisfies longtime fans but also introduces a new generation to their unique musical blend that defies easy categorization.

The Discovery Jem Calder's writing career had a fairytale start. Sally Rooney emailed him, impressed with a short story he'd submitted to the literary magazine she was editing soon after Conversations with Friends came out. It was the first story he'd ever completed. Calder was already 'a huge fan' of Rooney's, so the whole thing was surreal, he tells me. 'I can't really imagine what could top that, to be honest.' The Writing Career That story ultimately ended up in Reward System, Calder's 2022 collection of six interconnected tales following a cast of sad young things living in an unnamed city. It was hailed as a book of the year; a review in this paper placed Calder among 'the most talented young writers of fiction at work today'. Now, his debut novel, I Want You to Be Happy, picks up some of the themes of the first book: the trials of modern love, millennial ennui, consumer culture, technology, political and ecological doom. The Novel's Themes The novel explores the challenges of modern relationships, with characters struggling with commitment, addiction, and the search for meaning in a dismal macroeconomic climate. Calder's characters are addicted to instant gratification – buying stuff, social media, vaping, porn – anything to ward off the world's horrors. The Author's Perspective Calder grew up in Cambridge, studied English at Leeds, and has since worked a variety of jobs alongside writing, including those of his protagonists – Joey is a barista, and Chuck is a copywriter. He says he 'truly can't relate' to authors who complain of writer's block – having to work a day job 'gives me such motivation to get back to it and force myself to deal with something difficult in my writing'. The Future Calder could be grouped with a cohort of young novelists to whom the 'voice of a generation' label can easily be applied, alongside the likes of Rooney, Oisín McKenna, Madeleine Gray – writers concerned with how a dismal macroeconomic climate impacts young lives. How does Calder feel about that badge? It 'isn't something I consciously pursue at all', he says. 'It's unavoidable not to critique capitalism in some way if you're trying to address the absurdities of how we live now, but I also don't care about putting my political views in my fiction. The goal is always to just write realistically about how life feels.'