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The LeadThis comprehensive entertainment guide from The Guardian covers all the cultural highlights for the week ahead, offering recommendations across cinema, music, art, theater, streaming, gaming, and more. Whether you're planning a night out or looking for quality content to enjoy at home, this guide has something for every cultural enthusiast.New Cinema ReleasesMother MaryOut nowAnne Hathaway and Michaela Coel play a pop star and a fashion designer embroiled in a psychosexual affair in this A24 drama-slash-thriller from director David Lowery. Also starring FKA twigs, Sian Clifford and Hunter Schafer.Rose of NevadaOut nowStarring George MacKay and Callum Turner, this is a sci-fi drama from director Mark Jenkin about a boat lost at sea for three decades that mysteriously reappears.Exit 8Out nowBased on the hit video game set in a Japanese metro station passageway, this high-concept horror has its protagonist, The Lost Man (Kazunari Ninomiya) trapped in a seemingly inescapable spatial loop.MichaelOut nowSeventeen years on from Michael Jackson's death, his estate-approved biopic finally arrives. Charting his rise from the Jackson 5 to Bad-era superstardom, the film features Jackson's nephew Jaafar in the lead, with Colman Domingo as domineering father Joe.Live Music HighlightsEgo Ella MayManchester, 29 April; touring to 9 MayA fusion of neo-soul and contemporary jazz, south Londoner Ego Ella May's third album Good Intentions gets an airing on this short tour. Keep an ear out for slick tracks such as What You Waiting For.Grand Pianola MusicRoyal Northern College of Music, Manchester, 1 MayPianist Tamara Stefanovich joins the BBC Philharmonic and conductor John Storgårds in Stravinsky's Concerto for Piano and Wind Instruments and John Adams's Grand Pianola Music, inspired by a dream about limousines turning into oversized Steinway pianos.Cheltenham Jazz FestivalVarious venues, 29 April to 4 MayThe 30th anniversary of the ever diverse Cheltenham jazz festival draws a typical raft of established and rising stars. Genre-bending virtuoso violinist Nigel Kennedy (1 May) is an early highlight with Joshua Redman and Emma Rawicz to follow.Louis Tomlinson25 April to 3 May; tour continues BirminghamJust before tours by his former bandmates, Louis arrives in UK arenas in support of January's How Did I Get Here?. With three albums of rock-adjacent pop to lean on now, chances of a One Direction throwback are slim but not impossible.Art ExhibitionsHandpicked: Painting Flowers from 1900 to TodayKettle's Yard, Cambridge, today to 6 SeptemberFlowers are integral to the look and feel of Kettle's Yard: its founders Jim and Helen Ede incorporated fresh cut flowers into the gallery to create visual counterpoints to the artwork and architecture. This exhibition features artists who cared about flowers as much as the Edes, from Henri Rousseau and Winnifred Nicholson to Lubaina Himid and Cedric Morris.George HallettJohn Lennon School of Art, Liverpool, 25 April to 21 JuneSouth African photographer George Hallett's work captures the cultural and political landscape of his country during and after apartheid. This retrospective brings together his most powerful images from a career spanning five decades.

Record Participation and Charity Surge at the 2026 London MarathonThe 2026 London Marathon saw a world‑record 59,000 runners line the streets, generating close to £100 million for charity while consuming 93,024 energy gels.World‑Record Entrants and Two‑Day Expansion PlansOrganisers received more than 1.1 million ballot entries, up 750,000 from four years ago, prompting a plan to split the race over two days in 2027 to accommodate 100,000 participants.Numbers Driving the Running Boom59,000 runners93,024 Lucozade gels consumedClose to £100 million raised for charity1.1 million ballot entries (↑ 750k)One‑third of entrants aged 18‑29, with women forming the largest share under 30How Gen Z and Women Are Redefining UK Running CultureBBC presenter Sophie Raworth noted that a typical training run now attracts 200‑plus women in their late twenties. New‑age “running crews” emphasise community over speed, a trend driven by Gen Z and amplified on TikTok and Instagram.Founder of the female‑focused group Runners and Stunners, Jenny Mannion, says post‑pandemic social needs are steering young women away from pubs toward group runs.Industry leader Kevin Fitzpatrick, vice‑president of running at New Balance, credits the cultural shift for record‑breaking revenues and the success of the new Ellipse shoe.What the Future Holds for the London Marathon and the Wider IndustryRace director Hugh Brasher envisions a two‑day format that could push participation past 100,000, while brands race to create stylish, comfortable gear for an increasingly diverse runner base.Analysts expect the charity‑driven model to grow, with social‑media‑fueled community runs sustaining the momentum for years to come.

The Legacy of a Groundbreaking PerformerWhen Michael Patrick became the first actor in Ireland's theatrical history to portray Richard III as a wheelchair user, he was determined that neither his nor his character's disability be seen as part of the play's inherent tragedy. Instead, as he explained in an interview with the Guardian at the time, he used his still recent diagnosis of motor neurone disease to inform a new understanding of one of the greatest plays in the canon. "It's less about the disability being the tragedy, and it's more about people's reaction to the disability being a tragedy, if that makes sense. Because, you know, in an ideal world, Richard could be in a wheelchair and he could still do all the things he wants to do," he told me ahead of opening night.A Revolutionary Theatrical VisionThe adaptation, staged in 2024 at the Lyric theatre, Belfast, was a huge success and earned Patrick the judges' award at the Stage awards in 2025. The production came about thanks to a half-joking comment Patrick made on social media in July 2023 when he first shared his MND diagnosis: he listed parts he wanted to be cast for, now that "my limp is really authentic", and one was Richard (another more sarcastic suggestion was Dickens' Tiny Tim).A Career Forged in CollaborationPatrick, who has died aged 35, was a well-known figure in the Irish drama world, having had roles with the Royal Shakespeare Company in productions of The Taming of the Shrew and Measure for Measure in the 2019-20 season, as well as several BBC shows including Blue Lights (2023) and This Town (2024), and others for the Irish broadcaster RTÉ. He also appeared in an episode of the sixth season of Game of Thrones in 2016.The Creative Partnership That Defined His WorkHis career was shaped by his long-term creative partnership with the writer and director Oisín Kearney. They were also great friends. The two met at Cambridge University, where Patrick was in the middle of a physics degree at Churchill College when he realised he wanted to be an actor; he later went to drama school at the Mountview Academy of Theatre Arts in London.Political Theatre and Personal StorytellingTogether they put on several plays at Cambridge, including Frank McGuinness's Someone Who'll Watch Over Me and Samuel Beckett's Play, and jointly led the university's Irish society. Working together, Patrick and Kearney would go on to write, direct and act in many productions for stage and screen. The Alternative, a play that reimagined the Irish Republic as part of the United Kingdom and dramatised a fictitious referendum on breaking up the country, was selected over hundreds of scripts to win Fishamble theatre company's competition looking for "a play for Ireland", with an acclaimed touring production in 2019.From Personal Health to Artistic TriumphFor one of their first projects together, the pair wrote a one-man show, My Left Nut, about a testicular condition Patrick developed as a teenager, in which Patrick played himself and other characters. They premiered it at the Dublin fringe festival in 2017 and took it to Edinburgh the following year. Although it dealt with heavy themes, such as shame and the grief a young Patrick experienced when he lost his father, the Guardian described it as "wincingly funny", and it was later adapted for the screen by the BBC.A Final Performance of Profound ResonanceOne-man plays about body parts would prove the bookends of his acting career. Last year, he and Kearney wrote My Right Foot, a deeply personal production about living with a progressive, terminal condition. Patrick, by then using a powerchair, performed it at the Dublin theatre festival. The Stage called the show "funny, warm and incredibly moving".A Life Shaped by Loss and LovePatrick's off-stage name was Michael Campbell, and he was known to friends and family as Mick. Born in Belfast, the son of Mickey, a computer engineer, and Pauline (nee Hughes), a priest's housekeeper, he went to Rathmore grammar school in the south of the city. He was introduced to Shakespeare by a drama teacher, Gwyneth Murdock, as a teenager, and developed a lifelong love of the playwright's work.The Impact of Motor Neurone Disease on His ArtWhen Michael was eight his father also died of MND at the age of 47. Later, he credited his mum with bringing up him and his three siblings while raising £100,000 for an MND charity. When My Left Nut was broadcast, he told the BBC it had been good to have the opportunity to talk about his dad, saying: "He's been a lot more present in our lives recently, which has been really nice."A Legacy of Determination and HumorSpeaking after his friend's death, Kearney said: "His diagnosis didn't stop him from working. He performed onstage six months before his passing and he was still writing up to the moment he went into a hospice. He was as determined as ever to make work with honesty and a sense of humour."Remembering a Life Cut ShortPatrick is survived by his wife, Naomi (nee Sheehan), whom he married in 2023, and by Pauline and his siblings, Kate, Hannah and Maurice.

Al Jazeera reports a growing contest over who ultimately commands the development and deployment of artificial intelligence. From national strategies to corporate roadmaps, the balance of power is shifting, with profound implications for innovation, privacy, and geopolitical stability.Rising Stakes: Governments vs. Big Tech in AI GovernanceNational AI strategies in the United States, China, and the European Union aim to secure leadership through funding, talent pipelines, and regulatory frameworks.Tech giants such as Google, Microsoft, and Alibaba are investing billions in proprietary models, positioning themselves as de‑facto standard‑setters.Academic consortia and open‑source movements push back, advocating for transparent, community‑driven development.Quantifying the Power Shift: Investment and Policy NumbersGlobal AI R&D spending reached $250 billion in 2025, a 22% year‑over‑year increase.The U.S. federal budget allocated $15 billion to AI research in FY2026, while China’s state‑led AI fund topped $12 billion.EU’s AI Act, slated for full implementation by 2027, will impose the first comprehensive risk‑based regulatory regime.Implications for Innovation, Privacy, and Global BalanceConcentrated control could accelerate commercial breakthroughs but risks monopolistic lock‑ins and reduced accountability.Stringent regulations may safeguard privacy and ethical standards, yet could slow time‑to‑market for emerging technologies.Geopolitical competition may fragment AI standards, creating divergent ecosystems that hinder cross‑border collaboration.Looking Ahead: Scenarios for AI Control by 2030Co‑governance Model: Multi‑stakeholder bodies harmonize standards, balancing state oversight with industry agility.Corporate Dominance: A handful of tech firms dictate AI norms, leveraging proprietary data and compute power.State‑Centric Regime: Nations embed AI within sovereign security architectures, limiting foreign access and open research.The trajectory will depend on how quickly policymakers can craft adaptive frameworks and whether industry leaders choose collaboration over competition. The next decade will reveal whether AI becomes a shared public good or a tightly controlled strategic asset.

Meta Veteran Departs for Thinking Machines LabWeiyao Wang ended an eight‑year stint at Meta last week and joined Thinking Machines Lab (TML), marking the latest high‑profile move in a growing talent exodus from the social‑media giant to the AI startup.Multibillion‑Dollar Cloud Deal Powers TML’s GPU LeapTML announced a multibillion‑dollar agreement with Google Cloud at Google Cloud Next, granting the startup access to Nvidia’s latest GB300 chips. The deal places TML in the same infrastructure tier as Anthropic and Meta, following an earlier partnership with Nvidia.Valuation and Headcount Signal Rapid GrowthCurrent estimates value TML at roughly $12 billion, despite having released only one product to date. The company’s headcount has risen to about 140 employees, reflecting an aggressive hiring spree.Soumith Chintala – CTO, former Meta researcher and co‑founder of PyTorchPiotr Dollár – Technical staff, co‑author of Segment AnythingAndrea Madotto – Research scientist from Meta’s FAIR divisionJames Sun – Software engineer, nine‑year Meta veteranTalent War Intensifies Between Meta and Emerging AI StartupsMeta’s recent poaching of seven TML founders is mirrored by TML’s recruitment of senior Meta staff, making Meta both a source and a target in the AI talent scramble. A LinkedIn audit shows TML has hired more researchers from Meta than any other single employer.What the Next Funding Round Could Mean for the AI LandscapeIf TML leverages its cloud resources and talent pipeline into a new funding round, it could challenge the valuation dominance of OpenAI and Anthropic. Analysts anticipate heightened competition for GPU allocations and a possible acceleration of product releases, which may reshape partnership dynamics across the AI ecosystem.

The LeadComfyUI, a startup that helps creators control image, video, and audio outputs from diffusion models with a node-based workflow, has raised a $30 million funding round at a $500 million valuation. The round was led by Craft Ventures, with participation from other investors including Pace Capital, Chemistry, and TruArrow.The Evolution of Creative Control in AIComfyUI was started as an open-source project in 2023 shortly after the introduction of diffusion models. At that time, models like Midjourney and OpenAI's DALL-E were barely functional, frequently making major mistakes, such as adding extra fingers to hands. To address these limitations, the project founders developed a modular framework that gives creators granular control over every step of the generation process.Their tool gained such significant traction among creative professionals that it eventually evolved into a formal startup. In late 2024, ComfyUI raised $19 million in Series A financing from investors including Chemistry Ventures, Cursor Capital, and Guillermo Rauch, founder of Vercel.The Financial Growth TrajectoryAlthough the latest diffusion models have come a long way from adding a sixth digit to hands, the need for the granular precision that ComfyUI offers has only grown. The company's latest $30 million funding round at a $500 million valuation demonstrates strong investor confidence in the startup's approach to solving persistent problems in AI-generated content creation.ComfyUI's co-founder and CEO, Yoland Yan, highlighted the limitations of prompt-based solutions: "If you think about your typical prompt-based solution, like Midjourney or ChatGPT, you ask for something, it [gets only] 60% – 80% there. But to change that remaining 20%, you have to try this slot machine."Industry Transformation in Creative WorkflowsComfyUI's node-based interface allows creators to link specific components of the generation process, giving them full control over the quality of their final output. This approach contrasts sharply with traditional prompt-based systems where small changes can result in completely different outputs.Creators seem to agree, as ComfyUI claims to have over 4 million users. The tool is being used by creative professionals for visual effects, animation, advertising, and even industrial design. The startup says its offering has become such a necessary tool of the trade for technical artists and other creatives that it is not uncommon to see "ComfyUI artist or engineer" listed as a job title on studio job boards.The Future of AI Content CreationAlthough video and image foundational models continue to improve, Yan claims that they are far from perfect, and a tool like ComfyUI will continue to be in high demand. "In the world where AI slop is going to be everywhere, the Comfy version of human-in-the-loop approach is going to win out most of the eyeballs in the end," he said.ComfyUI's competitors include Weavy, a startup that was acquired by Figma last year, suggesting that the market for AI creative tools with granular control is attracting significant attention from major players in the tech industry.

President Donald Trump granted a 90‑day extension to the Jones Act waiver, allowing non‑U.S. flagged vessels to move oil, fuel and fertilizer between domestic ports in an effort to blunt rising energy costs. Extension of the Jones Act Waiver: What the 90‑Day Add‑On Entails The White House announced the extension three weeks before the original suspension expires, giving maritime operators time to secure sufficient vessels. The waiver, first suspended for 60 days in March, now runs until mid‑July 2026. Duration: Additional 90 days (until July 2026) Scope: Oil, fuel, and fertilizer shipments between U.S. ports Rationale: Reduce transport costs that contribute to higher gasoline prices Official Voice: White House spokeswoman Taylor Rogers said the extension provides “certainty and stability for the US and global economies.” Projected Savings and Cost Shifts: Numbers Behind the Waiver The Center for American Progress estimated the waiver could shave roughly 3 cents per gallon off East Coast gasoline prices, while potentially raising costs on the Gulf Coast. Other figures include: 90‑day extension adds roughly $1.2 billion in avoided shipping premiums for oil shippers, according to industry models. Analysts note that the overall impact on the national average pump price is likely under 0.5 %, given the modest size of the shipping cost component. Political and Market Implications Ahead of the Midterms The timing aligns with the White House’s broader strategy to limit politically sensitive fuel price spikes before the November midterm elections, where affordability is expected to dominate voter concerns. Polling data: A Reuters/IPSOS poll found 77 % of registered voters hold President Trump at least partly responsible for recent gas‑price hikes. Blame attribution: 55 % of Republicans, 82 % of independents, and 95 % of Democrats cite the president. Critics argue the waiver “sidelines American shipbuilders” and benefits oil producers without delivering meaningful consumer relief. Outlook: Will the Waiver Stem Fuel Inflation? While the extension may provide short‑term logistical certainty, analysts caution that broader factors—ongoing supply disruptions from the Iran‑Israel conflict, higher global shipping rates, and a lingering geopolitical risk premium—could keep gasoline prices elevated even after the waiver expires. Future scenarios hinge on the trajectory of the Middle‑East conflict and the administration’s willingness to pursue additional regulatory relief before the election cycle concludes.

The Comedic Journey of Urzila CarlsonUrzila Carlson's path to comedy stardom began with a dark childhood in South Africa, marked by her parents' divorce after years of abuse at the hands of her violent father. At just eight years old, she delivered her first joke about her parents' divorce, saying to a teacher: "Miss, it's my dad's fault. My mom really, really wanted to be a widow but my dad wouldn't drink the poison." The teacher laughed, and Carlson was hooked on comedy as a coping mechanism for the trauma she experienced.From Trauma to Triumph: The Making of a ComedianCarlson grew up in mining towns around South Africa, the youngest of three. The night her father hunted her family with a handgun, they were rescued by a neighbor who drove them to safety. After the divorce, her mother raised the three children in Benoni, east of Johannesburg, where they were "dirt poor" but happy. As an adult, Carlson found life in South Africa increasingly demoralizing but discovered freedom in travel. She funded a trip to the US by selling fudge door-to-door with a sign that said HELP ME GET THE FUCK OUT OF HERE. The final straw came in 2006, when armed men stormed the office she worked in and robbed everyone at gunpoint. The very next day, she saw an ad: "Want to emigrate? Why not New Zealand?" Three months later, she was there.Rising to Fame in the Comedy WorldNew Zealand gave her a first taste of standup comedy. When leaving one job as a graphic designer for another, her colleagues gave her a fake contract to sign, making her do an open mic spot at an Auckland comedy club. It turned out they had already booked her for it, and 70 people from her agency were going to watch. She wrote four minutes of material for a five-minute slot, got on stage, and was a hit. The next day she got a call letting her know she was through to the next round of a talent competition she hadn't even known she'd entered. She had never seen a standup show before, and went on to win New Zealand's best newcomer. When the global financial crisis came along and brought redundancy with it, it was like the universe was telling her to go professional: "I thought, you can't ride two horses with one arse. You've got to go for it."Building an International Comedy CareerCarlson is particularly popular in Australia where she is a regular on TV, including Have You Been Paying Attention? and Guy Montgomery's Guy Mont-Spelling Bee, and she holds the record for most tickets sold at Melbourne's international comedy festival. Internationally, she has appeared on QI, Taskmaster New Zealand and Amy Schumer's Netflix comedy Kinda Pregnant. In her latest standup show, Fatty on a Yacht, she recalls turning up for a day on a friend's boyfriend's dad's boat, expecting a tinny and finding a super yacht complete with a hot tub and jetskis. Despite her following in Australia and the US, Carlson refuses to relocate from West Auckland, which she affectionately calls "Bogan Central." She is now back in the southern hemisphere with a sketch show titled Urzila, to be broadcast in Australia later this month, and a sitcom with Nazeem Hussain on the way.Navigating Fame and BoundariesCarlson has two children, and recently decided her 13-year-old daughter was old enough to watch her routines: "I can't say anything filthier than 13-year-olds do at school." She recently took her daughter and her friends ice-skating "and they were all saying to me in the car, 'can you roast us?' … I just looked at them in the rear-view and said, 'No, because I'm a professional comedian and I will destroy you. You'll go home and tell your mom.'" Her phone often dings with messages from fans, including unsolicited photos. "Now I just ignore it," Carlson says. "If I say thank you, I'll get tits. I always say, 'Please don't do that. I don't need to see you naked.' And they go, 'Oh, you're not into tits?' And I'm like, 'No, I'm not into unsolicited nudes.' She gets dick pics too: "To those I just say, 'That's cute – it's just like a penis, only smaller.'"The Future of Comedy: Authenticity and ResilienceAs Carlson continues to build her career, she remains committed to staying true to her roots while pushing boundaries in her comedy. Her journey from a traumatic childhood in South Africa to international comedy stardom demonstrates how humor can be both a coping mechanism for pain and a powerful tool for connection. With her new sketch show and sitcom in development, Carlson shows no signs of slowing down. Her ability to turn personal trauma into relatable comedy while maintaining clear boundaries with fans exemplifies the evolving nature of comedy in the digital age, where performers must navigate new challenges while staying authentic to their voice and experiences.

StrictlyVC SF Announces Uber CTO Praveen Naga as Key SpeakerStrictlyVC San Francisco, the flagship event series for TechCrunch, has expanded its roster for the April 30 gathering at the Sentro Filipino Cultural Center. The headline addition is Uber CTO Praveen Neppalli Naga, who will sit down with TechCrunch editor‑in‑chief Connie Loizos to explore the challenges of scaling services amid the AI revolution.Event Logistics and Speaker LineupDate: 2026-04-30Venue: Sentro Filipino Cultural Center, San FranciscoCore audience: founders, investors, AI developersSpeakers (5 total): Praveen Neppalli Naga (Uber), Lior Susan (Eclipse), Amjad Masad (Replit), Nicolas Sauvage (TDK Ventures), Campbell Brown (former CNN/Meta)Financial Highlights and Scale Metrics$1.3 billion fund recently raised by Eclipse founder Lior Susan for physical‑AI startupsUber’s platform serves hundreds of millions of riders, drivers, and couriers worldwide, providing a real‑world testbed for AI‑driven scalingTicket demand is expected to exceed capacity, prompting a “act swiftly” call‑to‑actionStrategic Implications for AI‑Driven PlatformsThe conversation will likely surface how large‑scale mobility networks can embed generative AI into dispatch, pricing, and earnings systems—areas where Naga has deep experience since joining Uber in 2015. Insights could influence how other platform companies prioritize AI investments, especially in driver‑earnings algorithms and real‑time logistics.Looking Ahead: What This Signals for the Startup EcosystemBy gathering AI pioneers, venture leaders, and media strategists, StrictlyVC positions itself as a nexus for the next wave of AI‑focused funding and product development. Attendees can expect actionable takeaways on capital‑raising tactics from Nicolas Sauvage and on combating AI‑driven disinformation from Campbell Brown, setting the tone for a more mature, responsible AI startup landscape in 2026 and beyond.