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As its title suggests, this musical about Claude Monet is full of reflections – fittingly so given the artist's preoccupation with light. In 1916, while struggling to complete The Water Lilies with cataracts, the ageing painter (Jeff Shankley) retreats into memories of his early career. His single-minded younger self (Dean John-Wilson) may be about to change art forever, but looking back, all Monet sees is the personal cost of his drive, particularly his mistreatment of his first wife, muse and mother of his children, Camille (Brooke Bazarian).For a man usually defined by his success, this alternative reflection is refreshing. Also bouncing back at Monet are his peers' struggles, the artistic establishment's dismissal of impressionism, and art's relationship to war and women. So abundant are these reflections, in fact, that Carmel Owen's ambitious book at times becomes a house of mirrors – enticing but with a distractingly split focus.There are certainly strengths, though, not least Libby Todd's set: a floor-to-ceiling jumble of empty canvases, which fill with huge impressionist paintings, vivid washes of coloured light and animated backdrops rendered in flickering brushstrokes. It's an invitation to step inside the artistic movement that favoured feeling over realism.Director Christian Durham has an accomplished cast on his hands. Shankley brings moving introspection (and a brilliant turn as a sniffy Paris salon clerk), while Bazarian and John-Wilson deliver standout singing on a stage full of mighty voices. Their connection, however, is outshone by those between young Monet and his fellow impressionist upstarts Bazille (a lovable Ritesh Manugula) and Renoir (a breezy Sam Peggs), whose moments together are the show's strongest. They fizz with the impatience of young rebellion, and their bickering, which provides much-needed moments of gentle humour, gives way to genuine devotion.An excellent eight-piece orchestra takes on Owen's songs, which lead us aptly through the story's tonal beats – lush strings for young love; jaunty woodwind for bantering artists. But none are distinctive enough to reach the heights of "hum it all the way home".Like Monet's, this musical's ambition sometimes comes at a cost, but it still lands in a place of beauty and deep feeling.

The connection between boxing and cinema dates back to the early days of film, with the first sports film being a 1894 short of a six-round match between Mike Leonard and Jack Cushing. Since then, boxing has been a staple of the big screen, captivating audiences with its high-stakes emotion, physical intensity, and personal turbulence.The British Film Institute's new season, The Cinematic Life of Boxing, curated by Clive Chijioke Nwonka, an amateur boxer since his childhood in London, explores this symbiotic relationship. Nwonka believes that an uncompromising hunt for realism is central to the relationship between the sport and artform, with films that interact with human experience, poverty, struggle, triumph, and boxing as a way of life.Boxing films often capture a political zeitgeist, as seen in the 1974 'Rumble in the Jungle' heavyweight championship match between Muhammad Ali and George Foreman, which was not just a fight but a referendum on ideology during the civil rights era. This fight was documented in the 1996 film When We Were Kings, described by Nwonka as 'probably the greatest sports documentary of all time'.The Rocky franchise, which has spanned six films and a spin-off series, Creed, under the direction of Ryan Coogler, is a barometer for all the films captured in its wake. The first film remains the hallmark of sporting cinema, successfully capturing the habitual experience of the sport outside its more glamorous moments.Despite the genre's popularity, boxing films are not immune to clichés, with many relying on stock characters and familiar arcs. However, the best film-makers are able to return to the core of these films: the stakes of signing up for a fight, and the physical, psychological, and real monetary costs of endurance.

As Israeli settlers intensify violent attacks against Palestinian civilians in the West Bank, often while Israeli forces stand by, a notable shift is occurring in US political circles. Even staunch supporters of Israel within the Democratic party are now publicly denouncing the escalating violence.In recent days, dozens of settlers have engaged in apparently coordinated attacks, torching homes and vehicles while targeting Palestinian civilians. Since the beginning of the month, Israeli settlers and police have killed at least 10 Palestinian civilians in the occupied territory, including two young brothers and their parents who were returning from a Ramadan shopping trip.Among the voices breaking ranks is Ritchie Torres, a New York Democratic representative and one of Israel's most ardent supporters in Congress. In a statement this week, he declared that "the crisis of extremist settler violence in the West Bank must be confronted, and the perpetrators must be prosecuted to the fullest extent of the law." He called for "zero tolerance for violent extremism, no matter what form it takes."Another pro-Israel Democrat, Daniel Goldman of New York, condemned the violence as an "outrage" and urged House Speaker Mike Johnson to bring to vote proposed legislation seeking to impose sanctions against those "undermining prospects for a two-state solution by committing illegal violent acts." He also criticized the Trump administration for rescinding sanctions against violent settlers that had been issued under the Biden administration.Several other Aipac-backed politicians have joined the condemnation, including Arizona Senator Ruben Gallego, who called on the Israeli government to "stop being complicit," and Arizona Congressman Greg Stanton, who labeled the attacks "acts of terrorism." Ohio Democratic Congresswoman Shontel Brown accused Trump of "green-lighting settler violence," while Nevada Senator Jacky Rosen stated that "violence against Palestinian civilians in the West Bank is a national security threat to Israel and must be treated as such."The political shift comes as US public support for Israel has plummeted. An NBC News poll found that two-thirds of Democrats now say their sympathies lie with Palestinians over Israelis—a dramatic reversal with significant implications for upcoming elections. Meanwhile, 68% of Republicans continue to express stronger support for Israel.A Guardian analysis revealed that Israel has not prosecuted any of its citizens for killing Palestinian civilians in the occupied West Bank since the start of the decade. The UN has warned that the Israeli government has accelerated illegal settlement expansion, forcibly displacing approximately 36,000 Palestinians in the West Bank and East Jerusalem over the past year.Political analysts suggest these pro-Israel Democrats are "trapped between the money they've relied on to make their campaigns work and the voters they actually need to win," with condemnation of settler violence offering a way to express discontent without challenging the Israeli state itself.

Raoul Peck's documentary about George Orwell and his enduring relevance takes as its keynote the heretical masterpiece Nineteen Eighty-Four and its famous scene about the state compelling people to believe whatever it says is the truth: that two and two make five. This Orwellian anti-arithmetic of tyranny has become a political meme often repeated in social media debates.The simple experience of hearing Orwell's prose, both from his published work and letters and diaries, read aloud by Damian Lewis, is invigorating and refreshing. There's an interesting emphasis on Orwell's physical frailty, with him effectively composing his masterwork in the shadow of death. Peck amusingly juxtaposes Orwell's sickness with Winston Smith being made to do exercises and the infatuation of tyrannical regimes with public displays of physical fitness.Peck cites various movie and TV adaptations of Nineteen Eighty-Four and includes footage of Jura, where Orwell went to live, and archive photo records of Orwell's childhood and early working life as a policeman in Burma. The film also shows how Orwell predicted the rise of AI in propaganda and in soulless bread-and-circuses for the masses.The film falls down in not focusing on actual theocracies of the present day and the Orwellian qualities of Isis and Hamas. The question of how far Orwell renounced his own earlier antisemitic tendencies is not entirely addressed in this film.Orwell was disliked by some on the left for daring to write Nineteen Eighty-Four and disliked still more with the revelation 30 years ago that in 1949 he had handed over to British authorities the names of 38 public figures he considered 'crypto-communists' – a fact from which this film averts its eyes. But Orwell's complications don't compromise his genius for truth-telling.

Ilia Malinin, the 21-year-old American figure skater known as the Quad God, has bounced back from his disappointing performance at the Winter Olympics by leading the short program at the world figure skating championships in Prague. Malinin, the defending two-time world champion, delivered a personal-best score of 111.29 in the short program, showcasing a quad flip and a combination of quad lutz and a triple toe loop. This performance has given him a substantial lead of over nine points heading into Saturday's free skate. Despite failing to land his trademark quad axel in competition, opting for a triple version instead, Malinin's routine met expectations. He will look to maintain his lead and reclaim his title. In contrast, French skater Adam Siao Him Fa impressed with a perfect quad toe loop in combination, scoring 101.85 points. Estonia's Aleksandr Selevko was a surprise third with a personal best 96.49 points. Malinin's Olympic struggles saw him fall from first to eighth place after a disastrous free skate, where he fell twice and made critical mistakes. He attributed his performance to overwhelming nerves and negative thoughts. With Olympic champion Mikhail Shaidorov from Kazakhstan skipping the competition, the stage is set for Malinin to regain his form and dominance in the figure skating world.

The World Cup playoffs have reached a critical stage, with several high-stakes matches set to determine which European teams will qualify for the tournament. Gennaro Gattuso's Italy are facing a significant challenge against Northern Ireland, a team they have not beaten in a competitive match since 1983.Craig Bellamy's Wales are also in action, taking on Bosnia and Herzegovina in a match that promises to be closely contested. The winner of that tie will face either Poland or Albania in the playoff final.The Republic of Ireland, who reached the playoffs thanks to Troy Parrott's late winner in Hungary, have a tough match against the Czech Republic in Prague. The victor will play either Denmark or North Macedonia at home on Tuesday.Graham Potter's Sweden are another team in action, facing Ukraine in Valencia with the winner hosting Poland or Albania next week. If Sweden win both ties on penalties, they will become the first team to qualify for a World Cup without winning a single match since Hungary in 1954.These matches represent the final hurdle for several teams hoping to qualify for the World Cup, and the pressure is on for managers like Gattuso, Bellamy, and Potter to deliver results.

Egil Johansen, the landlord of the Kenton pub in Hackney, east London, describes recent incidents involving children as "like the wild west." He has now banned children entirely after a three-year-old fell down a cellar hatch while parents sat elsewhere, a five-year-old crashed into staff carrying drinks, and six parents brought 10 hyperactive children after a birthday party while ignoring their behavior."In every case, the parents blame us when something goes wrong or get really angry when we ask them to control their children," says Johansen, who has run the pub for 17 years. "I'm legally obliged to keep children safe on my premises and if the parents let their children run riot, the only answer is to not allow them in at all."Johansen initially tried banning children only after 5pm, but this interim measure failed to address the underlying issues. Despite online criticism framing him as the "baddie," he expresses sadness about the situation: "I'm a publican; I'm a people-person. It gives me no joy to ban anyone, but it's just not safe: parents don't control their children and our other customers were beginning to go elsewhere. I had no choice."The Kenton's decision reflects a growing trend among UK pubs seeking to differentiate themselves from establishments that "resemble soft play centres without the ball pit." While some welcome this shift, others view it as unwelcoming to families, creating a culture war in the pub industry.Lee Jones, landlord of the Brewers Arms in West Malvern, Worcestershire, reversed a previous child ban: "We're dog-friendly, child-friendly, adult-friendly. We're just friendly – we don't distinguish. Pubs are for the community and I don't see bans in the spirit of what we're here for." Jones reports that when children become rowdy, staff can address the issue with parents, though this is rarely needed.Stephen Boyd, who runs the Alma in south London, took a different approach after attempting to attract young families. He found families with children consumed disproportionate time and resources with special requests for diluted drinks, heated beverages, and customized meals, while adult customers waited longer for their orders."You just need a couple screaming, banging on a table or running up and down, and it dictates the whole atmosphere of the pub," Boyd says. "Parents would take massive umbrage if staff asked them to stop their children doing something." After implementing a child ban, he describes the change as "a fucking revelation" with staff retention improving and takings doubling.Despite the positive results, Boyd faced significant backlash: "I got a lot of online hate. Mainly from people who had never been to the pub but felt I was doing something morally hateful."Tom Stainer, chief executive of the Campaign for Real Ale, acknowledges the debate is "very live" but emphasizes: "But you do have to look at the responsibility of the parents in these situations, not just at the pubs. They're the ones responsible for making sure that their children behave."Financial considerations also drive some decisions. Mandy Keefe, landlady of the Wheel Inn in Ashford, banned children partly for behavioral reasons but also financial ones: "If a third of my Sunday customers were children eating from a reduced-rate child's menu and not drinking any alcohol, that wouldn't be financially viable."Across the UK, pubs are making individual decisions based on their specific circumstances, but as Johansen's experience demonstrates, it only takes one serious incident to settle the question for good.

Marcelo Bielsa, the charismatic and intense manager of Uruguay, returns to England for a friendly match against the host team on Friday. This visit comes four years after he left Leeds United, where he had a hugely successful stint, earning promotion to the Premier League and restoring the fanbase's faith in football. Bielsa's managerial style, known for its radicalism and emphasis on playing the right way, has been both admired and criticized. His teams are known for their high-intensity performances, but also for the physical and mental toll it takes on players. His departure from Leeds United was marked by a boom-bust pattern, where his teams initially perform well but eventually suffer from fatigue and decreased results. During his time at Leeds United, Bielsa was praised for his commitment to social responsibility, having players pick up litter to instill a sense of community and responsibility. His approach to football extends beyond the pitch, emphasizing the role of the sport in society. Uruguay's recent performances have been inconsistent, with a 5-1 friendly defeat to the USA in November 2023 being a significant low point. Luis Suárez, a key player, publicly criticized Bielsa, accusing him of isolating players and creating a culture of fear. Suárez's retirement from international football and subsequent comments have added to the uncertainty surrounding Bielsa's tenure. The upcoming friendly against England provides an opportunity for Bielsa to address these concerns and work towards restoring confidence in his team. Getting key players back in form, such as Darwin Núñez, who has not scored an international goal in 11 games, will be crucial. Bielsa's third World Cup may be his last chance to make a significant impact on the global tournament, and he will be looking to make a strong impression.

The Gran Chaco forest in Argentina, spanning across parts of Argentina, Bolivia, Paraguay, and Brazil, is facing a critical threat from deforestation. Small farmers, enticed by the promise of quick money from selling timber, often contribute to this environmental degradation. However, a collaborative effort between conservationists, NGOs, and international organizations is underway to support small-scale landowners and Indigenous communities in establishing alternative income sources. This initiative aims to enable them to resist the pressures of agribusiness and the timber market. Jorge Luna, a 55-year-old farmer, has taken a significant step towards preserving his 40-hectare land in Chaco province. He rejected an offer to cut down the trees and instead embarked on a second career as a forest tourist guide with Fundación Rewilding Argentina, a non-profit organization working to restore parts of the Gran Chaco forest. Luna now rents out a small campsite to visitors and takes tourists on kayak tours along the Bermejito River. "At first, you didn’t give the plants value. It was a lack of knowledge of what they meant. Now, every leaf that sprouts has an added value," he says. Created in 2010 by Tompkins Conservation, Rewilding aims to protect vast tracts of territory and create economic opportunities for local communities while preserving the biosphere. The organization worked with 15 other organizations to convince the government of Chaco province to turn 128,000 hectares into the El Impenetrable national park, officially designated in 2014. Since then, Rewilding has established a network to support a budding tourism industry. It offers riverside glamping stays while promoting local and ancestral knowledge as possible sources of income. Women have returned to weaving and artisanal production, as well as providing home-cooked meals for visitors. According to Greenpeace, Argentina lost nearly 7 million hectares of native forest between 1998 and 2024, with most of it in the Gran Chaco. An estimated almost 120,000 hectares of forest were lost in northern Argentina in 2024, a 10% increase from the previous year. The primary causes of forest loss are the expansion of agriculture, mainly for intensive cattle ranching and genetically modified soya, and forest fires. The Gran Chaco forest also feeds the timber industry, particularly with the quebracho tree, which produces a tannin used in leather products, and carob trees. Environmental lawyers warn that the Gran Chaco could disappear within two decades if deforestation continues at its current pace. "The Chaco does not receive the same attention as the Amazon – few people even know it exists," says Enrique Viale, an Argentine environmental lawyer and activist. For conservation efforts to succeed, projects must be co-designed with the community, ensuring their long-term objectives are considered. Community empowerment, equal distribution of benefits, and capacity building are crucial factors. Mabel Figueroa, a local weaver, has resumed her craft since the national park opened, selling scarves, blankets, and ponchos to tourists. She raises sheep and dyes their wool with tree bark and forest plants, reviving an ancestral tradition.