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OECD preliminary figures reveal a 23% decline in international development assistance between 2024 and 2025, the steepest annual fall recorded since the organization began tracking aid.The United States was the primary catalyst, with its official development assistance slashing nearly 57% in 2025, a reduction that accounts for roughly three‑quarters of the overall drop.Total aid from the 34 DAC members fell from $214.6 billion to $174.3 billion. American contributions shrank from about $63 billion in 2024 to just under $29 billion the following year, according to the OECD.Other major donors—including Germany, the United Kingdom, Japan and France—also trimmed their budgets, and only eight DAC countries managed to meet or exceed their 2024 levels.The cuts arrive at a time of heightened global economic and food‑security uncertainty, exacerbated by the ongoing US‑Israeli conflict with Iran.OECD official Carsten Staur described the plunge as “deeply concerning,” urging donors to reverse the trend as humanitarian needs surge. Oxfam’s Development Finance Lead Didier Jacobs warned that wealthy governments are “turning their backs on millions of lives in the Global South” by cutting life‑saving aid while funding conflict.Academic research links the U.S. reductions to a rise in armed conflict across Africa, with the Center for Global Development estimating that the cuts could have caused between 500,000 and 1,000,000 excess deaths in 2025. A Lancet analysis warns that continuing the downward trajectory may result in **over 9.4 million additional deaths by 2030**.Under President Trump, the United States has dismantled the U.S. Agency for International Development (USAID) and pursued a handful of bilateral agreements with African nations that tie aid to mineral access and health data. Simultaneously, the administration is seeking a historic $1.5 trillion military budget for FY2027** and between **$80 billion and $200 billion** for the Iran‑Israel war effort.Analysts and NGOs are calling on DAC members to restore aid levels and reinforce the global humanitarian system, which they say faces its most serious crisis in decades.

Andy Jassy used his 2026 shareholder letter as a platform to signal a multi‑front offensive against the likes of Nvidia, Intel and SpaceX’s Starlink, while laying out a $200 billion capital‑expenditure roadmap that could reshape Amazon’s hardware ambitions.Jassy’s Letter Paints a Bold AI Chip VisionThe CEO framed the narrative as a “new shift” in AI compute, positioning Amazon’s home‑grown Trainium chips as the price‑performance alternative to Nvidia’s dominance. He also highlighted the Graviton CPU’s penetration among the top cloud customers and hinted at future ventures in robotics and satellite broadband (Amazon Leo).Revenue Projections and Chip Capacity NumbersTrainium3 capacity: nearly sold out ahead of launch.Trainium4 capacity: nearly sold out despite being 18 months away.Current Trainium ARR: $20 billion annually.Potential ARR if sold externally: $50 billion.Nvidia 2023 revenue: $215.9 billion.Graviton usage: 98% of the top 1,000 EC2 customers run on it.Two customers requested “all” Graviton capacity for 2026.2026 capex pledge: $200 billion, primarily AWS data centers.Strategic Ripples Across Cloud, CPU, and Satellite MarketsAWS can leverage Trainium to negotiate better pricing with AI‑heavy workloads, challenging Nvidia’s pricing power.Graviton’s market share pressures Intel’s x86 dominance in enterprise cloud environments.Amazon Leo’s early contracts with Delta, AT&T;, Vodafone, NBN and NASA signal a credible challenge to Starlink in the broadband‑satellite arena.Potential robotics spin‑off could monetize data from >1 million warehouse robots, opening a new industrial‑solutions revenue stream.What’s Next for Amazon’s Hardware Ambitions?Expect accelerated rollout of Trainium4 in late 2027, with Amazon courting external chip customers to close the $50 billion ARR gap.Graviton’s dominance may prompt Intel to accelerate its own custom silicon roadmap or pursue strategic partnerships.Amazon Leo’s mid‑2026 launch could force Starlink to lower prices or expand coverage to retain enterprise contracts.Robotics offerings may emerge as a niche SaaS product by 2028, leveraging the massive data lake from warehouse operations.Continued $200 billion capex spending will likely keep AWS as the world’s largest cloud infrastructure provider, but execution risk remains amid a volatile AI‑chip market.

Mourners gathered in central Gaza to pay their respects to Mohammed Wishah, an Al Jazeera journalist killed in an Israeli drone strike. The funeral procession began at Al-Aqsa Martyrs Hospital in Deir el-Balah, where mourners paid their final respects before carrying Wishah's body to the Bureij refugee camp.Funeral prayers were held at the Grand Mosque, followed by a burial in line with his wishes. During the ceremony, mourners placed Wishah's body at the spot where he had once stood to deliver live reports for Al Jazeera Mubasher, often covering Israeli attacks and the plight of the Palestinian people in the besieged Gaza Strip.At a news conference held during the funeral, Ismail al-Thawabta, the director of Gaza's Government Media Office, stated that Wishah's killing was part of a wider pattern of targeting journalists. He reported that 262 journalists have been killed in Gaza since the start of the war in October 2023, warning that the targeting of reporters aims to silence witnesses and obscure the truth.Family members described the final hours before Wishah's death, with one of his sons telling Al Jazeera Arabic that they had shared a meal just hours before he left for a reporting assignment. Israeli forces have killed 12 Al Jazeera journalists and media workers in Gaza since the war began. Al Jazeera Media Network described the killing as a 'heinous crime' and held Israeli forces fully responsible, stating that it fits into a broader pattern of systematic attacks on its journalists.

Israeli settlers have made a record number of attempts to smuggle animal sacrifices into the Al-Aqsa Mosque compound during the Jewish Passover festival. A total of seven incidents were documented, the highest number since the Israeli occupation began in 1967.The attempts took place while the 144-dunum (36-acre) compound, along with the Church of the Holy Sepulchre, was sealed off for 40 consecutive days due to security concerns linked to the US-Israel war on Iran. Despite the restrictions, settlers successfully reached the borders of the Old City with their sacrifices on at least two occasions before being stopped.Experts argue that the incidents are part of a long-term strategy by far-right 'Temple Mount groups' to encroach on Al-Aqsa, with the aim of taking it over. The groups view the sacrificial rituals as highly symbolic, signifying a transition from waiting to actual field action.The Palestinian Authority has warned that the push for animal sacrifices represents the 'peak of weaponising religious rituals as a colonial tool' to Judaise the mosque. Suhail Khalilieh, a political analyst and expert on Jerusalem affairs, described the Israeli police's detention of settlers as a 'theatrical play' designed to absorb local and international anger while allowing gradual changes on the ground.The use of artificial intelligence-generated images has also been employed by settler groups to rally support and normalise the practice of animal sacrifices within Israeli society. Khalilieh warned that this poses a 'real strategic threat', as it shifts the idea from being a limited, fringe concept to a full popular demand.

Mint, the new drama from Charlotte Regan, is a bold reimagining of the classic love story, Romeo and Juliet. This electrifying drama tells the tale of impossible love between two people from bitter crime rival families.The series stars Emma Laird as Shannon, the daughter of a Scottish crime family, and Benjamin Coyle-Larner, also known as Loyle Carner, as Arran, the prodigal son of a different crime family. Their eyes meet across a down-at-heel train station, and they are incompatible and irresistible to one another.Charlotte Regan drew inspiration from her own experiences and those of her cast and crew. The drama features a unique visual style, with sparse dialogue and a focus on visual storytelling. The show's use of Super 8 fragments and VHS-style footage adds to its distinctive aesthetic.The cast, including Laura Fraser and Lindsay Duncan, deliver powerful performances that bring depth and nuance to the story. Emma Laird praises Regan for keeping her acne in the show, saying it's a huge part of her character's authenticity.Mint is available on BBC iPlayer from Monday, April 20th, with the series airing on BBC One from 9 pm that night.

Cameron Picton, the bassist‑vocalist behind British art‑rock outfit Black Midi, has unveiled his first solo statement under the moniker My New Band Believe. Recorded with a cadre of improvisational musicians—including veteran drummer Steve Noble, formerly of Rip Rig + Panic—the album abandons the band’s signature wall of sound for an intimate, acoustic approach.The record opens with the gentle ballad “Still,” a track originally tucked away on Black Midi’s sprawling rock‑opera Hellfire. Here, Picton’s unadorned vocal delivery replaces Geordie Greep’s theatrical croons, setting a tone of understated sincerity that runs through the entire project.Every song is built from live‑sounding instruments: fingerpicked guitars, double bass, piano, subtle percussion and tasteful string arrangements. This stripped‑back aesthetic allows the lyrics to move away from Black Midi’s often surreal narratives toward more direct, everyday subjects. For instance, the opening track “Target Practice” retains a hint of the band’s dark humor, while “Love Story” paints a nostalgic picture of a couple cooking together, and “Opposite Teacher” reflects on the challenges of fatherhood.Even within this quieter framework, Picton injects moments of tension. The second track, “In the Blink of an Eye,” introduces dissonant chords that remind listeners that “understated” is a relative term for an artist accustomed to sonic extremes. Throughout, the songs remain episodic, with sudden key changes and tempo shifts that echo the restless spirit of Van Dyke Parks’ 1967 Song Cycle—a collaboration Picton initially pursued before budget constraints halted the partnership.Highlights such as “Heart of Darkness” weave together folk‑rock riffs, jazzy drumming and an improvised coda of feedback‑like strings, while “Actress” balances sweet melodies with dramatic pauses and volume surges, ending more as a gradual fade than a conventional finish.Compared with Black Midi’s recent releases—most notably the chaotic, genre‑bending Hellfire and Geordie Greep’s solo effort The New Sound—Picton’s debut feels more approachable without sacrificing artistic curiosity. The album’s constant motion is contained by its acoustic instrumentation, making it easier to love rather than merely admire. It resists standard song structures, defies easy categorisation, and showcases a plethora of unconventional musical ideas, all while wearing its intelligence with a lighter touch.

It's been 20 years since the passing of Muriel Spark, a celebrated Scottish novelist, short story writer, poet, and essayist. With a career spanning over two decades, Spark left an indelible mark on literature with her 22 novels, which are characterized by their uncanny, astute, and witty storytelling. James Bailey, author of the biography Like a Cat Loves a Bird: The Nine Lives of Muriel Spark, provides a guide to Spark's oeuvre, highlighting her unique narrative style. A typical Spark novel begins by introducing an enclosed community, such as nuns, schoolgirls, or desert island castaways, filled with gossip, deceptions, and conflicts. This setup is then disrupted by a dramatic event, like a murder or scandal, allowing Spark to explore the consequences. For readers new to Spark's work, Memento Mori (1959) is a great starting point. This darkly comic novel follows a cast of bickering pensioners who receive anonymous phone calls with the ominous message: 'Remember you must die.' The novel raises questions about mortality, fear, and the human condition. Spark's debut novel, The Comforters (1957), is a remarkable example of her innovative storytelling. The protagonist, Caroline Rose, believes she can hear the clanking typewriter keys of an entity she calls the Typing Ghost, which dictates the events of her life. This novel showcases Spark's ability to blend diabolism, diamond-smuggling, and supernatural elements. One of Spark's most famous novels, The Prime of Miss Jean Brodie, is known for its quotable lines, such as 'Give me a girl at an impressionable age and she is mine for life.' This novel explores themes of favouritism, fascism, and the seductive power of belonging. Spark considered The Driver's Seat (1970) her finest achievement, describing it as her creepiest work. This novel follows Lise, a protagonist whose holiday romance takes a dark and unexpected turn. Spark's works often explored the contrast between public personas and private lives. Her 1968 novel, The Public Image, is a prime example, delving into the world of a film star struggling to maintain her reputation amidst paparazzi and self-absorbed relationships. Spark's short stories, collected in her Complete Short Stories, offer a glimpse into her versatility as a writer. These tales often feature unquiet spirits and explore themes of mortality, guilt, and redemption.

Emil Michael, the Pentagon's under secretary for research and engineering, declared a position in xAI valued between $500,000 and $1 million in March 2025. He sold these holdings on January 9 for between $5 million and $25 million, according to government ethics records. The value of his stake increased by 400% to 4,800% during the period he owned it. xAI, which is behind Musk's Grok chatbot, is not publicly traded, making it unclear how Michael obtained his position, how it was priced, or to whom he sold it. During Michael's ownership, the Pentagon announced two separate agreements with xAI. In July 2025, the Pentagon chose Grok as one of four commercial providers to help the department utilize artificial intelligence. On December 22, the defense department announced a new agreement with xAI, paving the way for the deployment of its advanced capabilities. Richard Painter, a former ethics lawyer at the White House, said that in general, it was a criminal violation for government officials to participate in actions that benefit their own financial interests. "It sounds pretty weird," he said of the transactions. The Pentagon stated that Michael was "in full compliance with all ethics laws and regulations. Any claims otherwise are false."

Doug Allan, a pioneering wildlife cinematographer, died at the age of 74 while on a trek in Nepal, his management firm said, noting he passed away "immersed in nature and surrounded by friends."Best known for his role as principal camera operator on landmark BBC series including Planet Earth, Frozen Planet and The Blue Planet, Allan amassed a remarkable collection of honors, among them eight Emmy Awards, five BAFTAs, and an OBE awarded in 2024 for services to broadcast media and environmental awareness.Born in Dunfermline, Fife, he earned an honours degree in marine biology from Stirling University in 1973 and soon after joined the British Antarctic Survey as a research diver at Signy Island. It was during this period that his passion for filming blossomed, leading to a pivotal encounter with Sir David Attenborough in 1981, which set him on the path to a distinguished career.Allan’s early forays into polar filming began with a 16 mm camera he purchased for an Antarctic expedition, capturing emperor penguins and selling the footage to the BBC—a move that launched his lifelong partnership with the broadcaster.His dedication to extreme‑environment storytelling earned him the Polar Medal twice, underscoring his expertise in filming some of the planet’s harshest locales.In a 2017 interview, Allan revealed he had spent roughly 620 days tracking and recording polar bears. He recounted a memorable moment when a bear’s wet nose brushed a window, likening it to “a squeegee mop cleaning the glass.” Another close encounter saw a hungry walrus seize his legs underwater, which he repelled by striking the animal with his camera.Allan’s visual legacy, described by his representatives as "breathtaking and intimate moments in the natural world," continues to inspire audiences to appreciate and protect Earth’s wonders.